getting up at 6:00 am made me realize that 6:00 am isnt a place it is an emotion
6:00 am isn’t a place at all
thats because it is an emotion
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getting up at 6:00 am made me realize that 6:00 am isnt a place it is an emotion
6:00 am isn’t a place at all
thats because it is an emotion
Taken from Loving: A Photographic History of Men in Love 1850s–1950s
TO PUNKS/PPL WHO WEAR DOC MARTENS, SPECIFICALLY BLACK ONES: please follow lace code. i don’t care if it’s dead. if you wear red or white laces and you KNOW lace code, it’s your fault if you get punched. we do not tolerate nazis or white supremacists in the punk community. shut up and follow lace code.
Just got Daughterchild her first pair of stompies. She's got yellow laces.
The first time I’d ever heard of anything like the Lace Code was after I added colorful laces to these plain black boots I got (not Docs; I can’t afford those) to give me better ankle support. I felt the black laces on black boots looked too militaristic, so I get green and red laces for starboard (right) and port (left). A friend later warned me to get rid of the red laces before an anti fascist got the wrong idea and attacked me. I thought that it would be pretty messed up to get attacked for wanting a little more color but whatever.
I was trying NOT to look like a jack-booted thug, and apparently I was doing the opposite. But, how was I supposed to know that bootlaces could be used to make political statements?
I now have glittery gold laces on them, and I’m relieved to learn that gold it probably close enough to yellow to mean anti racist.
For anybody else who doesn’t know the code and doesn’t want to get beaten up for simply wanting a little color in their wardrobe, here’s a link to an article about The Lace Code.
🔮𝚜𝚌𝚛𝚢𝚒𝚗𝚐 𝚟𝚒𝚜𝚒𝚘𝚗𝚜 𝚙𝚝.𝟷🌿
彡✫ skulls, animal at first, and then human
彡✫ a man, older, with short grey hair and a longer, rectangular-shaped face
彡✫ women that were beautiful but half decayed, with their bones showing
彡✫ a woman with dark hair and sharp, dark eyes, staring at me. i asked her if she might want to talk to me, or show me something, but she disappeared and i broke focus before she could convey anything
i’m not sure when i’ll scry again, the skeletons scared me a litte, and i had a hard time resurfacing. i also felt like i was being watched? if anyone has similar experiences, lmk
🍄 𝒔𝒊𝒈𝒏𝒔🌛
↳˳⸙ yesterday I saw a lady bug land on my window frame
↳˳⸙ i dreamt about a small bird that wouldn’t approach anyone but me. it had delicate grey feathers on it’s stomach
↳˳⸙ there was a moth on my lunar altar, which i initially mistook for a leaf (i’m so sorry lil guy) they stayed there after i put them back down, to take shelter from the cold wind
Working with Spirits
In my last post, I talked about different types of spirits that witches may work with. Today, we’re going to discuss how to approach spirits and establish a working relationship.
Keep in mind that these are general guidelines, and every spirit is different. I encourage you to do your own research beyond this post, especially if you plan to work with powerful entities like deities, angels, or fairies.
Remember the Four R’s
It’s important to keep these things in mind when working with spirits:
Respect. The spirits are powerful, and you need to have a healthy respect for that power when working with them. It’s also important to respect them as individual, autonomous beings.
I’m not saying that every interaction you have with the spirits needs to be a full blown ritual with incense and chanting. (In fact, some spirits don’t care for those types of rituals.) But every interaction you have with them should be conducted with an air of respect and reverence.
What this mostly boils down to is good manners. Being polite will get you better results — and it will also keep you from being on the receiving end of spirit mischief. Proper etiquette depends on the type of spirit you’re working with, which is one reason it’s important to do your research. In general, it’s polite to make an offering, use respectful language, and thank the spirits before you leave (unless you’re dealing with fairies — some traditions say you should never thank the fae).
Respecting spirits also means respecting their desires — even if that means respecting their wish not to work with you. Not every spirit you reach out to will want to form a relationship with you, just like not every person you meet in your life will want to be your friend. When a spirit turns you down, respect their decision, politely bid them farewell, and move on.
Reciprocity. The goal of spirit work is to establish a mutually-beneficial partnership — not for one partner to serve the other. On one hand, this means that you can’t just command spirits to do your bidding without giving anything in return. On the other hand, it also means that you won’t be worshiping/honoring them without receiving some kind of boon.
This is why it’s important to make offerings to the spirits you work with. These offerings “feed” the spirits by giving them power, and a good offering will likely make a spirit more willing to work with you. Offerings are not payment for favors from spirits (it’s not quite that simple), but they are a sign that you intent to practice reciprocity in your relationship.
In general, it’s important to make an offering when you first introduce yourself to a spirit and again before you ask them for anything. But you shouldn’t only make offerings when you’re about to ask for something! How would you feel if you had a friend who only did nice things for you when they were about to ask for a favor? You’d probably start avoiding them, right? You might even get angry. To avoid this kind of dynamic in your spirit work, make regular offerings to the spirits you work with. If you’re especially close with a spirit, you may want to offer to them every day.
Relationship. The spirits are not vending machines where you put offerings in and blessings fall out. They are living, sentient beings with feelings, and deserve to be treated as such. Your relationship with the spirits you choose to work with is just that: a relationship. And like any relationship, it requires time, energy, and emotional labor.
If that sounds like more effort than you want to make, there are plenty of ways to do magic without ever working with spirits. You don’t need to do spirit work to be a witch. It may not be your thing, and that’s okay!
But if you choose to work with spirits, it’s important to remember that you are working with them as an equal partner — you’re not their boss, and they are not obligated to like you, help you, or even tolerate you. Relationships with spirits are built over time, through mutual respect and trust.
You wouldn’t drive up to your friend’s house, throw a fast-food burger at them, and then demand a special favor. Likewise, you shouldn’t just dump an offering on your altar and demand something of the spirits. Take the time to sit down with them. Talk to them. Get to know them. Put some thought into your offerings, instead of just offering the same thing every time. Spirit work is, at its core, about building an authentic relationship with the spirits we choose to include in our practice. Enjoy it.
Research. When it comes to spirits, it’s important to know exactly who (and what) you’re dealing with. As previously mentioned, the etiquette for dealing with fairies is very different from other land spirits. Different deities have different standards for their worshipers, which vary from one pantheon to the next. The way you interact with your ancestors will probably be shaped by their personalities, cultures, and values. All this is to say it’s important to know who you’re reaching out to, preferably before you reach out to them.
With deities, this is easy. Most witches who choose to work with deities will feel drawn to a certain pantheon, or even a specific god or goddess. There’s a lot of information out there about most historical pantheons, so researching them is easy. The same goes for angels, saints, demons, and even fairies.
It can be a little more difficult to do your research when you’re dealing with land spirits, spirits of place, or other less well-known figures. In these cases, it’s best to take three steps: 1.) figure out what type of spirit you’re dealing with (land spirit, animal spirit, ancestor, etc.), 2.) find out what this type of spirit is like generally, and 3.) find out how that applies to your specific spirit.
For example: you want to connect with your local land spirits. You do some research to find out how land spirits have been treated in various cultures — you find out that they’re typically benevolent, are closely tied to the natural landscape, and were often given food offerings. Then, you do some research into your local plants and animals — what form might a nature spirit take in your local environment? Would it be a huge moose with snow-covered antlers, or a magnolia tree in full bloom? Is there any local folklore in your area that could be describing a land spirit? Once you have answers to these questions, you’ll have a much better idea of how to approach the spirits and start up a relationship.
Initiating a Relationship with a Spirit
Begin by identifying who this spirit is. For example, let’s say you choose to reach out to a specific ancestor spirit — maybe a deceased grandparent. Make sure you’re familiar with the etiquette for interacting with this type of spirit so you don’t accidentally do something disrespectful. (If your Grandma hated cussing, try not to drop any f-bombs while communing with her.)
Create a special space to communicate with the spirit. This can be as simple as lighting a candle or as elaborate as setting up a special altar. If you’re reaching out to a grandparent, you might set up a small ritual space with a photo of them, any of their belongings that you have access to, and some things that they enjoyed while they were alive. These items may make the connection easier, but you don’t need them to communicate. What matters is that you’ve taken the time to create a special space for this moment. (Like all ritual spaces, it should be clean and tidy, and it’s a good idea to do an energetic cleanse beforehand.)
Make an offering. Make sure your offering is appropriate for the spirit you’re connecting to. Offerings should be made with an air of reverence — don’t just toss a bag of Doritos on your altar and expect it to be well-received.
Introduce yourself. Speak out loud. State your intention and who you are hoping to connect with.
Wait and listen. You may feel a presence or receive some kind of sign — or you may not. Just because you didn’t get a sign doesn’t mean that your offering wasn’t noticed or that you’re being ignored. You may also receive a sign several hours, days, or weeks after you first reach out. Be patient.
Say your farewells. Express your gratitude for the spirit’s presence, and let them know that you are ending your little ritual. It’s up to you whether to invite them to stick around or politely tell them to leave, but if you’re going to give a spirit permission to linger in your home you better be 1000% sure you know who they are and what their intentions with you are.
Moving Forward
As you work with this spirit, it is important to establish clear boundaries for the relationship. Be clear about what you want to accomplish by working with them, and make sure you understand what they expect from you in return.
You might want to establish a time limit: for example, maybe you’re choosing to work closely with the goddess Brigid from Imbolc to Samhain, at which point you can choose to continue the relationship or to take a step back. Or, you may choose to work with a spirit on a specific task — for example, working with the goddess Aphrodite to get back on your feet and rebuild your self esteem after a breakup. Once this task is accomplished, you may choose to form a more long-term relationship or to take a step back.
Forming a permanent or long-term working relationship with a spirit is a very big, very serious commitment, and should not be taken lightly. This goes double for anything involving a ritual commitment, such as dedication to a deity. When you make these commitments, you are choosing to make a spirit and their energy a permanent part of your life. This decision requires some very serious introspection and consideration, and should not be made impulsively.
Resources:
Southern Cunning: Folkloric Witchcraft in the American South by Aaron Oberon
A Practical Heathen’s Guide to Asatru by Patricia M. Lafayllve
Where the Hawthorn Grows and The Morrigan: Meeting the Great Queens by Morgan Daimler
Wicca for Beginners by Thea Sabin
Azrael Loves Chocolate, Michael’s A Jock: An Insider’s Guide to What Your Angels Are Really Like and The Angel Code by Chantel Lysette
New World Witchery podcast (several episodes, including “Episode 164 — Irish Folklore and Magic,” “Episode 161 — Practicing Safe Hex,” and “Episode 152 — Honoring Ancestors”)
aaahhh I harvested and dried some artemisia vulgaris and I want to make some tea but i dont know if it would have a bad interaction with my meds does anyone know anything about that
Definitely consult your doctor before taking any herbal cure if you’re already taking regular medication.
Herbs can have drug interactions just like any other substance. Mugwort may cause reactions if you are allergic to ragweed, and it should not be taken if you are pregnant or breastfeeding, or if you are taking a mood stabilizer or any prescribed sedative. (You should probably look up proper dosage instructions as well.)
Also, I would be very careful with plants you’ve harvested and dried yourself. Unless you grew them, it’s difficult to determine provenance or what might have been in contact with the plant before you picked it.
I recommend adding a copy of Fetrow & Avila’s “The Complete Guide To Herbal Medicine” to your library. It’s a little bit dated, but it has a lot of good baseline information on the medicinal properties of herbs and their possible interactions with other medications.
Hope this helps!
Quick addition: If you either can’t ask a doctor, or want to get a quicker response, you can call a pharmacy and ask them instead! If the person you’re talking to doesn’t know (because not all pharm techs learn about herbal stuff), usually there’s a more highly skilled person supervising that they can ask. Potential interactions (and contraindications) are their area of expertise.
weed doesn’t make your thoughts more creative or deep it just lowers your standards for thoughts that you find mindblowing imo.
like i have nothing against weed, i think it is very fun, i just think we all have to face the truth that when we smoke it we are not so much enlightening ourselves as we are undergoing temporary bimbofication. thank you for reading.
people are getting defensive about this post, as if i would ever imply that temporary bimbofication was anything but a lauded and sacred state of existence
aaahhh I harvested and dried some artemisia vulgaris and I want to make some tea but i dont know if it would have a bad interaction with my meds does anyone know anything about that
Definitely consult your doctor before taking any herbal cure if you’re already taking regular medication.
Herbs can have drug interactions just like any other substance. Mugwort may cause reactions if you are allergic to ragweed, and it should not be taken if you are pregnant or breastfeeding, or if you are taking a mood stabilizer or any prescribed sedative. (You should probably look up proper dosage instructions as well.)
Also, I would be very careful with plants you’ve harvested and dried yourself. Unless you grew them, it’s difficult to determine provenance or what might have been in contact with the plant before you picked it.
I recommend adding a copy of Fetrow & Avila’s “The Complete Guide To Herbal Medicine” to your library. It’s a little bit dated, but it has a lot of good baseline information on the medicinal properties of herbs and their possible interactions with other medications.
Hope this helps!
“[pitching the proposal for Mononoke-hime (1997)] There cannot be a happy ending to the fight between the raging gods and humans. However, even in the middle of hatred and killings, there are things worth living for. A wonderful meeting, or a beautiful thing can exist. We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation. What we should depict is, how the boy understands the girl, and the process in which the girl opens her heart to the boy. At the end, the girl will say to the boy, “I love you, Ashitaka. But I cannot forgive humans.” Smiling, the boy should say, “That is fine. Live with me.” ― Hayao Miyazaki
PRINCESS MONONOKE / もののけ姫 1997 | dir. Hayao Miyazaki / 宮崎 駿
Magical Properties of... Mugwort (EDITED 07/11/20)
EDIT: I have gotten a few mentions about not including any health warnings on this properties post. I acknowledge this and apologize for my mistake. To stop the spread of any harmful information, I have copied and pasted some helpful info from two tumblr users onto the original post so it will always be visible. Thank you @buggedboi and @likh-o for your help!
Mugwort is a pretty affordable and very popular herb in the witch community. It grows in ditches and rocky soil, and holds a very bitter flavor (mugwort tea is not very appetizing). The Romans would put a sprig of Mugwort in their shoes to avoid getting tired on long journeys. It was associated with St. John the Baptist, and wreaths of Mugwort were worn to repel evil spirits. Mugwort has anticoagulant and disinfectant properties, and has a nerve-calming effect.
In witchcraft today, Mugwort is used as a visionary herb. Mugwort amplifies psychic vision and may induce prophetic dreams. People drink mugwort tea or burn it as an incense to help with lucid dreaming, astral projection, and meditation.
This is an herb of the Goddess as Crone, so Mugwort encourages wisdom and observation. When paired with a divinatory method of your choice, Mugwort is an excellent helper for confronting difficult truths.
—
Mugwort Health Risks:
Mugwort is a common allergen.
Mugwort may cause an allergic reaction in people who are allergic to birch, celery, fennel, or wild carrot. This has been called the "celery-carrot-mugwort-spice syndrome."
Individuals who are allergic to other members of the Asteraceae/Compositae plant family: ragweed, chrysanthemums, marigolds, daisies may also have an allergic reaction to mugwort.
The same goes for those who are allergic to things such as white mustard, honey, royal jelly, hazelnut, olive, latex, peach, kiwi, and sage.
If you take mugwort and experience wheezing, coughing, dizziness that does not go away, swelling or constriction of the throat, or difficulty breathing, that's a sign of an allergic reaction, and you should seek immediate emergency medical care
Other risk factors to consider:
Breast-feeding or pregnant individuals should avoid mugwort, though research is inconclusive as to the exact risks. To be on the safe side, do not take mugwort if this applies to you.
How do I know if I am taking mugwort?
Other names for this herb are:
Artemisia
Hierba de San Juan
Armoise
Vulgaris herba
Felon herb
St. John's herb/wort
Chrysanthemum weed
Herbe royale
Okay, I have realised that mugwort is unsafe for me, what can I use instead?
There are many other similar herbs that have been shown to have therapeutic benefits in scientific studies and also have less potential side effects than mugwort, including adaptogens like ashwagandha, maca root, and rhodiola rosea.
- @buggedboi
Mugwort should not be used for more than one week continuously. Continued, habitual use of mugwort can cause nervous problems, liver damage, and convulsions.
mugwort should also never be used internally during pregnancy or lactation or by anyone who has pelvic inflammatory issues as it can cause uterine contractions and can be passed through the parent’s milk.
it is also INVASIVE to many places, and consideration should be taken when planting this very prolific plant.
mugwort does not have to be consumed in order for for you to use it for magic. consider satcheting it, keeping it under your pillow, or get creative in the ways you can use it’s power in your own magic. it is more important now than ever to ensure the knowledge you are passing on to your community is not going to hurt them should they take your words at face value and run with it.
- @likh-o
What if we lived in a world where giant cats and dogs roamed the earth?
There’s even more pictures, from the second page of the link:
Never before have I so deeply wanted to live in the world of someone’s artwork. Those pictures with the human just burying their entire upper body in the floof, they speak to me on a spiritual level.
I really respect the guy that just keeps faceplanting all of the softest looking creatures. Same, dude. same.
OH MY GOSH IT’S ADORABLE
giant animal: exists
human: nap time
.:: Defining Traditional Witchcraft ::.
What is Traditional Witchcraft?
According to Michael Howard, Trad Craft refers to “any non-Gardnerian, non-Alexandrian, non-Wiccan or pre-modern form of the Craft, especially if it has been inspired by historical forms of witchcraft and folk magic”.
Traditional Witchcraft, therefore, is not a single monolith. We can, in fact, distinguish between:
Operative Witchcraft or Folk Magic
Ritual(istic) Witchcraft
This first difference is taken from Margaret Murray; she used the first term for indicating the practice of magic, as carried out by cunning folk and folk magicians, and included the non-religious practice of spells, charms, divinations, etc. “whether used by a professed witch or by a professed Christian, whether intended for good or for evil, for killing or for curing. Such charms and spells are common to every nation and country, and are practised by the priests and people of every religion. They are part of the common heritage of the human race and are therefore of no practical value in the study of any one particular cult.” (The Witch-Cult, p. 11.)
The second term (also called “Dianic cult” by Murray) indicates, instead, “the religious beliefs and ritual of the people, known in late mediaeval times as ‘Witches’. The evidence proves that underlying the Christian religion was a cult practised by many classes of the community, chiefly, however, by the more ignorant or those in the less thickly inhabited parts of the country. It can be traced back to pre-Christian times”. Therefore we can say that Ritual Witchcraft is the cult of pre-Christian Deities or Spirits connected to the witches.
While the ideas of Murray about this cult have now been discredited, other scholars have reopened this field as a viable area of study, discovering many ecstatic witch-cults. The most known academics in this field are: Carlo Ginzburg, Éva Pócs, Emma Wilby, Claude Lecouteux, Wolfgang Behringer, Sabina Magliocco, Gábor Klaniczay, Gustav Henningsen and Bengt Ankarloo.
Relying on the work of these scholars, we can say therefore that Ritual Witchcraft was/is the religious system surrounding the Sabbath, the Procession of the Dominae Nocturnae from house to house, the spiritual flight, Elphame, the Wild Hunt, the Night Battles, etc.
As we can understand, even if the majority of the Ritual Witches were/are also Operative Witches (practitioners of Folk Magic), not all the Operative Witches were/are also Ritual Witches. The majority of Folk Magicians/Operative Witches, in fact, didn’t go to the Sabbath, didn’t astrally fly, didn’t astrally go with the Wild Hunt, from house to house with the Domina Nocturna, to Elphame/the Otherworld or to the Night Battles. Ritual Witches did.
We can say, therefore, that Operative Witchcraft is a practice, while Ritual Witchcraft is a religion.
Traditional Witches who are secular are, therefore, usually Operative and not Ritual Witches. While the distinction between Ritual and Operative Witchcraft is an established one in the Witchcraft community, I introduce a new, according to me useful, second distinction, inside Ritual Witchcraft (i.e. Witchcraft as a religion), by borrowing the terms “Revivalism” and “Reconstructionism” from Polytheism, in which it’s an already established terminology:
Hereditary Witchcraft
Revivalist Witchcraft
Reconstructionist Witchcraft
Hereditary Traditional Witchcraft brings together all the traditions that claim a lineage from the Witchcraft of the past.
Revivalist Traditional Witchcraft is inspired by folklore, trials and the figure of the witch without any presumption of hereditarity. Unlike the Reconstructionist one, it leaves ample space for personal initiative and the influence of other traditions, without slavishly following the history in every single detail.
Reconstructionist Traditional Witchcraft, finally, tries to resume, starting from the in-depth study of folklore, historical trials and documents, the exact practices and beliefs of Historical Witchcraft. For example, the pantheon of Spirits, the festivities, the structure of the Sabbath, the structure of the offerings, and so on.
An important aspect for those who practice Reconstructionism is the resumption of the names of the Gods (or it would be more correct to say, of the “Deific Familiar Spirits” or “Major Spirits”) forgotten and remained only in the trials papers and in folklore. The idea is to reopen roads, ways to these Spirits. Reconstructing therefore means paying homage to these Spirits and allowing those interested to re-establish a connection with Them.
We said before that Traditional Witchcraft is not Wicca. What’s the difference?
According to the Traditional Witchcraft author Lee Morgan:
“It could easily be said that one of the major differences between the modern revival referred to as “Traditional Witchcraft” and the other modern revival known as “Wicca”, is that Traditional Witchcraft draws on “folkloric material” and is largely “shamanic” whereas Wicca is more of a fusion of Western Occult ceremonial and natural magic traditions.”
(From: Lee Morgan’s “A Deed Without a Name: Unearthing the Legacy of Traditional Witchcraft”)
.:: The Sabbath or Ludus Bonae Societatis ::.
According to Luisa Muraro [1], the oldest term to indicate the gathering of witches, i.e. the Sabbath, is “Game” or “Game of the Good Society” (“Ludus” or “Ludus Bonae Societatis” in Latin), to the point that there are also characters at the head of the witches who keep this name, such as the “Lady of Good Game” (“Donna del Buon Gioco” or “Signora del Buon Gioco” in Italian, and “Dòna del Zöch” in norther Italian dialect) or “Domina Ludi”.
In her book we read that the set of witches, the totality of all the witches, was referred to as the “Society” or the “Good Society”, and that what in Scotland are called Covens, in Italy (the Muraro witness it for the North while Henningsen reports it for Sicily) were called “Companies”.
.:: The dates of the Sabbath ::.
When did the Ludus take place? It was not - unlike what we think nowdays - of unique dates throughout Europe or throughout single Countries, but they changed depending on the area and the region. The days of the Sabbath are not the same of the seasonal celebrations of the country or village festivals (although these may have a pre-Christian origin), which instead took place in the general community in broad daylight and had a more social function, while the Sabbaths were more private meetings.
Normally, the dates are remembered in popular memory, are found in the declarations of the accused in trials, and in legends about the “nights of witches” (or “the nights of the Wild Hunt” or even “of the Procession of the Dead”), sometimes accompanied by rites or spells carried out by the extended population to remove the “evil effects” (from a Christian perspective) of these days. In Italy the most used dates are: the Thursday of the Four Ember Days, st. John’s night, the night of the Dead, the 12 nights from Christmas to Epiphany, and Full Moons. In some regions instead, like Sicily, the meetings (in this case of the Women from Outside, the Sicilian witches/fairies) took place on a weekly basis.
So, how to discover the dates in our region? Let’s take a book of folklore of our region. By reading it, let’s ask ourselves: when, in folklore and legends of the area in which we live, witches or fairies gather together? When, if there are any, legends say the Procession of the Dead or of the Fairies will pass? And so on. If we find these legends, usually we’ll also find the days in which these phenomenons happen, according to the legend. We can take these as days for celebrating the Sabbath.
.:: Who was worshipped in the Sabbath? ::.
Although the witch had various spiritual allies (various “Familiar Spirits”, such as the Spirit of the House, Fairies, Ancestors, Plant Allies, the Animal Familiar, and so on), only the Major Spirit, i.e. the Domina Nocturna (the female spirit that led the Witches’ Procession, the Wild Hunt or the Procession of the Dead) and/or his male counterpart was worshiped in the Sabbath.
In short, therefore, there was a sort of henotheism/exclusiveness towards the Major Spirit to whom the witch was bound: the Ludus was not aimed at a pantheon but to the Entity to which the Company was bound (which normally changed from Country to Country and from region to region, for example the French witches went with Abonde/Abundia/Satia, the German witches with Holda or Perchta, in Northern Italy we find the Lady of the Good Game, in Scotland the Queen and the King of Elphame, in Sicily the Queen and the King of the Fairies, in Rieti - reports Bellezza Orsini in her trial - Befania, on the Sibillini Mountains the Apennine Sibyl, the Redodesa in the Veneto, Herodias in Rome, Sa Rejusta, Araja or Arada in Sardinia, etc.).
The Company could meet at the Ludus in a physical way (“corporaliter”) or in an altered state of consciousness (“in somniis”). Since we talked about the Ludus in somniis in the previous post ( https://elegantshapeshifter.tumblr.com/post/170926906491/dreamwork-and-the-oneiric-sabbath ), now we’ll talk about the Ludus Corporaliter.
.:: Ludus Corporaliter ::.
Let us now analyze the formation of the concept of physical Sabbath. One of the first references to the procession of witches is certainly the Canon Episcopi (dated 906 CE). I quote from it:
“This also is not to be omitted, that certain wicked women, turned back toward Satan, seduced by demonic illusions and phantasms, believe of themselves and profess to ride upon certain beasts in the nighttime hours, with Diana, the Goddess of the Pagans, (or with Herodias) and an innumerable multitude of women, and to traverse great spaces of earth in the silence of the dead of night, and to be subject to her laws as of a Lady, and on fixed nights be called to her service.”
But here we are still talking about a non-corporeal encounter, it is a gathering in the spiritual realm. So let’s go forward and see how this spiritual gathering is gradually going to “stabilize” and “becoming physical”. In Roman de la Rose (1237) we find the following verses to testify to the belief that the procession of witches went from house to house:
“As a result, many people, in their folly, think themselves sorcerers by night, wandering with Lady Abonde. And they say that in the whole world every third child born is of such disposition that three times a week he goes just as destiny leads him; that such people push into all houses; that they fear neither keys nor bars, but enter by cracks, cat-hatches, and crevices; that their souls leave their bodies and go with good ladies into strange places and through houses; and they prove it with such reasoning: the different things seen have not come in their beds, but through their souls, which labor and go running about thus through the world; and they make people believe that, as long as they are on such a journey, their souls could never enter their bodies if anyone had overturned them. But this idea is a horrible folly and something not possible, for the human body is a dead thing as soon as it does not carry its soul; thus it is certain that those who follow this sort of journey three times a week die three times and revive three times in the same week. And if it is as we have said, then the disciples of such a convent come back to life very often.”
In the same period William of Auvergne reports the belief that the Dominae Nocturnae, in this case Abundia/Satia and her witches, would visit the houses to dance and eat food and drink present on the spot. In the absence of these, they would abandon the houses, disdained. According to this belief, people hastened to open the barrels and open the cellars, if not to provide ready food in their home’s table [2].
The Malleus Maleficarum (an inquisitorial treaty following the Canon Episcopi, and dated 1487), will then demonize these characters (a tendency that will have more and more until the eighteenth century, with the disappearance of pagan remains and the complete equation between Satanism and witchcraft):
“There was an erroneous belief that when devils came in the night (or the Good People as old women call them, though they are witches, or devils in their forms) they must eat up everything, that afterwards they may bring greater abundance of stores. Some people give colour to the story, and call them Screech Owls; but this is against the opinion of the Doctors, who say that there are no rational creatures except men and Angels; therefore they can only be devils.”
Yet, even the Malleus does not provide a description of the Sabbath as we know it today. For it we’ll have to wait the 1580 with Jean Bodin and his “De la démonomanie des sorciers”. According to Bodin’s description, when the witch was preparing to go to the Sabbath, she would anoint herself with the ointment, ride a broom, recite a charm, fly and land on the spot of the gathering. Upon arrival, the newcomers were introduced to the Devil, who was greeted with a kiss on the buttocks, then Satan took note of the evil done by witches since the previous meeting and witches were reprimanded or praised according to their merit. At this point the practitioners gave offerings to the Devil (sometimes a sheep, sometimes a bird, other times a lock of the witch’s hair or some other object), then they trampled the cross and blasphemed the saints. So the devil had sex with the new witch, placed his mark on her skin and gave her a Familiar Spirit to her command. Then followed a large banquet and a wild dance that then flowed into an orgy. The meeting ended in time to allow the witches to reach home before the cock crowed [3]. According to Henningsen, the satanic aspects of the Sabbath shown by Bodin are actually demonizations of a more ancient and authentic complex:
“In Sicily […], the belief in the ‘evil and wicked witches’ has never existed; and therefore there is no clear dividing line between fairies and witches: both 'could exercise both good and evil’. However, on the fairies side, there are the donni di fora, and with fairies they participate in forms of sabbath marked by elegance, by beautiful music, by joyful dance, by happy banquets: a 'white fairies’ sabbath’, in contrast to the 'black witches’ sabbath’. The fairies’ sabbath […] in fact represents a 'pure model’, compared to the witches’ sabbath: the latter having to be considered rather a secondary form of it as the result of a subsequent process of demonization by the Church […] a variant of an extensive and therefore presumably ancient and deeply rooted complex of Mediterranean and European shamanistic beliefs.”
According to his vision, therefore, the blasphemies would have been added posthumously, while the osculum infame (the kiss on the devil’s buttocks) would actually be the corruption of the initial bow (also witnessed by the Milan trial of 1390 against Sibilla Zanni and Pierina de’ Bugatis, worshipers of Madonna Horiente) that was carried out in front of the Witches’ Queen.
This Witches’ Queen, again according to the witnesses reported by Henningsen of the last Women from Outside and of those who encountered them, was chosen at random from time to time among the Women from Outside/witches. One can therefore think that the Witches’ Queen represented the Domina Nocturna on Earth for the length of the Sabbath [4].
As we can see, the procedure of the reconstructed Ludus Corporaliter (physical Sabbath) was:
To bow in front of the Domina Nocturna or the Patron Major Spirit, temporarily incarnated by the Witches’ Queen chosen randomly between the witches;
Discussions and advices about the spells performed;
Offerings to the Domina;
The banquet;
Dance and music;
Holy orgy.
.:: Ludus in somniis ::.
Now let’s talk about the Sabbath in an altered state of consciousness or in dreams. I already described the technique in my previous post ( https://elegantshapeshifter.tumblr.com/post/170926906491/dreamwork-and-the-oneiric-sabbath ), so I will allude only briefly.
The structure is the same of the corporaliter’s, but it happens in a dimension that allows the absence of a Temporary King or a Queen of the Witches (i.e., a human representative of the Domina or Major Spirit), in whom we can feel the presence of the Entities directly and with no intermediaries. Many witches of the past used this way of access to the Ludus, for example Isobel Gowdie, a Scottish woman who went on trial in 1662, who had a real Coven with whom she met in an oneiric way [5].
Although it can be said to be a very complex procedure that I will not elaborate here, it - as it’s logical to expect - consists of two steps:
1) to be able to meet in a dream with the other members of the Company,
2) to be able to modify the dream so that you can celebrate a Sabbath in this altered state of consciousness (advanced state of lucid dreaming).
To reach this point, various attempts and a long training period will be necessary, but if the effort is successful, the experience will not be described in human words because of its greatness.
.:: Sources ::.
[1] Luisa Muraro. La Signora del Gioco. La caccia alle streghe interpretata dalle sue vittime. La Tartaruga Edizioni, 2006.
[2] Claudia Manciocco, Luigi Manciocco. L’incanto e l’arcano: per una antropologia della Befana. Armando Editore, 2006.
[3] Thomas Wright. The Worship of the Generative Powers during the Middle Ages of Western Europe. London, J. C. Hotten, 1865, pp. 159-162.
[4] Gustav Henningsen. “The Ladies from Outside”: An Archaic Pattern of the Witches’ Sabbath. In: B. Ankarloo and G. Henningsen (eds.). Early Modern European Witchcraft. Oxford University Press, 1993.
[5] Emma Wilby. The Visions of Isobel Gowdie: Magic, Witchcraft and Dark Shamanism in Seventeenth-Century Scotland. Sussex Academic Press, 2010.
Stregheria symbols. Italian Witchcraft