the spirit is willing but the flesh is so fucking out of it rn. actually the flesh would like to pack it up and leave. it's done with the horrors.
Mike Driver
i don't do bad sauce passes
Cosimo Galluzzi

titsay
No title available
"I'm Dorothy Gale from Kansas"
d e v o n
Alisa U Zemlji Chuda
Misplaced Lens Cap
cherry valley forever

Origami Around
DEAR READER
he wasn't even looking at me and he found me

PR's Tumblrdome
I'd rather be in outer space šø
YOU ARE THE REASON

shark vs the universe

if i look back, i am lost
NASA
Claire Keane
seen from Singapore

seen from Malaysia

seen from Malaysia

seen from Bangladesh
seen from Croatia
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from China

seen from Netherlands
seen from Belgium

seen from United States
seen from Sri Lanka
seen from United States
seen from New Zealand

seen from Australia
@nighttimepatrons
the spirit is willing but the flesh is so fucking out of it rn. actually the flesh would like to pack it up and leave. it's done with the horrors.
A lot of people on twitter wanted me to explain how I draw expressions, so here you go
Unless you're drawing explicit realism, in my opinion, expressions should be exaggerated to some degree. If you aren't doing a 1:1 recreation, the point is to get the FEELING across. Try making the expression you want to draw and feeling how your face pinches and stretches.
Skin doesn't just "disappear" when your face moves it around --- that's where wrinkles come from! Pay attention to where your skin creases when you emote, and use it to your benefit. It's a fine line between overdoing it and underdoing it -- find your own balance.
Ultimately, every expression has a little bit of push and pull, unless your face is completely neutral (and even then, there are still some wrinkles...). Learning to think of expressions as actions and reactions is VERY helpful in learning to draw them without needing a reference, and in learning how to stylize and push expressions based on references as well!
I think a lot of people end up with stiff or unexpressive emotions in their art because they're just trying to recreate a picture instead of understanding WHY and HOW the face is moving --- and it's a tough thing that takes a while to really pick up and learn. Hopefully is helpful in showing a way of thinking about it that can influence your process and approach to emotions!!!
Also, bonus: even without the lines, the planes alone still show a LOT of emotion.
Back again with more art from the beloved fic's discord server :)
Wolfie :)
Wolfie normally vs Wolfie after three years with Wild
a korok
Time and Vio based on Ivan the Terrible and his son Ivan
the original sketch of Sky's sage advice
Sky and Sun after the "sometimes the pussy eats you"
A sketch of Four in a nice outfit
I was so sad after drawing Vio in the Vio and Time piece, that I wanted to draw Four alive and well, so I put them in the outfit that the son was wearing in the original painting
And then! I wanted some linkshipping in my life so the last two are of Four and Time :)))
ć½ć¼ć¹
bestiary Deluxe ... anytime i do the bestiary series (one i hope to go back to frequently) i'll pick one to do a High Detail version of. i love this goat snake locked in a duel... i made this during the high point of a certain tv show so it's actually not called bestiary deluxe it's called heated rivalry
turned most of these into quilts already!!!! but here's ur reminder to draw on fabric :-)
Just finished the last tassels on this belt. Iām still considering adding some sort of reinforcement via embroidery along the edges, but Iām not sure of the best way to go about it. Very much open to suggestions or advice.
More of the process under the cut.
"Shimmering night" by Inaslind.
My only previous experience with Ben McKenzie before this post was watching him play Jim Gordon in the show Gotham. I had no idea he'd made a documentary or co-wrote an investigative journalism book on the subject of cryptocurrency until I googled him after watching the video. Turns out he's been interested in the subject since his time working on his undergraduate economics degree.
Sharing to hopefully spread this information to anyone else who would be interested but had no idea his book or documentary existed
more white men need to be pursuing the teen heartthrob to leftist investigative journalist career path
Averil Mary Burleigh (1883-1949)Ā
Illustration for āImitation Of Spenserā by John Keats
keep moving
Sun-Headed Deity of Tamgaly, which dates back 3,400 years
just messing around with a bull / carnotaurus concept
FRANK LLOYD WRIGHT, The Rookery Building Oriel Staircase, Chicago, 1905
Lena Keller (German, 1980) - OOBF (2023)
all the stars