One Struggle. One Fight.

Kara | she/her We shall overcome because the arc of the moral universe is long, but it bends towards justice.

[mmilhouse]

goodbye $200 helloooo 3 groceries

[mckitterick]

[demoncity]

Over the Garden Wall (2014)

[hometoursandotherstuff]

I came across this woman's cool obit again, yesterday.

[nomanitas]

This is what I’ve always wanted most. More than anything. You.

[handsomedogs]

Zero Den

Dock Man

[whitepeopletwitter]

[levourdalak]

[skyybridge]

[roll1uptwice]

[ccuntdracula]

GOD what a legend

[awkward-sultana]

Portrait of a Lady on Fire / Sarah Ruhl, The Clean House

[hedaslayer]

[hedaslayer]

Adèle Haenel leaving the Cesar2020 after Roman Polanski’s win for Best Directing.

[hedaslayer]

“We’re always watching this Avengers shit and there is only men in there.”

Welcome everybody to another episode of Adèle Haenel cannot stand men.

[lalocorleone-deactivated2026041]

Portrait of a Lady on Fire (2019) dir. by Céline Sciamma

[hedaslayer]

“I wanted to challenge politically the kissing scene, which traditionally either has the surprise kiss scene thanks to a rain shower for instance, or the obvious kiss scene thanks to mustard on the corner of the lips, for instance, and it is generally carefully scripted as ‘They kiss.’ Or ‘They passionately kiss.’ And then it’s on the actors’ shoulders. It seems to rely a lot on them because it’s their bodies and fluids and interaction, but it shouldn’t be. It’s fake. It’s not about finding the magic. Actors should always be part of the elaboration of an idea, especially with intimate scenes. So I wanted to craft a scene that would embody the sexiness of consent. People who are questioning the idea of asking for consent in France, they do exist. They are brave fighters for the culture of French gallantry who say that asking for consent would not be sexy, it will break the mood. Some of the French critics thought the film lacked flesh, precisely because to them eroticism is about conflict. […] At some point I came up with the idea of them having to unveil their mouths like they would undress themselves. So I put a scarf, justified by a strong wind, pressed on their lips and thinking you would see their heavy breathing through the moving cloth.”

Céline Sciamma on creating a new first kiss

[hymnostic]

anyway can we talk about andy samberg's reaction to portrait of a lady on fire