Bird dad.
I’ve always liked the "many-legged" African jacana (Actophilornis africana). It is the males who look after the chicks, and the way they carry them under their wings is an unforgettable sight XD

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@legionsofthehungry
Bird dad.
I’ve always liked the "many-legged" African jacana (Actophilornis africana). It is the males who look after the chicks, and the way they carry them under their wings is an unforgettable sight XD
im gonna cry this person is so sweet to their fish
Four years ago I woke up at 5 am from distant explosions. I asked my boyfriend if he heard them too, he said he didn’t and I should go back to sleep. I tried to calm myself down, went on the internet, it was silent, no news or explanations. I told myself that those were just some weird street noises. Half an hour later I woke up again from the same noses, but louder. This time, there were news: russia launched a full scale invasion. In these 4 years I’ve felt layers of fear, hatred and sorrow I never thought were possible. The war completely changed my perception of the world and justice, it forced me to reevaluate everything in my life and everything I believed in. I’m not very good with words, so today I’ll be sharing some of my very personal artworks exploring some of the complicated feelings and experiences I had over the past 4 years. The war still goes on, in fact it has been going on since 2014 not 2022. russians still kill, rape, torture Ukrainian people, destroy our cities and do everything in their power to erase our nation from this world. Today I would like to ask you to donate to Ukraine and share info about this war. All the links can be found here. Thank you Слава Україні!
This is painful. John Blanche has passed on.
Games Workshop and Warhammer would be nothing, and I do mean NOTHING, without him.
He was the beating heart of GW's worlds, made theses little toy games feel like they had a whole universe behind them.
His body of work is STAGGERING, and the amount detail he packed into each piece truly dwarfed the game itself.
One of the Lords.
Farewell.
👑
And who are u?
What do you think the Ultrasoup tastes like?
Is it a Daddy-written-and-approved recipe?
Reblogging to save.
My original comment on the post had been as follows:
OMG, was trying to find out more about this: It seems to have been based on a meme about the Ultramarines chant in the "Chaos Gate" video game—one of the lines sounds like "Oh, we've made a great soup!" in Russian ("О, великий суп наварили!" per a Redditor). And here I thought they ate ration bars exclusively.
Edit: Link to the relevant soundtrack on YouTube: https://www.youtube.com/watch?v=yx61xeDV_60
Say hello to Zero, the Angel of Destruction: a glowing weapon that leaves trails of blue warpfire with every step and is probably capable of causing even more damage than Horus ever was.
That's two angelic sons, let's compare the differences.
Sanguinius You poor dork— now The Other One,
The Angel of Destruction, also known as Zero and the Sleeper, appears in Inquisitor: Death of an Angel (2003), a little cult narrative released to accompany the game. SO HE IS VERY MUCH CANON
Where the heck is he? Is he alive? Is he still sleeping? WE DON'T KNOW. I swear, every month I discover another son-like being that the Emperor created and then apparently ignored once their "purpose" was fulfilled.
We have the Primarchs, we have Leetu, we have the Sensei (YEAH, HE COUNTS, FIGHT ME), the Angel, and a bunch of forgotten perpetual children. That's probably close to 30 sons of the Emperor just wandering around, doing who knows what, and GW ignores 90% of them.
I BET HE EVEN USED SOMETHING FROM THE ANGEL TO MAKE SANGUINIUS, but I can't prove It, YET.
Now back to drawing Terminators.
It does seem to suit Games Workshop to have humans repeatedly re-discover some monstrosity made by the Emperor. The Angel makes me think of an angel from the Bible (or a stereotype of one, as I'm not that familiar with the Bible): majestic, merciless, and truly an instrument of a god's wrath.
Got another thing off my to-do list! It's based on a scene from Soul Hunter (iykyk), except I wanted Talos explaining it to Eurydice instead of Septimus (because I wanted that final panel). Will still need to do proper art of First Claw someday.
Tried playing around with a style I could use to render these quick, but still make it look good… for future comic projects! Used a hard brush for the linework, and went straight to colors after. Process on my artstation!
At first I wondered who that child was standing by Talos then realized upon reading that it was Eurydice/Octavia. I suppose that's just how many baselines look next to Space Marines.
I don't usually care for tie-ins but it's T. Kingfisher! <pumps fist> Astarion! <gasp> Neil Newbon! <swoon> Also, I usually prefer print to audio, but Newbon's Astarion is so iconic, I might just have to get the audiobook (or both!).
Gotta show off the Impirium of Humanity's great assets
Imma do more of these while resting from rendering hell, and I Would love to draw them in any pose anybody suggests 🫰🏽
Realized I'd be devastated if I ever misplaced this blog post because it makes me smile.
I haven't read Curze's book yet, but I look forward to cringe-laughing at this part.
FANDOM STATISTICS
(because i have autistics)
Short version: the fandom has literally doubled in size in the last 12 months. If you are an older fan feeling alienated, this is probably why. We're in a massive growth spurt!
I absolutely kept forgetting to share this by I commissioned the lovely @soosmain for art of Sanguinius and Magnus, because I love their relationship and there is never enough content of them! As you can see, they did a phenomenal job and I'm completely over the moon with the vibrant colours and exceptional detail put into every part 🥰
@mournivaldisco: I think it was Fulgrim in your story who helped Sanguinius dress for his wedding, but this reminded me of Sanguinius on Prospero.
Night Lords Commissions galore time! 🦇
The bats are popular and it's great. >:3💙
Cyrion & Vivika (OC) 💙
Curze & Lyra (OC) 💙
Night Lords OCs - Sylask & Tierce 💙
I was just rereading the fanfic about Sylask and Tierce and am ecstatic to see a depiction of a curly-haired Night Lord. What cuties. (I wondered, too, what the Chaos mutations might look like on Sylask.) The other pairings are fabulously drawn as well!
commission
I've assembled all the drawn drafts together. Since I started this commissioned drawing work in April 2025, from the first piece of Lion El'Jonson to Ferrus Manus in 2026, each one can essentially be seen as a testament to my progress. I feel genuinely happy (but there’s no time to dwell on it—the 12th Primarch is yet to come. Stay tuned!).
These are amazing! I really get a sense of transhuman dread looking at them, fortified and looking unbreakable.
Has anybody else noticed that Konrad Curze+Night Lords (yeah yeah I'm almost done with this hyperfixation, just finished the omnibus, moving onto Fabius Bile) does a great job of encapsulating a narcissist family system?
Like Curze gets called a psychopath a lot, but he's more in line with vulnerable narcissism. Intense martyr/victim complex, full of self-loathing, incapable of taking accountability/addicted to deflecting blame, pathologically self-centered, constant need for validation, etc.
And it's like he's set up his own lil narc family system with his legion. Guys like Sevatar, Talos (and Shang to a lesser extent) are his Golden Children whereas the rest of the legion are the Scapegoats; Curze heaps attention and praise on Sev/Talos because they feed him validation on demand, show him unquestioning loyalty, etc. whereas Curze regards the Scapegoated members of the legion with contempt because they inconveniently reflect his negative qualities back to him and/or they don't feed him supply by idealizing him.
And, in typical narc parent fashion, Curze cannot handle the idea that he had anything to do with actively fostering this behavior in his Scapegoated children, instead settling on "Well they're just like this, they were always bad"
Moreover, Sevatar and Talos are two different kinds of Golden Children:
-Sevatar spends decades occupying the Ultimate Golden Child role by essentially running Curze's own legion for him, regulating Curze's emotions for him, feeding him supply on demand by putting Curze on a pedestal, never questioning his deeply flawed rhetoric or orders, etc. You see Sevatar basking in this favoritism in the short story "Massacre" when he's boasting to Shang about how Curze favors him most because he understands Curze's vision and he's willing to do what others can't, echoing back Curze's own compliments. He's gulping down the kool-aid.
But then he hits a wall later on in "Prince of Crows", where he's beginning to see through Curze's bullshit and is becoming increasingly burned out by his Primarch being a bottomless pit of need.
Sev is going nuts keeping the legion together as Curze lies in a coma, and then jeopardizes his own health and safety by triggering his latent psyker abilities in an effort to help Curze, but in the process he challenges Curze's worldview one time. Wuh oh, can't do that.
It also illustrates Sev's abiding belief that everything is going to fall apart without his father--he needs Curze--while oblivious to the fact that it couldn't be further from the truth; he's doing great as a commander on his own, if anything everything is better now that Curze is absent.
And Curze confirms this by coming out of the coma, immediately sabotaging Sevatar's work, demanding Sev drop everything to help Curze carry out his own self-absorbed personal vendetta, and then abandoning Sev when the aforementioned latent psyker abilities cause Sev to stroke tf out mid-battle and get captured.
And, as he sits in his cell, you see him briefly hope that Curze will come save him before promptly going "...lol that's not gonna happen". Sev blew up his brain to help his father, but Curze can't be fucked to break his son out of space jail.
Then when other imprisoned Night Lords trash talk Curze for being an idiot, Sev doesn't come to his defense. He doesn't join in, but his reluctance to defend Curze for the first time speaks volumes. He's poured everything he's had into his shitty parent for scraps of praise and he's finally realizing "This is not worth it, I'm exhausted, I think I'm done". And ADB has said we're only 1/3rd through Sev's character arc, meaning Sev does escape at some point but chooses not to return to Curze. AKA he goes No Contact with his shitty dad.
-Meanwhile Talos is the Golden Child who never stops drinking the kool-aid and suffers greatly for it. He's convinced that if he keeps clinging to Curze's vision, his bullshit rhetoric, his flimsy justifications, that eventually it'll pay off by providing his life with meaning and purpose. He has to, because the second he confronts the idea that Curze was never Justice Incarnate--or even knew what the fuck he was doing--he'll have to accept that he gave up any semblence of personal identity and principles just to make a deeply shitty asshole happy...for nothing.
And he starts spinning the fuck out because of this, he becomes more erratic and deluded and self-destructive. In other words, he starts becoming his awful dad.
So Sevatar is the Golden Child who wises up and decides to stop the cycle, whereas Talos is the Golden Child who perpetuates the cycle because he can't let go of the idealized perception he has of his abusive father.
Meanwhile you have the Scapegoats doing what Scapegoats do best: standing on the sidelines and saying "Are you insane, our dad's a fucking asshole, he's always been a fucking asshole, how the hell haven't you figured this out by now? C'mon, you're smarter than that"
I've yet to read "Prince of Crows" but I like this analysis of Curze's relationship with his sons. I think it's also why I find the Night Lords so compelling, especially in comparison with the legions that stayed loyal. I can understand remaining aligned with the Emperor. But the reason why some primarchs turned traitor is fascinating, whether they were deceived by or embraced Chaos or because of psychological problems, like Curze.
(Also wasn't aware of Aaron Dembski-Bowden having said Sevatar's character arc was incomplete. I definitely want to see what happened to him after the Heresy.)
i'm going to say something insane. i think the overall pronounced fandom cultural slide away from complex plotty violent work and towards kidfic and coffee shops AUs and cozy domestic romcoms is a symptom of fascism.
okay actually this is a great phrase for it
Reblogging this for the term "neopastoralism", because I think that's fantastic.
Coffee shop AUs are, like... fine. They're not my thing, but they're hardly going to end the world. We don't need to have a moral panic about people enjoying coffee shop AUs. I'm also not about to come for anyone seeking escapism in the current hellscape.
However, I do think it's interesting to examine the tendency within these AUs to project a sort of idyll onto the coffee shop: here is a whimsical place where you can spend time with your friends and potentially meet your true love; here is a world where the greatest dilemma you may face is choosing the right coffee syrup for a new beverage or sneaking your number onto that to-go cup without being obvious.
The fantasy of the coffee shop AU is divorced almost entirely from the reality of an actual coffee shop. There are no abusive, creepy customers or bosses; there is no mention of the barista's wages; we don't see the dishwasher sweating at their station, the cashiers' aching feet; the person whose job it is to clean the (customer-only?) toilets. These topics are Political and Depressing and Must Be Avoided, because Political and Depressing things are antithetical to this kind of escapism.
The coffee shop AU exists, not in a world without capitalism (because this is a setting where commerce is actively happening) but in a world where capitalism has no teeth: a world where capitalism somehow works. In order to be convinced and soothed by this fantasy, you must suspend your disbelief and avert your eyes. You must filter the coffee shop through a neopastoralist lens.
To me, there's something very uncanny about it.
I've made this observation before, but there's a distinct and strong correlation between "wanting simplistic, saccharine, and morally binary media" and "authoritarianism". It's not a 1 to 1, which is where a lot of people seem to misunderstand things; it's not "If you like fluff, you're a jackbooted authoritarian." Very much not. This is a pattern that grows up out of thousands--hundreds of thousands--of individual interactions, out of culture, out of a shift of perspectives on what is seen as the norm and what is seen as outrageous.
Individual people liking cutesy fluff? Not a problem. Thousands of people insisting that fluff is the only acceptable option and if you dare make them think and consider, you're the problem?
That's a Problem.
It's the shifting of norms in culture, and fandom is not an isolated bubble--it's a representative of larger trends. And the trend right now in our larger culture, especially in America, is authoritarianism. Authoritarianism that has gone past "creeping" and is now "prancing", "dancing", "galloping", or dare I say goosestepping. Of course that's going to have an impact on the cultural scenes, including fandom!
And there's a correlation in societies that want saccharine fluff and their own authoritarianism. I can point to numerous examples--Victorian England with the censored stories for children. The USSR with an entire kitschy style of stories and art. The USA before the rise of Trump with Thomas Kinkaid's art. And that's just scratching the surface.
The main point in bringing this up is to be aware of the trend, not to take it as a personal attack for enjoying fluffy stories.
And I think the way to keep this from pendulum-swinging into “fluffy stories bad” (because we know this does happen with any observation of problematic trends—see: feminist critiques of objectification turning into puritanical sex-negativity, critiques of appropriation turning into enforcing cultural “purity”, etc) is to shift the focus from the presence of this kind of fiction to the proportional absence of the alternative.
Obviously, the presence is easier to spot—you can actually see something that is present, but you can’t directly see something that’s absent—so it makes sense that this is the first piece of evidence in building this critique, but the critical thing that makes this an issue is the absence of engagement with challenging works, not actually the engagement with unchallenging ones.
Positive emotions and things that make us feel safe and cared for are as important a part of the human experience as for the negative. And safety-seeking can be as much a response to the rise of fascism to get away from it as an indication of people falling into it. We just can’t only have the safe, unchallenging stuff. Because it is that censorship and cutting out of fundamental parts of human experience that feeds into the social conservatism & puritanism of authoritarianism.
I am reblogging this because I saw the first few reblogs posted elsewhere without the rest, and I want to give opinions as someone who writes on both sides of this in the context of Warhammer. Fluff is not some evil tradwife nonsense trying to convert you to fascism. But, complex, dark themes need to have space too. I have been criticized separately for both "pushing tradwife ideas" in my fics (the fluff, families, marriage etc.) AND have been criticized as being too much for my horror (the DV fics, gore, hopelessness etc.) Fandom spaces need room for people to explore the full gamut of the worlds they are in. I have seen other fandoms fall apart because of the rampant overtake of censorship purity culture. "Writing that topic makes you a bad person" type of culture. Specifically, the "if you DON'T sanitize your work, you are bad" part. I want to be clear, writing the sanitized works is not what is the issue, it is forcing that onto people who do not. I like Warhammer because the insane gore and satire of fascism and zealotry mean it is inherently an older audience that leans more into the horror and grimdark stuff. I could not write what I write here for other media I have enjoyed, even those that themselves have dark and mature themes but to a lesser extent. That is a problem. I want to be able to actually discuss hard topics in things I enjoy.
I have had comments about this on my fics even here, in the violence and girmdark fandom. Canon typical themes should not be attacked, at a minimum. However:
Due to what seems to be a backlash of purity culture that I have so far only personally experienced in Warhammer 40k, I now am getting attacked for writing things that are "fluff" or "domestic", and being told it is spreading fascism. In the fascism is bad satire fandom. Writing wives having "traditional" roles or children in a world built on the satire of traditional ideas is not "being a tradwife", it's exploring the world that is themed around that. I do not ONLY write women in these roles, because canonically women fill many roles in WH40k, but these are the ones people get mad about. And frankly it is a little concerning sometimes that just writing about a woman having children can get these comments, or being married in general.
(I can't say I love the implications that choosing to marry and have kids is at its roots anti-feminist, as a married woman who wants kids and is also a feminist, but I digress) But sometimes I want to explore the horror aspects, the cruelty, the nightmarish reality of the normal people living in the 40k universe. Sometimes I take the exact same idea (A primarch has a wife and loves her) from fluff, and reframe it as horror (A primarch is inherently inhuman and if they had a wife, they would not be normal about it). That's okay and not automatically superior to the less horrific things I want to write.
And of course there are always people who will attack you for writing porn on both sides of the aisle. Sex is not a moral failure, it can be explored in good and bad ways. Sometimes things are just hot. There are no thought crimes. Art is amoral. Sex is amoral.
Controlling what other people read and write in any direction though is wrong and will be the death of your community. Do not gatekeep, censor, sanitize, or moralize other people's art. You can have opinions on the things they are expressing in their art- if someone uses it to platform beliefs you do not agree with you can say that! But Censorship will not make them stop.
If you enjoy HAVING a fandom and getting new art and writing for it, stand up against censorship in it. I will keep writing what I like and getting people calling me names whichever which way, but I know people who have been chased away on both sides by these things.