reblog if ur mom is smart and beautiful
This is one of my favorite sites on here because everyone who reblogged it truly believes it because their moms won’t actually see it

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if i look back, i am lost
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shark vs the universe
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he wasn't even looking at me and he found me
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oozey mess

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@mostlyeviloverlord
reblog if ur mom is smart and beautiful
This is one of my favorite sites on here because everyone who reblogged it truly believes it because their moms won’t actually see it
"Stop saying 15 year olds with weird interests are cringe, they're 15" this is true however you should also stop saying adults with weird interests are cringe because who gives a shit
To wit:
I want to share some wisdom from my high school art teacher.
In my AP Art class, there was a girl who was just starting to experiment with mixed media. At this point she was still playing around, trying to decide what direction she wanted to go with her portfolio. So one critique day, she brought in an abstract canvas with some rhinestone highlights and painted and real peacock feathers. She loved sparkles and peacock feathers so she thought she’d try introducing them a *little*. And after everyone had given some input, the teacher gave her his advice, VERY roughly paraphrased here:
“So here’s the thing… I do not like this style. These are just elements that do not speak to me personally, but I see that you like them, and you’re doing interesting things with them.
“My biggest critique is, I only merely *dislike* this piece. I want you to make me HATE it. Go crazy with the things that you like. Don’t hold back trying to make it palatable to people like me. Because I am NEVER going to like it. And if the audience does not like it, it should drive them crazy seeing how much YOU love it.”
Her portfolio was chock full of neon colors and glitter and rhinestones and splashes of peacock feathers and it was a delight. Our teacher despised every piece lol, but she got great marks and I think even won some awards. And more importantly, she was happy and proud of the results. Because she didn’t limit herself by trying to appeal to people who were never going to enjoy what she enjoyed.
Takeaway here: be as cringe as you want. Don’t limit yourself based on other ppl’s tastes. They’re not you, and you are incredible 💕
This is the most inspirational thing I've read all week. Possibly all year
How much discourse do you think there is in the kpop demon hunters universe over Huntrix's breakup? I assume half the fans are analyzing every second of footage from the last three years looking for signs of tension and arguing about the whose fault it was and half the fans are posting that it's actually kind of fucked up to ruin the Idol Awards with a fake onstage breakup just to build up to dropping a new song, even if it is kind of a banger
@sagewiththyme You know that's a fascinating point because I figure the two options are a) no one really remembers what happened at the end because of magic bullshit or b) they play it off as a really elaborate but fully planned performance.
And the second one - can you fucking imagine.
Imagine one of the most popular bands in the world have this ongoing lore bit that they're actually demon hunters and they're always referencing it in their songs. And then one day a new boy band pops up and gets wildly popular with an over-the-top-cutesy hit. They're so soft and sweet and respectful. They're called Saja (Lion) Boys and they're all like "join the pride!" How cute!
And then they announce a new concert and you get there and it's fucking this. They're all dressed as demons/grim reapers. Surprise, "Saja" meant Jeoseung Saja all along! They're singing about how they're here for your soul and they relish in your pain, just a stunning 180 from their previous personas.
And then while you're trying to process the emotional whiplash the fucking demon hunter band bursts in and beats the shit out of them with the most insane pyrotechnic show you've ever seen in your life. They "kill" the boy band demons and then you never see them again. The whole band was a fucking psyop for Huntrix to play up the "demon hunters" bit.
I would never recover. The cheesiest fantasy power metal band has NOTHING on that level of commitment. I'd be stanning Huntrix for the rest of my life.
[ID: A comment by @sagewiththyme that says, "Didn’t they also say that the Saja boys were fighting onstage and that’s why they swapped time slots with the girls? Double breakup and makeup type thing". End ID]
"Yeah, the Saja Boys were a fake band. We paid them to steal the limelight for a little bit while Rumi's voice was out of commission. We thought it would be a cool setup for a triumphant return, you know? The cute little Lion Boys end up being secret demons trying to steal your souls, and Huntrix steps in and slays them in a triumphant return? ...Yeah. We planned it all, the songs, the heel-turn, the special effects, the whole shebang.
Except, uhhhh. We didn't expect them to get so popular so fast? They For Sure weren't supposed to make it to the final round of the Idol Awards. Like, for Legal Reasons. We were almost visibly panicking on stage when they announced that! I mean, do you know how it would look once it eventually came out that Saja Boys were working for us? "Oh, you planted a fake band so you could win the competition!" No joke. I mean, that is a pret-ty clear conflict of interest there. You know?
The Idol Awards are all about the fan's choices, and we just accidentally rigged the game.
The Saja Boys had to win the Idol Awards, now, but there was no chance. They only had two songs, Soda Pop and Your Idol. We couldn't have them push up the debut--I mean, we thought about it, Your Idol's a banger song and it totally would've given us a run for our money--but we'd have to follow it up with This Is What It Sounds Like, first off, and second, 'killing' the Saja Boys onstage would be like. The Media equivalent of announcing we won, like the Fans didn't have a choice in the matter. At the Idol Awards? Ha. Yeah. That's a no-go.
And I mean. Soda Pop is catchy but not that catchy guys, c'mon. We were totally gonna cream them with Golden.
So we were all scrambling. Rumi and Mira and I were trying to write and choreograph a brand new song, Takedown, something good but not Good Enough To Win, to maybe prolong the Rivalry, you know? To make our comeback all the more sweet. But it was all such short notice, and the song wasn't working, and Huntrix never gives a shoddy performance, on principle. We couldn't do it. But it was looking like the only way we were gonna legitimately lose was if something... happened during the competition.
And then Rumi had this brilliant idea..."
Memes
And then it becomes even more complicated once it’s been awhile, and it becomes clear that no one’s heard anything from any of the “real” boys since the awards.
Like, obviously the Saja Boys weren’t a “real” band, so it makes sense they’re not coming out with new music, and since they’re “dead”, of course all their official band accounts have gone quiet, but like… someone would have had to be portraying the band members, right? Even if you wave that off as them being some of the same actors who portray the “demons” at their concerts, someone would definitely have to be lending their voices for the songs. Who were they? They couldn’t have been well-established in the industry, otherwise they’d have been recognized too quickly and the ruse would have been up, and something like this would have been a huge break for new performers.
So why’d they just disappear?
Where are the actors?
I’d imagine this would never gain too much traction within the fandom, but it still lingers long after the dust has settled and the scandal clears up. Go deep enough into the comments on any HUNTR/X-related posts, and you’ll find someone commenting #WhereAreTheBoys.
Your writing is not terrible. The voice in your head just wants to kill your confidence so you'll stop doing things that bring you joy.
Fight the voice by continuing to make what you love.
Right y’all 😮💨—we worked our way though over 5,000 responses for our survey on writing in the age of AI. We crunched the numbers, made some lovely infographics, gathered a ton of phenomenal quotes, data’d the data—and shared the results over on our blog.
Who’s ready for some pie charts?!🧵🧵
Everyone Is Cheating Their Way Through College
For anyone unfamiliar with Paulo Freire's Pedagogy of the Oppressed, the entire thesis is that traditional educational models promote oppression by removing students' agency in their own learning. Freire argues that currently education functions as a "banking model" - teachers are the holders of knowledge, and students are empty vessels, waiting to have that knowledge put into their heads like a piggy bank. This reinforces a passive attitude towards information, not seeking and understanding it on your own terms, but waiting for a "banker" to deposit it into your head.
Instead, Freire proposes that teachers and students act as co-creators of knowledge, where students become active participants in their own learning through questions and dialogue. Teachers are also open to changing their understanding of topics in the process of critical dialogue - the goal is not "student learns Fact A and memorizes it as presented," but instead the goal is the knowledge itself, discovered collaboratively by teacher and student, who are acting with empathy and respect towards each other. This also starts the process of the oppressed being able and empowered to question structures of power, take agency, and actively participate in the transformation of society.
So, the irony of writing an AI essay on critical pedagogy is actually insane; because it's essentially the extrapolated endpoint of Freire's arguments that our current educational system creates passive receptacles who not only can't think critically in an educational context, but also become the perfect citizens for a world that doesn't want us questioning structures of power, to view those in power as we viewed our teachers - deliverers of indisputable facts that must be memorized and regurgitated because they command it, and not co-creators of true understanding.
Black Marble, Earth At Night
What will one day destroy each of the 50 US States
Alabama - Absorbed by Wyoming Alaska - Absorbed by Wyoming Arizona - Absorbed by Wyoming Arkansas - Absorbed by Wyoming California - Attempts to contain the spread of Wyoming by rigging itself with nuclear bombs Colorado - Absorbed by Wyoming Connecticut - Absorbed by Wyoming Delaware - Absorbed by Wyoming Florida - Missing, presumed absorbed by Wyoming Georgia - Absorbed by Wyoming Hawaii - Absorbed by Wyoming after the state survived California's suicide attack and continued to grow Idaho - Absorbed by Wyoming Illinois - Sacrifices itself trying to give Kentucky enough time to find the lost sword Indiana - Absorbed by Wyoming Iowa - Absorbed by Wyoming Kansas - Absorbed by Wyoming Kentucky - Attempts to wield the Wyoming Slayer alone and is not strong enough Louisiana - Absorbed by Wyoming Maine - Absorbed by Wyoming Maryland - Absorbed by Wyoming Massachusetts - Attempts to wield the Wyoming Slayer alone, and is not strong enough Michigan - Absorbed by Wyoming Minnesota - Absorbed by Wyoming Mississippi - Absorbed by Utah Missouri - Begs Utah not to go down this path, and is cut down Montana - Absorbed by Wyoming Nebraska - Absorbed by Utah Nevada - Tries to offer itself as a servant to Wyoming, telling it that together they could rule the world, but is absorbed New Hampshire - Absorbed by Utah New Jersey - Absorbed by Utah New Mexico - Gives its energy to Utah in the hopes that it will be able to stop Wyoming New York - Absorbed by Wyoming North Carolina - Attempts to wield the Wyoming Slayer alone, and is not strong enough North Dakota - Absorbed by Utah Ohio - Absorbed by Wyoming Oklahoma - Absorbed by Wyoming seconds after it finishes deciphering the runes on the handle of the Wyoming Slayer, managing only to croak out the word, "Too" Oregon - Absorbed by Wyoming Pennsylvania - Absorbed by Wyoming Rhode Island - Absorbed by Utah South Carolina - Sacrifices itself in order to get the Wyoming Slayer to Utah South Dakota - Absorbed by Utah Tennessee - Absorbed by Utah Texas - Absorbed by Utah Utah - Attempts to wield the Wyoming slayer and is burnt by its protective magics Vermont- Absorbed by Wyoming Virginia - Plunges itself into the gullet of the ever growing Wyoming to recover the sword which it ate Washington - Absorbed by Wyoming West Virginia - Absorbed by Wyoming Wisconsin - Cries, "I know what Oklahoma meant!" as it readies itself for its last stand. "Not 'too'! Together! It must be used together!" then reaches its arms into the monster's mouth, and takes hold of the sword with Virginia and with all the other states that have been eaten and lends its strength to all of them for one final attack, even as Wyoming's claws dig into its farmlands Wyoming - Stands startled for a few seconds, before beginning to crumble
Dan Rather nails it. #NationalTreasure
MEXICO WIN!!! FUCK AI!!!
Me, tears streaming down my face, sobbing, as I stare at the stars: it’s just so beautiful
The medieval peasant I went back in time to give a bag of Doritos to, concerned: what terrible and powerful sorcerers they must have in your age, to be able to veil the vault of heaven itself from view, as you say
Me, sniffling: I didn’t realize, I can’t, it’s so much, I, I… are the chips good, at least?
Medieval peasant, trying to make me feel better: they’re… magical, strange traveler
That really is how being in your 30s is like 😭
What it looks like to me is that these churns of outrage aren't actually about anything that these creators say or do, so much as they are a kind of reflexive action in response to literally any kind of friction. Like an angry infected rash flaring up with pain when it is brushed by a feather.
The show you like is telling a slightly different story than what you want? Friction is the same as pain so it is hurting me, AAAA!!! Your expectation of what was going to happen to that character you liked didn't pan out? Friction! Friction hurts! You're hurting me!!
But where the Disney Corporation can run a fucking angle grinder across the rash and barely provoke an "ow," indie creators (especially if they are not men), can get nearly run off the internet for things like factually answering a direct question or stating that the story they are writing has main characters.
There's a lot of misogyny in that, obviously, and in many awful flavors, but I think there's also mixed in there a very peculiar kind of consumer-brained entitlement. We expect that the big corporations will fuck us over every two seconds, and we expect to be utterly powerless to do anything about it because all they give a shit about is Line Go Up, but indie creators (especially if they are not men) are expected to be the balm to that infected rash. Where everything else in the world is painful and mean and uncomfortable, independent queer creators are expected to produce the comfortable swaddling bandage that dulls the pain and soothes the sensitivity. This is supposed to be our happy place, our safe place. It's supposed to be ours and belong to us and serve us.
And so they moment they produce friction, any friction, literally the tiniest amount of friction imaginable, well that's a failure! You are failing to live up to your purpose, and that's not just a creative failure but a moral and personal and spiritual failure too. It's a sin, in fact, it is a kind of evil. Friction hurts, and that means you are hurting me!
It creates this fucked up upside-down bizarro logic wherein the corpos and the companies can transgress to almost literally any degree, as much as they want, as often as they want, but queer independent creators (and I cannot stress this enough: especially if they are not men) have to walk tightrope on a razor wire and may God help their souls if they ever put a foot wrong. We will shake and shake and shake the towers until they each fall down; I didn't like that step I think you were taking, how dare you believe you deserve to be up there!
I've read a few recently published books, and there's this recurring pattern where if anyone does anything bad and interesting, they have to later talk about it in a way that makes it clear that it was a misunderstanding/ justified/ not their fault, so they're still a good person. and if they have a disagreement with another character, they have to therapy talk it out, regardless of their background. it doesn't matter if this is a street urchin with three teeth who just stabbed and kidnapped someone, you will get eloquent sterile therapy speak that will smooth out any possible emotional tension. and everyone asks for permission before they kiss, and waits for a clear enthusiastic yes. again, doesn't matter the character's background or situation, they will ask "can I please kiss you," because if they didn't, that could get all yucky and uncertain, couldn't it? and if a character is from a rich family, they will hate being in a rich family, and hate wealth signifiers, and actually be all for class equality. and everyone is casually queer, without thought being put into how that would mesh with the society that is being described. like yes, this is violent class-based system obsessed with inheritance, but no, it's not actually a problem that the child they've coldly groomed to take on the family mantle is unwilling to beget an heir because of gay. the parents might be terrible, cruel and fascistic, but they're not homophobic! I don't know, it just seems like EVERYTHING that could actually be messy gets sanded and sanded until it's smooth as a shark, but the Fun Violence is allowed to stay, because bloodshed doesn't actually bother anyone or have any consequence apart from your rogue character shrugging and going oops, was that me? the rogue is still a good person though. if you think they're not, just wait for the two solid pages of introspection. and yes they started the book by slitting two throats, but that was fine. they will ask permission before hugging you.
I hate all of this so much thanks
Are you trapped on tumblr right now?
Is there something you planned to do before you got trapped in the endless tumblr scroll?
Are you yelling at yourself to get up and do the thing, but you can’t, because you’re trapped in the endless tumblr scroll?
Consider this your save point.
Put tumblr down, stand up, stretch, and go do the thing you planned to do. Future you will be incredibly grateful.
Things people in the notes have been able to do thanks to this post:
eat breakfast
go to bed
get out of bed
take a shower
write
practice
watch Superman Returns and write a paper on it
retain shreds of sanity
I need y’all to know that you’re doing amazing, and I’m so glad that I was able to help you break out of a procrastination loop you did not want to be stuck in.
Helpful post I’ve added to my queue in case it helps someone else at the random point when it’s posted.
@dr4gonwriter asked…
"Astarion is absolutely from Evereska!"
Ooooh, pray tell, what makes you say that? (I'm just digging for lore here, I know nothing of the Realms)
Since you asked…
The absolutely non Baldurian origin of Astarion Ancunìn
(Conveniently footnoted because…I’m me)
I spend an inordinate amount of time tying characters into broader Forgotten Realms canon. Astarion, though, is almost a blank slate. There’s essentially no elven lore tied to Baldur’s Gate itself — canonically it’s the most human-dominated of the Sword Coast cities.¹ No elven quarter, no temple to Corellon, no hereditary moon-elf lines. If an elf lives there, it’s as a traveler, a fugitive, or someone making very questionable life choices.
Even Astarion’s age is up for debate. He tells us he’s been a vampire for “nearly two centuries,” but that only marks his undeath. Given his colouring and temperament, he’s almost certainly Teu-Tel’Quessir, a moon elf.² (Races of Faerûn describes sun elves as reclusive traditionalists, while moon elves are wanderers and adventurers.)³
Moon-elf culture gives us the perfect frame for where he was in life: the period of wanderlust, a kind of elven rumspringa when young elves leave home to see the wider world. Elves of Evermeet describes these youths “singing, dancing, gambling, drinking, flirting outrageously… hoisting their tankards.”⁴ Baldur’s Gate — a city of vice and indulgence — would have looked like paradise to someone in that stage.
That wanderlust usually begins around a century of age.⁵ If Astarion was turned while traveling the Coast, he could have been born around 1290 DR. And since elves are famously vague about time (“a hundred summers ago… or maybe last moonrise”),⁶ his “nearly two hundred years” of vampirism may be nothing more than typical Tel’Quessir imprecision.
As for where he came from: Evereska is the most logical origin. It’s the largest surviving moon-elf enclave on the mainland.⁷ When the Siege of Evereska (1371–72 DR) shattered the valley, many families fled before the mythal was restored.⁸ The obvious refuge was Silverymoon, the “Gem of the North,” whose population at the time was nearly thirty percent elven.⁹ Whether Astarion’s family left during the siege or generations earlier, an Evereskan → Silverymoon → Sword Coast migration fits both geography and temperament.
His refinement, education, and nostalgia for lost beauty all point to that upbringing. Even his name, Ancunín, echoes Evereskan naming conventions listed in Dragon #272 “Evereska: The Hidden Vale.”
Personally, I like to imagine him snared in a tangle of elven politics. Cazador Szarr, whose aesthetic all but screams sun elf (canonically, all the significant elven vampires are sun elves), could have arranged the young moon-elf’s magistrate post — an appealing role for an ambitious adolescent, offering access to the Upper City’s Patriar clubs in exchange for jailing a few troublesome N’Tel’Quessir. Turning him was likely no accident. Once Cazador sealed his pact with Mephistopheles — an archdevil known for preying on the pride of elves¹¹ — a handsome, charming moon-elf thrall would have been perfect bait for gathering mortal souls.
Canon Realms lore is explicit that many non-elves fetishize elven beauty and sexuality; it’s not hard to see how such a creature could be used as bait.¹² It also casts a cruel new light on Astarion’s confession that Cazador “particularly enjoyed his pain.” Among the elder sun-elf lines, there’s a deep disdain for their moon-elf kin — the silver ones, ever too merry, too free, too ready to dance with humans. That ancient arrogance would make Astarion’s suffering not just convenient, but deliciously symbolic: a moon-elf body broken to serve a sun-elf master’s pride.¹³
So no, Astarion was never a Baldurian native. More likely he was an Evereskan by blood, perhaps raised in Silverymoon, who wandered south during his wanderlust and fell prey to the city’s appetites. The “Pale Elf of Baldur’s Gate” was never its son.
Notes
Volo’s Guide to the Sword Coast (2e); Forgotten Realms Campaign Setting (3e), p. 103; Baldur’s Gate: Descent into Avernus (5e).
In-game model, complexion, and linguistic cues match moon-elf description in Races of Faerûn, p. 29.
Ibid.
Elves of Evermeet, Elaine Cunningham (1994), pp. 21–22.
Races of Faerûn, p. 29; Player’s Handbook (3e), Table 6-4 “Age Categories.”
Common elven trope in FR fiction; e.g., Evermeet: Island of Elves (1998), p. 54.
Lost Empires of Faerûn, p. 69.
Forgotten Realms Campaign Setting (3e), p. 118; Return of the Archwizards trilogy (Troy Denning, 2001–2003).
Silver Marches (3e), p. 40.
Dragon Magazine #272 (2000) “Evereska: The Hidden Vale.”
Fiendish Codex II: Tyrants of the Nine Hells (2006), p. 152.
Races of Faerûn, p. 31 (“non-elves fascinated by elven allure”).
Elves of Evermeet, p. 23 (describing sun-elf disdain for the carefree silver elves).
Guillermo Del Toro is the only director who would shoot Gepetto making Pinocchio as if it were Dr. Frankenstein creating the monster.
And then shoot Dr. Frankenstein creating the monster as if it were Gepetto making Pinocchio.
Even more devastating, the scene where pinocchio was made was very violent in looks and almost angry but gepetto grew to love his creation like a son but the scene of making the creature was loving and attentive but victor grew to hate his creation .