All the arms and hands studies and practices I did to level up my anatomy drawing.
★
Noah Kahan
noise dept.
NASA

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almost home
Misplaced Lens Cap
Mike Driver

blake kathryn
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oozey mess

Game Changer & Make Some Noise
I'd rather be in outer space 🛸
hello vonnie
todays bird
Today's Document
Xuebing Du
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@luffremarks
All the arms and hands studies and practices I did to level up my anatomy drawing.
Brown butter brownies (fudgy every time)
Movement nudge, hand mobility! 🙌
X
1) do this even if you're under 40. seriously. I definitely should have been doing something like this for years and I only turned 40 a month and a half ago
2) if you're like me just now trying this going "oh god i've only done 15 and i think my hands are cramping" start lower than 30 and increase by 5 once whatever number you're doing no longer makes your hand cramp up. I can manage about 15 per exercise at the moment.
Lovely to see we have spaces where you can gain access to so much literature!
this is a life saver 😭
Googled something about quick hydration and it suggested big jug of water, couple tbsp pickle juice, dash of lime juice.
Its surprisingly tasty????
Pleased to report that after a day of this i am not longer craving caper brine and my mouth is not dry as usual. There's some good suggestions in the notes too that I want to try.
-ancient roman posca: water, red or white wine vinegar, honey, salt, herbs (coriander, mint, thyme)
-switchel: water, ginger, vinegar, sweetener, lemon, salt
-ayran: yogurt, water, salt, mint
-Agua pepino: water, cucumbers, lime, sugar, optional mint.
I have been reminded of:
-shrub: vinegar, sida water, elderberry (or other berry), sugar.
I have now been informed of
-sekanjabin: honey, vinegar, mint, water.
"Wow, I wonder why this post was popular this week."
-sees the reports of the heatwave in Europe-
"... ah."
Know what I’m salty about?
In all my art classes, I was never taught HOW to use the various tools of art.
Like yes, form, and shape and space and color theory and figure drawing is important, but so is KNOWING what different tools do.
I’m 29 and I JUST learned this past month that India Ink is fucking waterproof when it dries. Why is this important? Because I can line something in India Ink and then go over it with watercolors. And that has CHANGED the ENTIRE way I art and the ease I can create with.
tldr: Art Teachers: teach your students what different tools do. PLEASE.
WAIT INDIA INK JS WATERPROOF ONCE IT DRIES????? THE ENTIRE REASON IVE AVOIDED MARKERS MY ENTIRE LIFE IS BECAUSE JNK BLEEDS AND YOURE TELLING ME INDIA INK IS
F U C K I N G W A T E R P R O O F
yall calligraphers out there this is extremely fuckin important if u wanna get into illumination shenanigans because i swear to you there will b discoveries like these^
heres some of mine, pls take with a grain of salt im a total gotdamn amateur:
a lot of the time, the ability for colored ink to bleed will vary wildly WITHIN A SINGLE BRAND OF COLORED INKS. my cobalts bleed like fucking CRAZY compared to my reds, which, when u reference manuscripts that tend to put white ink ON TOP of either red or blue… you see where shit gets real and real annoying.
u can buy an aeresol, fully transparent workable sealant for like 5-10 dollars at your local art store. when i realize a piece ive been working on needs a color on TOP of a bleed happy ink, i give it a layer of this stuff. trouble is it CAN warp the paper so its important as soon as it dries to use heavy things (paperweights, books) to counteract the paper curling.
ink solvent, like koh i noor’s rapido-eeze, is only compatible with SOME inks, but will work on most acrylics. If you happen to be working with sturdy vellum that you have pre-sealed, it can be possible to literally use ink solvent to wipe away your calligraphy mistake like a goddamn bounty commercial
Shit I Learned Working At Dick Blick:
WD40, found at your local hardware store, will remove Sharpie marker from almost any hard surface.
Acrylic inks will show brush strokes in large areas but are waterproof and quick-drying.
Acrylic gouache is vivid, fluid, dried matte, is UTTERLY opaque on black paper, handles exactly like watercolor, and is waterproof.
Putting an oil painting in the sun will turn the yellowed portions back to their original white and wont hurt the painting.
Cheap acrylic paintings will bleach out if left in the sun - get UV protectant spray or varnish. Nicer acrylic paints are less prone to sun bleaching, but they still do. Plan accordingly. Oil paints are much less prone to this.
Solvent-based markers blend together MUSH MORE SMOOTHLY than alcohol-based markers.
There is an acrylic paint medium for literally every effect you can conceivably think of (fabric paint medium, gloss medium, fluid medium, sand medium, fast-dying/slow-drying medium, etc.).
If you’re going to buy student-grade paint to save cash, buy earth-tones (burnt sienna, ochre, etc.); they are made with cheap pigments already, and you wont tell a difference. You WILL tell a difference between student-grade and artist-grade bright colors (all yellows, blues, and reds).
If you’re working with markers but aren’t using marker paper, you need to switch. Markers don’t blend on printer paper, they just layer (even expensive markers).
If you want a glass palette for paint mixing but don’t want to shell out the cash, buy a giant picture frame at Goodwill, take the glass out, and electrical tape it to a piece of foam board the same size for stability.
Hog bristle brushes are for oil paint, sable brushes are for watercolor, and synthetic brushes are for acrylic and oil (but not watercolor because synthetic bristles can’t absorb water).
If you’re going to splurge on any aspect of your creation, splurge on the paper. Get the good stuff - crappy markers/paint/pencils look good on good paper, but not the other way around. (There is more, but these are the big ticket items)
Some more, also from working at Dick Blick:
- Palette knives are for mixing paint and TRUST ME you want to learn how to use them. When you mix with your brush you loose paint and it’s hard in your brushes.
- DO NOT FIX YOUR ARTWORK WITH HAIRSPRAY. If you’re proud of your work and want to keep it, buy the actual spray fix. Hairspray is not archival in the slightest and will damage your work.
- On top of that, be careful how you store your work. Newsprint is handy and cheap, but also not acid-free and it will yellow your paper. Foamboard? Matboard? Also not always acid-free (but you can get them acid-free).
- There is no food-safe paint. Period. There are lots of ways you can decorate pottery that aren’t glazes, but only glazes are food safe (and even some of those aren’t).
- Also not food safe: Polymer clay (sculpey), air dry clay, oil-based clay, ceramics that have not been glaze fired, oil pastels, sharpie, glues of any kind, or mod podge (even the ‘dishwasher safe’ kind).
- Don’t even get me started on mod podge. It’s not consistent. It’s not archival. It’s not a sealant, it’s a glue (setting aside some of the weird hyper-specific ones they make that I’ve literally never seen in real life).
- If your glue isn’t archival or at least acid-free, don’t use it in your artwork.
- There are so many different kinds of paper out there, just go try them. But also make sure you know if it’s acid-free or not (it probably is).
- Marker paper is usually 15 to 20 lbs. News print is usually 30 to 35 lbs. Tracing paper is usually 25 lbs. Rice paper can range from 20 to 50 lbs. Printer paper is 20 lbs. Vellum paper is usually 48 to 55 lbs. Sketchbook paper is usually 50 to 60 lbs. Drawing paper is usually 70 to 80 lbs. Cardstock can range from 50 to 110 lbs. Charcoal paper is usually 50 to 65 lbs. Pastel paper can range from 70 lbs to board. Bristol paper can range from 50 lbs to board. Mixed media paper can range from 90 to 140 lbs. Printmaking paper can range from lbs 90 to 300 lbs. Watercolor paper can range from 90 to 500 lbs.
- The heavier and rougher the paper is, the more it will absorb. If you’re using a paper too smooth for your medium it will take forever to dry and may smudge. If you’re using a paper too light for your medium, it will warp and curl.
- If you’re working heavily with water, you need to stretch your paper (aka seal down your edges of the paper to a hard, water resistant surface). If you don’t like doing that because it’s a hassle, buy a watercolor block instead of a pad/individual peices.
- If you’re working on a thicker paper, and make a mistake that your can’t erase or cover- you can scrape and/or cut it out! With a really sharp exacto knife, you can very CAREFULLY remove the top layer of paper fibers on most paper.
- DO NOT USE ACRYLIC AS BODY PAINT. It’s plastic.
- If you paint with oil, buy a silicoil jar. It’s the best $10 you’ve ever spent.
- Acrylic paint is basically water-based plastic. It will basically fuse with anything plastic (like a plastic palette), and will not stick to anything oil-based.
- Acrylic paint and house paint are not the same thing and you cannot mix them together. Acrylic paint is made from a water-based acrylic polymer, and house paint is almost always latex and can come both water-soluable and not.
@pamelab has this amazing reference crossed your dash yet?
most paints will have a lightfastness rating & pigment code on the tube so you can get an idea of how prone to fading it will be, it’s not 100 percent reliable but it’s a start
it took me goddamned near 20 years to realize bristol paper/cardstock has slightly different texture on each side, it doesn’t matter a whole lot for pencil or ballpoint but can for ink (one bleeds more with microns & similar fluid inks) & if you cut piles of it for messing around like i do, try to store them with that in mind i guess?
Hey, I love your art, especially your curls. Could you tell me if you use any specific technique or have any study recommendations to make them look so beautiful?
Tube, some extra added smaller tubes can be nice
Using tube in layers, a few at a time
There is definitely less time-consuming ways of drawing hair but I live the tube life, I hope this is helpful.💗
Costume. Chitons.
Marjorie & C. H. B.Quennell, Everyday Things in Archaic Greece (London: B. T. Batsford, 1931).
Wait, wait…. Is that seriously it? How their clothes go?
that genuinely is it
yeah hey whats up bout to put some fucking giant sheets on my body
lets bring back sheetwares
also chlamys:
and exomis:
trust the ancients to make a fashion statement out of straight cloth and nothing but pins
Wrap Yourself In Blankets, Call It a Day
Wear blanket. Conquer world.
That last one looks dope
Squares and rectangles: easy to weave!! No cutting means no hemming.
And easy to construct, you don’t have to have complicated seaming and patterning to turn fabric into clothing!
ancient Egyptian robes
This sort of clothing solution wasn’t just for the Mediterranean, or northern Africa, either. Behold the Belted Plaid:
(auto generated captions)
Has anyone already reblogged this with saris? It’s cool how many cultures have similarities like this hidden in plain sight.
https://kalaavarsha.com/how-to-wear-or-drape-a-saree/
The lungi is a traditional garment worn in many southern states of India. It's different from the dhoti, in that it is a tubular shape (like
Since we are here might as well share the dhoti and the lungi
https://www.wikihow.com/Wear-a-Lungi
https://www.wikihow.com/Wear-a-Pancha-Kachcham?amp=1
It’s only men in the photos but really anyone can wear them. I am wearing a lungi right now.
I also know Thailand and Sri Lanka have their versions of a lungi as well.
Spiral horns. Spirals in nature and art. 1903.
Internet Archive
According to the CDC, in 10 percent of those drownings, the adult will actually watch the child do it, having no idea it is happening. Drowning does not look like drowning—Dr. Pia, in an article in the Coast Guard’s On Scene magazine, described the Instinctive Drowning Response like this:
“Except in rare circumstances, drowning people are physiologically unable to call out for help. The respiratory system was designed for breathing. Speech is the secondary or overlaid function. Breathing must be fulfilled before speech occurs.
Drowning people’s mouths alternately sink below and reappear above the surface of the water. The mouths of drowning people are not above the surface of the water long enough for them to exhale, inhale, and call out for help. When the drowning people’s mouths are above the surface, they exhale and inhale quickly as their mouths start to sink below the surface of the water.
Drowning people cannot wave for help. Nature instinctively forces them to extend their arms laterally and press down on the water’s surface. Pressing down on the surface of the water permits drowning people to leverage their bodies so they can lift their mouths out of the water to breathe.
Throughout the Instinctive Drowning Response, drowning people cannot voluntarily control their arm movements. Physiologically, drowning people who are struggling on the surface of the water cannot stop drowning and perform voluntary movements such as waving for help, moving toward a rescuer, or reaching out for a piece of rescue equipment.
From beginning to end of the Instinctive Drowning Response people’s bodies remain upright in the water, with no evidence of a supporting kick. Unless rescued by a trained lifeguard, these drowning people can only struggle on the surface of the water from 20 to 60 seconds before submersion occurs.”
This doesn’t mean that a person that is yelling for help and thrashing isn’t in real trouble—they are experiencing aquatic distress. Not always present before the Instinctive Drowning Response, aquatic distress doesn’t last long—but unlike true drowning, these victims can still assist in their own rescue. They can grab lifelines, throw rings, etc.
Look for these other signs of drowning when persons are in the water:
Head low in the water, mouth at water level
Head tilted back with mouth open
Eyes glassy and empty, unable to focus
Eyes closed
Hair over forehead or eyes
Not using legs—vertical
Hyperventilating or gasping
Trying to swim in a particular direction but not making headway
Trying to roll over on the back
Appear to be climbing an invisible ladder
So if a crew member falls overboard and everything looks OK—don’t be too sure. Sometimes the most common indication that someone is drowning is that they don’t look like they’re drowning. They may just look like they are treading water and looking up at the deck. One way to be sure? Ask them, “Are you all right?” If they can answer at all—they probably are. If they return a blank stare, you may have less than 30 seconds to get to them. And parents—children playing in the water make noise. When they get quiet, you get to them and find out why.
Source/article: [x]
Follow Ultrafacts for more facts!
BOOST FOR THE SUMMER. PLEASE PLEASE PLEASE.
Can I just say thank you to OP for putting such a detailed description on this?
I’ve been a lifeguard for 6 years now and of all the saves I’ve done, maybe two or three had people drowning in the stereotypical thrashing style. And even those, like the save I made last weekend, it was exactly like OP describes where the person’s head is going in and out of the water but it isn’t long enough to get any air. Mostly you recognize drowning by the look on someone’s face. If someone looks wide eyed and terrified or confused, chances are they’re drowning. That look of “oh shit” is pretty easily recognizable. And even if you can’t tell for sure: GO AFTER THEM ANYWAY. I’ve done “saves” where a kid was pretending to drown and I mistook it for real drowning, but that’s preferable to a kid ACTUALLY drowning.
Also please remember that even strong swimmers can drown if they have a medical emergency, get cramps, or get too tired. If your friend knows how to swim but they’re acting funny get them to land. And even if someone can respond when you ask them if they need help, if they say they do need help? GO HELP THEM.
However . If the victim is a stranger, I can’t recommend trying to get them. Lifeguards literally train to escape “attacks,” because people who are drowning can freak the fuck out and grab you and make YOU drown as well. If you do go in after someone, take hold of them from the back and talk to them the whole time. IF YOU ARE GRABBED: duck down into the water as low as you can get. The person is panicking and won’t want to go under water and should release you. Shove up at their hands and push them away from you as you duck under. Don’t die trying to save someone else.
Please guys, read and memorize this post. Not all places have lifeguards. Being able to recognize drowning is such an important skill to have and you can save someone’s life.
Just incase!
In a water park once, I was suddenly grabbed by a child and he dragged me under the water without warning. I was going to get angry with him when I resurfaced because I thought he was being an ass, until I looked at him go back in and out hyperventilating the entire time. I grabbed him under his arms and began trying to drag him out while screaming for the lifeguard.
When the lifeguard got us both out, a woman came running down and accused me of harming him and said he had been completely fine in the water. That there was no reason to drag him out of there. The lifeguard had to explain to her that her son had been drowning, to which her response was to say that she didn’t hear him call for help.
People seriously need to learn the signs.
http://spotthedrowningchild.com/ really demonstrates how easy it is to miss drowning
Creamy garlic pesto chicken
1. Fist: Make a fist around the epi-pen, don’t place your thumb/fingers over either end
2. Flick the blue cap off
3. Fire. Press down into the outer thigh (the big muscle in there), hold for 10 seconds before removing (the orange cap will cover the needle). Bare skin is best but the epi-pen will go through clothing. Avoid pockets and seams.
- Ring an ambulance even if everything seems to be fine!
Oh my god. So as someone who has to carry an epipen EVERYWHERE I am so happy to see that there’s an info post about them. Like in the extreme case that I can’t inject myself, somebody else would have to do it, but nobody knows how to do it! Thank you, this may just save my life some day.
Don’t be wimpy about it, either. I know friends who are like, “but idk if I could stab you with a needle!” Please stab me with the needle, don’t be hesitant about it.
In my case (I can’t speak for all allergies), an epi buys me 20 minutes of breathing to get to the hospital. It is not a magic bullet, it’s a few critical minutes to help get me where I need to go.
For those who don’t know, people with serious food allergies carry epinephrine which is an adrenaline shot just in case they have anaphylaxis, which is a life threatening allergic attack. This shot is life-saving and must be administered to someone who is having an anaphylactic attack as SOON AS POSSIBLE, because an extra waited minute could mean their life.
It doesn’t hurt much at all to use this needle. The first time I used mine, I didn’t even feel it. But be sure to stab it IN THE OUTER THIGH. Do not stick it anywhere else or you could seriously hurt or kill someone. Just right to the outside of the thigh and then call the ambulance - even if your friend starts doing better, they could have a biphasic reaction, meaning a reaction that comes back (or they may need a second dose, be on the look out). If your friend has an epipen, then they have an epipen trainer that doesn’t have a needle and you can try it out just to be sure you know how to use the real thing if you have to. I’d also advise holding it a few more seconds then 10, maybe go for 14 just to be sure all the medicine is administered and that you didn’t count too fast - that’s what I did.
Here’s a graphic of where to stick it:
THANK YOU FOR THE GRAPHIC I was about to ask because my mom carries one around and so do some of my friends and I wanted to make sure I would do it right if I ever needed to!
Learn about this or get a refresher, if you’re not already familiar.
“I don’t want to stab you” they’d be dead otherwise. Stab em.
This post specifies food allergies but it’s for any kind of anaphylactic allergy: my wife has one for her wasp/yellow jacket sting allergy.
I would like to ask what brushes you use. More specifically the brushes you use to add the values. Idk why that brush brings me joy. I would still like to know about your lineart brush tho
Also your art is quite scrumptious I need to put it in a blender and drink it.
Thank youuuu! sdjfhsiudfhs be careful with the blender, don't put any fingers in!!
I uhhh BEAUTIFULLY updated this little brush chart:
All of these I use as lineart and with coloring. Some more, some less
I also lineart a lot with the default Mapping pen and use it also for base colors etc. I add some textures/noise to some brushes, too.
what brushes do you use :-0 .. im a greedy brush hoarder LMFAO
I use clip studio and currently using these:
This is the one I am so in love with atm AAAAH there's the content ID for a quick search
This is such a nice lineart pen, too. Have to be more precise with it, tho. I've modified this a bit myself, added some textures:
And then some of my old faves (the first I use to sketch the most)
The Day Off comic is being made with one of the Water Pencils. A trickier to use for lineart but fun to work with, still.
ok i have to know
HOW do u make the egdes so… perfect?? like not a pixel of the original image/white pixels appear on the sides of the pngs. and u do it so fast???? how???
I usually just drag the image into remove.bg, it's free and pretty good!
When I want to make high res pngs I use photoshop. I don't know if it's the most efficient way, but this is what I do: 1. drag image into PS, 2. use the automatic eraser tool on the image background, 3. make a new layer with a colored background and place it before the layer with the image (to see any areas that are not yet transparent), 5. switch back to the image layer and use the regular eraser tool to clean up the edges and any stray pixels, 6. remove the layer with the colored background, 7. save as png.