i want this pen so I can write what I know about merrily (aka fanfic) 🙏
Today's Document
sheepfilms
The Stonewall Inn
Sweet Seals For You, Always
No title available
No title available
Noah Kahan
he wasn't even looking at me and he found me
will byers stan first human second
Aqua Utopia|海の底で記憶を紡ぐ
cherry valley forever

tannertan36
Keni
Misplaced Lens Cap

Love Begins

Andulka

#extradirty
Sade Olutola
Stranger Things

Product Placement

seen from Türkiye

seen from United States
seen from United States

seen from United States
seen from United Kingdom
seen from United States

seen from United States

seen from Serbia

seen from United States
seen from United States
seen from China

seen from Malaysia
seen from Indonesia

seen from United States

seen from Spain
seen from United Kingdom
seen from Germany

seen from Malaysia
seen from India

seen from United Kingdom
@lemonboy38
i want this pen so I can write what I know about merrily (aka fanfic) 🙏
Anyone have experience with wonababi’s binders, specially the beginner style? I’m considering getting my first one but I’m still kinda hesitant. I already layer with tomboyx compression tops so im worried wonababi’s will just be the same amount of binding. I was also looking at spectrum and GCTBL’s off Amazon cause I’ve heard some decent reviews, and it’s a better price. Also heavily debating between skin tone or white color so if anyone has a recommendation on which is better
so excited for trust the man to see Daniel Radcliffe and Jonathan Groff working together again. I’ve been obsessed with merrily for the last couple months so
I’ve been trying to figure out if it’s gay or not because the “dangerous and uncontrollable” connection between them sounded a bit suspicious and I jst watched an old interview where dan radcliffe said how it explored homosexuality in the military xbsiwuduchzbbajdicueuxhhxwb
im pretty excited to see more abt it I think my friends will be hearing a lot about this until it releases (and prob after too)
omg he needs to get brown contacts im so scared
One of the many things I love about Merrily We Roll Along, is how every time you rewatch it there’s another little callback/reference you can notice.
like genuinely, I’ve listened and studied and rewatched it many times and recently found more interesting details on my latest run.
I’m not sure if I was just completely oblivious to this, but I’ve just recently made the realisation that when Frank says the only mistake he made was saying “yes when he meant no”, is a callback to Charley in The Blob Part II telling Frank to just “say no” to singing GTG again. I was always a little confused by Franks “yes when he meant no” line, so I guess this was an example of him people pleasing. Anyways I’m not sure if that was supposed to be noticed my first watch through but I thought it was neat.
oh also I love the reoccurring “me Columbia, him Juilliard” line from Charley. Originally said on the rooftop scene to Mary, with so much warmth then it’s said again in the interview and there’s just so much exhaustion in his voice.
my third note is a little more far fetched, possibly delusional but who cares. I recently remembered that Daniel Radcliffe doesn’t actually wear glasses, so Charley wearing glasses is a costume/directorial choice? Also checked in the original production, Lonny Price’s Charley also seems to have glasses (however I’m not sure if he actually wore them in real life. I fear I’m not the person for og merrily info, ik of some people who definitely are). Anyways, my connection of this was that The Blob, Tyler I think, and later Frank wear the shaded sunglasses that hide the window to their souls. Also, Frank first puts on the sunglasses when he’s boarding the yacht, after he was just told to ignore and escape his problems/work. It’s an interesting juxtaposition, because Charley maintaining those clear glasses while Franks are shaded could sorta imply a couple things. Some being, Charley’s view on their dreams stays clear and unchanged through the years while Frank’s view gets clouded as he takes on his “rich and happy” persona. Also could be a reference to their emotions, with Charley being open and Frank becoming closed off as he gets older. Or there’s genuinely no meaning behind them besides that Charley looks cool in glasses and Frank likes his badboy sunglasses (most likely option, honestly). Either way, I enjoy over analysing things. My brain already does it anyways, so why not make it fun and about my favourite musical!
Anyways there’s my ramble, i don’t know if any of this even makes sense outside my brain because re reading it I don’t understand my own words but oh well
Obc merrily 👀
Lonny price HAS worn glasses outside of merrily like in Muppets Take Manhattan/ real normal non acting photos of him
The right one is him during merrily rehearsals
Plus he wears them now
But he’s kinda 67 right now, so I don’t think his eyes are in the best shape they’ve ever been in
But he also has had no glasses as seen on the left in his headshot and a good amount of other times
THERES ALSO images of him as Charley with NO glasses… but they’re very very rare
I think just like this one (Old Friends/Like It Was) and some during Franklin Shepard Inc
Either way I’m glad he had the glasses cause who would Charley be without his iconic glasses 😔💔
thank you for the info, I was wondering if my post would summon you as the resident obc merrily/lonny price expert. honestly most of my knowledge of it comes from your posts, but someday I’ve gotta start looking more into the obc stuff bc rn most of my info is from the broadway revival. Although, I’ve just recently acquired the 1994 production’s CD so I’m excited to give that a listen.
“rich and happy” agdhsnusuxh i discovered it through an animatic on here and I thought it was really catchy, so it randomly will get stuck in my head sometimes lol
misc musical theater stamps (alternative crops below cut)
Quick Writing tip:
If you're nervous about every character sounding the same, try removing the dialogue tags and see if you can still tell who's speaking.
if you can't, they probably need more distinct voices.
How many drafts should you go through before deciding your novel is ready?
There's no specific (official) number, but to create a foundation that ensures you don't burn out quickly, overwork yourself, and get tired of your work, I'll say four. It's the same number I use for my students since most of them have other engagements outside writing that take up a copious amount of their time.
1. Initial or Zero Draft:
This draft is also called the 'just write' draft. Focus on putting that idea down. As the creative juices flow, let it all out. Don't worry about perfection or coherence; the goal is to capture your raw ideas and get the story out of your head and onto the page.
2. Second Draft:
This is the plot draft. Read through what you have written to see if every detail you added was meant to be. Here, you focus on the structure of your story. Ensure that the plot makes sense, the pacing is right, and there are no major plot holes. This is where you might add, remove, or rearrange scenes to improve the overall flow of the narrative.
3. Third Draft:
Character development draft. In this stage, you look deeper into your characters. Make sure their motivations, backgrounds, and arcs are well-defined and consistent. Flesh out their personalities and relationships, ensuring they are compelling and believable. This is also a good time to refine dialogue and make sure it sounds natural and true to each character. That's for this drafting stage.
4. Fourth Draft:
Grammar and punctuation draft. This is the polishing stage. Focus on correcting grammatical errors, punctuation, and spelling mistakes. Pay attention to sentence structure, word choice, and overall readability. This draft is about making your manuscript as clean and professional as possible.
Keep in mind that the goal is to define what completion means for each draft. Once you reach the goal, take a break and return to it for the next drafting stage.
Some writers pay people to carry out some of the drafting stages for them, so if you fall into that category, you might have fewer drafting stages to handle yourself!
Reblog to save for later 😉
Thank you all for the support 💜!
One of the many things I love about Merrily We Roll Along, is how every time you rewatch it there’s another little callback/reference you can notice.
like genuinely, I’ve listened and studied and rewatched it many times and recently found more interesting details on my latest run.
I’m not sure if I was just completely oblivious to this, but I’ve just recently made the realisation that when Frank says the only mistake he made was saying “yes when he meant no”, is a callback to Charley in The Blob Part II telling Frank to just “say no” to singing GTG again. I was always a little confused by Franks “yes when he meant no” line, so I guess this was an example of him people pleasing. Anyways I’m not sure if that was supposed to be noticed my first watch through but I thought it was neat.
oh also I love the reoccurring “me Columbia, him Juilliard” line from Charley. Originally said on the rooftop scene to Mary, with so much warmth then it’s said again in the interview and there’s just so much exhaustion in his voice.
my third note is a little more far fetched, possibly delusional but who cares. I recently remembered that Daniel Radcliffe doesn’t actually wear glasses, so Charley wearing glasses is a costume/directorial choice? Also checked in the original production, Lonny Price’s Charley also seems to have glasses (however I’m not sure if he actually wore them in real life. I fear I’m not the person for og merrily info, ik of some people who definitely are). Anyways, my connection of this was that The Blob, Tyler I think, and later Frank wear the shaded sunglasses that hide the window to their souls. Also, Frank first puts on the sunglasses when he’s boarding the yacht, after he was just told to ignore and escape his problems/work. It’s an interesting juxtaposition, because Charley maintaining those clear glasses while Franks are shaded could sorta imply a couple things. Some being, Charley’s view on their dreams stays clear and unchanged through the years while Frank’s view gets clouded as he takes on his “rich and happy” persona. Also could be a reference to their emotions, with Charley being open and Frank becoming closed off as he gets older. Or there’s genuinely no meaning behind them besides that Charley looks cool in glasses and Frank likes his badboy sunglasses (most likely option, honestly). Either way, I enjoy over analysing things. My brain already does it anyways, so why not make it fun and about my favourite musical!
Anyways there’s my ramble, i don’t know if any of this even makes sense outside my brain because re reading it I don’t understand my own words but oh well
Just saw the Merrily We Roll Along proshot (first time ever seeing/listening to the musical) and I am shocked that everyone thinks the show is sad. To me it reads as the potential for a beautiful future; you’re not too old to change. Even in “Franklin Shepard Inc.” Charley is saying that he can’t wait to go have a drink with him, Mary is still at his party—and then in the opening song both of them are staring at him and smiling. They could’ve staged it so they were upset, or angry, but no!
“Dreams don’t die” Frank still has a chance to make music, to reconnect with his friends, to apologize. And I think the show (at least the proshot) implies that he does. Or he will. That Mary and Charley, despite all the bad blood, are still his old friends. They will pull through for him.
I dunno, I see the show as sad, yes 100%, but also uplifting, in a way. That no matter how much crap you put someone through, even if you abandon your dreams and end up miserable at 40, you can still change, try to get back on track. As long as you realize where you went wrong and figure out how to fix it.
missing them rn zzz...
sigh fr
(sometimes when im having a rough day i carry about a mini print out of the playbill like someone carrying a picture in their wallet of their partner whos in the army)
”we just don’t want you to be typecast as a guy all the time bc of your hair.”
uhh but maybe I want to be one? maybe I’m more comfortable playing one in theatre, maybe it makes me feel better because in theatre you can play any role any gender and like people don’t care too much cause it’s just “pretend”
when you finally were able to get a short haircut a couple years ago but everytime you ask for a trim/haircut again because it’s getting longer they hit you with the “i like this length” and obvious reluctance because ig they were hoping id just keep growing it out and be back to my long hair (even tho im more happy like this):
ouch this hurts. (i love it)
here's to us. who's like us? damn few
this is so adorableeeeee
Struggling with emotional scenes? Here are some tips for writing emotion!
=========
1. While you’re writing, try to build an explanation for their feelings. What triggered their emotion? Is their reaction rational or are they overreacting? Do they fight, flight, fawn or freeze when provoked? Do they feel threatened?
=========
2. Show, don’t tell. Describe what is happening instead of plainly stating the situation. Try not to use words like sad, happy, devastated, in pain, angry, nervous, scared, or worried. They cut back on the emotional integrity of the scene and make it hard for readers to connect with your characters. Here are some different behaviors for different emotions.
-Eager-
Bouncing up and down
Unable to sit still
Breathing deeply
Fidgeting
Pretending to do something
Trying to stay busy
Constantly looking at the clock
-Nervous-
Red and hot face
Sweaty palms
Voice cracks
Shaky hands
Biting nails
Biting lips/inside of cheek
Wide eyes
Shallow breathing
Heart racing
-Excited-
Wide smile
Squeal/scream
Bouncing up and down
Fidgeting
Playing with hands
Tapping foot
Talking fast
Tapping pencil
Pacing back and forth
-Scared-
Curling up/bringing knees to head
Closing eyes
Covering ears
Stop breathing or breathing quickly
Biting nails
Shaking
Gritting teeth
Hugging/squeezing something tight
-Frustrated-
Stomping
Grunting/mumbling/yelling
Deep breaths
Red and hot face
Hitting/kicking something
Pointing
Straining/veins become more visible
-Sobbing-
Eyes filling up with tears
Eyes burn/turn red
Red cheeks
Face becomes puffy
Pursed lips
Holding head down
Hyperventilating
Fast blinking
Trying not to blink/holding back tears
-Happy-
Smiling wide
Laughing loudly
Cheeks hurting
Talking loudly
Higher pitched voice
Animated/expressive
-Upset-
Walking slowly/shuffling feet
Head down/avoiding eye contact
Biting inside of cheek
Dissociation
Keeping quiet
Fidgeting
-Bored-
Pacing back and forth
Sighing loudly
Complaining
Fidgeting
Blank face
Looking for something to do
Making up stories
Talking about random topics
=========
3. Try and bring some trauma into your character’s emotions. For example, something might happen that reminds them of a suppressed/traumatic memory. This is an easy way to hook your reader and have them really feel like your character is a real person with real emotions. They might have some internal conflict they need to work through and a certain situation reminds them of that. They might become irritable at the thought of their traumatic experience and they might snap at whoever is nearby.
=========
4. Most characters won’t dump their entire backstory or feelings in a conversation. Try and reserve your character’s emotions to make more interesting scenes later on. For example, your character may be triggered and someone may ask them what’s wrong. Will they give in, soften up and share? Or will they cut themself off and say they’re fine? Also take into account that your character might not know the other character very well and won’t be comfortable sharing personal information with them, like details regarding their trauma.
=========
5. Last but not least, you don’t need to have a major event happen to connect emotionally with your audience. You don’t have to kill off a character every time you need to spice up your story, even simple interactions can just help your readers understand your character better. Show how they react to certain topics or situations. Describe their feelings, their surroundings, their body language. Their defense mechanisms will help the audience to better understand what kind of person they are.
=========