A Star Is Born
1937 | 1954 | 1976 | 2018
Aaaaaa Aaaaaaaaaaaaa aaaaaa
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Today's Document
YOU ARE THE REASON
Sweet Seals For You, Always

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cherry valley forever

if i look back, i am lost
Stranger Things
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taylor price
One Nice Bug Per Day
EXPECTATIONS
d e v o n
KIROKAZE
Xuebing Du
$LAYYYTER
đ©” avery cochrane đ©”
Misplaced Lens Cap

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@misterracoon
A Star Is Born
1937 | 1954 | 1976 | 2018
Aaaaaa Aaaaaaaaaaaaa aaaaaa
âCREON. Listen to me. ANTIGONE. If I want to. I donât have to listen to you if I donât want to. There is nothing more you can tell me that I donât know. Whereas there are a thousand things I can tell you that you donât know. You stand there, drinking in my words. Why is it that you donât call your guards? Iâll tell you why. You want to hear me out to the end; thatâs why. CREON. You amuse me. ANTIGONE. Oh, no, I donât. I frighten you. That is why you talk about saving me. Everything would be so much easier if you had a docile, tongue-tied little Antigone living in the palace. But you are going to have to put me to death today, and you know it. And thatâs what frightens you. GOD! IS THERE ANYTHING UGLIER THAN A FRIGHTENED MAN!â
â Antigone, Jean Anouilh
me and my friends dancing to âmr. brightsideâÂ
I canât get over how well this fits
As you wish.Â
â Louise GlĂŒck, from âOtis,â Meadowlands (1996)
you: April Foolâs
me, an intellectual: APRIL is the cruellest month, breeding / lilacs out of the dead land, mixing / memory and desire, stirring / dull roots with spring rain.
people have so little appreciation for craftsmanship and itâs frustrating and sad. like i saw this video on facebook of a guy making a small throwing axe by hand, from start to finish, and half the comments were like âor just buy an axe for $15â
the dude didnt just want an axe! he wanted the experience of handwork, he wanted to engage in a tradition of craftsmanship, he wanted to practice skills. the process of making things is about so much more than the thing you make
if i knit a hat, the fact that iâll have a hat at some point is tertiary to everything else i get out of the experience. itâs meditation, itâs how i interact with a community, it connects me to a history, it mediates my anxiety, itâs a sensory experience, itâs me engaging with my body in a way that is careful and thoughtful and elegant and beautiful
handwork is so devalued for a lot of reasons, and those reasons are almost always socially complex â thereâs a lot to be said about how class and gender play out in different hobbies; how cost can become prohibitive in learning skills that were once vital to the poor, how certain kinds of labor have become a luxury, how histories of gendered labor cause that labor to become mocked. all of those things and so many more are difficult to grapple with
automation tends to lead us to believe that making is all about things, but when you practice handwork, you give the process its own kind of value and reap all its intangible rewards. if i could explain one simple thing to anyone who has ever asked me why i donât just buy a hat, itâs that thereâs a lot more involved in a process than just its product.
Tony Stark meeting Shuri for the first time goes a little like this in my mind??
Shuri not terrified, Shuri is brave and stubborn and knows sheâs smarter than Tony. But she also knows that up until now Tonyâs been under the impression that heâs the smartest and heâs the best. So sheâs worried, not of him turning out to be smarter, but of him being insulted by her genius.
And they meet and Shuri showâs him her work and he stayâs ridiculously quiet through most of the ordeal, only asking questions here and there. Watching her work with the sand tables as she explains each item in her lab and Tony watches closely.
And then, she stops, cause sheâs shown him everything and told him what everything is and she just looks at him and waits for the âthis is childâs playâ comment and to have to defend herself against a man who doesnât know shit.
And slowly Tony lifts up his sunglasses and his eyes are fucking shining and his grin is huge and he looks at her like sheâs the best thing to touch planet earth and he just mutters, âIâve never had to say this, but explain that again, and slower.â
Sadly, girlsâ trauma is more likely to be missed than that of boys. In children younger than about 11, boys tend to act out and behave badly if they are unhappy - so their trauma is noticed and (hopefully) addressed.Girls tend to react by becoming âpeople pleasersâ. Itâs as if they see trauma as a punishment, and hope that they can avoid it by being âgoodâ. They will talk less, work harder, always be springing up ready to help anyone with anything at the slightest indication they may want it. They watch the emotional states of adults like a hawk and soothe, placate and offer practical help at the slightest sign of anger or displeasure. As this is the kind of behavior encouraged in girls, no one takes any notice until itâs too late.
Tool of the Matriarchy  (via sonnywortzik)
(x)
Friendship goals
I think thereâs a lot of mess in solidarity, because the point of solidarity is a conceptâan emotion. You donât have to like the people you have solidarity with; you just get to be on the same team, and have the project of making the world better. But one of the things that we debate when weâre trying to do that is: Do we want the same world? We agree that we donât want the world that exists, but do we want the same world? And a lot of politics, a lot of the humorlessness of the political, comes when you realize that the people who share your critique donât share your desire.
Lauren Berlant in conversation with Bea Malsky, âPleasure Won: A Conversation with Lauren Berlant,â The Point Magazine (x)
Kedi. Dir. Ceyda Torun. 2016.
Ann Peebles performing âI Canât Stand The Rainâ live in 1974
What a voiceeeeee
Oooooooo wow
donât be realistic on what you want. be realistic on how youâre going to get it.