Earl Gray And Mandarin For Breakfast

“Blueberries for breakfast, love in the afternoon ” I’m really sad that I can’t be with Stevie Nicks

[miffytiramisu]

It felt so crazy being 15 in a rank little timeshare in Orlando with a flu listening to Ethel Cain.

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Love Chappelle Roan and Super Graphic Ultra Modern Girl, but I wouldn’t dance at the bar either unfortunately. I’m sorry, anxiety is too high for that.

[fakevariety]

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Because what do you mean I just need a little lovin’ I just need a little air

[heartshapelocket]

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Me after committing the most earth shattering atrocities ever #crime of passion

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I like to think of Simon and Garfunkel as that one all consuming homoerotic friendship you had in 10-12th grade that made your skin feel alive and ended abruptly but still makes your blood sing with yearning some nights, not that I would know of course.

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I would try cannibalism if Anthony Bourdain recommended it

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This world is a bitch, girl.

Don’t end up in a ditch, girl

[orpheuslament]

(goes to the palisades) (suddenly remembers im gay) oh god the fucking wasp

[milfsisyphus]

phantom thread (2017)

[miffytiramisu]

Spoilers for My Dark Vanessa

Thinking about how in the book, My Dark Vanessa, the title can refer not only to the poem and Strane and Vanessa’s relationship but also Vanessa’s relationship with herself. “My” gives her a sense of self-possession as the “dark” comes from her nature with those around her and her trauma.

As I saw in another post on why Strane’s suicide is placed in the middle as opposed to acting as the climax, we see Vanessa grappling with processing this all-consuming aspect of her life - dark once again, she feels dark, the relationship is dark, darkness can refer to a loss of innocence or a marring point over her (sorry for the yapping).

She’s her dark Vanessa because it emulates her view ( partially imposed on her by Strane’s grooming) of herself as a “melancholic”- unpleasant to others- and the ubiquitous reverberations her “relationship” with Strane throughout her life.

[dogrotpdf]

HOPE YOU’RE WELL. PLEASE DON’T READ THIS.

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Watching people (a singular person) say they don’t appreciate cannibalism being used to represent queerness in Bones and All because it reinforces queerness being associated with grotesque fetor is so interesting to me. Me, personally, I feel as though it perfectly encapsulates the feeling of “otherness” that comes with growing up queer in a mostly heterosexual/ homophobic space.

Even before I realised that I was a lesbian, I always felt like a pariah amongst other girls. Like a voyeur encroaching in on soft femininity, a form that I felt I was too amorphous and fetid to fit into. It always felt as though there lurked an inkling of “errant-ness” in me surrounded by everyone else.

Seeing Maren in a voracious fit bite off that girls fingers resonated with me because I always felt with other girls this fear of doing something wrong to come across as the perverse, creeping queer. Her cannibalistic tendencies, to me, really paralleled how I carry my lesbianism sometimes. As something to be ashamed of or that would turn others away from me.

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I finally watched it. Point solidified.

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Drinking eight glasses of water a day now. Don’t fuck with me, I’m hydrated

[cutenervousyoungthing]

im gonna throw up on each anf every single one of you terfs and childish 'girlbloggers' that made hayden deactivate

[miffytiramisu]

Ptolomaea screaming rn

Me to terfs:

[elainiisms]

u are all so so loved by me

[waterloggeddaughter]

Pearl is literally just what it's like to be brunette