mishmosh

an unintelligible mishmash of so many different fandoms i can hardly keep track she/they/it genderqueer arospec asexual

[doublxpresso]

Older!shiguang meeting present shiguang!

[730kc]

[Thank god...]

thank you for the well wishes everyone! <3 have some hurt/comfort whump I guess

[tenowls]

thought of them as soon as i saw this post in 2023 but anyways. feels relevant now for no particular reason

[sinisthief]

drew kaishin as that one super cute alnst art!!!⭐

[dannymans66]

Genderbend strawhats

[lichjuno]

☄️ lyrics from The Moon Will Sing by The Crane Wives

[farbtron]

They are besties

and sua and till fucking hate it

[sour-tail]

Hope you'll remember me.

[penwiper]

So a couple days ago, some folks braved my long-dormant social media accounts to make sure I’d seen this tweet:

And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.

So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years.  These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.  They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it.  It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face.  Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing.  And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc.  NOT beginner friendly, is what I’m saying.

Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres.  What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female.  I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one.  They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO.  If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone.  Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered.   I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.  

I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all.  I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole.  That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three.  And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.

And it changed the face of costuming.  People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries.  And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.  

So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart.  This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.  

(Oh, and for anyone wondering: yes, I’m over 40 now, and yes, I’m still making costumes. And that armor is still in great shape after 17 years in a hot attic!)  

[pellaeas]

Hang on a minute. I recognize the name “penwiper”. Let me check– Ok, yeah, I’ve heard of this person.

OP also invented armsocks.

Beware the Weeping Angels

Y'all might have noticed that your friendly community moderator has been slacking a bit lately. No updates. No organizing. What the heck was

OP I have been thinking about YOUR IMPACT since 2011. Do you know what you did for Homestuck lmao

[okiya]

An uchikatsugi is a long veiled headdress once worn by noble women to protect their anonymity. It was normal street wear for the nobility, and probably also protected them from mosquitoes.

Here, Mao (Geiko of Gion Kobu) peeks out from beneath her uchikatsugi as she portrays Madame Fujiwara Tamie (1280) in Kyoto’s famous Festival of Ages. Also known as Abutsu Ni, she wrote the Izayo Nikki (Diary) in 1277.(source)

[fate-magical-girls]

Uchikatsugi actually has a very long and interesting history. It was imported into Japan, along with many other facets of Chinese culture, during the Asuka Period (Tang Dynasty)

In China, it was called the “Mili” (幂篱), and looks basically the same as the Japanese uchikatsugi, with the exception that the hat would be lined with black silk, and the descending veil would often be black as well.

Serving Girl Holding Mili, mural from tomb of Virtuous Consort Yan, one of the accompanying tombs of Zhaoling Mausoleum.

This hat is actually not a Chinese invention! It was absorbed from the immigrating nomadic steppe cultures from the Northwest, who probably learned it from the ancient Mediterranean cultures. It’s certainly a long way for a hat to travel! When these nomads invaded China and established the Sixteen Kingdoms, which evolved into the Norther and Southern Dynasties, they brought along their clothing and customs and left an indelible mark on Chinese culture. The Sui Dynasty, which unified North and South, and the Tang Dynasty, which brought China to a golden age, were very much a product of integrating the steppe nomads and the native Chinese. It was a very open, liberal time with greater ethnic diversity than China has had before. One of the items of steppe culture which remained was the mili. Originally a very practical trend, the veil shielded the beautiful noble ladies from dust and sun. Yet because the large amount of coverage, it soon became a tool of societal control: the veil was supposed to protect a woman’s modesty. Every time a woman left her house, she would wear a veil to hide herself from the outside world. Not that it prevented them from doing all sorts of non-traditional, non-subservient things while still keeping their veils on. Like I said before, it was a liberal and libertine time.

Sketches of evolution of the Mili (scanned by Toutiao user 月夜航船)

The hat and veil setup was, as you can imagine, cumbersome. As time went on, women became more daring with their fashion choices, and shortened the Mili until it only covered the head and shoulders. This has more than a little to do with the reign of Empress Wu Zetian, China’s only Empress Regnant. 

Sketches of steppe nomad influenced hats from various ancient pictures (scanned by Toutiao user 月夜航船)

Horseback Woman, late Tang Dynasty Terra Cotta figure

In its truncated form, the Mili was often confused with another foreign trend, the Weimao, a smaller hat with a shorter veil, which both men and women wore to protect themselves from wind and dust.

Sketches of women in Weimao

Man in weimao from Figures Under the Tree, Tang Dynasty painted screen

Finally the veil hats were abandoned altogether, consigned to be a relic of a bygone time, though in recent years, they acquired a screen presence by being part of the go-to garb for assassins, ninjas, and other men and women of mystery. It does add just a wee bit of danger and mystique.

Promotional image of the wuxia series The Smiling Proud Wanderer, 2000

However, even though it is no longer part of Chinese clothing, the uchikatsugi went on to enjoy a long history in Japan. Quite an extraordinary journey for an extraordinary hat.

Jidai Matsuri

[askmrtorgue]

HEY! YOU THERE! WANT TO PLAY A TABLETOP ADVENTURE WITH A PROFESSIONAL STORYTELLER?

I'M MISTER TORGUE, AND THE NERD WHO HELPS ME LOG INTO THIS ACCOUNT ASKED ME TO DO AN AD FOR HIS SERVICES. I TOLD HIM I WOULD, BUT ONLY IF I GOT TO WRITE IT MYSELF. SO STRAP IN, DUMPSUCKS. IT'S PRODUCT PLACEMENT TIME:

--

DO YOU WANT TO PLAY DUNGEONS & DRAGONS BUT YOU CAN'T FIND SOMEONE TO RUN YOUR GAMES?

ARE YOU FED UP WITH A GAME MASTER WHO WON'T LET YOU STRAIGHT-UP MAKE OUT WITH THE VILLAINS OF THEIR STORY?

DO YOU WANT WANT TO LEARN TABLETOP RPGS BUT EVERYONE WHO TRIES TO EXPLAIN IT USES THINGS LIKE MATH AND SPREADSHEETS AND YOU CAN'T STOP THEM BECAUSE FATAL SUPLEXES ARE ILLEGAL ON YOUR PLANET?

THEN YOU NEED BENCOMPETENCE, PROFESSIONAL STORYTELLER AND GAME MASTER.

BRAOOWWWWW-CHICKABRAOW EXPLOSION NOISE HEREEEEEEEE!

BENCOMPETENCE HAS RUN OVER 100 PROFESSIONAL GAMES OF TABLETOP GAMES, INCLUDING DUNGEONS & DRAGONS, CITY OF MIST AND MORE. HE HAS 100% POSITIVE REVIEWS FROM HIS CLIENTS, WHICH IS PROBABLY MORE THAN 34%.

NOT ONLY DOES BEN OWN A PAIR OF CAT-EAR HEADPHONES, HE EXCELS AT RIPPING YOUR HEART STRAIGHT OUT OF ITS RIBCAGE USING NOTHING BUT COMPELLING, ROMANCEABLE CHARACTERS AND BADASS EPIC ADVENTURES. IN FACT, EVEN HIS VILLAINS ARE SEXY AS F*CK. JUST CHECK OUT THIS VAMPIRE FROM ONE OF HIS CAMPAIGNS:

THIS DEATH DADDY IS ABSOLUTELY ABOUT TO KILL ME AND I DON'T GIVEN EVEN A SINGLE F*CK.

NOT YOUR STYLE? NO PROBLEM, PLAYER, HE ALSO OFFERS TERRIFYING MURDER MOMMIES!

THIS WOMAN COULD DRINK MY BLOOD AND I WOULD SAY "THANK YOU"

OR MAYBE IT'S TIME TO EMBRACE EVERYONE'S TRUE SECRET DESIRE:

BE A MAGICAL GIRL THAT'S BAD AT ROMANCE!!!

BENCOMPETENCE ALSO HAS THIRSTY SWORD LESBIANS, A GAME ABOUT BADASS SWORDFIGHTS AND WARFARE IN THE GREATEST BATTLEFIELD OF ALL: THE HEART

WHEN OH WHEN WILL THESE TWO INCREDIBLE WOMEN ADMIT THEIR FEELINGS FOR ONE ANOTHER!??!!?

OR MAYBE YOU WANT TO KICK ASS, PACIFIST STYLE, IN THE NEW BLUE BOX ADVENTURES?!

TIME TO GO HIGH FIVE A DINOSAUR AND MAKE OUT WITH ALIENS!!!

BENCOMPETENCE'S GAMES ARE INCLUSIVE AF AND BEGINNER-FRIENDLY, BECAUSE GATEKEEPING IS FOR SH*THEELS AND TRASHGUZZLERS. WHETHER YOU'RE BRAND NEW OR HAVE PLAYED A QUILLION SESSIONS, YOU WILL BE RIGHT AT HOME. ALL THAT MATTERS IS THAT YOU GET IN THERE AND KICK THE NARRATIVE'S ASS RIGHT IN ITS D*CK.

HE EVEN HOSTS SEMINARS THAT TEACH YOU TO BE A BETTER ROLEPLAYER OR GAME MASTER!!

HE ALSO ASKED ME TO TELL YOU THAT SESSION 0'S ARE FREE, AND I HAVE NO IDEA WHAT THAT MEANS!

WANT TO JOIN A TABLE? THEN LISTEN UP, F*CKTRUCKS, BECAUSE IT'S LIST TIME:

FIGHT OR MAYBE MAKE OUT WITH HOT EVIL VAMPIRES IN CURSE OF STRAHD (NOW AVAILABLE IN DEATH DADDY AND MURDER MOMMY)

I AM NOW STARING AT THE VAMPIRE AGAIN AND FORGOT THE NEXT BULLET POINT

JOIN THIRSTY SWORD LESBIANS AND BE AS BAD AT ROMANCE AS YOU ARE GOOD AT KICKING ASS

JUMP INTO THE BLUE BOX AND EXPLORE ALL OF TIME AND SPACE

SOMETHING ABOUT LEARNING HOW TO BE A BETTER ROLEPLAYER IN A PERSONALIZED LECTURE

THERE'S A LOT MORE TO SAY, BUT THE NERD WRITING THIS SCRIPT STARTED TALKING ABOUT CHARACTER SHEETS AND SOMETHING CALLED NARRATIVE AGENCY, SO I HAD TO BEAT HIM WITH A FOLDING CHAIR UNTIL HE STOPPED. YOU CAN HELP PAY FOR THE BODYCAST I PUT HIM IN BY SIGNING UP TODAY!

END OF ADVERTISEMENT.

[raineyz]

detective conan

[min-min-minnie]

drawing dump for beginning the next dream, or the time travel au where pirate king luffy becomes the asl brothers’ dad ;w;

[fairysuku]

"I had fun."

[mishkamosh]

experimenting with panelling and resisting the urge to just draw a bunch of little squares and rectangles is so hard

[mishkamosh]

finally decided to draw fanart at school as i was rereading this one fanfiction which… *checks ao3 history* —holy shit, i have visited 40 separate times????? clearly, i am mildly obsessed.

if you can tell, i have zero (0) clue how to draw any hp characters and it shows,,

scenes from chapters 5 and 6 of “The Truth Will Out (and you will pay your dues)” by @asthmaticbee

…and because i was even more bored than usual, enjoy a scribble-sketch page of various scenes from one of their other fics “rooster cries and gold in the snake’s den”

[mishkamosh]

when i was younger i had a series of reoccurring dreams (of which i was genuinely attempting to re-experience) in a wizard of oz setting except it was a magical portal isekai into candy land with three main female characters, none of whom were me, and the dream always had a weird elisa lam-esque subplot. only one main character would survive and she would end up killing both witches (who were good people, and she knew it)

media consumption did weird things to me, but i honestly wouldn’t change it for the world. that wizard of oz candyland elisa lam dream was quite literally my childhood.