hey so if u think otabek is white please unfollow me thank u........

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hey so if u think otabek is white please unfollow me thank u........
Kesha - Praying
Please. Please. Please. If you still have not, take a listen to Kesha’s first solo post her legal battles and hurt.
This song is so powerful on its on, but accompinied by the music video it’s infintesimally much more stronger. Especially since the visuals were beautiful.
The pain Kesha has experienced these passed years is palpable in her voice and I have never heard her sound any better because she showcases her vocals minus autotune.
So, please. I attached the music video. Give it a watch and let me know how you felt afterwords. I am so, so proud of Kesha’s strength and coming back stronger than ever.
Nathan Chen, Parachute || 2017 Dreams on Ice (x)
The visual for Yuri on Museum was revealed and boyyy.
Am I the only one seeing Victor and Yuuri organizing a housewarming party for all their GPF friends when they finally settle down in St. Petersburg here?
And everything’s so perfect too:
Actual fiances Victor and Yuuri? Check.
Chris already having 2 (or 3, or 4…) buttons undone upon entrance? Check.
JJ being pushed to the back of the photo and literally doing a split in the air to get the attention he needs to stay alive? Check.
Yurio reluctantly having to squat because he’s the shortest and Otabek joining him like the good (short) friend he is? Check.
Champagne (for everyone above the age of 20)? Check.
I feel so spoiled by the yoi staff, this official art as well, is 10/10.
ALSO
There will be audioguides available in the museum narrated by the actual characters (well, their voice-actors, but in-character - you get it).
They will all be done in pairs, which will look like this:
A) Yuuri and Victor B) Yuuri and Phichit C) Yurio and JJ D) Yuuri and Yurio E) Victor and Chris
For those of you who will inevitably ask “Why won’t Otabek narrate anything?” - it’s because his seiyuu is on a hiatus from work in order to treat his throat after a doctor’s diagnosis. It’s for the best, I’m sure you understand.
But otherwise, this sounds really cool! Can’t wait fo the reports of the people who will go to the exhibition and get to hear them themselves!
Yuri on Ice : Sayo Yamamoto and Kubo Mitsurou, Conference and Live drawing at the Japan Expo in Paris (summary)
I would have loved to take pictures (especially since I was sitting in the front row) but we were strictly forbidden to do so during the conference. Instead enjoy these pictures of the insane crowd gathered for their conference, and as you can see, peeps were sitting on the ground (pics were taken before they arrived) :
Before the conference began, they screened Welcome to the madness on a big screen and let me tell you that the crowd was wild. Everyone was excited and screaming and there were a lot of YOI cosplayers as well, mainly of Viktor and Yurio.
Anyways, the conference started with Sayo Yamamoto talking on her own, as Kubo said that she can’t draw and speak at the same time. The illustration she made can be found on twitter, it depicts Viktor with a beret holding a baguette and wearing a stripped shirt (marinière) and Yuuri drunk holding a bottle of wine with a little Emil in the corner (n : loooool) everyone was laughing and they started asking us whether or not some of us came from abroad to see them. A lot of peeps raised their hands, some from Switzerland, Germany, Spain and when they mentioned that Emil’s birthday was today they asked whether anyone was Czech but there was none in the room.
The majority of the conference focused on French skaters and how much Sayo and Kubo admired them as well as how they inspired them when they worked on YOI. They mentioned a lot of them so it would be a bit hard to list them all, but the main points are : they were inspired by european costumes for Michele’s clothes, mainly his Knight outfit from the look of the pic they screened, and they were inspired by french skater Guillaume Cizeron for Christophe’s character. They recommend that you follow his instagram and that if Christophe had one, it’d definitely be like his! Another info regarding Christophe : he likes to spend the off-season in New York and his times there are “wild” according to them. (n: the entire room laughed at that haha)
Fans questions :
- Yurio cosplayer (to both of them) : “Will we get to see more female figure skaters in the future?” Contrary to what some tweets may say, they did not say that we’ll see more of them for sure. They specifically said that as of now, the movie is still a project and the scenario still has to be fleshed out.
- Fan (to Sayo) : “How did Shinichiro Watanabe influence her and her works?” (he mentioned another peep, but since Sayo’s answer was solely focused on Shinichiro Watanabe I will do that) She said that she considers him a genius and that she respects him greatly and was honored to learn from as a fellow and more experienced director. She only spoke words of praise, repeating that he is a genius (she said it quite a lot of times haha)
- Fan (to both) : “Will there be a second season, a possible sequel aside from the movie?” They answered that their attention was solely focused on the movie for now and they wish to make it so that it’ll be screened in France and abroad! They also insisted on the fans watching the 2018 winter olympics and support their favorite skaters, as well as try to educate themselves more on the discipline so that they can enjoy YOI more and more!
- Otabek cosplayer (to both) : first of all, they mentioned that when they attended the Anime Expo in LA most of the drawings that Kubo did were of Otabek while here it wasn’t the case, she mainly drew Viktor haha. The question was : “Will we get to learn more about Viktor?” (the cosplayer said that in their opinion we didn’t know enough about him) They said that yes, we’ll get to learn more about him and that in order for us to do so, we’ll have to closely follow the sequel, so the movie will most likely have some sort of flashback or at least more info on him!
Another things spoken of were the fact that they were delighted to see that so many fans of Yoi not only do enjoy figure skating but that others started to get interested because of YOI. The conference was a bit short but it was nonetheless amazing to see creators so passionate and just happy to do what they do.
At the end, they were happy to see that so many people came to support them and that they hope that we’ll keep on loving YOI as much as we do now! An enormous thank you to my sister @strangie without whom I wouldn’t have been able to attend this conference as well as this convention and she went with me since we’re both huge fans!
The conference ended with some fans singing History Maker and Kubo saying to the crowd “Born to make history!”
New This Week - July, week 1
Whenever my RSS reader indicates there are 100 new fics tagged Viktor/Yuuri on AO3, I open it and see which ones have summaries/tags that interest me. This is a list of those that caught my attention this week.
Adorable He’s so cute, Yuuri thought, So adorable. (okay so I read this one before posting this. IT’S SO CUTE. SO FLUFFY. AHHH. I WANT TO HUG VIKTOR AND TELL HIM HE’S CUTE TOO!)
Properties of Magnetism Why, in the hundreds of articles dedicated to describing him, has no one mentioned that Victor Nikiforov has magnets in his hands? Katsuki Yuuri, an amateur scholar in all things Victor-related, starts taking notes on this mysterious phenomenon. (relevant tags: touch-starved Viktor Nikiforov)
Apostate Yuuri is a Dalish mage of the White Tower in Orlais who has been given an opportunity not granted to many of his status. He is given the option to join with Celestino North to the Imperium where he can learn more magic and make connections with other mages. At a time when the power of the Circle is weakening and the Southern towers are rebelling, there is no better time for Yuuri to leave the Templar’s gaze. Viktor is a human mage from the Tevinter Imperium, and is tired of the expectations his family have for him. It seems as though everything is set out in front of him, to become a magister of the Imperium, like his father before him. He wants something to shake up his existence, something more than listening to old men talk about the ‘good old days’, he wants adventure. (sounds like an interesting AU…)
(Don’t Stop) 'Til You Knock On My Door Yuuri is ace. Victor is not. They both find a way to get what they need from each other. (relevant tags: ace!Yuuri!!!! also, porn.)
I Need A Hero When Yuuri was a kid, all he ever wanted was to be a hero; but his Quirk wasn’t good enough for hero work, and even though he had friends and family encouraging him, he still gave up on his dream. Until one day, when the Iron Prince, the world’s number one pro hero, sees Yuuri save someone’s life and immediately drags him into the world of heroes - and unfortunately for Yuuri, Victor doesn’t take ‘no’ for an answer. (tags: superpowers, BnHA fusion. apparently it was written for the Reverse Big Bang, so it’s long and has art! nice.)
soft boy loves soft boy katsudon-yuri posted a picture: @v-nikiforov approved? #mizuno #sp v-nikiforov replied: they’re so soft! ☆*: .。. o(≧♡≦)o .。.:*☆ (sooooooft)
that’s how you know (he’s your love) Five times Katsuki Yuuri did something to make Viktor Nikiforov fall a little more in love, and one time Viktor returned the favor. (aaawww)
Fateful Encounter Yuuri has the ability to see and alter people’s red string of fate at will, but his own is thinning out.
Midnight Lover Viktor Nikiforov, figure skating god and human train wreck, flies halfway across the world from the only home he’s ever known in a last-ditch attempt to salvage his life. His demons follow him faithfully. Katsuki Yuuri, reticent vampire and trouble magnet, pulls a drowning man out of the ocean on a whim and winds up with an unconscious human celebrity in his house. He knows it’s a mistake to keep him. Viktor wakes, Yuuri stays, and they get too attached too fast. In which Viktor is running from himself and Yuuri is not anyone’s savior. (ayyy vampire fic)
Cursed Connections Viktor thinks his life has a more than his fair share of bad luck recently. It’s not like he’s cursed. Oh wait, he is. However, his curse really shouldn’t come with bad fortune. It’s more of a get sick and die sort of thing. Well, at least he’s found a nice dog wandering in the creepy forest to keep him company. Nothing weird about that at all. (more Reverse Bang fic. oh yeah.)
A higher-quality version of the Katsuki family photo. Mari is a Yurio fan through and through.
Source: @denkimouse
Mini-doujin AU where child Yuuri (6 years) falls in love with Vitya (10 years) <3
[ESP]
Stolen Art
This is a public service announcement. It has been brought to my attention that certain websites and facebook pages has been selling my Walk series design on Hoodies and Mugs and stuff without my persmission. I wasn’t gonna make a big fuss about this when a few people told me about it, but now its like everyday I would get messages from people about this, I even saw someone with this design on their bag at AX this weekend. So I have decided to speak out about this. If you see my design on anything other than Teepublic (The website I use to sell MY Tshirts and things) then its most likely stolen, one website in particular called SugarandTee did exactly that. Do NOT buy anything from them as I didn’t give them permission, its not only me they are hurting, they steal other artist’s work as well. I also don’t like how they put the Pokeball and Digivice and Yugioh Card images they found on the internet next to the characters either.. But people do seem to like the Pokemon Digimon and Yugioh all in one shirt, so I have decided to make that design and have it on my Teepublic.
Here’s the link: https://www.teepublic.com/t-shirt/1721099-poke-digi-yugi
Theres the alternative for those who likes this design. Reporting their website is also not possible because its on THEIR website, if its on Ebay or Facebook then I can report to the service about this issue no problem, and I have done that before to good results.
Anyways I dont mean to be a downer but thats the situation right now. Again thanks for the many many people who told me about this issue. Lots of love.
Ry
Okay so this says victors free skate costume cost like 5-600,000 yen which is like $5,000 like wtf Victor
I’m seeing all these notes about him being extra but seriously—do you have any idea how many man hours are spent on things like this? You have to hand apply with rosin each crystal individually. Plus the fabric itself is a bitch to sew with. It’s materials and labor and this isn’t that high if you priced like Lambiel or Weir’s costumes.
I realize I have friends who work in fashion so I have inside info but seriously—custom tailoring a unique, elaborately embellished costume isn’t going to be cheap for anyone in the show. This isn’t so much a victor thing as it is a reality of paying a professional costumer what they’re worth thing.
↑Exactly, I think it’s expensive but still pretty normal.
I watched a TV show where they invited Shouma Uno the other day, they showed his costumes and he said they can easily be around 500,000 yen (about $4000). And that’s Shouma who made his senior debut just recently, so just imagine Victor who is the world’s top skater about to mark his 5th consecutive victory in all major international tournaments…
(By the way, Shouma said that even with the medals he won he still can’t make a profit. Ouch. I think how much they get also highly depends on the country, but yeah, that’s figure skating in Japan for you…)
every time I see more of the ‘ao3 is evil’ crap circulating I think, ‘well, tumblr is evil too and I don’t see you stop using it’
You know, the more I think about this, the more I think the real complaint isn’t that AO3 hosts “evil” content, it’s that it doesn’t allow harassment/dogpiling of “evil” creators as easily as Tumblr. Abuse won’t remove or even re-tag a work except in a handful of very specific cases, but they will suspend or ban users for harassment, including filing repeated unfounded Abuse reports. Authors also have at least some ability to screen/block comments on works, and there’s no direct messaging system outside of commenting on works through which to pursue harassment. You can follow a creator but you can’t block them (much less encourage others to do the same). Tumblr, by contrast, generally ignores any abuse report that doesn’t involve the DMCA, and aggressive anons can and have driven bloggers off the site entirely. The fact that the same tactics are used by social justice bloggers and neo-Nazis (for instance) doesn’t matter – they’re the affordances of the site, by accident or design, and an entire fannish generation have gotten very used to performing their fannish (and moral) identity in this fashion. (I thinks it’s relevant that AO3 was designed by fandom’s LJ generation and in some respect mirrors the affordances of LJ circa 2010. Tumblr is a very different site and that, moreso than age differences, seems to be at the root of this – though of course age intersect with site experience in a non-trivial way.)
ding ding ding ding.
Ao3 requires you to police your own consumption of content. Ao3 won’t let you destroy someone’s online presence simply because you don’t like it. Ao3 won’t let you impose your own morality on other without cause. If you have issues with this, and the fact that Ao3 requires you to have responsibility and agency, then you seriously need to sit down and have a damned good long hard look at yourself.
The question I usually fail to see being answered when people bitch about the content on AO3 is - so who gets to decide?
You? Me? A committee of my friends? Of yours? Of those who have the most kudos? Of those who have no interest in fandom, but want to protect other people from dangerous content, whatever it may be? Who gets that power, and how long will they have it?
Who are you comfortable with giving the power of regulating all the content? What happens in grey areas? What happens when something you like isn’t liked by the Decider? Is there an appeal? Who gets to make the arguments for and against something?
The world is complex and there are no easy answers.
The impossibility of creating a censorship board that curates based on content is a great reason why those things don’t exist, and shouldn’t.
Certain people are screaming that AO3 is bad because it’s not a “safe space.” The real problem they have, though, is that AO3 was created to be a safe space - for writers. And it does a pretty good job of that. It was designed to be a place where writers are safe from arbitrary content rule changes, random and unwarned deletions, and abuse-report abuse (which is common on ff.net). The Four Big Warnings + CNTW system is beautiful in its fairness and simplicity.
Antis can’t take control of it. And because control-freakdom is at the heart of their “movement,” this drives them into frenzies. Good. It motivated me to dig a little deeper into my pocket to donate on the last drive. For all the pleasure AO3 has given me over the years, that’s money well spent.
The real problem they have, though, is that AO3 was created to be a safe space - for writers.
Preach it loud and hard!
I’m a member of the LJ generation, and when I first came to Tumblr (grudgingly and out of desperation, I might add, since it tragically seems to be the only place to really connect with other fandom peeps) I was horrified at how people here had established this sort of fucked up bully culture, where nobody is responsible for monitoring their own consumption, and rather they expect everyone else to custom tailor content to the whims and desires of the Shrieking Banshee Masses. And woe be to the person who doesn’t bend and break! “I’m going to bully you while accusing you and your Big Mean Poopie Content of being the actual bully, so I can hopefully distract you and others from realizing I’m being a royal intrusive asshat who failed Astronomy 101 b/c I clearly believe the world revolves around me.”
The irony here is that this in itself is an abuse tactic - victim blaming with a side of gaslighting. Pot, meet kettle.
And it’s the exact same mentality that drives right-wing lunatics to kick up a fuss about the existence of icky cootie gay people in media because we need to “protect family values”, or who take to screeching at Starbucks because their particular religious symbolism isn’t portrayed on the winter holiday cups and OMG WAR ON CHRISTMAS, STARBUCKS STOP OPPRESSING ME BY NOT CATERING TO MY PERSONAL TASTE.
The mentality is one and the same - “Cater to ME ME ME or FACE MY DIVINE WRATH even if it means taking away other people’s freedom!” while hiding behind a flimsy-ass shield of faux righteous anger.
And when these bozos find an environment or situation where they’re unable or not allowed to bully people into silence and submission, they stomp their feet and pitch a tantrum and claim that they’re the ones being oppressed. Identical shit, different pile, and it’s the exact same infantile, schoolyard rubbish no matter which side it’s coming from.
This was a really interesting read. The last poster in particular but all of it.
Okay, so I find the history behind this discussion really interesting, because there are two things that stand out to me. One is the thought AO3′s culture is equivalent to LJ circa 2010. This is almost true, except you actually have to go back further. Ao3 and Dreamwidth are both specifically trying to recreate the fan culture of Livejournal from 1999-2007, and I can say that with some authority because A) I was there (olllld) and B) both were founded in 2008/09 as a direct response to the shit happening on LiveJournal and Fanlib. The other thing is the idea that anon-harassment culture started with Tumblr. Because, kiddos, did it ever not. Tumblr is very much Fanfiction.net circa 1998-forward. (That’s right, FF.N was basically always awful.) But how we got from there to here is actually really interesting And tangly. And long.
Up to the late 1990s, fan communities were often small and decentralized because there was a huge fear that fans would be targeted by content creators if they drew too much attention. Since several authors (Anne Rice, Mercedes Lackey, Anne McCaffery) actually DID issue cease&desists to fan creators, it’s kind of understandable where the fear came from. It’s also why you still see fanfic floating around with disclaimers, something young!tumblr loves to mock.
Harry Potter changed *everything*. Like, I really can’t emphasize how much. Fanfiction was always there, being shared on email lists or privately hosted or literally mailed cross country. But Harry Potter hit BIG in 1997. It had a massive crossover appeal that hadn’t been seen since probably the original Star Trek, and the baby Internet was all. over. it. If you weren’t there, imagine Twilight. But bigger. And J.K. Rowling stood out from other creators by condoning fanfiction in her very early interviews. Not to mention there was a lot of down time between books and, as you might know, the fans do not do well unpoliced.
This led to, I’m not kidding, an explosion of sites like FF.N. I don’t think a lot of younger users get how revolutionary AO3 is: not just because it created a safe space, but because of how much it’s done to centralize fanfiction on the internet. We used to get our fix through webrings and e-serves, so in the late 90s/early 00s we thought nothing of having dozens of scattered fanfic sites.
At the same time, the Digital Millennium Copywrite Act was coming down. The legality of fanworks was getting more and more complex. And no one knew how to handle these questions, because they had literally never come up before. When it was just authors going after individual fans, things usually went quick and brutal. Fans had neither the money nor the legal teams to stand up to creators, even if (as we were slowly beginning to realize) we had a strong case to create and share fanworks. So, if you got hit with a takedown notice, you took your fic down and laid low, hoping to avoid any further interest. But now the legal burden was shifting from individuals to well-funded corporations. Fanfic.net and LJ didn’t want to shut down their fan-contributors, who were creating a huge stream of free content and bringing in advertising revenue. At the same time, they didn’t want to get shut down by a lawsuit if Lucasfilm found Han/Chewie smut and decided to go after the real money. The next 10 years were basically all of us – authors, fan creators, website executives – stumbling through brand new legal territory and figuring it out by trial and error. FF.N erred on the side of caution by becoming more and more restrictive. They shut down the entire Anne McCaffrey and Anne Rice sections, and eventually banned “pornographic” fanfiction from the site in an attempt to cover their legal rears. (It backfired, unsurprisingly, because say what you will about fandom: we like our smut. Also, FF.N had other issues that we won’t get into here will discuss shortly.) A bunch of other sites folded or waned in popularity as fandom wars divided the fan population. Authors scattered to the winds, and a lot of them ended up on LJ. LJ started out very user friendly. We’re talking an open source code, an almost entirely volunteer staff. Even after it was sold to 6Apart in 2005, LJ was pretty permissive. A lot of that had to do with the aforementioned DMCA, which protected ISPs and hosting corporations. Like I mentioned above, a lot of the migration from FF.N to LJ (as a place for fanfiction SPECIFICALLY) came when FF.N started banning explicit fanworks. Why? Because FF.N targeted these fanworks based entirely on user reports. “Tell us if you find porn,” FF.N said, “And we’ll take care of it.” Backup real quick. LJ, in many ways, set the standard for online privacy in a way that was far ahead of its time. Friendslocked journals were the norm rather than the exception and many, many communities disallowed anonymous commenting. (I’m not saying LJ wasn’t toxic as fuck, by the way. It is 2017 and let’s all have a moment of acknowledgement for how terrible LJ culture actually could be.) But LJ, on the whole, was much, much better at self-policing than FF.N. On FF.N, all of your stuff was out in the open. It was just there. Anyone could read it, anyone could report it. And these two sites coexisted. All BNFs had a private journal and a public FF.N page. So if I hated someone and I wanted to harass them off the internet, on LJ, I’d have to make multiple sock puppets and concoct elaborate multi-journal ruses to do it on LJ (haha, who would do THAT?). What am I to do? Simple: Head off to FF.N and anonymously flame them there! FF.N became synonymous with anonymous hate long before the anti-smut censorship came down. But once those rules were in place, the system was rife for abuse by the Purity Police or grudgewankers. Waaaaaaaaaaaaaay before it was cool to dm “kill urself” to someone on tumblr, it was happening on FF.N. All you, the early internet user, had to do was post a report link for your rival’s FF.N account on your LJ. Hate a pairing? A kink? Why not post a scathing rant, link included, to this captive audience of ALL YOUR FRIENDS. Yeah, this system had no room for abuse. So. FF.N opened the door and fandom came rushing through like the raging assholes we are. Certain Fandoms Alluded To Previously got so deeply divided that they split and formed their own fanfiction archives that occasionally rained hate on each other. Everyone else slowly withdrew to LJ, where locked communities offered some level of protection. Then, irony of ironies, fandom as a whole got targeted by the purity wankers. And of course, of course, it came back to Harry Potter. It’s 2007. Things have quieted down since 2001, when certain unnamed people’s fics were targeted for plagiarism and deleted from FF.N even though, just to be clear, they actually were plagiarized and, while there was an element of mob persecution, the actual fact remains that the work in question was legitimately in violation of FF.N’s TOS. Ahem. It’s 2007. And everyone’s fairly chill. Creators are far more comfortable with fanfiction and fan creators are confident in posting their work so long as they aren’t profiting directly from it. Hosting sites, meanwhile, are profiting from fanworks, but they’ve got the legal shield of the DMCA to hide behind, so they’re feeling A-OKAY. And then Warriors for Innocence appears. WfI existed before strikethrough, and they existed after, but they made their mark on fandom when they reported upwards of 500 journals, most of them fan journals and communities, to LJ. The theory runs as follows: 6A, the company who’d bought LJ 2 years prior, realizes that the DMCA didn’t protect them if the fan works in question are “indecent”. Compounding this, 6A is already trying to clean up the famdomier aspects of LJ. Either they’re looking for a sale, or sites like ONTD are bringing in massive amounts of hits. WfI brings 6A a perfect hit list, and 6A goes to work. So one morning we all wake up and find that hundreds of journals, including the pornish_pixies community and several BNF’s personal journals, have been deleted. Literally gone: a lot of the media stored on these communities has been purged forever. Hope you had backups. Also gone: large swaths of the Pretty Gothic Lolita community, Lolita book discussion groups, and rape survivor communities.
In a quest to rid LJ of “pedophilia,” 6A wiped out a large swath of ethically questionable fanfic, and woke a beast. Again: We like our porn. 6A took a step back and restored some of the deleted journals, but the damage had been done. AO3 was already being discussed as a response to Fanlib, a hosting site that wanted to charge for access to fanfiction. (Yes, if you’ve been following along, that was a terrible idea. But that’s a post for another day.) But as AO3 began to change and grow, creators specifically wrote provisions into the TOS that guaranteed a strikethrough-esque event could never happen on the site. A specific kink or pairing would never be considered a violation of the TOS. The onus was on the reader, not the author, to protect themselves with the information given. Basically, AO3 took the early fandom nugget “Don’t like, don’t read” and made it policy. When peole say AO3 grew out of Livejournal, they’re specifically referencing this. One event that proved ALL OF OUR LONGSEATED FEARS WERE TRUUUUUUUUUE. Rising from the ashes of LJ, you also had Dreamwidth. I’m actually kind of surprised DW wasn’t mentioned in the OP, since it grew out of the same ideology as AO3. Run by fans, for fans, because LJ (which at this point had been sold to SUP Media) had no idea what it was doing. Also like AO3, DW went to extreme lengths to make a safe fan culture inherent to the structure the site. Stay within the law, and DW and AO3 will back you up. It’s worth noting that Tumblr actually predates Strikethrough. But Tumblr, unlike DW and AO3, wasn’t designed for fans. It didn’t carry the legacy of Strikethrough with it the way AO3 and DW did. So I guess– I have no evidence, but I’m surmising – that’s how it fell into the role of Natural Successor to Fanfic.net and Livejournal. It’s kind of inevitable, actually, that since neither LJ nor Tumblr was made for fans, they ended up falling into the same black hole of fandom collision. Kinkshaming people off the internet for literally as long as there’s been an internet. And then, on the other hand, you’ve got DW and AO3, who’ve watched fandom rip itself apart AT LEAST 3 times and are determined not to let it happen again. DW and AO3: We haven’t cared about the filthy shit you’re into since 2008. That’s it, folks. Fandom mom wrote almost 2k words on early fandom and now she needs a nap.
So since the topic of Victor and his characterization came up today, I have a few thoughts on the subject I’d like to share.
Let me start by saying that I’ve read a lot of Victuuri fic. A lot of it. Mostly canonverse fic, because I’m pretty meh on AUs and it takes a pretty special AU to woo me away from canon and canon divergence. As such, I’m intimately familiar with how the YOI fandom tends to write Victor in a canon setting in particular. And I feel like a lot of the time… we miss the mark. Rather drastically, as a matter of fact.
What do I mean by that?
Simple: I think a lot of the way the fandom portrays Victor is still heavily influenced by first impressions.
This is true of many characters in many fandoms. I’ve been around the block a time or twenty and seen a lot of fanon characterizations, both good and bad, and I’ve seen this pattern repeat over and over. First impressions are a big deal, both with fictional characters and with real people, and it can be hard to let go of that. And that’s not always a bad thing, sometimes the impression a character makes on a fandom after two or three episodes is perfectly accurate. And sometimes it’s not, and writing based heavily on first impressions without taking subsequent characterization into account ends up being very flawed and out of character.
And then there’s Victor. And the thing about Victor is that, with the way the narrative of YOI is structured, in the first quarter of the show, we as the audience are deliberately led to believe false things about Victor. It’s all part of the setup for the big twist, it’s all part of the surprise. We’re intentionally being directed to make assumptions about him, without any real evidence that those assumptions are accurate to his character. Almost none of what we “know” about Victor based on the first quarter of the series is really accurate— especially because the vast majority of it is coming from other people talking about Victor, and not from Victor himself.
Here’s what is “revealed” about Victor based on the first three episodes:
he’s selfish (according to Yakov)
he’s impulsive (revealed by Victor’s seemingly sudden decision to coach Yuuri)
he no longer feels he can surprise his audience, and this may be part of why he left skating (according to Yuri)
he’s forgetful (according to Yuri and also himself)
he’s a desirable bachelor “playboy type” (according to Minako and Nishigori)
And as we later learn, all of these things are untrue to some degree, except possibly the forgetfulness thing, which I’ll come back to in a moment. So let’s take a look at these “facts” about Victor, shall we?
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I quite like this meta, especially this:
He’s been neglecting life and love for over two decades. Life and love. Both of these things. This is a man who’s completely tickled pink by the fact that he’s even allowed to eat what he wants now. Freaking katsudon, of all things, is a fresh and exciting experience for him, and Hasetsu’s little ninja house is a thrilling novelty.
Forget this image of him as a man of the world who spends all this time having one flings and one night stands and has done extensive leisure travel. Victor’s twenty-eight years old and he’s only just starting to live his life; that false first impression we’re given of him is deliberately misleading.
Victor outright tells us he hasn’t really lived yet. If he were off having whirlwind sex romps on foreign beaches and sipping champagne in the hottest clubs around, I don’t think he’d feel that way. Living a luxurious life doesn’t necessarily mean he’s really been living it. Gucci luggage means nothing about the person carrying it–ask every Japanese workaholic salarywoman who takes -5 vacation days a year but owns brand-name luxury items like wallets and purses.
OTPetty: when you start shipping a pairing after seeing how much hate the antis give it
oh my god my hetero BABIES ! im such straight trash ! welcome to the sin bin i wrote a 10k PWP on my straight OTP ! oh god im going to hell !
Victor Nikiforov is a financial genius
1. This 2009 article by Johnny Weir on the finances of skating. FOR THE LOVE OF GOD please read this. Skating is not a pile of endless sponsors looking to fling money at you. Notice that Weir says his primary source of income is ice shows. Notice that Weir talks about worrying about paying his electric bill. http://www.lifeskate.com/skate/2009/01/johnny-weir-nationals-press-conference-3.html
2. Victor NIkiforov canonically runs ice shows. He doesn’t just participate in them. He runs them. Remember, “Victor Nikiforov presents Onsen on Ice”? Remember “Victor and Friends” from Yuri!!! on Stage? Victor is at the stage of the game where he runs his own ice shows. That means he doesn’t just get a single paycheck for participating. He gets a cut of the total profit.
TL;DR do not let his heart-shaped smile, his forgetfulness, and his general extraness fool you. This is the Victor who complains about the Euro being too strong. Victor has not survived as undisputed champion of one of the most expensive sports in the world without learning how to maximize his income.
You can pry this headcanon from my cold, dead fingers: Victor Nikiforov is a financial genius.
(The original version of this was an incredibly long screaming thing that reached point 17 and was not yet done. As I am…vaguely aware…that 17 point screaming posts about Victor Nikiforov are Probably Not Of General Interest, I restrained myself. I’m sorry, I just really love him.)
Seconded. (And I would read 17 screaming points about Victor!) Probably Victor’s been very smart about finding opportunities to earn money and/or wisely invest what he has– a/o he’s been very smart about hiring agents and accountants who do a good job of those things for him.
I will say that re point 1, a lot of people seem to assume that figure skating in the YOI verse (that lovely land where there’s no homophobia and Victor is referred to– probably facetiously? but hard to tell– as the hottest bachelor in the world) is more popular and financially rewarding than it is in our reality. (Even if not, I think in the no-homophobia YOI-verse, Johnny Weir– who was notoriously subjected to heaps of homophobia in his competitive career– probably would’ve been more successful in competitions and more rewarded in general.)
And/or, it’s assumed that Victor is a special case who’s been successful not just as an athlete but as a model and spokesperson for bigger brands than most skaters typically represent. I know I usually imagine that Victor’s created and maintained an image congruent with repping Bond-movie-level luxury brands, and does a lot of modeling for those brands. (I think that’s one possible explanation for why Victor seems so isolated: he might be doing, essentially, a second job modeling in the off-season.)
Finally: there’s supplemental material saying Yurio gets some financial support from the Russian government for skating, so early-years Victor probably had similar support available if he needed it. I found some info to the effect that in RL, Japan has been subsidizing some expenses for promising skaters in recent years. The money situation varies in different countries. (And maybe I just don’t know where to look, but it seems tricky to find info on who pays for what, where.)
Can we call otamila oatmeal
this couple is so perfeccttt