He Rundong何润东 (Peter Ho)
Peter Solarz
Today's Document
noise dept.
One Nice Bug Per Day
trying on a metaphor
🩵 avery cochrane 🩵

Kiana Khansmith
Claire Keane
Not today Justin
Misplaced Lens Cap

⁂
sheepfilms
$LAYYYTER
occasionally subtle

shark vs the universe
he wasn't even looking at me and he found me

ellievsbear
🪼

if i look back, i am lost
TVSTRANGERTHINGS

seen from Canada

seen from Russia

seen from United Kingdom
seen from United States

seen from Malaysia
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from Guam
seen from Russia
seen from United States

seen from United States
seen from Canada

seen from United States

seen from United States

seen from Türkiye
seen from United States
@miscuentosysentimientos
He Rundong何润东 (Peter Ho)
I wasn't able to finish before the deadline, but here's what I have so far of my second fic for the @moshangevents #DxD event for #TeamSQH! The prompt was "The System crashes pre-canon and SQH adopts LBH. MBJ senses the child is half-demon and decides to step up and help raise LBH as if his own son".
It's a Long Road When You're On Your Own - You Could Use a Friend
Rating: Not Rated
Archive Warning: Creator Chose Not To Use Archive Warnings
Category: M/M
Fandom: 人渣反派自救系统 - 墨香铜臭 | The Scum Villain's Self-Saving System - Mòxiāng Tóngxiù
Relationship: Mobei-jun/Xiang Fei | Shang Qinghua
Characters: Xiang Fei | Shang Qinghua; Shen Yuan | Shen Qingqiu; Gongyi Xiao; Mobei-jun; Original Female Character(s); Wei Qingwei; Yue Qingyuan; The Washerwoman
Additional Tags: Alternate Universe - Canon Divergence; Slow Burn; Xiang Fei | Shang Qinghua Adopts Luo Binghe; Alternate Universe - Alternate Transmigration (Scum Villain); Shen Yuan | Shen Qingqiu Transmigrates into Gongyi Xiao; An Ding Peak Disciple Luo Binghe; Minor Character Death; Canonical Character Death; Angst; Mobei-jun and Xiang Fei | Shang Qinghua are Bad at Communicating; Pining Mobei-jun; the author's shang qinghua friendship agenda; Canon-Typical Violence
Summary:
When a thoughtless prank causes the System to reset, Shang Qinghua finds himself with a new optional quest: bring his protagonist to Cang Qiong Mountain Sect ahead of schedule for a bounty of B-points. The plot must go on, but he at least can't do any worse than Shen Qingqiu, right? ...Right? "It was one thing to write the protagonist suffering while knowing all his wrongs would be avenged in the future. It was another thing entirely to watch it happen right in his face when he knew he could interfere. Was he really going to stand by, see that sweet-faced kid—trying so, so hard to be brave in a world where the only person who'd loved him unconditionally was gone—and glibly think, 'Don't worry kiddo, you'll suffer a lot now to live large later!'"
I finished my fic for the @moshangevents #DxD event for #TeamSQH! The prompt was "Modern world, hottest day of the year and the ac/heating system broke".
A New Type of Stress: Heat Stressed
Rating: General Audiences
Archive Warning: No Archive Warnings Apply
Category: M/M
Fandom: 人渣反派自救系统 - 墨香铜臭 | The Scum Villain's Self-Saving System - Mòxiāng Tóngxiù
Relationship: Mobei-jun/Xiang Fei | Shang Qinghua
Characters: Mobei-junXiang Fei | Shang Qinghua
Additional Tags: Alternate Universe - Modern Setting; Trust Issues; First Aid; First Relationship; First Kiss; Miscommunication
Story Summary:
"Xiang Fei had been squirrelly about pretty much everything in his private life to this point—family, job, education—but the real sticking point for Mobei Jun was how desperately Xiang Fei avoided taking him anywhere near where he lived. Like the other man wanted the ability to disappear altogether as soon as something went wrong, which was exactly what had happened."
When the hottest day of the year hits and the AC fails, Xiang Fei encounters a whole new type of stress; heat stress. What'll kill him first, the rising heat or rising stress of keeping his beloved boyfriend at careful arms length? Fortunately for him, Mobei Jun is fed up with the distance between them.
This is why she’s my favorite author.
Check out “Barry Lyndon”, a film whose period interiors were famously shot by period lamp-and-candle lighting (director Stanley Kubrick had to source special lenses with which to do it).
More recently, some scenes in “Wolf Hall” were also shot with period live-flame lighting and IIRC until they got used to it, actors had to be careful how they moved across the sets. However, it’s very atmospheric: there’s one scene where Cromwell is sitting by the fire, brooding about his association with Henry VIII while the candles in the room are put out around him. The effect is more than just visual.
As someone (I think it was Terry Pratchett) once said: “You always need enough light to see how dark it is.”
A demonstration of getting that out of balance happened in later seasons of “Game of Thrones”, most infamously in the complaint-heavy “Battle of Winterfell” episode, whose cinematographer claimed the poor visibility was because “a lot of people don’t know how to tune their TVs properly”.
So it was nothing to do with him at all, oh dear me no. Wottapillock. Needing to retune a TV to watch one programme but not others shows where the fault lies, and it’s not in the TV.
*****
We live in rural West Wicklow, Ireland, and it’s 80% certain that when we have a storm, a branch or even an entire tree will fall onto a power line and our lights will go out.
Usually the engineers have things fixed in an hour or two, but that can be a long dark time in the evenings or nights of October through February, so we always know where the candles and matches are and the oil lamp is always full.
We also know from experience how much reading can be done by candle-light, and it’s more than you’d think, once there’s a candle right behind you with its light falling on the pages.
You get more light than you’d expect from both candles and lamps, because for one thing, eyes adapt to dim light. @dduane says she can sometimes hear my irises dilating. Yeah, sure…
For another thing lamps can have accessories. Here’s an example: reflectors to direct light out from the wall into the room. I’ve tried this with a shiny foil pie-dish behind our own Very Modern Swedish Design oil lamp, and it works.
Smooth or parabolic reflectors concentrate their light (for a given value of concentrate, which is a pretty low value at that) while flatter fluted ones like these scatter the light over a wider area, though it’s less bright as a result:
This candle-holder has both a reflector and a magnifying lens, almost certainly to illuminate close or even medical work of some sort rather than light a room.
And then there’s this, which a lot of people saw and didn’t recognise, because it’s often described in tones of librarian horror as a beverage in the rare documents collection.
There IS a beverage, that’s in the beaker, but the spherical bottle is a light magnifier, and Gandalf would arrange a candle behind it for close study.
Here’s one being used - with a lightbulb - by a woodblock carver.
And here’s the effect it produces.
Here’s a four-sphere version used with a candle (all the fittings can be screwed up and down to get the candle and magnifiers properly lined up) and another one in use by a lacemaker.
Finally, here’s something I tried last night in our own kitchen, using a water-filled decanter. It’s not perfectly spherical so didn’t create the full effect, but it certainly impressed me, especially since I’d locked the camera so its automatic settings didn’t change to match light levels.
This is the effect with candles placed “normally”.
But when one candle is behind the sphere, this happens.
It also threw a long teardrop of concentrated light across the worktop; the photos of the woodcarver show that much better.
Poor-people lighting involved things like rushlights or tallow dips. They were awkward things, because they didn’t last long, needed constant adjustment, didn’t give much light and were smelly. But they were cheap, and that’s what mattered most.
They’re often mentioned in historical and fantasy fiction but seldom explained: a rushlight is a length of spongy pith from inside a rush plant, dried then dipped in tallow (or lard, or mutton-fat), hence both its names.
Here’s Jason Kingsley making one.
@lurkinglurkerwholurks look it’s Cherryh of the Cuckoo’s Egg!
This is all extremely cool and useful for fic authors writing in historical or quasi-historical settings.
To add, it wasn’t just indoor settings that were dark. Outdoor city streets did not have gaslight before the early 19th century. The first use of gaslight as streetlighting was in Pall Mall in London in 1807. Before that, there might have been oil lamps, which had to be serviced by lamplighters and might use whale oil, which was a limited commodity. So city streets on moonless nights could be *dark.*
Recreation of Chinese hanfu for horse riding in Ming dynasty by 加菲猫和他的王冠i,长青之歌
planning my fic in a normal way. 1) what incredibly indulgent scene do I want to write next? 2) what connective tissue do I have to set up between indulgent scenes to get us there?
Write if you can.
If you can't write: Edit.
If you can't edit: Outline.
If you can't outline: Brainstorm.
If you can't brainstorm: Rest.
Writing is many tasks. Do whichever ones you can handle and you'll still be making progress.
on “the blond,” “the older man,” and other crimes against third-person limited
You know that thing where a story is written in tight third person limited — we’re meant to be inside someone’s head, seeing the world through their thoughts — and then suddenly the narration says “the blond frowned” or “the shorter woman sighed” about a person the POV character knows really well?
That’s called antonomasia — using a descriptive label instead of a name. And it’s fine when we’re talking about strangers: “the cashier handed her the receipt,” “the tall guy blocked the door.” The POV character doesn’t know their names, and we just need a quick way to tell people apart.
But the moment it’s used for someone the POV character already knows, it breaks immersion. Because that’s not how our minds work. We don’t think “the older man smiled at me.” We think “Mark smiled.” Or maybe “my boss” if that relationship matters in the moment.
Third person limited means the narration sits inside someone’s perception. Their inner monologue is the story’s voice. So when you switch from “Mark smiled” to “the blond smiled,” you’ve pulled the camera away from their mind and turned it into an outside shot.
If you want to create distance or irritation, you can do it on purpose —
“The idiot from accounting emailed again.”
That’s character voice. That’s judgment. That works.
But otherwise?
As soon as your POV character knows someone’s name, use it. While we do tend to worry about repetitions, names rarely register as such to the readers.
If you need variety for rhythm, use relational or emotional identifiers that make sense in their head: her friend, his partner, their teacher, the person they loved.
Because inside someone’s thoughts, there are no “blonds” or “brunettes.”
There are only people they know.
I love it when fan fiction writers are like: “ah shit, this was meant to be one part but I started writing it and now it has to be three”. Like the fanfic is happening to them and not being created by them.
Hot Writers Don't Gatekeep
the writers REALLY liked my artist resource post, so I thought i'd give y'all my dragon hoard of things i use for writing
Reverse Dictionary, you type in the meaning of a word, and it gives you a bunch of words that mean that. (MY MOST IMPORTANT OFFERING IN THIS LIST)
Slang Dictionary, what it says on the tin.
Anglish Translator, Anglish is if English evolved without borrowing from other languages and it really itches my brain (Anglish is if english grown without borrowing from other languages and it truly itches my brain)
Incorrect Quotes Generator, Put character names in, and incorrect quotes come out. Really fun way to goof around with your characters' dynamics.
Handspeak, an ASL dictionary
Library of Babel, Odds are, the finished version of your wip is in here somewhere
The best fantasy map maker i have ever used
Glitch Text Generator is one I use A Lot, does ť̷̨̢͓̤͔̤̤̝̺̯̄̔̄̌̄͗͒͋͂͋͝ḩ̵̼̜͍͚͕̏̓͊̈̉̆̄͐́͗͒̈̃̊̚͜i̵̻̐̇̎̏̀̋̌̃̇̿͘̚s̴̮̔̂̇͒͑͝͝ͅ to your text
Totally not bootleg microsoft office
Emotions Thesaurus a guide for writing emotions and their associated body language
Mythcreants, has a whole bunch of stuff you can read to learn more about the technical aspects of writing
A decent article talking about what to think about when creating a language
Trope Talks, particularly good for beginner and younger writers or people who have a hard time reading. Honestly this whole channel is a fantastic format to get information into my adhd rattled brain.
FOR MY AO3 BESTIES! Postimages will host your image forever so you can embed it into your work
Ambient Chaos, sometimes the only thing in the world that can kick your brain into writing mode is nuclear sirens and lofi beats
Radioooooo, play a station from any place and year. Particularly helpful for period pieces.
Food timeline, when foods were invented
I was wondering if you have any blogs you recommend beyond yours for writing about other minority groups? I know you probably don't have like a major list or anything, but I figure asking here is a good idea because if you don't, then maybe some that follow you can wave their hands or something. Not to mention tumblr's search is a nightmare, and i don't even know where to begin to find resource blogs.
(Absolutely fine if you don't want to answer, though, I understand how weird it can be to go up to someone like "hey can you help me find resources about this thing that's more or less adjacent to you". mainly just trying to dodge tumblr's nightmare search and the hellscape of racism that i'm trying to not give any time of day to)
I'm sure you already know about WWC, so here are some others I've come across, or who have reached out to me:
@writingnothanyu (Chinese)
@insertspanishhere (Latin American)
@vitiligo-is-not-a-trend (vitiligo)
@cripplecharacters (disability)
Terms You Might Want To Know For Your Wuxia/Xianxia Fic
MXTX's danmei are getting increasingly popular, and the fandoms are getting more fic-happy. I've noticed that some writers seem interested in writing their own fics but are concerned of making mistakes with niche honorifics and titles. I've noticed some that have jumped right in, but have made innocent errors that I'd like to correct but fear coming off as rude or presumptuous. And so I've made this list of terms that covers the basics and also some that are a little more niche since they're usually directly translated in cnovels.
DISCLAIMER: This is by no means a comprehensive list of everything one needs to know or would want to know concerning ancient Chinese honorifics and titles, merely what I myself consider useful to keep in mind.
Titles
Shifu: 'Martial father'; gender-neutral
Shizun: 'Martial father'; more formal than 'shifu'; gender-neutral
Shimu: ‘Martial mother’; wife of your martial teacher
Shiniang: ‘Martial mother’; wife of your martial teacher who is also a martial teacher
Shibo: elder apprentice-brother of your shifu; gender-neutral
Shishu: younger apprentice-brother of your shifu; gender-neutral
Shigu: apprentice-sister of your shifu
Shizhi: your martial nephew/niece
Shimei: younger female apprentice of the same generation as you
Shijie: elder female apprentice of the same generation as you
Shidi: younger male apprentice of the same generation as you
Shixiong: elder male apprentice of the same generation as you
Shige: elder male apprentice of the same generation as you, specifically one who has the same shifu as you or is the son of your shifu
Zhanglao: an elder of your sect
Zhangbei: a senior of your sect
Qianbei: a senior not of your sect
Wanbei: a junior not of your sect
wilf (wip i’d like to finish)
writing is 10% storytelling and 90% rearranging three sentences for an hour like you're trying to solve an ancient curse
One of my favourite things is when What's Really Going on in a meta brainfuck RPG is even less plausible than the fantastical shit. "They're going crazy because they had a twin who died young, and their parents used psychoactive drugs to make them forget they ever had a sibling" like this is the mundane explanation?
"The monsters aren't real, she's just hallucinating due to spiritual trauma inherited from her own past incarnations because her evil dad keeps stuffing her soul into a series of cloned bodies every time she dies" I'm going need you to go back and re-read what you just wrote.
I personally call these "Walrus and Fairy" explanations, after the famous Tumblr poll. They're the type of stories where it starts out looking like the answer is a Fairy, but by the end of the story it says "Don't be silly, Fairies aren't real. It was actually a Walrus!" and you go "Okay but I have more questions about the Walrus than I ever did about the Fairy"
How I learned to write smarter, not harder
(aka, how to write when you're hella ADHD lol)
A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.
The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.
As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!
Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!
2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)
Unpopular writing opinion time: You don't need to make a detailed outline.
Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.
I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.
Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!
This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.
As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.
When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD
People always say if you're stuck, you need to outline.
What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!
What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.
You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.
And then quickly note down your inspirations so you don't forget, haha.
And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.
If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?
And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD
In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.
Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.
Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)
And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)
I do love minthara……she’s experienced immense trauma from being mind controlled to do evil things that she didn’t choose to do & as soon as she’s done being mind controlled she’s like THANK GOD. Now i can go back to doing evil things with PRACTICALITY, EFFICIENCY, and FREE WILL