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Peter Pan, Donald Jr., Ryan Seacrest and the boys.

It was early summer, and the wealthy politician’s son was in trouble. He’d done something terrible, possibly criminal, something that would almost certainly derail his future and harm his family.

As he and his siblings had always done, he went back to the family home, to confess to the father who’d had such high hopes for his offspring. “Dad, I’m in some trouble,” he reportedly said.

And then the family took over.

The family’s crisis team drafted a statement for the young man to give and, crucially, a strategy to shape the public’s perception. If America saw this married man in his late 30s as a boy — handsome and high-spirited, mischievous, not a criminal — he’d be able to squirm out of his misdeeds with minimal punishment.

If this sounds familiar, it should. It’s how, in the summer of 1969, the Kennedy camp managed the fallout after 37-year-old Teddy drove his car off a bridge off Chappaquiddick Island, and his young female passenger died.

…(Spoiler alert: In 1969, Senator Kennedy received only a two-month suspended sentence for actions that left 28-year-old Mary Jo Kopechne, an actual young person, dead.)

I’m finding it really difficult not to just copy and paste the entire article here; it’s completely spot on.

The article goes on to illustrate how grown-ass (white) men, such as the 39-year-old Donald Trump, Jr., 33-year-old (at the time of the “pussy” tape) Billy Bush, and 32-year-old Ryan Lochte, continue to evade responsibility by claiming “boys will be boys.” This defense doesn’t work for girls/women (of course) or nonwhite boys/men (like 12-year-old Tamir Rice).

Seriously, give the article a read: The Men Who Never Have to Grow Up

queneparte-deactivated20170826

^^ same.

“If boys will be boys, then girls must be grown-ups, whose job it is to protect men from their worst impulses. Witness every administrative body, from middle school to Congress, that has decided that it’s easier and more culturally acceptable to police girls’ and women’s clothing than it is boys’ behavior.

Should one of these fine young fellows slip — inflamed, perhaps, by one bare shoulder too many — there’s probably a woman to blame, and it’s his punishment, not his crime, that becomes the tragedy.”

weavemama

BY A WHAT

artistil

THATS ALL THE BIG SCARIES IN ONE BUG TFFF JU

1petulantpanda

Give it a dime, apparently.

1petulantpanda

Had to go research this thing, and the answer to what to do if it stings you is scream.

from Wikipedia-

“One researcher described the pain as “…immediate, excruciating, unrelenting pain that simply shuts down one’s ability to do anything, except scream. Mental discipline simply does not work in these situations. In terms of scale, the wasp’s sting is rated near the top of the Schmidt sting pain index, second only to that of the bullet ant, and is described by Schmidt as “blinding, fierce [and] shockingly electric”.“

momma-crow

Soooooo…dissociate to escape or?

theyoungestwhateleydaughter-dea

It’s laying eggs in you.

prokopetz

Let’s back up a second and fully appreciate that description.

The Schmidt sting pain index, a widely used classification system for the bites and stings of ants, bees and wasps, is literally the personal ranking system of a guy named Justin Schmidt, who goes around letting bugs sting him for science. Like, that’s this Thing as a scientist.

In one entry, he describes the sting of the common bee as “almost pleasant, [like] a lover just bit your earlobe a little too hard.”

In another, the sting of the yellowjacket is described as “hot and smoky, almost irreverent. Imagine W. C. Fields extinguishing a cigar on your tongue.“

So when the Schmidt sting pain index characterises the sting of the tarantula hawk as “blinding, fierce [and] shockingly electric”, well, now you know what your standard for comparison is!

moonsofavalon

this is fascinating but when do we kinkshame Justin Schmidt

justiceyleague

stevetomjohn

I was thinking this weekend about how awkward it was that Fantastic Beasts and Where to Find Them insists that Americans call muggles “no-maj.” First off, it just doesn’t sound like an abbreviation we’d use, and it sounds even worse in plural. But I finally realized the more important point: it’s too direct. Especially for the time period, Americans would never have been that straightforward in talking about a topic that sensitive. And so I would like to submit, in the spirit of early twentieth-century slang, a list of possible euphemisms we may have used for muggles:

He washes his dishes with a cloth.

He pays in nickels and dimes.

He rides the trolley to work.

He takes his boots to the cobbler.

He’s grateful for Mr. Edison.

He’s one of Grisham’s boys. (here imagining that Grisham was a prominent wizard who famously fathered no magic children)

He dances on the ground.

He writes with a pen.

He’s fond of a two-piece suit.

He’s more King Arthur than Merlin.

He’s got to wind his pocket watch.

He gets his wax from bees.

His wife darns his socks.

He treats his ailments with tonics.

His portraits stay put.

His broom is only for sweeping.

I’m having a little too much fun with this, so if you have any to add, please send them over.

veinitas

me when i see a cat: CAT! cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat cat

lurknomoar-deactivated20151109

Fun fact: when I see cute animals, I forget English and automatically revert to my native Hungarian. I don’t know what bystanders make of me, reciting guttural gibberish to rabbits.

quizzicalqueek

But the real question is, what are you SAYING to the rabbits? Is it ‘RABBIT! rabbit rabbit rabbit rabbit rabbit rabbit bunny bunny bunny awww cute bunnyyyyy’?

lurknomoar-deactivated20151109

Well, I usually say the Hungarian equivalent of ‘bun bun bun lil bun look at your tiny spoon-shaped ears awww bun brave little lawnmower bun’, but sometimes I say ‘hey rabbits, my sister’s gonna go to med school’ because I think everyone should know.

littlegaywitch

I live in Japan, and I always revert to English to talk to small animals, and I was cooing at this tiny little fluff machine of a puppy in baby english like “hello you’re so cute such a cute hello hello yess you’re good” and the 70 year old Japanese lady that was walking him started to *translate the baby talk english into Japanese* for her pup. She wanted to be sure he understood it too.

sindri42

https://xkcd.com/231/

psychotictea

This is true!! In french you would say “minou” which is just like…. French for kitty , most of us just tell it out when we see a cat

queenoftongues

^I just learned a new word in french, my cat is gonna hate me.

cheeseanonioncrisps

Imagine a group of humans and aliens talking about their home worlds while in the ship’s canteen. One world is covered entirely by water (the crew members from there have to wear special masks to help them absorb the oxygen they need from the air); one is full of rare minerals and littered with what, on any other planet, would be precious stones and one is carpeted with dense vegetation and has the more biodiversity than any other planet.

Once they’ve all finished talking about their own planets, everybody turns to the humans and asks them what Earth is like. They’re only doing it to be polite though. They haven’t heard much about humans (except the usual stories, and only fledglings believe in those) and they can’t really believe that these fleshy bald looking things come from anywhere even remotely as interesting as their own planets.

There’s a pause and then one of the humans speaks up, “well, I come from a part of Earth called ‘England’ and, to be honest, it’s nothing like as cool as your planets sound. It’s alright though. We got some snow last year, so I’m hoping that we’ll have some this year as well when I get back.”

“Snow?” one of the water breathers asks, hissing slightly through their mask, “what’s that?”

“Frozen water that falls from the sky.” The human explains, “it’s really fun to play with. It’s only called snow when it’s soft though— when it’s hard it’s called hail. Nobody likes hail, you can’t do anything with it and it hurts if it hits you. I looked up during a hail storm once,” she adds, “when I was a kid. Huge hailstones and one hit me right in the eye! Hurt like Hell.”

“Is your planet really cold then?” one of the aliens asks, sounding doubtful since nothing has looked less equipped to deal with cold weather than a human.

“No,” she says, “not everywhere. England’s pretty cold, but in the Summer sometimes we get heatwaves. Last year I went out in one and forgot to wear suncream and got sunburn all down my arms.”

“Your planet’s sun… burned you?” a horrified creature asks, “was it painful?”

“Not really, just stung a bit,” she shrugs, “it was fine once the skin started to peel.” (At the back of the crowd that has now amassed around their table a voice says “I didn’t know humans moulted.” and another, horrified sounding voice replies “that’s because they don’t!”) the human continues on regardless. “It was really annoying actually, because it meant I couldn’t go out for a bit without wearing a jacket. Then when my burns had finally healed, I wanted to go to the beach, but when I got there there was this huge thunderstorm and I had to go home again.”

“Thunderstorm?” the word is whispered, mainly because the person asking secretly hopes the human won’t hear them so they won’t have to know.

“It’s when the clouds get all dark and it starts raining,” the human explains and everybody sighs with relief. Most planets have rain. “The clouds make these really loud banging noises,” she continues, “that’s the thunder, and electricity shoots down from the clouds— that’s called lightning. Sometimes people get hit by it, a few people even survive. I once—”

But one of her human friends cuts her off. “God,” he says, “you Brits are so boring, always talking about the weather!”

While she argues with him, the creatures seated around the table stare at them in astonishment and start to give a little more credit to those old stories. Because, though they look pretty harmless, a species would have to be tough to be able to survive on a planet where a person could be pelted with ice, burned by the sun and nearly electrocuted by the sky and then have another person describe those experiences as boring!

steampunktendencies

Amazing dress by french creator Sylvie Facon

Additonnal credit : L'Oiseau de la pluie - Costumes et créations

Steampunk Tendencies [ Twitter | Instagram | Facebook | Google+ | Pinterest ]

bonkalore

Trying to draw buildings

archive7481465

yo here’s a useful tip from your fellow art ho cynellis… use google sketchup to create a model of the room/building/town you’re trying to draw… then take a screenshot & use it as a reference! It’s simple & fun!

moorecolinart-deactivated201810

Sketchup is incredibly helpful. I can’t recommend it enough.

There’s a 3D model warehouse where you can download all kinds of stuff so you don’t have to build everything from scratch.

vanjestic-deactivated20160131

reblog to save a life

bludragongal

This is an incomplete tutorial, and it drives me crazy every time I see it come around.

We live in a pretty great digital age and we have access to a ton of amazing tools that artists in past generations couldn’t even dream of, but a lot of people look at a cool trick and only learn half of the process of using it.

Here’s the missing part of this tutorial:

How do you populate your backgrounds?

Well, here’s the answer:

If the focus is the environment, you must show a person in relation to that environment.

The examples above are great because they show how to use the software itself, but each one just kind of “plops” the character in front of their finished product with no regard of the person’s relation to their environment.

How do you fix this?

Well, here’s the simplest solution:

This is a popular trick used by professional storyboard and comic artists alike when they’re quickly planning compositions. It’s simple and it requires you to do some planning before you sit down to crank out that polished, final version of your work, but it will be the difference between a background and an environment.

From Blacksad (artist: Juanjo Guarnido)

From Hellboy (Mike Mignola)

Even if your draftsmanship isn’t that great (like mine), people can be more immersed in the story you tell if you just make it feel like there is a world that exists completely separate from the one in which they currently reside – not just making a backdrop the characters stand in front of.

Your creations live in a unique world, and it is as much a character as any other member of the cast. Make it as believable as they are.

shatterstag

Great comments and tutorials!

I’m a 3d artist and have been exploring the possibilities of using 3d as reference for 2d poses. I want to add a couple of tips and things!

Sketchup is very useful for environment references, and I assume it’s reasonably easy to learn. If you’re interested in going above and beyond, I highly recommend learning a proper 3d modeling program to help with art, especially because you can very easily populate a scene or location with characters!

Using 3ds Max I can pretty quickly construct an environment for reference. But going beyond that, I can also pose a pretty simple ‘CAT’ armature (known in 3d as a rig) straight into the scene, which can be totally customized, from various limbs, tails, wings, whatever, to proportions, and also can be modeled onto and expanded upon (for an example, you could 3d sculpt a head reference for your character and then attach it to the CAT rig, so you have a reference for complex face angles!)

The armature can also be posed incredibly easily. I know programs exist for stuff like this - Manga Studio, Design Doll - but posing characters in these programs is always an exercise in frustration and very fiddly imo. A simple 3d rig is impossibly easy to pose.

By creating an environment and dropping my character rig into it, I have an excellent point of reference when it comes to drawing the scene!

Not only that, but I can also view the scene from whatever angle I could ever want or need, including the character and their pose/position relative to the environment.

We can even quickly and easily expand this scene to include more characters!

Proper 3d modeling software is immensely powerful, and if you wanted to, you could model a complex environment that occurs regularly in your comic or illustration work (say, a castle interior, or an outdoor forest environment) and populate the scene with as many perspective-grounded characters as you need!

askoursquad

reblogging to save a life

bludragongal

!!!!!!!!!!!!!!

Look at this amazing addition! This is fantastic!