all the pretty things

Hi. I'm ninezku.

[lokenna]

Things I Wish I Knew Earlier In Fandom

But maybe these will help somebody now.

Most of your fandom experience is shaped by who you follow. Find a good group of people and stick with them.

Support your favs and a lot of them will become your friends, or at least be friendly back to you.

Just unfollow people who bring unwanted content or negativity onto your dash.

Block people who cause you stress. It’s not worth your time to focus on parts of fandom that don’t make you happy.

Blacklisting words/tags is a tool you are allowed to use as much as you need to.

Don’t feel like you have to pretend to like things that make you uncomfortable in order to fit in. Set healthy boundaries for yourself.

Never tag your hate. Never send hate anons to someone.

Content creators love getting comments, seeing people gush in the tags on reblogs, and getting fans in their inbox. It’s the best way to motivate them to keep making awesome stuff.

If there’s certain content you want to see but it doesn’t exist yet, then make it. Draw the thing, write that fic. If you can’t, then comission an artist or writer, or send someone a prompt if they’re open to it. If you can’t do that either, then write meta or headcanons about it. Put it into the world.

Create what you love. Do it for yourself first and foremost, and if even one other person likes it too, then that’s a bonus.

[langernameohnebedeutung]

Norse mythology fails to convey the sense of terror that must have hung over Asgard every time Loki was gone for longer than eight months and three weeks

[langernameohnebedeutung]

#okay but imagine the betting pool#is it gonna be half undead?#horse with too many legs?#a giant fuck off snake?#who knows! ( @much-ado-about-mothing​)

Loki, holding up the newest baby Lion King-style: IT’S!!!!! A WOLF!!!”

underneath the rock: *dozens of creatures from all over Nine Realms muttering quietly, exchanging money*

[hufflepuffwannabe]

[dxmedstudent]

Ghibli characters always make me feel better about the complete chaotic mess of my workspaces.

[jumpingjacktrash]

ghibli characters make me want to work hard

[ferrousfellow]

this is so rad alexa play lo-fi hip hop beats to study and chill to 

[architectureofdoom]

Abandoned factory, Kotor

[julietteoberndorfer]

☀️Hi Everybody!☀️Here’s my summer foxes availlable on Etsy!

—> www.etsy.com/fr/shop/JulietteOberndorfer

Handmade embroidery on canvas. Wooden Hoop included : ∅ 25 cm.

[yourfluffiestnightmare]

My friend told me a story he hadn’t told anyone for years. When he used to tell it years ago people would laugh and say, ‘Who’d believe that? How can that be true? That’s daft.’ So he didn’t tell it again for ages. But for some reason, last night, he knew it would be just the kind of story I would love.   When he was a kid, he said, they didn’t use the word autism, they just said ‘shy’, or ‘isn’t very good at being around strangers or lots of people.’ But that’s what he was, and is, and he doesn’t mind telling anyone. It’s just a matter of fact with him, and sometimes it makes him sound a little and act different, but that’s okay.   Anyway, when he was a kid it was the middle of the 1980s and they were still saying ‘shy’ or ‘withdrawn’ rather than ‘autistic’. He went to London with his mother to see a special screening of a new film he really loved. He must have won a competition or something, I think. Some of the details he can’t quite remember, but he thinks it must have been London they went to, and the film…! Well, the film is one of my all-time favourites, too. It’s a dark, mysterious fantasy movie. Every single frame is crammed with puppets and goblins. There are silly songs and a goblin king who wears clingy silver tights and who kidnaps a baby and this is what kickstarts the whole adventure.   It was ‘Labyrinth’, of course, and the star was David Bowie, and he was there to meet the children who had come to see this special screening.   ‘I met David Bowie once,’ was the thing that my friend said, that caught my attention.   ‘You did? When was this?’ I was amazed, and surprised, too, at the casual way he brought this revelation out. Almost anyone else I know would have told the tale a million times already.   He seemed surprised I would want to know, and he told me the whole thing, all out of order, and I eked the details out of him.   He told the story as if it was he’d been on an adventure back then, and he wasn’t quite allowed to tell the story. Like there was a pact, or a magic spell surrounding it. As if something profound and peculiar would occur if he broke the confidence.   It was thirty years ago and all us kids who’d loved Labyrinth then, and who still love it now, are all middle-aged. Saddest of all, the Goblin King is dead. Does the magic still exist?   I asked him what happened on his adventure.   ‘I was withdrawn, more withdrawn than the other kids. We all got a signed poster. Because I was so shy, they put me in a separate room, to one side, and so I got to meet him alone. He’d heard I was shy and it was his idea. He spent thirty minutes with me.   ‘He gave me this mask. This one. Look.   ‘He said: ‘This is an invisible mask, you see?   ‘He took it off his own face and looked around like he was scared and uncomfortable all of a sudden. He passed me his invisible mask. ‘Put it on,’ he told me. ‘It’s magic.’   ‘And so I did.   ‘Then he told me, ‘I always feel afraid, just the same as you. But I wear this mask every single day. And it doesn’t take the fear away, but it makes it feel a bit better. I feel brave enough then to face the whole world and all the people. And now you will, too.   ‘I sat there in his magic mask, looking through the eyes at David Bowie and it was true, I did feel better.   ‘Then I watched as he made another magic mask. He spun it out of thin air, out of nothing at all. He finished it and smiled and then he put it on. And he looked so relieved and pleased. He smiled at me.   ‘'Now we’ve both got invisible masks. We can both see through them perfectly well and no one would know we’re even wearing them,’ he said.   ‘So, I felt incredibly comfortable. It was the first time I felt safe in my whole life.   ‘It was magic. He was a wizard. He was a goblin king, grinning at me.   ‘I still keep the mask, of course. This is it, now. Look.’   I kept asking my friend questions, amazed by his story. I loved it and wanted all the details. How many other kids? Did they have puppets from the film there, as well? What was David Bowie wearing? I imagined him in his lilac suit from Live Aid. Or maybe he was dressed as the Goblin King in lacy ruffles and cobwebs and glitter.   What was the last thing he said to you, when you had to say goodbye?   ‘David Bowie said, ‘I’m always afraid as well. But this is how you can feel brave in the world.’ And then it was over. I’ve never forgotten it. And years later I cried when I heard he had passed.’   My friend was surprised I was delighted by this tale.   ‘The normal reaction is: that’s just a stupid story. Fancy believing in an invisible mask.’   But I do. I really believe in it.   And it’s the best story I’ve heard all year.

Paul Magrs (via yourfluffiestnightmare)

[abandonedography]

The Milky Way and the remains of an abandoned building burned down in the massive 2003 Cedar Fire (San Diego County) by Stephan Bay

[widxgastss]

I’ve read so much fanfiction I can’t remember what’s canon

[gclane]

I’ve read so much fanfiction I don’t care what’s canon. 

[dominatrixeditrix]

[sebastianstansource]

Sebastian Stan and Chris Hemsworth attend Hugo Boss’ Menswear SS18 Runway Show in New York City, July 11, 2017.

[freedom-of-fanfic]

I need your help friend, the fandom is at stake: can you do a quick recap of why shipping isn't activism? And I don't mean just in terms of antis, but also the anti-backlash where people defend their ships by trying to prove they're actually progressive (which would still imply you need to prove your ship is not harmful before shipping it). Fans may have good intentions and mean no harm, but social justice is not achieved through fantasy.

what a good question. let me see if I can do this justice with a good answer.

First off: let’s define ‘shipping’ as ‘desiring two characters to have romantic and/or sexual interactions and using social media or fanworks to share this desire with others.’  So: specifically looking at shipping as a social activity here, because I hope we can all agree that ‘shipping it’ - simply wishing for two characters to have some kind of interaction in your head - is not activism because it’s thoughts, which on their own nobody else knows about and thus can’t have an impact.

Shipping as activism is mainly talked about in the context of being ‘queer/LGBT representation’, and everything else is treated as secondary.*  So I’ll be talking about this primarily from that POV.

Okay.

shipping is not activism because shipping doesn’t do two important things that activism does: 

shipping does not generate or act as mainstream representation

shipping does not increase awareness or change social values

and that’s okay. Shipping doesn’t need to do these things because shipping takes place in a microcosm. Fandom is but a tiny, tiny fraction of internet and social activity as a whole. No matter how ‘progressive’ we collectively are, only in the rarest cases will we make a meaningful impact on society as a whole.

Shipping serves a different, but no less important purpose, which I’ll get into below.

That’s the short version. the long version is below.

Shipping is not activism because: 

Shipping is a fandom-specific activity and fandom doesn’t make much of a social impact. We get talked about a lot by the creators because we’re the people most likely to have contact with them and provide feedback on their content; we have an impact on creators in that sense.  But apart from coming to cons and talking on social media, when we get mainstream attention it’s almost always to talk about how weird we are. Also, we don’t cause social change. We can fan over something that already exists, but we can’t cause a show with better representation to be created.

Because of this: 

Meaningful, mainstream representation of LGBT/queer relationships come from mainstream media, and fandom is not the main force acting on mainstream media productions.  Remember when korrasami became canon in the last few minutes of the last episode of Korra because the creators knew about the shippers? Congratulations: you’re looking at an outlier that took a lot of very specific circumstances and luck to have happen. And most importantly: it wasn’t done to please the shippers.  Shippers may have given them the idea, but it was done because canon korrasami would create visible bisexual/LGBT representation. It was possible because the show was only airing online, to a smaller audience, and because of the herculean efforts of LGBT/queer activists over the last century to get our collective visibility and acceptability as high as it is (and yes, we have a long way to go, but we’re miles past where we were even 10 years ago.)

Current fandom seems to carry the belief that if we just ship hard enough and loud enough, the creators of an ongoing mainstream media will reward us by making our favorite ship canon.** The reality is we rarely, if ever, make a meaningful impact on the direction that canon takes. We’re a small, small part of the consumer base - a loud one, but small!  We’re often not the aimed-at demographic, either, so pleasing us is the last thing the execs trying to make a buck are thinking about. The material we’re fanning over is already old news to producers; short canons are usually already finished by the time we receive it, and longer ones are at least a season ahead in production time. (If we do make an impact, we won’t see it for at least a year or more.)  Shows must meet decency standards, and LGBT/queer relationships are still seen as higher-rated than their cishet counterparts.  Executives care about what will sell ad space or toys more than what fandom wants.

The fact of the matter is we have the cause and effect backwards.

Ships being ‘good representation’ is a function of increased mainstream media representation of marginalized identities, not the other way around.  When media was entirely full of characters who were white cis men, we shipped white cis men. And as media slowly stops having nothing but white cis men, we’re … still shipping white cis men a lot, because there’s still a lot of them and there’s still a societal bias that tells us that white cis men are the most important/interesting people (and simultaneously, because they are unmarked, we can’t accidentally fall into stereotype pits while fanning them), but we’re shipping more and more non-white, non-cis, non-male characters too. 

Real social activism leads to increased media representation - like the reclaiming of the word ‘queer’ in the late 80′s/early 90′s leading to a TV show called ‘Queer as Folk’ and featuring gay characters. And increased media representation leads to more marginalized characters for fandom to ship.

While transformative fandom does, to an extent, change things from canon to represent ourselves more - or just to suit our fancy! - canon always reigns supreme and is the most widespread version of the characters.  Canon becoming more diverse will always have more of an effect on fandom than fandom being diverse/having diverse content will ever have on canon.

Besides:

The desire to see ships become canon is not primarily motivated by generating healthy representation of marginalized identities.  Fans have been wanting their favorite ships to become canon since the Stone Ages.  The Harry Potter fandom wars were all about what was most canon: Harry/Hermione, Hermione/Ron, or Harry/Ginny.  Notably: Draco/Harry is not one of the pairings I list, because nobody thought there was the remotest chance that Draco/Harry would ever become canon.  It’s only recently that LGBT/queer rep in particular has been making a meaningful appearance in mainstream media, and suddenly slash ships have entered the ‘will it be canon!?’ fray. And some mlm fans feel they have more ‘right’ to canon because mlm ships are LGBT/queer rep.

Here’s the thing: if this was really about representation, then we’d all be celebrating if any mlm pairing became canon. No matter which pairing is ‘more progressive’, any LGBT/queer canon representation is better than none. But (surprise!) it’s not; the ‘queer rep!’ battle cry is just an additional cannonball in the arsenal of ongoing ship wars.*** And I venture to say that most mlm shippers engaged in a ship war would rather see an unrelated het pairing become canon than their rival mlm ship.

And this is because: 

Shipping is not, and never has been, primarily about creating healthy marginalized representation.  Don’t get me wrong: transformative fandom is heavily LGBT/queer/mentally ill/disabled/otherwise underrepresented, and we often create transformative fanworks that bring our identities into the story. That’s awesome self-fulfillment, and it can really bless and excite fellow fans who see fandom content that makes them feel more welcomed and recognized.  However.

Generating marginalized representation isn’t the primary motive for shipping. We ship out of love. We see the dynamics between two characters and think ‘oh, that’s hot’ or ‘I’d like to see more of that’. We ship for fun. We ship because we think two characters would look good together. We ship because we imagine ourselves as one character and have a crush on the other. We ship things for many, many reasons, many I haven’t mentioned here, maybe as many reasons as there are people in fandom doing shippy things.  And to that end, I’m sure that some people do decide what to ship purely because they believe it represents minority groups that need representation - but it would be too much to say that’s the main reason people ship things.

Shipping doesn’t need to be about creating healthy marginalized representation because:

Fiction is not reality; a person can ship the ‘right’ ships and still be a bigot IRL. and visa versa. Because we interact with fiction and reality in different ways, there are people who really love mlm ships but still think gay marriage is icky. On the other hand, a person can be the loudest activist for LGBT/queer causes in real life and only ship het ships in fandom, just because the dynamics of het ships pings their fancy more.

Shipping as activism preaches to the choir. Shipping being a fandom-specific activity, and many of us being oppressed ourselves, shipping the ‘right’ ship to increase awareness in the microcosm of fandom isn’t really accomplishing anything. Most of us are ourselves LGBT/queer, or friends with people who are LGBT/queer. Most of us are aware of how much pain the lack of representation in mainstream media brings on.  And most of us are sensitive to the fact that we’re not the only oppressed person in fandom space and are willing to learn more about how we can help other oppressed people.

If I could sum up the problems of current fandom, it’s that we assume that nobody else is #woke (even though most of us are sufferers). In that sense, shipping the ‘right’ ship doesn’t bring more awareness; it acts as a signal to others that you have awareness, and hopefully protects you from being erased or harassed as an ignorant asshole (’cishet’).

Most importantly:

Shipping isn’t activism, but it does something else great: it lets marginalized fans express and indulge themselves in any way that pleases them.  - fandom is primarily made of underrepresented minorities, so shipping is a way that we express ourselves and relate to one another - whether those ships are ‘progressive’ or not. So, so many of us deal with social stigma or harassment or hate in our real lives; we consume media to get away from that, and we indulge in fandom to get away from that.  Most of us are, just by existing and demanding space in the world, activists for the rights of the marginalized and oppressed. Fandom is a space for us to play with each other and connect over something fun and pleasant, and those fun and pleasant things don’t have to be activist things. We’re allowed to take a break.

The importance of activism and representation is to benefit the marginalized and oppressed, letting us be recognized and less stigmatized, and deconstructing the social and political structures that work against us leading fulfilling lives.  When we use shipping the ‘right’ ship as a bludgeon to attack one another, we are literally defeating the purpose of our own causes. We’re stigmatizing each other for our fandom interests. And we’re certainly not deconstructing any social structures that harm us!

In conclusion: The way we can be most activist in transformative fandom is, no joke, to care more about the fact that almost everyone else here is marginalized too than that one another’s ships aren’t marginalized enough.

*In talking about ships as representation we generally start with ‘this ship is queer/LGBT’ and then use all other axes of oppression to prove which ship is ‘more progressive’, i.e. - F1nnPoe and Ky1ux are both mlm, but F1nnPoe is more pure because it’s a black man and a Latino man as opposed to two white men. (Occasionally race will also be talked of as the primary point of value, depending on the fandom.)

**On a side note, this whole paragraph is also why it’s unlikely that fandom being ugly will ever cause a show to be cancelled or a pairing will get changed in canon because some fans were nastier than others. We’re like bugs with stingers: scary and painful but ultimately not that impactful (unless you’re allergic, I guess, but forget that part of the metaphor). 

***This is part of where the ‘I have to prove my ship is wholesome/their ship is evil’ stuff comes from: ‘proving’ to creators that your ship is the ‘better’ queer representation because it either covers more marginalized bases or is ‘more pure’, making it less objectionable for mainstream representation. (the joke is that bigots don’t care how pure an LGBT/queer ship is: they’re gonna still think it’s awful because it’s LGBT/queer.)

PS - I don’t think this answer really addresses why arguing about purity of ships is a bad plan, but this is already so long that I’ll address that somewhere else I think.

[stagecoachjessi]

[thefingerfuckingfemalefury]

:D

I am so happy that this line was improvised

[peterfromtexas-deactivated20250]

Reenactor throws a spear at a drone

[supapoopa]

What a time to be alive.

[tenthcorner]

“The medieval warrior, realizing the consequences of his impulsive act, immediately approached the owner of the drone and offered to pay for the damage.

The owner of the drone was so impressed by the brilliant attack that he suggested organizing a competition for bringing down “dragons” with short spears next year.

Drone owners have another year to develop a unique “dragon-like” design for their flying machines.” (x)

[kineticpenguin]

I am 100% cooler with this knowing that the spear-thrower realized “oops maybe I shouldn’t have done that” and tried to make it right, and that the guy who the drone belonged to was cool with it

[brunhiddensmusings]

just so everyone knows, this has already been memorialized in a runestone

[thenatsdorf]

[tastefullyoffensive]

“Daughter wanted to go to Disney World, but since it’s too expensive, we did the next best thing.” [full video]

[wolverxne]

Photographer Tim Carter captured these adorable images of this Red Fox playing, stretching and sleeping in the snow. 

[catsdogsgifs]

http://catsdogsgifs.tumblr.com/

[breakup]

[neruteru]

I’m a strong independent shipper who doesn’t need no canon.