I’m really fascinated by the significance of pet names in severance. They’re obviously something the writers put a lot of thought and care into, especially considering one of the episodes is titled after one. My analysis for each:
Atilla (Burt and Fields) - Obviously one of the more unique pet names of the universe. It’s specifically something you wouldn’t understand unless you were in on the joke (much like they seem to be hiding something from Irv). A bit macabre and dark, based on a violent historical figure, which matches the couples energy well.
My Babe (Ricken to Devon) - A twist on a normal pet name to make it just the slightest bit strange, which matches Ricken perfectly.
Baby (Mark to Gemma) - An all around normal pet name, lining up with what we know about Mark and Gemma’s marriage (steady, average). If I were to dive into it a bit deeper, this pet name is revealed in season two, when Mark’s drive is primarily rescuing Gemma from Lumon, and it is a slightly diminutive, nurturing.
Honey (Helly to Mark) - A pet name primarily associated with older, married couples. Honey as a pet name is very intertwined with domesticity. I would say this matches the optimism and longing for normalcy that weaves through Mark and Helly’s relationship. Very aspirational in its use.
Kids (Irv to MDR) - Irv acts a kind of paternal figure for the MDR members. Because orientation is a two person activity, we can presume he was there for all of their births (like he was Helly’s). Has a casual kind of fondness. Interesting side note, the ages of the known MDR members correlate to when they were born into MDR. Irv is the eldest, Petey the second, Mark the third, Dylan the fourth, and Helly the youngest. (I’m not including Carol D because we don’t know her age.)
My Helly (Jame to Helly/Helena) - Very possessive. A reminder that Helly is a child’s nickname, which infantilizes Helly and which has been taken from Helena.
The Princess (Mark to Eleanor) - A pretty basic pet name for a little girl, but adoring. Matches well with Mark’s longing for a daughter. ‘The’ indicates distance from the subject, which correlates to how Mark holds himself away from his family, and specifically has trouble being around his niece due to his own grief regarding parenthood (for example, him having to leave the cabin when she’s born).















