Writers in the middle of a first draft like:
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Lint Roller? I Barely Know Her
The Bowery Presents

@theartofmadeline
One Nice Bug Per Day
Monterey Bay Aquarium
noise dept.

Discoholic đŞŠ
art blog(derogatory)
I'd rather be in outer space đ¸
ojovivo

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bliss lane
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Game of Thrones Daily

Kiana Khansmith

if i look back, i am lost
h
Doug Jones
KIROKAZE

seen from United States
seen from Saudi Arabia
seen from Chile
seen from Saudi Arabia
seen from United States

seen from South Korea
seen from United States
seen from TĂźrkiye

seen from Bulgaria

seen from Ecuador

seen from TĂźrkiye

seen from TĂźrkiye

seen from Argentina
seen from Bangladesh
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seen from Germany
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seen from Indonesia

seen from Chile

seen from United States
@momentsmakeastory
Writers in the middle of a first draft like:
some of the best writing advice Iâve ever received: always put the punch line at the end of the sentence.
it doesnât have to be a âpunch lineâ as in the end of a joke. It could be the part that punches you in the gut. The most exciting, juicy, shocking info goes at the end of the sentence. Two different examples that show the difference it makes:
doing it wrong:
She saw her brotherâs dead body when she caught the smell of something rotting, thought it was coming from the fridge, and followed it into the kitchen.
doing it right:
Catching the smell of something rotten wafting from the kitchenâprobably from the fridge, she thoughtâshe followed the smell into the kitchen, and saw her brotherâs dead body.
Periods are where you stop to process the sentence. Put the dead body at the start of the sentence and by the time you reach the end of the sentence, youâve piled a whole kitchen and a weird fridge smell on top of it, and THEN you have to process the body, and itâs buried so much it barely has an impact. Put the dead body at the end, and itâs like an emotional exclamation point. Everythingâs normal and then BAM, her brotherâs dead.
This rule doesnât just apply to sentences: structuring lists or paragraphs like this, by putting the important info at the end, increases their punch too. Itâs why in tropes like Arson, Murder, and Jaywalking or Bread, Eggs, Milk, Squick, the odd item out comes at the end of the list.
Subverting this rule can also be used to manipulate readerâs emotional reactions or tell them how shocking they SHOULD find a piece of information in the context of a story. For example, a more conventional sentence that follows this rule:
She opened the pantry door, looking for a jar of grape jelly, but the view of the shelves was blocked by a ghost.
Oh! Thereâs a ghost! Thatâs shocking! Probably the character in our sentence doesnât even care about the jelly anymore because the spirit of a dead person has suddenly appeared inside her pantry, and thatâs obviously a much higher priority. But, subvert the rule:
She opened the pantry door, found a ghost blocking her view of the shelves, and couldnât see past it to where the grape jelly was supposed to be.
Because the ghost is in the middle of the sentence, itâs presented like itâs a mere shelf-blocking pest, and thus less important than the REAL goal of this sentence: the grape jelly. The ghost is diminished, and now you get the impression that the character is probably not too surprised by ghosts in her pantry. Maybe it lives there. Maybe she sees a dozen ghosts a day. In any case, itâs not a big deal. Even though both sentences convey the exact same information, they set up the reader to regard the presence of ghosts very differently in this story.
Writer Beware makes posts on which publishing houses to avoid at all costs, which words to look for and which words to watch out for in contracts, and several other things that will keep you in control and knowledgeable about the publishing process. Iâd suggest reading through the website if you want to avoid getting ripped off, cheated, or scammed.
Iâm just going to reblog this every so often because itâs a site that every writer needs to see.
I think the best piece of character design advice I ever received was actually from a band leadership camp I attended in june of 2017.Â
the speaker there gave lots of advice for leadersâobviously, it was a leadership campâbut his saying about personality flaws struck me as useful for writers too.Â
he said to us all âyour curses are your blessings and your blessings are your cursesâ and went on to explain how because he was such a great speaker, it made him a terrible listener. he could give speeches for hours on end and inspire thousands of people, but as soon as someone wanted to talk to him one on one or vent to him, he struggled with it.Â
he had us write down our greatest weakness and relate it to our biggest strength (mine being that I am far too emotional, but Iâm gentle with others because I can understand their emotions), and the whole time people are sharing theirs, my mind was running wild with all my characters and their flaws.
previously, I had added flaws as an after thought, as in âthis character seems too perfect. how can I make them not-like-that?â but thatâs not how people or personalities work. for every human alive, their flaws and their strengths are directly related to each other. you canât have one without the other.
is your character strong-willed? that can easily turn into stubbornness. is your character compassionate? maybe they give too many chances. are they loyal? then theyâll destroy the world for the people they love.
it works the other way around too: maybe your villain only hates the protagonistâs people because they love their own and just have a twisted sense of how to protect them. maybe your antagonist is arrogant, but theyâll be confident in everything they do.
tl;dr âyour curses are your blessings, and your blessings are your cursesâ there is no such thing as a character flaw, just a strength that has been stretched too far.
The two seasons of a writer:
1. where have all the words gone? has all speech that has issued from the human tongue since the dawn of language deserted me now? must my keyboard lie mute forever, my pen silent?
2. whERE are aLL THES E W ORDs c Om I NG FROM
âDonât bend; donât water it down; donât try to make it logical; donât edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.â
Franz Kafka
How many times have we heard, âWrite what you know?â As far as this humble mod is concerned, thatâs garbage advice. Write what sets you alight. Write what sparks a fire in your belly, that makes you yearn to sit down to write more. Passion is a driving force, and if youâre not passionate about it, how will anyone else be?
âDonât tell me the moon is shining; show me the glint of light on broken glass.â
Anton Chekhov
Yes, yes, I can see you rolling your eyes. The old âshow, donât tell.â Every writer has been told this a million times. But never doubt the power of good sensory details in your story. What is your character feeling? Seeing? Smelling? Take us there!
Take a moment to practice this. Think of a place youâve been and describe it as best you can. Feel free to reblog and add your descriptions!
WRITE IT. FUCK EVERYONE ELSE.
a.k.a. you may find your work Bad and Cringyâ˘ď¸ but you wrote something and thatâs a Good Thingâ˘ď¸.
All writing is good practice and progresses you as a writer.
âAnd by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.â
Sylvia Plath
Creativity is the ability to create, whether itâs âgood enoughâ is moot. So fudge that rough draft! Make a mess of a poem! Write a bad short story! just go out and create!
A Word From Our Sponsors: Writing Advice From the Mod
So I donât give out unsolicited advice, but @solastrasza asked so Iâm gonna answer!
First up: Dialogue!Â
***This is, as any writing advice, purely up to your style and rules are made to be broken, as long as you know why theyâre rules in the first place. First rule of writerâs club is to have fun and be yourself***
This is gonna be a bit long, so bear with me under the cut
Okay! So youâve got some characters. Maybe you have a plot. Now the characters in the plot need to talk to each other. Where do you start?
First of all, try to develop your characterâs voice. Some of the best advice Iâve received is that your reader should know who is talking just from the way your characters speak. Are they formal? Casual? The way they speak should reflect on who they are as a person, and should be unique to the character.Â
Always, and I mean it, always do a paragraph break when a new character is talking. This should not be a wall of text.
In that, keep in mind your dialogue tags! Thatâs the âshe said,â âhe grumbledâ etc. People will say, donât use âsaid.â These people are horribly wrong. Said is a breath in a sentence where you can break dialogue without drawing attention away from it. Should it be the only dialogue tag you use? No! But donât shy away from it. It is your friend.
Avoid floating heads! This is where your characters are speaking, but we have no idea where they are, or what theyâre doing. Set the scene, have them interact with it while theyâre talking!Â
Eg. âI donât know,â Sam said, picking up the rook and taking Jessâ pawn. âI think we need to move forward.âÂ
And the advice that is always on everyoneâs advice is avoid weak adverbs. I wonât say avoid all adverbs, thatâd be hypocritical of me, but avoid weak ones. Thatâs in with âShe smiled happily.â Well, we can assume she smiled happily. Thatâs a weak adverb. But âShe smiled sadly,â would be stronger, because it actually adds something to her smile. That being said, âShe said loudly,â can be âShe yelled.â use strong verbs whenever possible, but never use weak adverbs.
The last bit of advice I have, is be creative! Like I said in the disclaimer, rules are made to be broken, as long as you know why theyâre rules in the first place.
Alright, thatâs what Iâve got! Still have questions? TL;DR? Hereâs a video by one of my favorite youtubers on how to properly format your dialogue tags!
Bonus: Grammar Lesson
â Â âThatâs not far.â She said.
â âThatâs not far,â she said.
With a dialogue tag like this, you use a comma, not a period
â âWeâre leaving,â she walked to the stairs to go.
â Weâre leaving.â She walked to the stairs to go.
In this case, you start a new sentence with the action
â âYou can go,â he said.
âWell, then weâll take our leave,â she replied.
âFine,â he said.
 â âYou can go,â he said.
âWeâll take our leave then.â
âFine.â
You donât always have to put dialogue tags! Your readers are smart, theyâll know whoâs talking if you set the scene up properly.
â âWeâre leaving,â she said. He shrugged.
âThatâs fine.â
â âWeâre leaving,â she said.Â
He shrugged. âThatâs fine.â
This is more of a stylistic choice, but in my opinion, it reads clearer.
âStart writing, no matter what. The water does not flow until the faucet is turned on.â
Louis LâAmour
We all know what itâs like, right? You sit down at a computer/notebook/etc., and you
just
canât
write.
This is a struggle for both old and new writers. The best way to combat it? Just write. 50 words. Right now.
Are you done?
Look at you go! You just beat the first step! Were they good words? Maybe not! But you wrote them.Â
When I struggle with writing, this is the method I use. Drop. Give me 50. If I only get 50? Hey! Thatâs 50 more than I had! But most of the time, this leads to a flow, and I end up looking up at the clock, and two hours have passed, and I have pages done.Â
So get out there and write!Â
My characters during the editing process:
âRead a thousand books, and your words will flow like a river.â
Lisa See
Writing without reading is like exhaling without inhaling! If you find yourself in a rut with writing, pic up a book, fic, etc. Itâll help you, not only with ideas, but also with your own structure!
Drop in the comments, or tags, your current read!
Discussion Time:
Are you a die-hard pantser? Or do you prefer to outline every detail of your story?
Iâm a combination of both! I get a basic outline of my story, then let myself discover the nitty-gritty as i go. What about you? Reblog and comment or put in the tags what kind of writer you are!
Words that describe a voice
Here are some great voice words for when you can hear something in your head and just canât think of the best way to describe it!Â
Oh Hey
itâs been a while! iâm hoping to start posting to this a little more often, since a friend reminded me it exists orz gonna make some posts to queue so this keeps going!