☀️ top 10 pics taken before Anya got grounded ☀️
(happy summer from the Forgers!)

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hello vonnie
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d e v o n
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we're not kids anymore.
PUT YOUR BEARD IN MY MOUTH
EXPECTATIONS

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oozey mess
RMH

shark vs the universe
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@lyricalpsyche
☀️ top 10 pics taken before Anya got grounded ☀️
(happy summer from the Forgers!)
finally can post my absolute peaceful and happy family 🪲🌱😌
My first draft of this comic was way more carefully drawn and not as messy but it was simply not as funny that way
After thinking that the previous chapter may have been the end of the storyline that started with 128, today's chapter not only jumped straight into a new arc, but one that seems to be potentially plot-altering 👀 We've got Yor and Fiona meeting again after so long, possibly more Authens lore, Donovan going out in public...and Anya very close to encountering him!
This is actually the longest Endo has gone without a short mission or standalone chapter in quite some time. I was counting everything from chapter 128 (the beginning of the TV station hijacking) as the same arc, but now it's more like three arcs back to back: TV station hijacking (128 to 132), SSS house party (133 to 136), and now the start of a possible "hospital symposium" arc with chapter 137! Not that I don't enjoy the more slice-of-life focused chapters, but I'm also happy that Endo is showing us so much juicy character and plot progression lately! But as for the chapter itself, there was a lot to unpack!
Loid's stomach issues are officially canon and not just a throwaway joke 😅
I like how Yor gives Fiona a polite acknowledgment before going back to her business with Loid. If this had happened a long time ago, she would probably feel a lot more embarrassed about doting on Loid in front of his coworker. She'd be second-guessing herself about how to act like a "normal" wife and all that. But instead, she's confident enough now to simply be herself in front of others, even someone she was once jealous of. She even refers to Fiona as "that tennis lady" instead of "Loid's coworker," which makes it even clearer to me that she's moved past the whole jealousy thing and is confident that Loid wouldn't want to replace her as his wife.
Meanwhile Fiona hasn't changed a bit 🤣
The fact that someone related to Sigmund may be at the symposium, which is taking place somewhere within walking distance of where the Forgers currently are, really makes me hope it'll lead to more Anya backstory, even just a bit.
We already know that Sigmund has some connection to Anya/Project Apple. And now we have a situation where someone connected to Sigmund (Director Surjay) is potentially in close proximity to Anya at the current moment. The excuse with Sigmund is that he has amnesia, which is why Anya can't get more information from reading his mind. But that may not be the same for Surjay, which makes me wonder if Anya will meet this guy, read his mind, and remember some...not so pleasant things about her past with Project Apple? 😢But even if she doesn't encounter this Surjay guy, we also have Donovan on the scene now, which could definitely lead to something.
There's been a rumor ever since Melinda's "my husband is an alien" chapter that Donovan could have the ability to read minds and was part of the Project Apple experiments along with Sigmund. Even though Donovan's appeared a few times in the series so far, what I always found interesting is that we haven't heard any internal monologuing from him. We've gotten to hear the inner thoughts of pretty much every other prominent character at some point, but not his even though there was a good opportunity for it during his meeting with Loid and at the Desmond family dinner. Why would Endo not want us to know what he's thinking unless it's to keep his ability to read minds a secret? But if Anya encounters him, there would be no way around this...UNLESS he's able to somehow suppress his thoughts in the presence of another mind reader. I wouldn't put it past him to have that ability. And even if he and Anya don't meet, there's also the chance he could meet Yor, Fiona, or Loid again. If he can read minds, he already knows all about Loid from their first encounter, so who knows what he's been plotting since then?
Whatever happens in this arc, I'm super hyped! Endo has really been on a role with all the Twiyor development in the last several chapters, and now potential Desmond/Project Apple lore right after! I hope he keeps the momentum going on~
Yor and Yuri's Parallel Journeys - Spy x Family Analysis
I originally posted this on Reddit, but I figured I might as well share it here as well. I also rarely make analysis posts like these cause I'm usually on the wiki, but I thought this topic was interesting enough to make a post for.
also also. this post has lots of manga spoilers up to the latest chapter, so if you haven't caught up, you have been warned.
Yor and Yuri's relationship is probably one of my favorites in Spy × Family, and one I think is often understated. While rereading the series for the nth time, I began to notice something about the Briar siblings: although their character arcs are not identical, they unfold in surprisingly parallel ways. After losing their parents, both Yor and Yuri built their identities around protecting the other. As the story progresses, each is forced to confront the same underlying question: how do you redefine yourself after spending your childhood living for someone else? Yor reaches that turning point first, gradually expanding beyond an identity centered solely on Yuri, while Yuri's recent development suggests he is only beginning to confront the same question from the opposite direction, learning to support Yor's happiness without making himself the center of it.
This is a lengthy post, but I hope you'll bear with me and read it all the way through. Now, let's get into it.
1. Shared Foundations
Both Yor and Yuri lost their parents during the Second East-West War. While the exact circumstances remain unknown, Yor stepped up as Yuri's primary caretaker from a young age and eventually became a Garden assassin to continue supporting him. Years later, during the Cruise Adventure Arc, Yor realizes that her resolve to fight had grown beyond simply protecting Yuri, reaffirming her desire to create a world free from needless tragedies, a motivation that seemingly stems from the losses she experienced as a child. In turn, Yuri grew up inspired by Yor's kindness, resolving to "make this world a kinder place for her sake."
Although these revelations occur in different parts of the story, the chapters that reveal them were released relatively close together. Viewed together, they present the Briar siblings as sharing the same emotional foundation: both chose their paths in response to the same childhood tragedy, each hoping to protect the other in their own way.
2. Catalyst
By the start of the series, Yuri has already moved out and is working for the SSS, leaving Yor living alone for the first time since raising him. After impulsively telling Yuri that she has a boyfriend, Yor meets Loid and eventually agrees to a marriage of convenience. While the arrangement is primarily practical, allowing her to maintain her cover as an assassin and avoid suspicion for being unmarried, Yor also explicitly notes that it will put Yuri's mind at ease, knowing how much he worries about her. Although the marriage begins as a matter of convenience, it quietly becomes the catalyst that forces both siblings to confront lives that no longer revolve solely around one another, setting their parallel journeys into motion.
3. Secret Police Arc
This arc marks the first major divergence between Yor and Yuri. While both still place each other at the center of their decisions, they begin responding to Yor's marriage in fundamentally different ways.
Yor repeatedly frames her relationship with Loid in terms of how it affects Yuri. She worries about causing him unnecessary stress and later thanks Loid not simply for tolerating Yuri, but for accepting him as part of their family. Even at this early stage, Yor's instinct is not to replace Yuri with Loid, but to expand the family she already has. Yuri, meanwhile, responds in the opposite direction. Rather than seeing Loid as an addition to Yor's life, he immediately views him as a rival competing for the place he has occupied since childhood. His hostility toward Loid stems less from jealousy than from a fear of losing the role that has defined his identity for years.
Looking back, these chapters foreshadow the direction both characters eventually take. Yor's first instinct is inclusion: she tries to reconcile her old family with her new one. Yuri's first instinct, by contrast, is exclusivity, viewing Loid's presence as a threat to his place beside Yor. This distinction quietly becomes the foundation for both siblings' later development. Yor gradually succeeds in expanding the world she built around Yuri, while Yuri's journey ultimately becomes learning how to accept that expansion rather than resist it.
4. The Lives They Chose
While Chapters 26 and 29 primarily focus on Anya, they reveal for the first time that both siblings chose their secret professions out of devotion to one another. Yuri pursued the SSS believing he could help Yor, while Yor reflects that what began as a means of supporting Yuri eventually became a source of pride and a way to protect others. Although these revelations seem isolated at first, they ultimately become the core foundation for both characters' later development.
5. Yuri's Character and Yor's Resolution
Chapter 41 is the first time we see Yuri existing (mostly) independent of Yor. We see his exceptional capabilities as an investigator whose concern for families extends beyond his own, suggesting that the ideals Yor inspired in him have become genuine convictions. But the chapter also reminds us that Yuri's emotional center remains unchanged: after completing the case, the first thing he does is visit Yor simply because he wants to see her, immediately reverting to the affectionate younger brother.
Not long after, Yor reaches her first major turning point during the Cruise Adventure Arc. After Yuri tells her that he is no longer a child and that she should rely on him instead, Yor quietly acknowledges that the role she has fulfilled since their parents' deaths has finally come to an end. Wondering whether there is still any point in remaining an assassin, she even considers making her current assignment her final mission as the Thorn Princess.
However, while protecting Olka and Gram, Yor gradually realizes that her desire to safeguard peaceful families is the very reason she became an assassin in the first place. Olka's wish to simply live quietly with her child reminds Yor of the losses that shaped her own childhood, leading her to reaffirm her resolve to prevent others from experiencing the same needless tragedies. Rather than finding a new purpose, Yor realizes that the ideals which first led her to become an assassin had always extended beyond Yuri alone. By the arc's conclusion, as she quietly wishes that the peace she has found with the Forger family could last forever, Yor understands that protecting peaceful lives like theirs is the very reason she continues fighting as the Thorn Princess.
In the middle of all this, we get another look into Yor and Yuri's past in Short Mission 6. While we already covered this in the first part, it is essential to the arc as it forms a complete circle: Yor chose her path to protect Yuri, while Yuri dedicated his life to becoming someone worthy of protecting Yor in return. However, the siblings' parallel development is not merely chronological. Because Yor was forced to grow up first and become Yuri's caretaker, she is also the first to confront what it means to move beyond that role. Yuri, by contrast, has spent much of his life looking up to the sister who raised him. His own journey only begins once Yor's growth compels him to reconsider the role, and ultimately the identity, he has long built around protecting her.
6. Yuri's Identity
While Yor largely resolves this part of her journey during the Cruise Adventure Arc, Yuri is still trying to fulfill the promise he made as a child. Chapter 68 shows this in a surprisingly mundane way. Rather than confronting Loid as an SSS officer, Yuri competes with him over everyday household chores, desperately trying to prove that he can still be more useful to Yor than her husband. Underneath the silliness is an uncomfortable question: if Loid can now provide the support Yuri once wanted to give his sister, what role is left for him?
The Wheeler/Mole Hunt Arc quietly builds on this idea. Before Yuri unknowingly clashes with Twilight, Yor tells him not to interfere in what she calls a marital spat between herself and Loid. Later, after Yuri and Loid nearly kill each other during the operation, Yuri visits the Forger home only to be sent away so Loid can rest. Although Yor later apologizes, these moments show how much her perspective has changed. She still loves Yuri just as deeply as ever, but she no longer instinctively places him at the center of every decision.
Chapter 89 finally turns the spotlight back onto Yuri. Still shaken by his defeat against Twilight and being turned away from the Forger home, Yuri privately admits that his recent encounter with Yor has left him wondering whether he can truly protect his country. The changing role Yor now plays in Yuri's life begins to shake the very motivation that led him to join the SSS. In an effort to become strong enough to defeat Twilight and prove himself worthy of protecting Yor, he throws himself into work, recklessly taking on an entire gang by himself. Chloe saves him from getting himself killed and bluntly points out what he's doing: his entire life revolves around Yor. Rather than telling him to stop caring about his sister, she challenges him to become someone who no longer gives Yor a reason to worry about him. Before trying to protect Yor, he first has to show that he can stand on his own.
By the end of the chapter, Yor visits to apologize for sending him away and admits that she missed him, reaffirming that nothing has changed about how much they care for each other. But Yuri leaves with a new question. Instead of immediately plotting how to get rid of Loid, he asks Yor how she actually feels about him. For the first time, Yuri pauses to consider that arresting or eliminating Loid might not be what Yor wants after all. He doesn't resolve these doubts yet, but for the first time he begins looking inward instead of measuring himself solely through Yor.
7. Chapter 114
Before getting to Chapter 114, it's worth briefly touching on Chapter 91. While it doesn't significantly change either sibling's trajectory, it provides the missing context behind both of their motivations. By confirming that Yor and Yuri's parents died during the war, it retroactively strengthens the Cruise Adventure Arc's revelation that Yor fights to prevent other families from suffering similar losses, while also reinforcing why Yuri devoted himself to becoming someone capable of protecting the sister who became his entire world.
With that context in mind, Chapter 114 offers something the series has rarely given us: Yor and Yuri simply spending time together after both of their arcs have significantly progressed. More importantly, they do so from very different places than where they began. Yuri initially falls back into familiar habits, dwelling on the sacrifices Yor made to raise him while accusing the Forgers of taking her away from him and changing who she is. Yor, however, responds from a very different place. Rather than dwelling on the hardships of the past, she gently explains that those feelings belong to another time and speaks openly about the happiness she has found in her current life.
This contrast becomes most apparent when Yuri suggests returning to their hometown of Nielsberg. While the proposal shows his lingering attachment to the life they once shared, Yor quietly declines. She treasures those memories, but no longer wishes to return to them, choosing instead to continue moving forward toward the future she wants to protect.
Despite this, the chapter reaffirms that their relationship remains as close as ever. Before they part, Yuri remembers that Yor wanted to buy a gift for Anya and gives it to her himself, showing consideration for what is important to her. Left alone afterward, Yuri reflects on the childhood promise that shaped his life and initially wonders whether the Forgers are the reason his sister now feels so distant. However, he quickly realizes that they are not the only reason: he has also built a life whose burdens and responsibilities he can no longer share with Yor. However, we also get a hint that Yuri may be capable of embracing the life he he has built beyond his relationship with his sister, as the chapter closes with him accepting an invitation to join his fellow SSS officers for drinks.
8. The Five-Year Love Plan Arc and onward
The Five-Year Love Plan Arc immediately demonstrates how much Yor and Yuri's dynamic has changed. For the first time, Yor openly admits to Yuri that she loves Loid. Earlier in the series, Yuri viewed Loid primarily as someone who had stolen his sister away. Although he remains visibly uncomfortable with the confession, he decides to follow them to the broadcast to judge for himself whether Loid is truly worthy of the place he holds beside Yor. Even more strikingly, when the hijacking occurs, Yuri and Loid spend much of the arc working toward the same goal: protecting Yor. Although they continue to clash, neither allows their wariness of each other to interfere when Yor is in danger.
When the hijackers later demand that Yor kiss someone as part of their staged reshoot, Yuri immediately objects to forcing his sister into such a situation. However, when it becomes clear that the hijackers will not back down, he argues that Loid should be the one instead, implicitly accepting that, if anyone should fill that role, it should be Yor's husband. Later, both siblings witness Loid risk his own life by confronting the hijackers at gunpoint to protect Yor. When Yor tearfully tells Loid that he could have died, her words echo the advice Chloe previously gave Yuri: that protecting someone also means making sure you return to them safely.
The most recent chapters continue this progression. We see Yuri asking his coworkers to help him evaluate whether Loid is truly worthy of Yor. The question itself marks a complete reversal of his earlier mindset. Instead of assuming Loid has no place beside his sister, Yuri is now willing to consider the possibility that he does. By the end of the SSS party, he even admits to Chloe that he doesn't actually hate Loid. While he is far from considering Loid family, Yuri recognizes that Loid has remained true to his promise to protect Yor alongside him. Rather than judging Loid as the man who took his sister away, Yuri begins evaluating him as someone who shares the same desire to keep her safe.
At the same time, Yuri's attention gradually turns inward. Acknowledging that Yor now has a life of her own, he realizes that he cannot continue depending on her forever and resolves to start acting more like an adult. While his journey is far from complete, this is the clearest indication yet that Yuri is beginning to redefine his own identity instead of measuring himself solely through his relationship with his sister.
Now, one thing I didn’t really touch on is Yuri's "siscon" behavior. I don’t think this analysis ignores it so much as looks beneath it. Most of Yuri’s attachment to Yor is presented comedically, but his major character moments consistently frame that attachment as an identity issue rooted in their childhood rather than just a running gag. That’s why I focused on the underlying question of who Yuri becomes as Yor gradually builds a life that no longer revolves entirely around him.
Viewed as a whole, the Briar siblings' stories resemble two halves of the same journey unfolding at different points in time. Yor's arc shows her learning that loving Yuri does not mean living solely for him, while Yuri's recent development suggests he is only beginning to confront that same realization from the opposite direction. The childhood promises they made to protect one another have never been broken; instead, they have gradually taken on a new meaning. Rather than defining themselves through the sacrifices they once made for each other, they are gradually learning to support one another as siblings who have each built lives, relationships, and responsibilities beyond the bond that first shaped them.
Subject #7
I’ve told you this before, but…
I’m always happier if you rely on me for help
I like how Twilight's growth isn't linear. It feels painfully slow a lot of the time, but that's close to real life. It's so difficult for people to change, let alone a battle-hardened spy who has to remain hypervigilant or else face death by torture (while believing world peace will collapse).
All the way back in chapter 14, Twilight acted quite callously toward Yor by bugging her clothes and then cornering her as an SSS officer in disguise.
She took him completely off guard with her defensive reaction, willing to fight the SSS on Loid Forger's behalf.
This led Twilight to waver in his conviction and feel bad about what he did, as Franky observed:
More than 100 chapters later he realizes in a panic that his actions have come back to bite him. Yor might recognize Lieutenant Curtis and who knows what she might say in front of a house full of SSS agents, or what she might say to her brother or someone else in private later. Any doubt on her part could eventually lead to suspicions against Loid Forger.
So he doubles down on the "do whatever it takes" mindset. Doesn't matter if he has any affection for Yor at this point, he'll tranquilize her if it means escaping this nightmare he's created for himself. His brain is so overtaxed he can't think of any other escape plan.
And he actually goes through with it (though unexpectedly for him, Yor is immune).
Luckily for him, he's able to get out of the party with no one suspecting anything, and when he subconsciously recognizes he's safe, he almost collapses. Again leaning on Yor (literally) as someone he can let his guard down around.
Now we see the look of guilt once again. And not just guilt, but yearning (the sparkle) and the deep sense that he doesn't deserve Yor's help and care. If she knew how he'd mistreated her -- bugging her clothes, threatening her as an SSS agent, and injecting her with a tranquilizer -- surely she wouldn't look at him with such compassion. When he says "I'm sorry," he means it.
I wonder if just like in chapter 14, Twilight will have a conversation with Franky about what happened. It'll start off as a rant about how Franky's watch didn't work and he's cutting off his R&D funds, but when Franky makes him explain what exactly happened, maybe Franky will be like "Wait a minute, you used it on your wife? That's cold, man!"
"She's not my real wife, it's only for the--"
"Are you serious, that woman has done more for the mission than anyone other than Anya! And me, you better not forget--"
To which Twilight will probably snap back in anger because he doesn't know what to do with all his guilt. In order to cover for the shady things he previously did to Yor, he just did something even shadier, and he'll wonder if it'll just continue in this vicious cycle. It's worse now because he actually feels something deeper for her. He's simultaneously willing to stand in front of a loaded gun for her, and to knock her out cold in order to survive.
I really hope we see someone like Franky or even Handler or the old WISE agent call Twilight out in the middle of the turmoil he's going through. Don't just let this moment of character growth (or regression) slip by and go unspoken.
Chapter 135 thoughts, MICE and Twilight
Chapter 135 thoughts, MICE and Twilight
Alt title: Overthinking a fictional character on my day off while sleep deprived and stressed. (MANGA SPOILERS)
“A double life is not an easy life as evidenced by the number of agents who burn out, break down, or simply decide they cannot continue, particularly in high risk environments.”
I’ve been thinking a lot about the latest chapter. I think my first initial thought was frustration (at Twilight). To be clear, I really enjoyed the chapter and I found the overall situation to be endlessly fun. I forget sometimes that Spy X is a comedy, that so happens to be based loosely off of the Cold War. And as someone who does not generally enjoy comedies it’s easy for me to fall into the trap of expecting a dark, serious thriller with this fiction. (Hence the creation of Scission). So this morning I was thinking, “I should probably not take the comedy too seriously. “ But. As an over thinker I can’t help myself...
Something I’m finding a bit frustrating is how Twilight’s emotional stunting around love and sex is seen as something inherent to him and not something trained into him by WISE, and how many people seem to have blinders on when it comes to WISE’s stated goals and what they really stand for.
Twilight was a minor when he was scouted by WISE. They knew he was a minor; they were able to blackmail him because he was impersonating someone else and they knew that. They impressed upon him straight away that his work will preserve the tenuous peace between Ostania and Westalis, and his work directly impacts the continuation of that peace. They put that weight on him, straight away, as an impressionable young man, little more than a child.
Now fully grown, we can see how that pressure invades every part of Twilight’s psyche; every action, every choice he makes is given over-inflated importance because of the years and years and *years* of conditioning he has been given by WISE, Handler in particular, who as nice a person as she has seemed at times, relished in ripping Twilight’s psyche apart and building him into a tool for Westalis’s use.
This gets even darker when we look at Twilight’s relationships. I’d be comfortable speculating that Twilight has never had a relationship other than those he needed to have for a mission. In other words, relationships he was coerced into having by his employer. Coerced as in forced. Forced as in not his choice. I feel like I need to underline this point because I have seen takes blaming Twilight for tricking the women he had relationships with, as if these relationships were wholly his idea. He was told to find a wife and child at the beginning of Operation Strix with the usual ‘the world will blow up if you don’t succeed Twilight’ bs, so it’s way more likely he was told to forge relationships with women close to particular targets, and he was emotionally blackmailed with the ‘for the mission’ mantra that they bred into him as a weakness. In my opinion, WISE have acted very similar to traffickers when it comes to blithely commanding Twilight to share intimacy with women for their own benefit.
So what does that do to a person, when every instance of intimacy, of romance, of closeness with the opposite sex, has been for false reasons? What does it do to a person when every relationship you’ve ever had is not by your own choice, and on top of that you were told to ‘love’ this person and make it convincing otherwise oopsie, we might get into a war again, kids are going to be orphaned or die and it’s all your fault!
I don’t know whether it’s because Twilight is a man or what but most people can recognise that what Garden did to Yor is deeply unethical at best, and they only required her to kill; not torture, not lie to, not steal from, not have sex with, just kill her targets. Twilight is required to do all the above by WISE, and from the time he was a minor or close to a minor as well, but people don’t seem to recognise the deep harm he has suffered at the hands of WISE.
I have a theory that this is because we don’t see what Westalis is like currently and we only have Handler as a representative of Westalis, the majority of the audience take what she says at face value because they, like Twilight, trust her implicitly. I’d say this is a wildly incorrect reading simply because everyone reading this manga should understand the real-world parallels of Spy x Family enough to realise that WISE is the CIA. And like the CIA or really any covert operation operating in foreign territory, world peace is not a priority, the furthering of their own country’s interests is the priority.
The only reason why WISE and Ostania have their interests aligned *now* is because Westalis and Ostania both have governments that want peace. Operation Strix is basically a play at undermining a sovereign nation changing governments to one that doesn’t align with Westalis’s interests at this time, which is incredibly problematic even if the (stated) intention of preserving world peace is a good one. It’s completely in the realm of possibility that if Westalis’s government changes and their interests change, they can command Twilight and the other operatives to foment unrest and undermine the current Ostanian government, because that’s exactly what the CIA did in many parts of the world in the time period Spy X Family is set. We’re supposed to know this and distrust WISE accordingly. And when we distrust WISE we can see the cruel evil with which they have treated Twilight.
WISE took a boy who was deeply traumatised by the war, who had lost everything and used all the best parts of him to forge him into a weapon for their own interests. They straight up abused him, and we see the scars of that abuse *everywhere*; they deliberately made him into a person that cannot function normally, through emotional coercion and conditioning. That he has done horrible things for WISE and to other people in the name of WISE’s interests only binds him closer to them; he is not blameless of course but assigning full blame to him for his instances of deception especially is to absolve WISE of their blame, which I think is counter to Spy X Family’s broader point; that people wherever they come from are inherently good, but systems and governments are to be distrusted
Looking back at some Spy x Family panels and noticed something (which might be absolutely nothing ngl)
Major spoilers ahead...
⚠️CH 134 SPOILERS⚠️
he’s getting so good at this guys!
Now I feel silly for thinking yet again that the TV station hijacking arc would wrap up because it just keeps getting spicier 👀 Yuri shenanigans and the interrogation was amusing, but I was not expecting this panel to drop...
It might be tempting to write this off as him putting on a facade yet again in front of everyone at the party, as would be expected from Twilight. But the SSS officer's comment that there's "not a single hint of deception in his eyes" is the clincher. I can say with 99% certainty that Endo wants us to believe that this guy is a seasoned officer who can tell when someone's lying or not, and if he's telling us that Twilight is being truthful here, we're supposed to believe him. From a narrative perspective, there would be no other reason to emphasize the scene like this.
For those of us who pay attention to Twilight's expressions throughout the series, we know that he has his "Twilight eyes," which are when his eyes narrow and his face darkens (this is different from his default Twilight expression he has when he's doing his usual spy work without emotion). He has this particular expression typically when he's trying to suppress his emotions he doesn't want to show, and so ends up overcompensating with a very serious face. Example below:
Then there's his "Loid Forger" face, which is when he's being ingenuine behind a facade, which is signaled by him having a phony and exaggeratedly cheerful expression. Example below:
There's also been some "in between" moments where he's trying to keep the Loid Forger mask, but his true feelings slip out. This usually happens when he's interacting with Yor or Anya in some emotional situation. Example below:
But his expression in this chapter is one we don't see often, if at all - an expression that's definitely not "Twilight," but it's not phony like "Loid Forger" either, nor is it "restricted" in any way like the aforementioned "in between" moments. I believe this expression is, plain and simply, [redacted]...his true self, with no filters at all.
For those curious, his dialogue in the Japanese version is the same. He doesn't use the word for "love" that Fiona uses, "suki" (好き) but uses "aisthiteru" (愛してる) instead, which is for romantic love specifically. This is the word that the officer used when he asked the question though, so makes sense he would use the same word.
Another reason I think he's being totally genuine here is because of what happened a couple chapters ago where he was forced to confront his feelings about why he almost sacrificed himself for Yor. Instead of doubling down on pushing those feelings aside and making his usual "for the mission" excuses, he is, for once in who knows how long, being totally honest with himself (it just happens to benefit his mission at this moment too, lol). There's also a noticeable lack of background in this panel, which Endo loves to use when he wants to show a character being true and genuine.
We learn Twilight's age in the chapter as well, but I'd take it with a grain of salt since he could very well be lying about it. It could just be an age he established as part of his whole "Loid Forger" persona and not his true age (though probably close).
But besides some big character development from Twilight, another major event in this chapter was the name reveal of Yuri's boss in the SSS, the previously unnamed officer with the scar who we now know is Captain Curtis (no last name for Chloe though, sorry girl 😅)
There's been a long-standing theory that this guy was Twilight's father. I don't know if the theory was taken all that seriously, and I never believed it myself, but I think this chapter pretty much snuffs it out.
It was a little disappointing to see Yuri go back to rejecting Loid right after everything that happened. So Loid has him beat in the character development department in this arc, at least for now 😅
While Twilight meeting Chloe, Curtis, and the other officers was fun, I can't wait to see if Yor shows up next chapter 👀 I've been wanting her to meet Chloe for a while! Of course there's the chance that's not her at the door, or Twilight will come up with some plan to get her away from the party. Either way, I'm glad this arc is still not letting up 😃
someone's tugging on those heartstrings
(or: Twilight and the slow, damning realization that maybe the head and the heart aren't so separate after all)
for anya they’d hold the world on their shoulders, but how can they say no when she asks to hold the umbrella
[inspo post below]
The Weight of a Role
The recent "Five-Year Love Plan" arc revolves around acting, featuring the hijacking of a studio at Berlint TV Tower by a group of armed fans determined to reshoot the drama’s finale.
The seeds of this theme were planted about ten chapters earlier, during the "Poachers Hunting Arc".
Overanalyzing Spy x Family - Manga Volume 10 cover
other covers
Volume 10 is the first one to repeat a character on the cover. Young Twilight, aka [redacted], this time sitting not on a chair but on the ruins of a building.
An obvious and considerate choice, if you think that this volume includes his backstory from the war. This isn't the time for fancy and cool designer chairs. This is a sight that is, unfortunately even today, true for many children around the world.
The swap from having the cover character sit on very expensive designer chairs to having [redacted] sit on ruins is a clear symbolism of the devastation a war brings.
[redacted] was a child of a working class family. Despite wars being run by governments, it's mostly the poor people that pay the price for them. And so, [redacted] can't afford a fancy, expensive chair, he cannot afford a chair at all. He's not just sitting on ruins, he's surrounded by them.
His expression is quite subtle; if looked at from afar, it can resemble present Twilight's calculated look, or even some anger. Instead, if you look closer, he just appears despondent, almost to a numb degree.
This being overanalyzing, it also catches my attention that his left hand is with the palm flat on the concrete he's sitting on. It was an artistic choice to depict him like that; his hand could have been resting on his lap, or on the rifle, or even holding the helmet. The fact that it fully touches the concrete can either symbolize that he's trying to balance himself, or that he's expressing grief over the building this once was. We're not told or shown whether his childhood home was actually destroyed, but he did lose it. If you have other ideas of what this depiction could be for I'd be interested in hearing them.
The only objects around him are a radio he and his friends would listen to while they hang around together, as well as the helmet and toy rifle he bought with the money he lied to his father to get.
The radio's antenna is extended, but the volume (or frequency knob?) is all the way down and none of the buttons are pressed. It looks like it's ready to be used but not currently on. I wonder how much propaganda he was exposed to while he was listening on with his friends, and how often he would find a radio to hear news (and probably more propaganda) while the war was on.
The helmet and rifle are not only indicative of his war adoration, they're also indicative of that lie that seems to be haunting him to the present, even if he doesn't admit it to himself now.
And remember, [redacted] didn't just lie to his dad to get that money; he manipulated him. He acted like he was interested in something he knew his dad approved of, in order to get money to buy something he knew his dad didn't approve of. And that action alone made him feel so terribly guilty he couldn't even allow himself to enjoy playing with the toys he bought.
Yet, as a spy, this kind of lying and manipulation is his main tactic. It's obvious it's not something he takes pride in, but putting those objects on the cover with [redacted] makes it even more meaningful how much his own lie weighed on him.
But also, on another, different level... the objects are a direct parallel to adult Twilight's cover. Young [redacted] has a toy rifle and a radio next to him. Adult Twilight is holding a real pistol and a newspaper.
Radios and newspapers are news sources. [redacted] is not holding the radio, it's behind him, depicting how he was a passive consumer of propaganda. Twilight is holding the newspaper in front of him, depicting how he's actively searching for information so he can judge for himself.
And then there's the weapons. Young [redacted] is holding a toy rifle (naively idolizing war, without knowing yet what horrors it inflicts) while Twilight holds a real gun (he's deeply into the spy work).
[redacted] regretted lying to his dad, so he rests the toy gun on his lap.
Twilight lies all the time, so he has an active hold on the real gun, having already shot a few times (based on the bullet casings on the ground beneath him).
This cover serves both as a depiction of what this volume includes and as a reminder of who Twilight used to be. Ironically enough, it was his helmet - a propaganda toy - that saved his life in the bombing of Luwen. But I believe this depiction is more of a presentation of his innocence and naïveté, that led him to idolizing war and then fighting in it once it had taken everything from him, as well as a reminder of how it was this twisted turn of events that led him into becoming the spy he is today - surrounded by lies of his own making and constantly risking his life.
And there's another difference I notice now that I've got the two covers side-by-side: the lighting. The lighting for [redacted]'s cover is natural, coming from behind him and casting most of his face in shadows. Meanwhile, the lighting for Twilight's cover makes it look like a professional photoshoot.
There's a lot that can be deducted even from that. Natural light is, well, natural, it comes at no material cost but it's not something we can control. Artificial light is, by its very definition, fake, it requires material cost, and in professional settings we can use it to manipulate the image we want to present in multiple ways.
[redacted] was still an innocent kid, despite the propaganda he'd been fed. He didn't have a lot of money for fancy things - and once war broke out he practically had nothing - and he had no control over how the war destroyed his life.
Twilight is a professional liar, constantly using disguises to manipulate the image of himself he presents to others, and despite following WISE's orders without questioning them, he is actively working on having as much control as he can - he depends on no-one, he examines situations thoroughly so he can prepare for any scenario, and at the end of the day he's doing it all so that other children won't have to experience the loss of control he did.
The boy grew up into a man, the ruins were polished into a designer chair, and the equipment and presentation became professional. But the man on the expensive chair is just as broken as the boy sitting on the ruins. It's all just a carefully manipulated image to cover the truth from everyone - even himself.
The inner cover provides a much more hopeful contrast. Young [redacted] joined by young Yor, young Yuri, and Anya, and even Bond makes an appearance as a puppy!
Yor seems to enjoy playing badminton, Yuri has an open book while glaring at [redacted], and Anya is offering the latter a peanut. Meanwhile, [redacted] appears cautious, almost shy. It feels like an inner reflection of the present situation of the Forgers + Yuri, showing how despite his control, Twilight is secretly (and very deep down) wishing for carefree moments like this one. As the inner cover, it's fitting that it can represent what's really inside him.
Volume 11 cover analysis coming soon...