masterdean94's Blog

Hey, Im masterdean94 (not deanalicious anymore, the preteen phase is over, so ignore that if you could. thanks). Im a Writer, and a Youtuber. (currently in hiatus until i get parts for my computer to make the editing process smoother). I Like Video Games and Geek Culture, But I'm Also a Large fan and avid player of the Independent Fighting Game 'Skullgirls' and specialize a lot in indie fighting games in general (dicekick, lethal league ext). You can also check out my Skullgirls Blog here http://skullgirlsguru.tumblr.com/ I also do a lot of game theory, but i dont usually do text posts so enjoy my random pictures.

[senoritaimperfecta]

YA WANNA ARUGE OR YOU WANNA GET ON THE BOAT

[gabyluvsxena]

[beardedmrbean]

Drinks on the house

[urbanfantasyinspiration]

Boys will be boys

[stepfordgoth]

This is so cute

[johnathan-armanithan]

Michigan. I can promise you that.

[blackwolfmanrisen]

I fucks with that

[nonenosome]

"Nothin' hits better than a roof beer."

[stilldickslappinthestate]

Break My Stride playing on repeat makes this absolutely perfect.

[teflonly]

[nerdgerhl]

I feel like there are probably too many people just scrolling past this so let’s go through everything that’s going on here. 

1. With Roger’s voice actor standing off camera, Bob Hoskins acts into empty air and frantically sawing at his handcuff, continually looking up and down at different visual marks of various depths. Look at the slow pan up of his eyes in gif 4, and then the quick shift to his side. Think about how, on set, he was looking at nothing. 

2. Starting in gif 2, The box must be made to stop shaking, either by concealed crew member, mechanism, or Hoskins own dextrousness, as he is doing all of the things mentioned in point 1. 

3. In all gifs, Roger’s handcuff has to be made to move appropriately through a hidden mechanism. (If you watch the 4th gif closely you can see the split second where it is replaced by an animated facsimile of the actual handcuff, but just for barely a second.)

4. The crew voluntarily (we know this because it is now a common internal phrase at Disney for putting in extra work for small but significant reward) decided to make Roger bump the lamp and give the entire scene a constantly moving light source that had to be matched between the on set footage and Roger. This was for two reasons, A) Robert Zemeckis thought it would be funnier, and B) one of the key techniques the crew employed to make the audience instinctually accept that Toons coexisted with the live action environment was constant interaction with it. This is why, other than comedy, Roger is so dang clumsy. Instead of isolating Toons from real objects to make it easier for themselves, the production went out of its way to make Toons interact more with the live action set than even real actors necessarily would, in order to subtly, constantly remind the audience that they have real palpable presence. You can watch the whole scene here, just to see how few shots there are of Roger where he doesn’t interact with a real object. 

The crew and animators did all of this with hand drawn cell animation without computerized special effects. 1988, we were still five years out from Jurassic Park, the first movie to make the leap from fully physical creature effects to seamlessly integrating realistic computer generated images with live action footage. Roger’s shadows weren’t done with CGI. Hoskin’s sightlines were not digitally altered. Wires controlling the handcuff were not removed in post. 

Who fucking Framed Roger fucking Rabbit, folks. The greatest trick is when people don’t realize you’re tricking them at all. 

[thegrumpiestoldman-deactivated2]

This movie will be studied and analyzed and revered and worshipped for generations because, not only of the ground breaking techniques they used to make the magic happen but, for those of us that grew up with Bugs Bunny and Tom and Jerry, for 2 hours we were able to believe that they all really existed.

This is one if the LAST great movies that was ever made.

[benpaddon]

Let’s also not forget that writing. “Only when it was funny” isn’t just hilarious, it’s great comedy theory. It lampshades the joke, but also serves to remind the viewer that Toons have a separate set of physical laws they adhere to, mostly revolving around comedic value. Roger cannot remove his hand from the cuffs… until it’d get a laugh from an audience.

Everything about this movie, EVERYTHING about it, is so finely crafted. I could wax lyrical about it for days.

[mafiamoll]

just to tack on to point #2 — that was definitely hoskin’s own dexterity at work for the box, if you watch his left arms elbow before and after roger ’stops’ the box from shaking, you can see how he’s not longer making exagerated movements w his elbows which functioned as a way to move the box himself while looking like it was the box moving him

[trylonandperisphere]

Wow. The patience, kindness and calm communication skills. Outstanding.

From raindovemodel

[loveislattes]

This made me cry. I wish all situations could be handled as perfectly as this

[fatsexybitch]

I just want to point out the core of what the diffuser did in this conversation

They recognized that the mother was also expressing a vulnerable truth about herself - that she felt like a bad mother because her child was expressing gender feelings she wasn’t equipped to help with - and met her where she was, a concerned parent with limited information - to point her where she should be heading, research and resources.

Im going to make more of an effort to stop reflexively pushing people away when they express biases and make more of an effort to hear the underlying fears when i can

[redseeker]

“it’s easier to love ourselves when we feel loved as ourselves”

damn that is so  powerful though

[justnick612-deactivated20210723]

God this always makes me tear up ahaha…

[rehfan]

This is SO BRILLIANT. I wish I were this calm and collected.

[keico-maguro]

らくがき

[cesaray]

[freakinasheet]

When you see a shrine

[obesitysherpa]

Never has a meme so accurately depicted my career as a marketer. Seriously, don’t go into marketing. The people you work for just suck the life out of you

[eightspartans]

I am thoroughly pissed.

The Youtube user Nick Slick Wilde just got his channel back.

If you don’t know who that is, it’s a Youtuber that’s been stealing art and reposting them on Youtube, he’s even been earning money from it.

I will say it now. I HAVE NOT ALLOWED ANY PERMISSION FOR THIS CHANNEL TO REPOST MY ART, NOR USE IT FOR ANY PROFITABLE USE.

This is utterly disgusting that he’s allowed to keep doing this and still defend his motives towards his channel.

The artists that he stole from include:

@mistermead

@ky-jane

@red-velvet-panda

Me (He removed mine, but he might bring it back on since the counter

@nicolaswildes

@trashasaurusrex

@spintherella

And a lot more.

This is fucking bullshit. I can’t believe this is happening again. I honestly don’t care if he uses my work, but if he’s earning money, then no.This crosses the line.

Please help me do something about this, go to his channel and report him for stealing artwork. I’m sick and tired of this.

[red-velvet-panda]

On top of this he frequently makes harassing, racist comments, makes threats to hack people, to kill people, and plenty of other ridiculous things.

I’ve reported him plenty. So all that’s left now is to ask that his subscribers drop him. Don’t support this creep.

PLEASE REBLOG FOR GREAT JUSTICE

[zootopianewsnetwork]

NOT TO MENTION HE THREATENED ZNN.  THEN, WHEN THAT DIDNT WORK, HE TRIED TO BRIBE ME WITH “COUNTERFEIT” MONEY. I’m not joking, look at this.

I PERSONALLY filed several copyright claims against this guy, which led to this finally happening.

I was so pumped when his channel got taken down. But now, somehow, he’s back.  As if it never happened. I don’t reblog things to try and get channels deleted.  I even was attempting to form a peace treaty of sorts between artists and youtube channels that put comics up, one which would ensure everyone got proper credit.  He took that olive branch, lit it on fire, and then chased me with the burning stick. I’m done with this guy.  He’s harassed me and the ZNN team enough.  He needs to go down. Reblog this to let people know, and let’s get this scumbag gone from the internet. Remember… Try Everything. ~Andy Lagopus #DownWithSlickNick

[destinyrush]

[friendly-neighborhood-ehrhardt]

first lena dunham upset that a football star didnt immediately lavish her with attention & now this.

funny how these women both rant about rape culture & then get offended when everyone doesnt immediately & obviously want to bang them

[nunyabizni]

Well consider this, they actually want the attention until they get it. They get to bitch about something either way and go on interviews and seem sympathetic, when in reality they are actually just pathetic.

[crivil]

[dyrus]

me: wow we killed everyone but their jungler lets push mi.. inner me: do baron me: but what if they steal– inner me: flame the jungler

[kant-deactivated20190908]

[beeishappy]

[thahalfrican]

[memewhore]

[makestheworldtastegood]

Obama: No matter what happens, the sun will rise in the morning The sun:

[cheerupghost]

The Korean Gothic Lesbian Revenge Thriller That’s Captivated Cannes

It’s from Oldboy director Park Chan-Wook, and, yes, as is his trademark, somebody loses a body part.

Honestly, you had me at “Korean Gothic Lesbian Revenge Thriller” but the fact that this is Park Chan-Wook really clenches it. I think I sense a new favorite movie?