love my pumpkin
scary my pumpkin
sheepfilms
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art blog(derogatory)
DEAR READER

izzy's playlists!
almost home

ellievsbear

Love Begins
NASA

PR's Tumblrdome
RMH
let's talk about Bridgerton tea, my ask is open

pixel skylines
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Product Placement
Sweet Seals For You, Always
Game of Thrones Daily
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
Mike Driver
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@lentamenteperfavore
love my pumpkin
scary my pumpkin
when bashir asked dax out in the first episode and sisko was like "i wonder if he'd be interested if you were still some old man" What no one realised is the answer was probably yes
☆tiger☆
Naboo (Chommell sector of the Mid Rim; Trailing Sectors) STAR WARS: EPISODE I – THE PHANTOM MENACE 1999 | dir. George Lucas
there basically isn't a single established action archetype that you can't improve tenfold by making it a girl
the old master. the sneering rival. the implacable pursuer. the pragmatic mercenary. the combat hedonist. the sleeper operative. the guy who's just really big. the list goes on
norbert, the aggrieved
ever-jovial barnaby
the great archibald
shrewd percival
timid constantine
There's a recurring online tendency to aestheticize consensus itself. The imagined future village is full of emotionally compatible people who enjoy communal gardening, conflict resolution circles, acoustic folk music, mutual aid potlucks, and repairing bicycles together at sunset. Which is nice for the people who genuinely enjoy that lifestyle. But plenty of humans are solitary, prickly, obsessive, urban, nocturnal, sensory-seeking, technologically attached, contrarian, novelty-seeking, private, or just plain difficult. Those people do not evaporate after the revolution. They do not get Left Behind while you are Raptured into the Utopia. They become your neighbors.
The part about it being envisioned specifically as a "village" is relevant, I think, in that these kinds of people romanticize small rural villages as this ideal form of close-knit community to which we must retvrn, in contrast to the hard, alienating city life. But I'd argue that sure, dense urban environments can be alienating in certain ways, but they're also in many ways more utopian simply in that they force people to learn to peacefully co-exist as a community with others very different from themselves. The rural village appears to live in idyllic consensus because everyone who did not fit in has either been ostracized away, worn down into conformity, or has voluntarily fled to the nearest big city as soon as they were old enough.
the utopian character of the city is not only in that it teaches coexistence but also in that it fosters the development of communities within its community. a city is a thousand villages you can visit and join and leave without abandoning the comforts of your home and the stability of your lifestyle and the fundamental sense that you still ultimately belong. you can have even more tightly knit communities of maximally compatible people when more people have the opportunity to self-select and be accepted into them, and to self-select out of them without the coercive force of exclusion from your entire societal context. you can also have looser communities that benefit their members without them having to holistically get along with each other! people can be in multiple of both of these at the same time!! social butterflies can flourish to the greatest extent their own bodies and brains can handle, and the most closed-off self-sufficient loner in the world can still benefit from cooperation without it being predicated on connection. the community of the city itself is simply that of sharing space, but sharing space means sharing the myriad resources and opportunities that occupy it
What is a cat if not a silly little guy that follows you around 24/7, making funny faces and shedding on your clean clothes?
The AI encyclical doesn't yet have a Latin translation, because even though the Latin version is "official", it takes six to twelve months longer to prepare than all the others, an issue exacerbated by the use of terms that don't already have established neolatin translations. Since the timing is important and they don't want to rush the Latinists, they seem to have decided a few years back to move the Latin versions "off the critical path", even though this adds a layer of absurdity to the whole business. Since the encyclicals are still issued simultaneously in like ten other languages, this leaves it uncertain which version should be considered official -- it's likely that it was first written in Italian or perhaps English, then translated, but when the Latin version finally comes out like a year from now, it will retroactively be considered the official copy, and all the others will be considered vernacular translations of it. Which is already a funny story about where pragmatism meets tradition, but in reading about this I found some commentary from someone formerly of the Vatican's Latin office, who mentioned something even better: that one benefit of this process was that the Vatican got to see the public discourse about the document while translating it, which gave them a chance to tailor it to any controversies or confusion that might arise, so that, for instance, if there were competing readings of a passage based on subtle differences between translations, they could pick which one to favour after the fact. This means that this is sort of like Steam Early Access for papal encyclicals.
honestly my favorite thing about hardison is that he has no real tragic backstory, he's just like "i am very smart and therefore i should be allowed to do crime" and he's entirely correct
i love everyone reblogging this going "yeah! soft boy!" in the tags bc that's my other favorite thing about hardison (i have many) and that's that he's never particularly treated as morally grey bc he is constantly so kind and loving and good and also he enjoys some crime
parker: i have severe psychological trauma and i steal things to cope bc i don't know how to relate to people
eliott: i have a tragic history being entangled in the mafia and even now i could kill the most dangerous fighters without firing a gun
hardison: if money is fake, why not for me and my grandma who i love? :)
Yes!! I love Hardison's orientation towards right and wrong, in part because it's such a fun, powerful contrast with other members of the team.
You have Parker, who has been designated as bad and wrong since she was a very young child and who has let go of any expectation of being anything else, so that identifying and doing what she thinks is the right thing is consistently an overwhelming and scary experience for her;
Then there's Eliot, who can point to exactly when and how he became irredeemable in his own eyes and whose highest ambition now is to do the wrong thing for the right people this time at least;
Nate, who is clinging to all of these ideas about morality and legality and good and bad that are completely inconsistent both internally and with his behavior, because his very normative view of the world was shattered and he never put the pieces back together in any kind of coherent way;
Sophie, who sees right and wrong as primarily about relationships between people, like she does everything else: right and wrong is in how you engage and who you hurt interpersonally, anything more abstract is irrelevant. But within that, there's also this weight to how she engages, this sense of regret at how she's treated people in the past that we never really see the full scope of;
And into this morass of regret and alienation and self-doubt, beautiful sunshine child Alec Hardison sails with this completely coherent, straightforward understanding: he's doing the right thing. He understands the systems creating and maintaining inequality and he's winning against them. He doesn't feel bad at all about breaking the law because he doesn't respect it as having any moral weight, and why should he? He's right. Y'all I love him so much.
James Marsters and Anthony Stewart Head — photographed by MOSHE BRAHKA
two “cats” interacting
Got possessed in the middle of my work shift.
This sick bleach shirt I made. Something to showcase my undying love for prehistoric cave art.
Some of the bleach burned thru the shirt bc this was my first time bleaching anything ever, but it kinda adds to it.
The snow-capped mountains glow like fire in the sunset.
above the fields - acrylic on canvas