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ojovivo
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I'd rather be in outer space šø
Love Begins
let's talk about Bridgerton tea, my ask is open
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Three Goblin Art
macklin celebrini has autism
ā
Monterey Bay Aquarium
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todays bird
shark vs the universe
Cosmic Funnies
izzy's playlists!
oozey mess
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@nobettermelodrama
Divorce seems to radicalize american men in a way that needs to be studied
A divorced american man will join a right wing terror group because he didnt get custody of the kids he didnt take care of at all
An american man will have an affair with a colleague, get caught, get divorced, and join isis
Intelligent words from @junequeer
Sultan the Pit PonyĀ is a 200-meter-long, raised-earth sculpture made ofĀ 60,000 tonnes of coal shale inĀ Caerphilly, South Wales. Designed by Welsh artist Mick Petts, the colossal work of art is known as the largest figurative earth sculpture in the United Kingdom.
so boyfriend~
cutie <3 (cr. movewithsope)
nakshatra tarabala
note: to calculate tarabala, you must count (inclusively) how far away a nakshatra is from any given nakshatra; for instance, magha is nine away from bharani ā the ninth tarabala aspect is known as atimitra tara, akin to a best friend, the most beloved. after nine, the tenth nakshatra gets counted as one, and so on. in this manner, mula and ashwini are also considered atimitra to bharani and the other two vimshottari venus-ruled nakshatras.
the traditional planetary friendships and enemies are used in relation to the the twelve rashis or zodiac signs, and do not coincide with tarabala aspects. for instance, the sun-ruled nakshatras consider the venus nakshatras as atimitra, best friends, and sun nakshatras are sampat (providing ease and enrichment) to the venus nakshatras, making it a mutually beneficial relationship. whereas traditionally, sun and venus are considered enemy planets. tarabala can be used to look at the interplay & dynamics between nakshatras in a birth chart or in synastry
we can see if planets at birth or in transit will give positive or challenging results based on their tarabala (in reference to the moon's nakshatra); for example, planets in sampat tara (the 2nd, 11th and 20th nakshatra from the moon) will considerably amplify results delivered by said planet. the same concept applies to planets in transits as well as the other eight types of tarabala (star strength)
(in the following list '1' refers to the same nakshatra and the two nakshatras which trine it, '2' refers to the following nakshatra and the nakshatras that trine it, '3' refers to the third nakshatra away and its trine nakshatras, and so on and so forth. for venus nakshatras, the second nakshatra away (sampat tara) will be a sun-ruled nakshatra, for mars it will be rahu, etc)
ļ¹ļ¹ļ¹ļ¹ļ¹ąØā”ą§ļ¹ļ¹ļ¹ļ¹ļ¹ļ¹
the nine tarabala categories
ā ā ā ā ąØā”ą§ ā ā ā ā ā
(1) janma tara; co-born, of the same kind, quality, nature. nakshatras which trine your janma (birth) nakshatra will give long lasting results as they are bound to you by birth
competition & rivalry may be present due to inherent similarities between these nakshatras
positive tarabala (2, 4, 6, 8, 9 nakshatras away)
(2) sampat tara; nakshatras of this tara category bring affluence, enjoyment, prosperity, wealth, good fortune to the original nakshatra; one meaning of sampat is 'the act of coming together'
(4) kshema tara; nakshatras of this category provide comfort, security, relief, protection; results here can be sudden/unexpected yet generally beneficial
(6) sÄdhak tara; progress, achievement or attainment of one's goals; worship, adoration. planets here support the fulfillment of one's goals & desires through willful consistently applied effort
(8) mitra tara; a friend, ally, companion to the original nakshatra
(9) paramitra or atimitra tara; best friend. the prefix para means supreme, highest or absolute & the prefix ati means very, extremely, exceedingly or beyond
atimitra = an extremely good friend or beyond friendship, a lover
challenging tarabala (3, 5, 7 nakshatras away)
(3) vipat tara; draining resources, spending, adversity, obstacles; vipat also means 'to be divided or separated'
(5) pratyak tara; moving backwards or in the opposite direction; against or contrary to - may seem attractive or promising initially
(7) naidhana tara; related to the 8th house of death, endings, destruction, transformation; there may be sudden and traumatic endings to the things signified by planets in this tara category
ļ¹ļ¹ļ¹ļ¹ļ¹ąØā”ą§ļ¹ļ¹ļ¹ļ¹ļ¹
ketu-ruled nakshatra tarabala
[ashwini, magha, mula]
ā ā ā ā ąØā”ą§ ā ā ā ā
(1) janma tara ā ā ashwini, magha, mula
positive tarabala
(2) sampat tara ā ābharani, purva phalguni, purva ashadha
(4) kshema tara ā ā½ rohini, hasta, shravana
(6) sadhak tara ā ā ardra, swati, shatabhisha
(8) mitra tara ā ā pushya, anuradha, uttara bhadrapada
(9) atimitra tara ā āæ ashlesha, jyeshtha, revati
challenging tarabala
(3) vipat tara ā ā krittika, uttara phalguni, uttara ashadha
(5) pratyak tara ā āļømrigashira, chitra, dhanishta
(7) naidhana tara ā ā punarvasu, vishaka, purva bhadrapada
ļ¹ļ¹ļ¹ļ¹ļ¹ąØā”ą§ļ¹ļ¹ļ¹ļ¹ļ¹
venus-ruled nakshatra tarabala
[bharani, p. phalguni, p. ashadha]
ā ā ā ā ąØā”ą§ ā ā ā ā
(1) janma tara ā ābharani, purva phalguni, purva ashadha
positive tarabala
(2) sampat tara ā ā krittika, uttara phalguni, uttara ashadha
(4) kshema tara ā āļømrigashira, chitra, dhanishta
(6) sadhak tara ā ā punarvasu, vishaka, purva bhadrapada
(8) mitra tara ā āæ ashlesha, jyeshtha, revati
(9) atimitra tara ā ā ashwini, magha, mula
challenging tarabala
(3) vipat tara ā ā½ rohini, hasta, shravana
(5) pratyak tara ā ā ardra, swati, shatabhisha
(7) naidhana tara ā ā pushya, anuradha, uttara bhadrapada
ļ¹ļ¹ļ¹ļ¹ļ¹ąØā”ą§ļ¹ļ¹ļ¹ļ¹ļ¹
sun-ruled nakshatra tarabala
[krittika, u. phalguni, u. ashadha]
ā ā ā ā ąØā”ą§ ā ā ā ā
(1) janma tara ā ā krittika, uttara phalguni, uttara ashadha
positive tarabala
(2) sampat tara ā ā½ rohini, hasta, shravana
(4) kshema tara ā ā ardra, swati, shatabhisha
(6) sadhak tara ā ā pushya, anuradha, u. bp
(8) mitra tara ā ā ashwini, magha, mula
(9) atimitra tara ā ābharani, purva phalguni, purva ashadha
challenging tarabala
(3) vipat tara ā āļømrigashira, chitra, dhanishta
(5) pratyak tara ā ā punarvasu, vishaka, purva bhadrapada
(7) naidhana tara ā āæ ashlesha, jyeshtha, revati
ļ¹ļ¹ļ¹ļ¹ļ¹ąØā”ą§ļ¹ļ¹ļ¹ļ¹ļ¹
moon-ruled nakshatra tarabala
[rohini, hasta, shravana]
ā ā ā ā ąØā”ą§ ā ā ā ā
(1) janma tara ā ā½ rohini, hasta, shravana
positive tarabala
(2) sampat tara ā āļømrigashirsha, chitra, dhanishta
(4) kshema tara ā ā punarvasu, vishaka, purva bhadrapada
(6) sadhak tara ā āæ ashlesha, jyeshtha, revati
(8) mitra tara ā ābharani, purva phalguni, purva ashadha
(9) atimitra tara ā ā krittika, uttara phalguni, uttara ashadha
challenging tarabala
(3) vipat tara ā ā ardra, swati, shatabhisha
(5) pratyak tara ā ā pushya, anuradha, uttara bhadrapada
(7) naidhana tara ā ā ashwini, magha, mula
ļ¹ļ¹ļ¹ļ¹ļ¹ąØā”ą§ļ¹ļ¹ļ¹ļ¹ļ¹
mars-ruled nakshatra tarabala
[chitra, mrigashira, dhanishta]
ā ā ā ā ąØā”ą§ ā ā ā ā
(1) janma tara ā āļø mrigashira, chitra, dhanishta
positive tarabala
(2) sampat tara ā ā ardra, swati, shatabhisha
(4) kshema tara ā ā pushya, anuradha, uttara bhadrapada
(6) sadhak tara ā ā ashwini, magha, mula
(8) mitra tara ā ā krittika, uttara phalguni, uttara ashadha
(9) atimitra tara ā ā½ rohini, hasta, shravana
challenging tarabala
(3) vipat tara ā ā punarvasu, vishaka, purva bhadrapada
(5) pratyak tara ā āæ ashlesha, jyeshtha, revati
(7) naidhana tara ā ābharani, purva phalguni, purva ashadha
ļ¹ļ¹ļ¹ļ¹ļ¹ąØā”ą§ļ¹ļ¹ļ¹ļ¹ļ¹
rahu-ruled nakshatra tarabala
[ardra, swati, shatabhisha]
ā ā ā ā ąØā”ą§ ā ā ā ā
(1) janma tara ā ā ardra, swati, shatabhisha rahu
positive tarabala
(2) sampat tara ā ā punarvasu, vishaka, purva bhadrapada
(4) kshema tara ā āæ ashlesha, jyeshtha, revati
(6) sadhak tara ā ābharani, purva phalguni, purva ashadha
(8) mitra tara ā ā½ rohini, hasta, shravana
(9) atimitra tara ā āļømrigashira, chitra, dhanishta
challenging tarabala
(3) vipat tara ā ā pushya, anuradha, uttara bhadrapada
(5) pratyak tara ā ā ashwini, magha, mula
(7) naidhana tara ā ā krittika, uttara phguni, uttara ashadha
ļ¹ļ¹ļ¹ļ¹ļ¹ąØā”ą§ļ¹ļ¹ļ¹ļ¹ļ¹
jupiter-ruled nakshatra tarabala
[punarvasu, vishaka, p. bhadrapada]
ā ā ā ā ąØā”ą§ ā ā ā ā
(1) janma tara ā ā punarvasu, vishaka, purva bhadrapada
positive tarabala
(2) sampat tara ā ā pushya, anuradha, purva bhadrapada
(4) kshema tara ā ā ashwini, magha, mula
(6) sadhak tara ā ā krittika, uttara phalguni, uttara ashadha
(8) mitra tara ā āļømrigashira, chitra, dhanishta
(9) atimitra tara ā ā ardra, swati, shatabhisha
challenging tarabala
(3) vipat tara ā āæ ashlesha, jyeshtha, revati
(5) pratyak tara ā ābharani, purva phalguni, purva ashadha
(7) naidhana tara ā ā½ rohini, hasta, shravana
ļ¹ļ¹ļ¹ļ¹ļ¹ąØā”ą§ļ¹ļ¹ļ¹ļ¹ļ¹
saturn-ruled nakshatra tarabala
[pushya, anuradha, u. bhadrapada]
ā ā ā ā ąØā”ą§ ā ā ā ā
(1) janma tara ā ā pushya, anuradha, purva bhadrapada
positive tarabala
(2) sampat tara ā āæ ashlesha, jyeshtha, revati
(4) kshema tara ā ābharani, purva phalguni, purva ashadha
(6) sadhana tara ā ā½ rohini, hasta, shravana
(8) mitra tara ā ā ardra, swati, shatabhisha
(9) atimitra tara ā ā punarvasu, vishaka, purva bhadrapada
challenging tarabala
(3) vipat tara ā ā ashwini, magha, mula
(5) pratyak tara ā ā krittika, uttara phalguni, uttara ashadha
(7) naidhana tara ā āļømrigashira, chitra, dhanishta
ļ¹ļ¹ļ¹ļ¹ļ¹ąØā”ą§ļ¹ļ¹ļ¹ļ¹ļ¹
mercury-ruled nakshatra tarabala
[ashlesha, jyeshtha, revati]
ā ā ā ā ąØā”ą§ ā ā ā ā
(1) janma tara ā āæ ashlesha, jyeshtha, revati
positive tarabala
(2) sampat tara ā ā ashwini, magha, mula
(4) kshema tara ā ā krittika, uttara phalguni, uttara ashadha
(6) sadhana tara ā āļø mrigashira, chitra, dhanishta
(8) mitra tara ā ā punarvasu, vishka, purva bhadrapada
(9) atimitra tara ā ā pushya, anuradha, uttara bhadrapada
challenging tarabala
(3) vipat tara ā ā bharani, purva phalguni, purva ashadha
(5) pratyak tara ā ā½ rohini, hasta, shravana
(7) naidhana tara ā ā ardra, swati, shatabhisha
Nakshatra Categories Notes
This was a nightmare. It starts as excitement that there are so many different ways to classify the nakshatras, then it sort of turns into a bit of overwhelm. The big thing I'm missing is the deities, which I plan to add on later. I will have to do separate notes on all the deities/gods to make sure I'm getting the appearances right.
I will probably leave certain things out like the gender categorical system, birds, trees, gemstones. I probably didn't need to bother making a chart for the directions/movements. Might also expand on existing notesheets if needed.
I'm going to pull my hair out if I come to realize later that I messed some things up.
Edit: The Varna chart is currently messed up. It will take me a bit before I can fix it
Alltogether:
wake up people. big bad wolf breath canāt melt straw beams. the first little pig was an inside job
Swine/11
no there were 3
HOW CAN I BE NORMAL ABOUT HIM š©
people should be allowed to have low ambition, and also be able to feed a family on the salary of a cashier at a convenience store.
Vote for progressives. #DSA #ZohranMamdani
Sailor Moon is so important
bharani women
Contemplations on Ardra Nakshatra and the Cruelty Inherent to Existence
"Did you say the stars were worlds, Tess?"
"Yes."
"All like ours?"
"I don't know, but I think so. They sometimes seem to be like the apples on our stubbard-tree. Most of them splendid and soundāa few blighted."
"Which do we live onāa splendid one or a blighted one?"
"A blighted one."
ā Tess of the DāUrbervilles by Thomas Hardy, Ardra Moon
Today, weāre going to contemplate Ardra, the nakshatra through which we may understand the exact nature and cause of universal suffering. This understanding of the universe forms the basis of my spiritual philosophy and why I am constantly screaming for our collective liberation.
When we think about what makes us suffer in life, we tend to point the finger at economic systems and societal flaws, describing them as the root causes of all suffering. Money, as we know, is said to be the āroot of all evil.ā But we must collectively understand that it goes much deeper than that.
All suffering comes from the foundational nature and structure of the universe. Its duality and therefore its inherent division are what causes us to continuously struggle with little to no returns for our efforts. To elucidate this, I came up with a way to easily visualize the concept through examining that which is the basis of life as we know it: DNA.
DNA is a molecule that not just humanity, but all life forms, strive to maintain the structural integrity of. To do this, life forms need energy. They need energy to carry out basic cellular functions, to protect themselves, and to reproduceāall of which serve to maintain the integrity and continuity of DNA. Energy is a resource that is finite, since all matter and energy in the universe is finite, as far as we know, and as far as what we have access to. Therefore, there is a finite amount of resources, which means that this process of structural maintenance cannot go on forever, because finite resources will run out.
On top of this, the universe is expanding and accelerating in its expansion. This causes an increase in entropy, where the universe becomes increasingly disorderly and it becomes increasingly impossible for things to maintain their structural integrity or āorderliness.ā This universal phenomenon of destruction directly threatens the integrity of DNA. It thus becomes clear that life is fighting a foolās battle against the very forces of the universe, with a finite amount of resources to maintain its own existence. It is a zero sum game.
This constant battle for resources is everywhere. This is what causes violence in all forms of life. It even causes violence (which I define as the destruction of structural integrity) to that which is not alive. And so, violence and oppression are not unique to human beings. In order for creatures to maintain their own structural integrity, they need to absorb resources, which necessarily entails the destruction of the structural integrity of other entities to gain the resources they either contain or possess.
This is why lions kill wildebeest, why cows kill grass, why humans kill non-humans and each other, why plants kill insects, why insects kill each other, and so on, and so on, and so on. Even when there is no direct killing involved, in the case of, for example, non-carnivorous plants, there is, in fact, a destruction of structural integrity. Plants photosynthesize by obtaining light from the Sun, which emits light due to a process in its core called nuclear fusion, where elements are fused together in a process that releases energy. This process is what essentially destroys the structural integrity of the Sun, which will eventually die. And so the destruction of the structural integrity of the Sun maintains the structural integrity of terrestrial plant life. And hell, even plants are incredibly violent to one another, and I know this thanks to this post I read the other day.
My point here, if I havenāt reiterated it enough, is that the process of maintaining oneās structural integrity necessarily entails the destruction of anotherās, and this is precisely the violence that is inherent to the universe and that causes suffering for all. Therefore, the very nature of existence is suffering. The desire to exist in this universe is in itself the root of all evil, of all the violence that is enacted in the name of existing on one side of the [exists / does not exist] dichotomy.
In Ardra nakshatra, we are forced to confront this harsh reality head-on. Biblical scripture has referred to this universe as the Valley of Tears, reminiscent of Ardraās teardrop symbol. This tikshna nakshatra shows exactly how the dualistic foundation of the universe is the cause of all violence. The very nature of conflict requires at least 2 entities, with one causing the destruction of the other or both causing the destruction of each other. An axe cannot cut itself. It must first be divided into axehead and axe handle, at which point the axehead can be used to cut i.e. destroy the handle. And so the very reason that violence, conflict, and suffering can occur is because of the very existence of division and duality. A schism, a rift, a crack, it may be called. Ardra with its core essence allows us to see this violent realm for what it is.
And more importantly, you may have heard it said that Ardra is the fall from the āGarden of Edenā, a supposedly paradisiacal place where everything is sunshine and rainbows in which Adam and Eve are living with all the little birdies and monkeys like itās some kind of fucking Disney movie. Ardra is supposedly the āFallā where we are thrust into a world of division and chaos. But itās not. Now, I will state the most important teaching of Ardra, which is that:
We already exist in Hell.
Ardra is where our eyes are opened to the true horror of existence in this universe where everything is constantly eating each other in an incessant process of destruction and consumption. There are people being bombed, shot, and burned alive in Ukraine, Sudan, and Gaza right now. There is a wildebeest somewhere in Kenya being eaten alive by hyenas. There are thousands dying of terminal cancer. Some are dying of the Ebola virus. A lioness has just killed a wild dog cub. A pack of wild dogs is eating a pregnant impala alive, devouring her fawn too. A polar bear has just killed a seal and her pup. An orca has just eaten the liver of a great white shark and left the rest of the corpse to rot in bacteria that will feast on it. A neutron star is tearing a planet apart. A black hole is ripping a star apart. A baby crocodile has just killed a baby rabbit. There are people being tortured and murdered. There are non-human animals being tortured and murdered, by humansā¦ Hell, even the fucking trees are killing each other. I could go on, and on, and on, and on, and on, and on, and on.
And so in Ardra, there is no āFallā. In Ardra, we simply realize that the āGarden of Edenā that we still exist and languish in has been the Hell weāve been so scared of all along. Hell isnāt some distant subterranean place of fire and brimstone and suffering and torment.
Hell is right here.
Punarvasu Women:
( ź© įÆ ź© )
Wendy Williams, Punarvasu Sun
Punarvasu gworlz, I know youāre not okay. I donāt even have to ask.
It was necessary for me to post the Ardra article before I posted this, so there would be sufficient background information to explain the physiology here.
One of Punarvasuās main themes is the trauma that comes from existing in this world of violence and suffering. It is where all the horrors of dualistic existence come into full view and leave the profoundest trauma on the soul. And how does this manifest in Punarvasu women?
( ź© įÆ ź© )
Their eyes bulge in an expression of fear and horror, and the crying that started in Ardra comes into full force in Punarvasu. The most iconic crying women scenes and memes feature Punarvasu women.
Shelley Duvall, Punarvasu Sun:
Wendy Williams, Punarvasu Sun:
Kris Jenner, Punarvasu Moon:
Taylor Armstrong, Punarvasu ASC (note that the cat is Punarvasuās symbolic animal):
Punarvasu women also tend to wear glasses that exaggerate the eyes.
Emma Thompson, Punarvasu Moon:
Iris Apfel, Punarvasu Moon:
It will be okay, Punarvasu gworlz. Grandma Dhuma will destroy this shithole of a universe. In the meantime try to shield yourselves from the trauma.
260514 - fifa on instagram
The dynamic between Jupiterians and Ketuvians can be toxic. But then I hear, "Ketuvians have a better dynamic Rahuvians"... uhm, the nodes are both equally extreme and ungrounded. So not really. Just because they can match each other's freak doesn't mean it isn't a recipe for disaster. Ketu doesn't stop pulling in energy and Rahu doesn't stop its obsessive, insatiable tendencies; although they balance each other out that way. The nodes are literally the most illusory of all planets; they are the only shadow planets and there's a lot of confusion on both sides regarding self-identity. From what I've seen, and spoke of before, they tend to be portrayed in dysfunctional and intense relationships, where there's a push-&-pull between Rahu's distortions and Ketu's drainage ā such as in one deceiving the other.
Silco (Magha) and Jinx (Swati) is the best example. He was her twisted parental figure, both portrayed as intense outcasts. Although he loved her in his own way, we see how much control he had over her like a vampire, being as vulnerable and needy as she was.
And she, being Rahuvian, is very hungry and obsessive, drawn to the illusion of love and acceptance offered by the Ketuvian who operates like a shadowy trickster. He means to inflict total destruction to achieve a goal of liberation (much like Mula's association with mass destruction and purification), which makes him more detached. While she is filled with trauma, distortions and uncontrollable thoughts. He can only control someone as unhinged as her for so long; again, with the nodes being equals, the vampiric Ketuvian can be destroyed by its own match. Rahu is also very draining, as well.
In a way, they remind me of this Joker and Harley Quinn who are far more toxic and totally unbound.
Even with Ketu-Ketu, it can be interestingly filled with deceit and confusion of who is really in control.
Also, this observation is based on all the films/shows I've watched, as are most of my posts.
these two swati moon queens. i love them sm. š¤
