just in case it all falls apart, I'm also in other places as mhalachai:
at Dreamwidth
(still) on AO3
on Bluesky
I'm on discord but not reliably - if you want to chat there, or want to connect elsewhere, drop me an ask.
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@mhalachai
just in case it all falls apart, I'm also in other places as mhalachai:
at Dreamwidth
(still) on AO3
on Bluesky
I'm on discord but not reliably - if you want to chat there, or want to connect elsewhere, drop me an ask.
School assignment was about playing with the formatting of text while writing so I did what I always do and made it about living with anxiety and depression baybeeeeeeee
Anyway now I have something to show people who are blessed enough to not deal with this and maybe they’ll get it!!!!
Hi! OP here.
Made a different version of the anxiety piece! It's a bit more evolved. Not Blastoise but not Squirtle. Wartortle.
Thanks for reading!
You should only write in present tense with extreme caution.
not because it's bad or anything but because if you do it even once you're going to be editing the bits where you shifted tenses out of your writing for the rest of your life
if u write in present tense enough times in a row, you can switch this problem around & get confused when your present-tense narrator is talking abt something that happened in Their past. I recommend this bc it keeps u on ur toes
guys i made my first blackout poetry
^^^
i must say, i am a huge fan of when a book is in the middle of a very exciting plot containing many interesting problems when out of nowhere for a few pages it's like, "hey by the way, real quick, here's a detailed explanation of the city's water filtration system! i'm telling you this for a reason and you should worry about it. anyway! haha okay back to the plot" and you just get to be Scared for a while
i am kissing you on the mouth right now
you are the only person who understands me. you and the person who tagged a series of unfortunate events
ILYA + THAT EYEBROW THING
katara is one of those impossibly cool people who “has a guy” for everything. like run into any sort of problem and she’s just like “hang on i gotchu. just contact this number and they’ll know what to do.” but half the time that guy is just sokka
incredibly in-character
How do you preserve the food from your garden so it doesn't go bad before you can eat it?
You are wildly underestimating my ability to go fucking feral about fresh produce. I don't think I even brought snap peas into the house last year. Just ate them right off the vine.
Though I did end up freezing the strawberries/blue berries as they ripened, but even those were consumed within the week.
The only tough one was the potatoes, but that was resolved by just foisting potatoes on everyone I knew. Much more welcome than Zucchinis.
Oh this is why every gardening person I know keeps trying to give me the food they grow
That, and we love you. Homegrown produce is a love language.
Unless it's zucchini. Then it's a cry for help.
Tomato (June) - I think highly of you; treasured friend
Tomato (September) - you are a warm body that is nearby
Fresh new asparagus - romantic love
Artichoke - fondness
New rhubarb with leaves removed - flirtatious potential
Rhubarb with leaves left on - the bloom is gone
Swiss chard - I have made mistakes
Perpetual spinach - declaration of animosity between our houses
White-fleshed potato - you are a neighbor
Blue or red fleshed potato - as above, but with overtones of camaraderie/affection
Kale - you are a person who was nearby when I had kale
Raspberries - you are a person I admire
Strawberries - you are a treasure
Onion - I am confused
Young French beans or young peas - I thought of you especially
Runner beans - mild criticism; familial ties; gift from parent to child
Pumpkins - overt romantic, sexual or childhood-bestie interest; highest declaration of loyalty
Prettily coloured popping corn, I.e. glass gem - let this seal the breach between our houses
Zucchini/courgette - cry for help, resignation
Novelty pumpkins - marriage proposal
goat fight. non-negotiable.
#LISTEn listen most marvel fights feel so contrived and fake and like la-dee-da-superhero#but this one was REAL and had me on the edge of my seat and still does#partially bc of the street clothes not costumes#partially because steve is fighting 1 on 1 and gets stripped of his shield quick#and he has to show like his physical combat skills#and the ACTING on both their parts.. fucking ace#esp chris evans tho like his face looks PANICKED how often do u see captain fucking america panicked??#anyway in this essay i will (tags via @asterlark)
I think it’s also very important that this is a fight in which the characters *actually interact with their environment* in a way that feels real. Like, yes, have superpowers but there’s no cartoon physics involved, no obvious sense that this was filmed on an empty set with a greenscreen and the background was added later, or that they’re filming without even the people they’re fighting being present, just ‘look over here and make a hand gesture’. The shield gets stuck in a car, there’s that awful moment of the knife sliding along the side of the van that cues up with the mounting tension in the soundtrack. Bucky’s arm impacts the pavement and actually dents it, etc. They’re jumping over/behind the cars and getting thrown into them/into the pavement in a way that feels more visceral than just ‘whoosh there was a wire & we CGI’d in the rest’. t has a sense of real world space to it, and that adds to the feeling of real world stakes.
This is one of the few fight scenes I can recall seeing that makes a little knife look like a real threat. Like I am legit scared for Steve when that thing darts in, because he’s not wearing armor and it really feels like the WS could open him up like a can. I feel like movie fight scenes don’t usually hit that note with knives.
It’s worth pointing out that this scene WAS filmed on a actual set with actual asphalt and cars (with fall pads and stuff, but still). They really were interacting with their environment.
But as a fight nerd, there’s one other thing I want to point out about this fight, and it goes back to @mikkeneko’s point about the knife:
This isn’t a magic fight.
Yes, they’re both super soldiers. Yes, WS has a vibranium arm. Yes, Steve has a vibranium shield. But there are no magic blasts going on here. There’s no wuxia and minimal wire-work (mostly protective for the actors).
WS shoots at Steve until he runs out of bullets because that’s the most efficient way to murder him. Steve either dodges or hides his whole body behind his shield because that’s the most efficient way to not get murdered. The shield gets thrown, caught, thrown back, wedged in a car. Then it’s a knife fight. Throughout, it’s really obvious that neither of them are fucking around. WS is trying to just straight-up kill Steve, Steve is trying to not die. No banter. No dick-measuring. No quips.
This fight is brutal, efficient, and not flashy. Steve’s knife defense is textbook, and aside from that cool little flip that was almost too fast to clock, WS’s attacks are textbook. He’s doing his best to control Steve’s defense and open a hole to wedge that knife in. Steve’s doing his best to control that knife hand and keep just enough space between them that he can close those holes before WS can get to them. It’s telling that he’s paying so much attention to the knife that when WS finally gets through his guard, it’s with his empty, vibranium hand. (Still no idea why he tosses him instead of crushing his windpipe though, that was 100% movie logic.)
When Steve does that flying knee at WS, that’s not about flashy martial arts moves, that’s about brutal efficiency. Your knees and elbows are the hardest points on your body. Steve can engage in fisticuffs with normal people; he can knock out hitler over 200 times. He could also break his knuckles on WS’s face before doing any appreciable damage, and we watch him figure that out. So it’s not kung fu, it’s muay thai. It’s krav maga. Those flips aren’t for show - that’s pure Jiujitsu, the ruthless throws that are supposed to segue into joint locks and dislocations. That is the way to take your opponent apart, literally. He was trying to rip WS’s non-vibranium arm out of its socket.
That pile-driver? That was meant to break WS’s neck. A normal person would die instantly if Captain America pulled that WWE shit on them. We are into the gritty shit now. We have two extremely strong, extremely skilled men who are just trying to kill each other because the only way to win this fight is to die last, and it shows.
They scramble for position through the fight. When one move fails, they don’t bother breaking apart before finding the next-most-efficient killing move and trying that. This is what two people who are actually trying to murder each other look like - most street scuffles stay on the ground once they get there and don’t involve this much skill, but we can excuse that because it’s Captain America and the Winter Fucking Soldier. I still recognize the blocking of this fight as a real fight, not a spar. The urgency, breathlessness, the pragmatism, the messy transitions between moves as you just keep trying to improvise faster than the other guy… that’s all correct.
There’s no magic. There are fists, feet, elbows. There’s a shield and there’s a knife - the first and oldest human-made tools of war. There are chokes. There are joint locks. Not a word spoken. And it helps that they are really there - landing on cars, landing on asphalt.
No other MCU fight even comes close unless you’re including the tv shows, because that Daredevil long-shot hallway fight was pretty fucking badass too.
Level 1: The text supports a transgender reading of the protagonist.
Level 2: The text supports a transgender reading of the author.
Level 3: The text supports a transgender reading of the reader.
She's being so big and brave.
we need a ritual where you can climb into a hole in the ground for roughly 24 hours and just close your eyes and not do anything, and nobody is allowed to look for you or speak your name, and whenever you want to reemerge then you can climb back out and people are forbidden from commenting on your absence. can someone get on this.
Okay. I was on my beloved AO3 and I saw something that made me do a double take. So, now I really want to know…
What is your AO3 user ID?
I’m an OG user 5 digits or less
Six figures baby!
I’m in the millions…
I’m so curious to see how long people have been on AO3! I know some people have been on there since beta/invite only, but I would love to see what the number is on tumblr!
tumblr discourse after 13 years on this fucking website
I always say that the thing which sets Sargent apart as a portrait artist is that he draws/paints literally every subject - no matter their gender, social position, life vs representational drawing etc - like he is right that minute realising he's desperately in love with them. And it rules every single time.
Examples pulled just from his Wikipedia page most popular works. Absolutely devastating scenes for bisexuals for over a century
Don't forget the ALLIGATORS. He loves them too.
let’s be primitive horses with mama
[Image description: digital drawing of an adult horse and its foal running side by side. The design is based on the prehistoric cave painting depictions of horses. The background is solid yellow. End image description.]