Art Nouveau peacock hair comb.
@kedreeva
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"
𓃗
EXPECTATIONS
Not today Justin
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almost home

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🩵 avery cochrane 🩵
Lint Roller? I Barely Know Her
Phantogram Three
The Stonewall Inn

@theartofmadeline

shark vs the universe
Sade Olutola
I'd rather be in outer space 🛸
taylor price

pixel skylines

gracie abrams
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@ncc17-oh-fuck
Art Nouveau peacock hair comb.
@kedreeva
patterns left by woodworms on driftwood
as a welsh person i want you all to accept that W is a vowel because honestly it makes pronouncing acronyms so much easier. wlw becomes ‘ooloo’, wjec becomes ‘oojeck’, love yourselves and stop giving us shit when we tell you welsh has 7 vowels. english actually has 15 vowel sounds but because y’all only use 5 letters you have to rely on a spelling system devised by satan
and please, enough with the “keyboard smashing” jokes. not original, not funny.
“ #okay but can any of y'all even pronounce your own town names tho? #bye”
yeah, we can actually because the spelling is phonetic. meanwhile english folks have placenames like bicester or keighley or beaulieu, which you have to learn the pronunciation for individually because the rules are so inconsistent. i mean people can’t even agree how to pronounce marylebone but sure welsh place names are the weird ones
“#But are you aware your language literally looks like a potato rolled across a keyboard”
fun fact: for decades children were beaten for speaking welsh in school, even in areas where english was barely spoken, because the government decided in 1847 that the language made people lazy and immoral
fun fact: welsh orthography is actually easy to read if you take your head out of your arse for one minute and learn our alphabet - just like french, or spanish, or korean, because surprise! languages use different spelling systems that are not based on english. novel, i know - and in the 18th century, travelling schools were able to teach people to read and write welsh in a matter of months, so that wales enjoyed a literate majority, a rare thing in europe at the time
fun fact: the english have been taking the piss out of welsh for years, just like they’ve been doing for irish, and scots gaelic, and cornish, and british sign language, and a hundred and one other languages, because evidently the fact that the whole world isn’t anglophone and monocultured and Still Part Of The Empire is a problem, and something that needs to be corrected
I’ve looked into it a bit myself, but could you give a speaker’s perspective on why the language has so many syllables per word? More than the spelling, I’m always a bit perplexed that town names and such can take up to 45 seconds for even a native to say. Do you know what the cultural background of that is?
I don’t think it does? Even Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch only takes about three seconds lmao (I just timed myself). We have many place names that are single syllable. Cwm, Bryn, Rhiw, Rhyl, Cwrt, Garth, Ffôr, for example. The longer ones tend to be because they have certain meanings - for example Aber is a prefix that means ‘at the river mouth’. So Aberystwyth, four syllables, means At The Mouth of Ystwyth, which is the name of a river. But generally I don’t feel our words and names are any longer than England’s.
Correcting the Historical Bias Against Domestic Materials
Archaeology has traditionally had a fundamental bias against fabric. Fabrics are after all highly perishable, withering away within months or years, and only rarely leaving traces behind for those coming millennia later to find. Archaeologists—predominantly male—gave ancient ages names like “Iron” and “Bronze,” rather than “Pottery” or “Flax.” This implies that metal objects were the principal features of these times, when they are simply often the most visible and long-lasting remnants. Technologies using perishable materials, such as wood and textiles, may well have been more pivotal in the daily lives of the people who lived through them, but evidence of their existence has, for the most part, been absorbed back into the earth.
There are exceptions, of course, and traces can and do survive, usually thanks to an unusual climate: freezing, damp anaerobic conditions or extremely dry ones. The climate in Egypt, for example, is ideal for preserving all manner of usually perishable things and we subsequently know far more about ancient Egyptian textiles than those from most other regions. As archaeology has matured and diversified, scholars have increasingly looked for—and found—evidence of fine, complex textiles stretching farther back than anyone would have guessed. Their beauty and the skill needed to make them suggest a very different image of our earliest forebears than the club-wielding, simpleminded thugs of popular imagination.
“The first cultural device was probably a recipient… . Many theorizers feel that the earliest cultural inventions must have been a container to hold gathered products and some kind of sling or net carrier. So says Elizabeth Fisher in Women’s Creation (McGraw-Hill, 1975). But no, this cannot be. Where is that wonderful, big, long, hard thing, a bone, I believe, that the Ape Man first bashed somebody with in the movie and then, grunting with ecstasy at having achieved the first proper murder, flung up into the sky, and whirling there it became a space ship thrusting its way into the cosmos to fertilize it and produce at the end of the movie a lovely fetus, a boy of course, drifting around the Milky Way without (oddly enough) any womb, any matrix at all? I don’t know. I don ’t even care. I’m not telling that story. We’ve heard it, we’ve all heard all about all the sticks and spears and swords, the things to bash and poke and hit with, the long, hard things, but we have not heard about the thing to put things in, the container for the thing contained. That is a new story. That is news. And yet old. Before—once you think about it, surely long before—the weapon, a late, luxurious, superfluous tool; long before the useful knife and ax; right along with the indispensable whacker, grinder, and digger—for what’s the use of digging up a lot of potatoes if you have nothing to lug the ones you can’t eat home in—with or before the tool that forces energy outward, we made the tool that brings energy home. It makes sense to me. I am an adherent of what Fisher calls the Carrier Bag Theory of human evolution. This theory not only explains large areas of theoretical obscurity and avoids large areas of theoretical nonsense (inhabited largely by tigers, foxes, and other highly territorial mammals); it also grounds me, personally, in human culture in a way I never felt grounded before. So long as culture was explained as originating from and elaborating upon the use of long, hard objects for sticking, bashing, and killing, I never thought that I had, or wanted, any particular share in it. (“What Freud mistook for her lack of civilization is woman’s lack of loyalty to civilization,” Lillian Smith observed.) The society, the civilization they were talking about, these theoreticians, was evidently theirs; they owned it, they liked it; they were human, fully human, bashing, sticking, thrusting, killing. Wanting to be human too, I sought for evidence that I was; but if that’s what it took, to make a weapon and kill with it, then evidently I was either extremely defective as a human being, or not human at all… . If it is a human thing to do to put something you want, because it’s useful, edible, or beautiful, into a bag, or a basket, or a bit of rolled bark or leaf, or a net woven of your own hair, or what have you, and then take it home with you, home being another, larger kind of pouch or bag, a container for people, and then later on you take it out and eat it or share it or store it up for winter in a solider container or put it in the medicine bundle or the shrine or the museum, the holy place, the area that contains what is sacred, and then next day you probably do much the same again—if to do that is human, if that’s what it takes, then I am a human being after all. Fully, freely, gladly, for the first time.“
—Ursula K. Le Guin, “The Carrier Bag Theory of Fiction” (1986)
My woke take, as someone who has worked in both a public library and a school library, is that we desperately need both more books that are at a higher reading level but a less mature subject matter, and more books that are at a lower reading level but a more mature subject matter, because 8 year olds who are advanced readers are still 8 year olds and don't want to read about graphic violence and torture, and teens and adults who have learning difficulties or who are just later readers for whatever reason are still teens and adults and don't want to read about Billy the Bunny going to school or whatever the hell.
Shoutout to people in the notes also mentioning people learning the language, I should've mentioned that really, given that I've been stuck reading German picture books myself while learning German.
comicfury continues to reign supreme as the only webcomic platform that understands it's a webcomic platform
making an extra post because the tags aren't good enough
here is all the reasons why you should use comicfury (if you aren't already) :
pretty much full control over your custom site design. if you're an HTML/CSS nerd you can go as crazy as you want with it. but for those who aren't so code-savvy, there are also simplified built-in design tools so you can create a unique site for yourself and your work. reject homogeneous minimalism design of bigger platforms, embrace tradition of mid-2000's kitchen sink site design (if that's what you want, that is).
the site demonstrates its own philosophies through its extremely charming vintage 2000's-era site design. it ain't broke so it doesn't need fixing. if it's too 'ugly' for you and wards you off from using the site, then it's succeeding at what it was designed to do.
forums! remember those??? CF sure does!
full view of your comic statistics over the past month, shown as delicious daily line graphs, separated by unique visitors, web page view, and scroll view.
hosting is free. don't want that pesky 'thecomicseries' or 'comicfury' add-on? all you gotta do is purchase your own domain name. contact kyo and they'll take care of the rest.
you can categorize your pages per chapter, making for an easier reading experience
you can include page transcripts for screen-readers as well as mouseover text
you can enable comments per upload and even manage them so that all comments have to be approved by you before they're shared publicly
archive tagging!!! i.e. you can tag uploads with relevant characters / locations / etc. so people can find specific pages easier on your site.
you can run a goddang BLOG on your comic site so that people can read what you've been up to! or don't, it's your choice!
clear filters for NSFW content. the filters do what they must to inform your audience as intended, outside of that, your comic will not be taken down, flagged, or suppressed in search results just because it contains violence or boobies.
they are strictly anti-AI
they do not make licensing deals with third-party companies, so the only 'competition' you have are other indie creators like you, no Marvel or DC nonsense
you're free to embed ads and/or donation buttons on your site and CF will not take off a single cent of it for themselves.
the front page goes to Recently Updated by default, all the other tabs are simply Popular Now and Popular Overall. there's also a Random button if you want to be surprised with something new. while this might seem like a bad thing for people who prefer custom filtering, this unbiased layout prevents the common visibility issues / favoritism / etc. that happen on other platforms.
but if you DO want to find something new that fits your specific tastes? just use their search bar, unlike on Webtoons it actually does what search bars are supposed to do! within the search page you can pick and choose whatever genre tags you want, and you can filter out major NSFW flags you're not comfortable with seeing.
saving the best for last: none of those features outlined above require paying a premium subscription tier. you have access to ALL the same tools and permissions that everyone else does. you have just as much potential to gain an audience there as everyone else and you are all granted the same freedoms.
COMICFURY HAS A SCROLL VIEW SETTING THAT YOU CAN ADJUST IN YOUR SETTINGS. THE PLATFORM IS ALREADY DESIGNED TO BE CONSUMABLE ON YOUR PHONE. IT DOESN'T NEED AN APP.
ugh man i'm so sorry for popping off on this very innocent and well-meaning bystander but what did i JUST say
when i say it's a webcomic platform that knows it's a webcomic platform
that's it. no asterisk. that's the POINT OF THE MEME.
it is a website for reading and hosting webcomics. there is no app. and that is why it works.
i realize this might just be a consequence of me being Old™️ compared to the average webcomic consumer / artist, but do y'all know how destructive phone apps have been and still are to webcomic culture? because not only is developing a phone app EXPENSIVE AND TIME-CONSUMING, but it's pretty much impossible to have phone apps now that aren't managed and funnelled through Google and Apple.
that means CENSORSHIP. and CORPORATE INTERFERENCE. and FINANCIAL INVOLVEMENT. which is entirely opposing to WHAT WEBCOMICS ARE.
as soon as indie sites based around free content develop apps, there's a very clear shift in how that site continues to operate, prioritizing corporate standards and profit over usability and community. because otherwise, they can't justify the creation of the app in the first place, and they can't very well maintain that app on account of how expensive it is to do so.
in fact, i can even attest to this from experience! y'know Tapas? the friendly competitor to Webtoons?
this platform used to FUCKING SLAP and then guess what? they released their phone app. and in doing so, they immediately lost the entire fucking plot. their ad revenue program turned to shit, they started prioritizing their advertising and growth towards paywalled comics over the free to read ones, they started restricting the content that was allowed on the platform for the sake of 'brand friendliness' and most of all, they started caring more about what INVESTORS saw rather than what the average user experienced.
and i'm sure that's a heavily biased opinion in which i'm choosing to cast blame on one specific thing instead of all the various things that led to the downfall of this fuckass platform (and i could talk about all those things at length too) but guess what? i don't give a fuck if it IS biased, because i've been there and back and lived to tell the tale and the common denominator in the enshittification of all these major platforms i'm goddamn MEME'ING ON was the phone apps. and most of all, the normalization of corporate involvement which happens the MOMENT you build an app for the Google and/or Apple store.
modern phone apps are NOT about accessibility, they're about money and metrics. that's it.
again, big apologies to the person who left these tags in the reblogs because i know they didn't mean any ill will of it.
but EVERY FUCKING DAY i see y'all complaining that webtoons and tapas are garbage, that they don't let you consume NSFW content without censoring the fuck out of it or removing titles entirely from their platforms, how they progressively tighten paywalls and increase ads to force every last cent out of you, but never ONCE do y'all realize THE CALLS ARE COMING FROM INSIDE THE HOUSE.
comicfury doesn't have or need a phone app for the same reason that AO3 doesn't have or need a phone app. to put it simply - because it's pointless, a waste of money and effort, and it would just destroy everything that's great about the thing that i'm trying to promote to you in the first place.
this is what usage freedom and decentralizing actually looks like. this is what has kept comicfury populated and alive. nothing more, nothing less.
I HATE how every website thinks they need an app these days, but I also understand that when I use my phone, I'll never remember websites if they're not an icon on my home screen. On top of that, an increasing number of people are using the internet on mobile exclusively. If you really need an app to keep track of a website, you can actually make any bookmark into an icon that appears on your phone's main screen. In fact, pretty much every app version of a website is literally just a glorified browser that doesn't let you leave. Here's how you can make a shortcut on iOS
And here's how you can do the same thing on Android.
(I don't have an android phone, so I don't know how accurate that article is, but I did try it on my iphone and it worked perfectly.)
So, if you want to read cool comics (whether it's on Comic Fury, self-hosted ones that might not be on the other big sites, or you have an RSS reader you really like), you can make a shortcut to them on your phone! If you make it a "web app" on iPhone, it'll even simulate an app experience, if you like that.
Like mentioned above, apps are designed to suck money out of you and keep you trapped in one environment. You don't need apps for most websites, they just want you to use it because it's better for their wallet and to get your data. At least by making an app out of a webpage, you can have a more convenient browser experience on your phone without being beholden to an app store or their corporate censorship.
Anthony Machuca, Wake up Steve, our bowls are empty
anthony machuca, steve yaka gitəp, nsayka t̓uʔan hilu kʰapa nsayka malax̣
suburban women on september 15 1967 tuning in to star trek and seeing fuck-or-die mode spock getting in a sweaty man fight with captain kirk in amok time
I played Warriors D&D with some friends and the only time I needed a good roll I got a 1.
i love "bite me" as a retort. your frustrating me, come put your spit and teeth all over me for it. and maybe lick me a little. because i hate you
Flight
do not start gambling. go outside and locate a bug. now post it on inaturalist. bam. nature's gacha game
The "gambling" reward pathway aka the inconsistent reward pathway literally evolved for things like this! Foraging! Trying new recipes! Experimenting with a new technique while crafting! Any essential human activity that might get you something useful, but also might just make some trash.
There is nothing inherently unhealthy about that reward feeling! You can have that same feeling in a healthy way!!!! Corporations are taking advantage of it for profit, don't let them!!!!!!
Mushroom hunting! Birding! Trying a new technique in a craft you're already familiar with! Mixing random sauces in your fridge to see if any of them taste good!!!
Emily Simmons "Curiosity at the Fountain"
the "biblically accurate angel" trend is such a perfect encapsulation of a pet peeve i have which is everybody wants to criticize the bible but nobody wants to read the bible. like when people were drawing crazy amalgamations of eyes and wheels talking to mary and saying "be not afraid" and everybody was like omfggg OF COURSE she was scared. like no actually the angel looked like a guy can you read 3 lines of text... they were saying be not afraid because it's scary when a random man suddenly shows up in your house and starts talking to you
How would you describe a dragon to someone who has never seen a dragon?
"Horse but make it a lizard and give it bat wings and horns"
didnt know how to interpret "make it a lizard" so i wrote lizard and drew an arrow pointing to the horse so people know its a lizard. Also didn't know what bat horns were so I gave it a horned bat nose
"A body like a big cat but completely covered in scales, the head of a crocodile with the horns of an ibex, and the wings of a bat on its back"
On it boss o7, ive mashed all these animals together and threw scales all over it. This the dragon you saw?
"Take a lizard, extend the neck. Add a pair of bat wings to the back. Add horns and sharp teeth."
Seems like we're onto somethin' boss! Though idk how it'd be so fearsome bein such a small thing.
"Big-ass lizard with wings" "big lizard" "Giant lizard" "Big fucking lizard"
don't seem too special?
"Imagine a winged alligator that was 70 feet tall and aware of its existence"
i dont know if this is a dragon but it could definitely be some kind of god
"Dinosaur with wings and horns?"
Dunno which dino you were talkin about so i just picked a random one. Stegosauus :}
"Big snake with legs and horns that can breathe fire"
Ah. Hm.
"A dragon is like a tree, in that it's a made up category for a broadly similar type of mythological creature that has no relationship to other dragons, but you know a dragon when you see one the way you know a tree when you see one."
If you get into white work embroidery, you might discover cutwork. And when you start doing cutwork, you might get curious about incorporating detached elements. And before you know it the fabric is gone, you are making needle lace, and there goes the rest of your week.
Buttonhole stitch - not even once.
Illuminated Internet (2024-2025)