A Star Is Born
1937 | 1954 | 1976 | 2018
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A Star Is Born
1937 | 1954 | 1976 | 2018
Aaaaaa Aaaaaaaaaaaaa aaaaaa
āCREON. Listen to me. ANTIGONE. If I want to. I donāt have to listen to you if I donāt want to. There is nothing more you can tell me that I donāt know. Whereas there are a thousand things I can tell you that you donāt know. You stand there, drinking in my words. Why is it that you donāt call your guards? Iāll tell you why. You want to hear me out to the end; thatās why. CREON. You amuse me. ANTIGONE. Oh, no, I donāt. I frighten you. That is why you talk about saving me. Everything would be so much easier if you had a docile, tongue-tied little Antigone living in the palace. But you are going to have to put me to death today, and you know it. And thatās what frightens you. GOD! IS THERE ANYTHING UGLIER THAN A FRIGHTENED MAN!ā
ā Antigone, Jean Anouilh
me and my friends dancing toĀ āmr. brightsideāĀ
I canāt get over how well this fits
As you wish.Ā
ā Louise Glück, fromĀ āOtis,ā Meadowlands (1996)
you: April Foolās
me, an intellectual: APRIL is the cruellest month, breeding / lilacs out of the dead land, mixing / memory and desire, stirring / dull roots with spring rain.
people have so little appreciation for craftsmanship and itās frustrating and sad. like i saw this video on facebook of a guy making a small throwing axe by hand, from start to finish, and half the comments were like āor just buy an axe for $15ā
the dude didnt just want an axe! he wanted the experience of handwork, he wanted to engage in a tradition of craftsmanship, he wanted to practice skills. the process of making things is about so much more than the thing you make
if i knit a hat, the fact that iāll have a hat at some point is tertiary to everything else i get out of the experience. itās meditation, itās how i interact with a community, it connects me to a history, it mediates my anxiety, itās a sensory experience, itās me engaging with my body in a way that is careful and thoughtful and elegant and beautiful
handwork is so devalued for a lot of reasons, and those reasons are almost always socially complex ā thereās a lot to be said about how class and gender play out in different hobbies; how cost can become prohibitive in learning skills that were once vital to the poor, how certain kinds of labor have become a luxury, how histories of gendered labor cause that labor to become mocked. all of those things and so many more are difficult to grapple with
automation tends to lead us to believe that making is all about things, but when you practice handwork, you give the process its own kind of value and reap all its intangible rewards. if i could explain one simple thing to anyone who has ever asked me why i donāt just buy a hat, itās that thereās a lot more involved in a process than just its product.
Tony Stark meeting Shuri for the first time goes a little like this in my mind??
Shuri not terrified, Shuri is brave and stubborn and knows sheās smarter than Tony. But she also knows that up until now Tonyās been under the impression that heās the smartest and heās the best. So sheās worried, not of him turning out to be smarter, but of him being insulted by her genius.
And they meet and Shuri showās him her work and he stayās ridiculously quiet through most of the ordeal, only asking questions here and there. Watching her work with the sand tables as she explains each item in her lab and Tony watches closely.
And then, she stops, cause sheās shown him everything and told him what everything is and she just looks at him and waits for theĀ āthis is childās playā comment and to have to defend herself against a man who doesnāt know shit.
And slowly Tony lifts up his sunglasses and his eyes are fucking shining and his grin is huge and he looks at her like sheās the best thing to touch planet earth and he just mutters,Ā āIāve never had to say this, but explain that again, and slower.ā
Sadly, girlsā trauma is more likely to be missed than that of boys. In children younger than about 11, boys tend to act out and behave badly if they are unhappy - so their trauma is noticed and (hopefully) addressed.Girls tend to react by becoming āpeople pleasersā. Itās as if they see trauma as a punishment, and hope that they can avoid it by being āgoodā. They will talk less, work harder, always be springing up ready to help anyone with anything at the slightest indication they may want it. They watch the emotional states of adults like a hawk and soothe, placate and offer practical help at the slightest sign of anger or displeasure. As this is the kind of behavior encouraged in girls, no one takes any notice until itās too late.
Tool of the MatriarchyĀ Ā (via sonnywortzik)
(x)
Friendship goals
I think thereās a lot of mess in solidarity, because the point of solidarity is a conceptāan emotion. You donāt have to like the people you have solidarity with; you just get to be on the same team, and have the project of making the world better. But one of the things that we debate when weāre trying to do that is: Do we want the same world? We agree that we donāt want the world that exists, but do we want the same world? And a lot of politics, a lot of the humorlessness of the political, comes when you realize that the people who share your critique donāt share your desire.
Lauren Berlant in conversation with Bea Malsky, āPleasure Won: A Conversation with Lauren Berlant,ā The Point Magazine (x)
Kedi. Dir. Ceyda Torun. 2016.
Ann Peebles performing āI Canāt Stand The Rainā live in 1974
What a voiceeeeee
Oooooooo wow
donāt be realistic on what you want. be realistic on how youāre going to get it.