6th september 2019
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if i look back, i am lost
Lint Roller? I Barely Know Her
One Nice Bug Per Day
wallacepolsom
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Peter Solarz

pixel skylines

Kiana Khansmith

⁂

祝日 / Permanent Vacation
Not today Justin

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blake kathryn
he wasn't even looking at me and he found me
Xuebing Du
occasionally subtle

★
trying on a metaphor
Cosimo Galluzzi
seen from United States

seen from Malaysia
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seen from Singapore
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seen from India

seen from Italy
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@lewelynn
6th september 2019
Good Omens
watermelon dream
Antique Jewish wedding rings
Jessica, Shylock’s daughter, wears a similar ring in the 2004 film Merchant of Venice.
Discovered that this post had been flagged and hidden but did not appear on my “review flagged posts” tab… *sigh* Anyway, it’s been approved now.
Fantasy books written by women are often assumed to be young adult, even when those books are written for adults, marketed to adults, and published by adult SFF imprints. And this happens even more frequently to women of color.
This topic’s an ongoing conversation on book Twitter, and I thought it might be worth sharing with Tumblr. And by “ongoing,” I mean that people have been talking about this for years. Last year, there was a big blow up when the author R.F. Kuang said publicly that her book The Poppy War isn’t young adult and that she wished people would stop calling it such. If you’ve read The Poppy War, then you’ll know it’s grimdark fantasy along lines of Game of Thrones… and yet people constantly refer to The Poppy War as young adult – which is one of its popular shelves on Goodreads. To be fair, more people have shelved it as “adult,” but why is anyone shelving it as “young adult” in the first place? Game of Thrones is not at all treated this way…
Rebecca Roanhorse’s book Trail of Lightning, an urban fantasy with a Dinétah (Navajo) protagonist has “young adult” as its fifth most popular Goodreads shelf. The novel is adult and published by Saga, an adult SFF imprint.
S.A. Chakraborty’s adult fantasy novel City of Brass has “young adult” as its fourth most popular Goodreads shelf.
Tasha Suri’s Empire of Sand, an adult fantasy in a world based on Mughal India, has about equal numbers of people shelving it as “adult” or “young adult.”
Book Riot wrote an article on this, although they didn’t address how the problem intersects with race. I also did a Twitter thread a while back where I cited these examples and some more as well.
The topic of diversity in adult SFF is important to me, partly because we need to stop mislabeling the women of color who write it, and also because there’s a lot there that isn’t acknowledged! Besides, sometimes it’s good to see that your stories don’t just end the moment you leave high school and that adults can still have vibrant and interesting futures worth reading about. I feel like this is especially important with queer rep, for a number of reasons.
Other books and authors in the tweets I screenshot include:
Witchmark by C.L. Polk
A Ruin of Shadows by L.D. Lewis
The Starless Sea by Erin Morgenstern
The Day Before by Liana Brooks
A Phoenix First Must Burn edited by Patrice Caldwell
Shri, a book blogger at Sun and Chai
Vanessa, a writer and blogger at The Wolf and Books
TLDR: Women who write adult fantasy, especially women of color, are presumed to be writing young adult, which is problematic in that it internalizes diversity, dismisses the need and presence of diversity in adult fantasy, and plays into sexist assumptions of women writers.
Never forget the amount of hate R.F. Kuang got for explicitly stating that The Poppy War, one of the most triggering books I’ve ever read, should never be shelved as YA. She did so out of extreme concern of the content getting into the wrong hands without warning.
And then two days later Jay Kristoff said the same thing about Nevernight…and nothing happened.
Custard Protocol gets put in the YA section all the time. I always say, well if you want girls in Texas to get that level of sex ed…
I say give all the people the smut…
Today on “rules of English language I didn’t realise were a thing until someone pointed it out”
Yes, you found it! I have been looking for this, thanks!
And here’s the thing — we don’t learn this in grammar class. In fact, most grammar is learned by immersion, not formal training. Little kids are language sponges.
My friend: Okay but what is your ideal female cast
me: fat/chubby women with different bodytypes
i feel like we don’t talk about things like this enough
The village of Nagoro in southern Japan was once the home to hundreds of families. Over time, however, the majority of the residents left to find work in bigger cities. One resident was Ayano Tsukimi, who left for a number of years before returning a decade ago to look after her elderly father. Today, there’s only 30 residents. Its dwindling community is a microcosm of Japan; the country’s population has been falling for decades.
When Tsukimi returned, she decided to plant her own crops. Upon seeing birds pecking at the seeds, she created a scarecrow that looked like her father. Over the next time years, she made over 350 such scarecrows which today litter the once bustling streets. They sit on benches waiting for the non-existent bus, in empty school classrooms, sleep in trees and pretend to be fishing. Tsukimi creates the scarecrows in memory of former citizens: “When I make dolls of dead people, I think about them when they were alive and healthy.”
lion roars are not as powerful as some guy named frank with a trash can
how can you post that and not include the video
Detective Pikachu (2019) dir. Rob Letterman
OH WOW THIS IS BEAUTIFUL
Enchanted, 2007 dir. Kevin Lima
Something else is hurting you - that’s why you need pot or whiskey, or whips and rubber suits, or screaming music turned so fucking loud you can’t think.
Charles Bukowski
(via
purplebuddhaquotes
)