Game of Thrones Daily
will byers stan first human second
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JBB: An Artblog!
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d e v o n
RMH

Product Placement
dirt enthusiast
Alisa U Zemlji Chuda
TVSTRANGERTHINGS
Misplaced Lens Cap
Cosmic Funnies

if i look back, i am lost

@theartofmadeline
i don't do bad sauce passes
Aqua Utopia|海の底で記憶を紡ぐ

ellievsbear
Claire Keane
$LAYYYTER
seen from United Kingdom
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seen from Singapore

seen from Canada
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seen from Canada

seen from Germany
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seen from Iraq

seen from United States
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@narrimander
goo goo dolls if they were in dune: and i don’t want the worm to see me
made yaoi alcatraz where i put two miis i want married until they fall in love
there didnt used to be a bridge until one kept crying about being lonely like Maybe you should talk to the boyfriend i put in this saw trap with you. 🙄. but fine. theres a bridge now.
as soon as the one who kept crying about being lonely got off of his oil rig he immediately fell in love with a mii on the outside. someone is losing bridge privileges tonight .
bridge privileges restored his saw trap partner fell in love with him.
bridge privileges
restored his saw trap partner
fell in love with him.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
I sit alone in an unfurnished room for several hours, locked in meditation. After several days of silence, my eyes snap open.
"I just passed the Bechdel Test"
It’s called ‘being able to see the corpse’
So if I put you in an L-shaped swimming pool, and you knew there was a corpse around the corner, you'd be fine?
loving the implication that I'm a little animal and you're a scientist putting me into various bodies of water to test my corpse:water ratio tolerance
WARNING do NOT start reading books and comics or watching movies or looking at art!!! you will start wanting to create art yourself. or god forbid. writing.
No but actually LMAO
PORTA LUCIS // PRIVATE MAIL
DATE :: XX/XX/199X (Sun.) @ 09.01p FROM :: ReverendMoonlighter [Moony] SUBJ :: Before you do anything
> You are near to Lake Gelid.
> > I am going to assume you know enough for that sentence to be heavier than it looks. > > There is some trouble there. Well, more than some, but I mean fresh trouble. Public shape: a van in the water, Dane County boy, likely narcotics, sheriff’s office doing shiny badge arithmetic. Inner shape: not settled. Do not let anyone else settle it for you, and don’t settle it for yourself just because you have inherited shelves full of mysterion. > > My sister may be inside the matter. I suspect that she is. > > Violet. > > Scarlet, if things have gone sideways for her. > > I am not giving you more than that because you are exactly the sort of man who could make too much out of it. That is neither praise nor insult. It is a risk assessment. > > If you go to the lake, and I suspect that you won't be able to resist, go as a witness, not as an operator. Not as an acolyte. > > No rites. No old calls. No opening formulae. No “just checking” a correspondence table or Goetia. No testing the Goddamned air with a name to see whether the room answers. It may answer. That is not the same as your hunch being right.
> > Do the dull work first. Dull work is underrated and underappreciated. Dull work has saved more lives than revelation has. > > Establish sequence. Who found what. What was moved, where. What has been sitting there since before Nixon got all sweaty on television. Who avoided which nouns. Who corrected themselves when they realized they overshared. Who used a name they should not have known. > > Keep your attention low and lateral. Ground, hands, pockets, labels, soles of boots, ashtrays, tape cases, page edges. Do not stare into the sun and congratulate yourself for seeing fire. > > I suspect you are familiar with a specific arrangement of colors being present around town from time to time. RED + BLACK + YELLLOW + WHITE . There with intention. Balanced against itself. I suspect you have also learned to block them out by now, as best as you can. Continue doing that. If you see instances of it going forward, register the placement and then leave the Humors hungry. Treat them as a warning sign with very sharp edges. > > If you find a song, do not hum along. > > If you find a tape, do not play it alone. > > If you find drugs, do not touch them bare-handed. Don’t let anyone make a little joke about the provenance, or try to pocket them casually. Do not let them out of your care until you are sure you can dispose of them where nobody else will find it. > > If you find little constructions // effigies, icons, idols, wards, totems // note what it is standing in for, what other thing it is proxying. Leave them be, as a rule. Such things tend to be passive observers waiting for stimulus, and there’s no sense in drawing undue attention to yourself. > > Preserve contradictions how you found them. Do not harmonize accounts, improve descriptions, or give a bad drawing better anatomy. If a matter becomes clearer just because you are looking at it closely, stop helping. Some things use comprehension the way mold uses damp. > > Now, because I suspect you are already thinking of the old woman’s materials: > > Do not introduce this to her archive yet. > > Not tonight. Not first.
> > You know enough about contact to know why. Two unrelated stains become a treasure map the moment a clever man lays one atop the other. Your grandmother, whatever she was, had an instinct for collecting stains. Some of them may still be wet. > > Likewise, do not ask after her people. If there are barnacles still stuck to the hull, leave them below the waterline. They will want to be helpful, and that is just their least harmful quality. > > (And God help me for my metaphors.) > > Bring me facts before meanings. > > If the facts are ordinary, I will tell you so and you can resent my tone in the quiet comfort of your own home. > > If the facts are not so ordinary, I may have things worth trading: names I do not post, old arguments I have deleted from the board, bad scans, worse translations, and a few cautions I trust more than the men who wrote them. > > Do not mistake this for recruitment. I am not interested in founding another lodge in your pantry.
> > I am asking you to help keep the wound sterile long enough that we can glean which infection we are looking at. > > Reply privately. Say little. Sequence over theory. Provenance over interpretation. Contradictions intact, not doctored. Not eased. > > There are others around Paradise I have contacted w/r/t/t. You may find it is helpful to work with them. I suspect you will be able to recognize other people who are similarly under the rose. > > And if you find Scarlet written where it has no business being, stop being clever. > > Tell me where. > > -- Moony
PORTA LUCIS // PRIVATE MAIL
DATE :: XX/XX/199X (Sun.) @ 09.25p FROM :: ReverendMoonlighter [Moony] SUBJ :: Paradise Local
> I need to ask you a favor.
>
> Not board business. Not moderation. Not a test of insight, faith, courage, or your willingness to turn over big rocks that might have bugs underneath because someone on a bulletin board weaponized your special interests.
>
> A favor.
> > I have reason to believe you are in Paradise, or close enough that getting there wouldn’t cost you enough in gas money to be put out by it. This is not mysticism. You call in from a local exchange. The board logs what it logs. This is my house, etc..
> > There was an incident at Lake Gelid early Sunday morning. It will have been this morning if you check the board as often as I think you do. A painted Dodge Tradesman ended up in the water. Dane County registration tags. The owner is one Hunter Varner, esq.. You will likely hear his name first, and loudest, because it is his van and men with little notebooks prefer the kind of story where the owner of the vehicle is the locus of the event.
> > He is not. > > Or at least, not in the way they will want him to be.
> > I have it on good authority that Mr. Varner was half a state away when that van was put into the lake. He was there before, and he is still there now, unless someone with a badge has finally made the correct phone calls and found him cold, embarrassed, and telling the least helpful version of the truth.
>
> The girl who may have been driving is my sister. >
> Her name is Violet. > > The police probably do not have that name yet. They may by tomorrow. When they do, it will become very easy for everyone to pretend they had it all along.
> > She may have used the name Scarlet if she thought she was being followed, or watched, or overheard. She may also have written it rather than saying it. If you see SCARLET anywhere near this business // a sign-in sheet, a tape label, a margin, a bathroom wall, on the return card of a library book // do not decide it is unrelated just because it sounds like the sort of thing people use to make ordinary doldrum seem more exotic.
> > I am not asking you to find her.
> > I am asking you to go near the lake tomorrow, if the inevitable search effort becomes what search efforts become in towns like yours: good natured worry, stale coffee, bored troopers, church women with blankets for shawls, grown men standing around and pretending not to gossip, and teenagers hoping the sight of blood will improve their sorry lot.
> > Wear that as camouflage. Bring coffee in a big travel mug if you need a reason.
> > Look at the scene the way a cop would not. They will be looking for intoxication, theft, panic, a body, a guilty party, and a ditch to put the paperwork in. They may be right. I would prefer it that they were right.
> > If they are not, I need to know what gets sanded down before it reaches Madison. > > Plain facts first: > > Whether anyone is saying there was a girl, BEFORE it becomes part of the story. > > Whether anyone says the names Violet, or Scarlet. > > Whether anyone says Hunter was found, called, arrested, or “still at large” in that confident way people use when they have not asked the right questions. > > Whether that old summer camp is being searched, avoided, or otherwise given undue gravitas. > > Whether anything was removed from the van before it became official evidence. > > Whether anyone mentions a map, a cassette or tape, a songbook, loose pages, or drugs.
> > Whether the story at noon has different bones than the story at breakfast.
> > Do not collect folklore for me. Paradise has ghost stories. I know. Every old town with bad drainage and no future has ghost stories. I do not need Mrs. Androsen’s upstairs-window-man unless he was seen last night holding my sister’s purse.
> > Use tired judgement. Assume people embroider, misremember, drink, lie to feel useful, and repeat the version of the story they like the best. > > Still, note the following: > > The colors, RED / BLACK / YELLOW / WHITE . > > I’ve written like that because while the order is not the point, the arrangement is. If those four are present in roughly equal measure, and if they seem placed rather than merely present, pay attention. A good indication will be your stomach yearning for the service hatch when you look at it. Do not stare longer to confirm the feeling. That is not how one confirms the feeling.
> > Songs. Songbooks. Pages from songbooks. Camp songs, hymnals, lyrics, handwritten verses, anything someone is humming without knowing where they heard it. > > Mixtapes or personal cassettes. Hand-labeled, especially. Voice recordings. Tape cases with the wrong insert. VHS tapes too, if one turns up where it has no reason to be. > > Drugs where drugs should not be. I am aware this phrase loses footing in a town with more teenagers than opportunities, but I mean placed things. Drugs as offering, sacrament, apology, or bait. Drugs somewhere too clean, too visible, too carefully hidden, or too politely left behind. If anyone mentions weed with a source they cannot explain, step away from it. THE WEED IS NOT FREE. > > Effigies, cairns, totems. Loose terms. Little structures. Little bodies. Markers. Sticks, stones, wire, cloth, toys, bottles, hair and bones if Winchell Country is feeling literary. Things made to stand in for an absence of something else. > > Their absence may also matter, but only if that absence announces itself. If you look at a place and immediately think that something should be poised there but isn’t, note the empty place. If you have to persuade yourself, leave it. That is how people become useful to the wrong end of the argument.
> > One more instruction.
> > Do not make a complete picture. > > If accounts do not match, do not force them to match. If someone describes something badly, do not help them to improve it. If you find a drawing, do not redraw it. If you see writing that seems like nonsense, record where it was before you record what it says. > > I am aware this is a strange request from a man who spends his nights begging strangers to be more precise. Consider it evidence that I am taking your wellbeing seriously. > > Reply privately. No public thread on the board. No “anyone heard anything weird about Gelid”. No clever subject line. No anonymous survey of local cranks. > > Names. Times. Places. Objects. Who said what. Who else heard it. What was moved. What was missing. What somebody tried just a little bit too hard not to mention.
> > If this is ordinary, I will have wasted your time and exposed a private family terror to someone whose chief qualification is proximity. I can live with being sorry about that. > > If it is not ordinary, proximity is the only qualification that really matters. > > -- Moony
what if you combined a pressure cooker and a deep fryer and made a pressure fryer, the most dangerous kitchen implement in history
does this imply you want to heat cooking oil to past its boiling point at one atmosphere
Its real and its called a broaster.
*grabs america by the shoulders* we have got to lock the fuck in. south asia and the middle east are running goddamn circles around us. we have got to come up with a more dangerous way of cooking food now or we can kiss these quarter finals goodbye
the age old question