kitten often gets stuck between love and aggression mode, where she latches onto my arm like she’s going to bite it, but instead aggressively licks it while bunny kicking me the whole time.

Discoholic 🪩
sheepfilms
h

shark vs the universe
Cookie Run:Kingdom Official!
The Bowery Presents
I'd rather be in outer space 🛸
Cosmic Funnies
Fai_Ryy
let's talk about Bridgerton tea, my ask is open
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izzy's playlists!

if i look back, i am lost
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ
hello vonnie
Mike Driver
Cosimo Galluzzi
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Misplaced Lens Cap
seen from United Kingdom
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seen from Ecuador
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@nodudeshutup
kitten often gets stuck between love and aggression mode, where she latches onto my arm like she’s going to bite it, but instead aggressively licks it while bunny kicking me the whole time.
the new kitten <33
hates her hat so much I couldn’t get a still picture
the new kitten <33
i know "covergirl" is supposed to mean a girl who is on the cover of a magazine, but i have been subconsciously thinking of it as the girl version of 'fall guy.'
ai images are like that episode of batman the animated series where batman is trapped in a dream and he only figures it out because all the letters are jumbled on the road signs.
If Darla has a whole storyline of being a mother against her will, Drusilla had a recurring theme of frustrated motherhood, in which she WANTS to play the role of someone like a mother; but she is chronically not able to. She is attracted to creatures that would require nurturing (children, flowers, birds, babies, newborn vampires) but she is not able to take care of them or make them thrive, only to bring them death. ("everything I put in the ground withers and die”). Not only because as a vampire she is not able to give life in the "normal" way, and this impossible desire clearly makes her obsessed about becoming a "mother" in other way (see the birds and the dolls and her referring to herself as Spike's mommy and to Darla as her daughter), but because she spent most of her unlife as a vampire being labelled "mad" and being "taken care" of and she doesn't know very well how to play the other role for long or in a very efficient way. It's a miracle and a surprise in itself when she demonstrate to be able to take care (even well, many times) of herself.
hour 1 of shift: i love helping people and making people happy yay yay yay later today i am gonna go home and have fun and eat a tasty meal and work on my projects and
hour 6: if youu go to the store and buy groceriers you are a piece of shit
hour 8: if i wad 1 apples tall i could live off of one apple for a week... oh but it would rot away... no.... i hate the rot i hate the apple
The beautiful art of Thomas Blackshear II
i went to his website and saw even more great art! sharing some more which i particularly appreciated
Elizabeth Berridge as Constanze Mozart in Amadeus (1984 Theatrical Cut) ↳ Costume Design by Theodor Pištěk
AMADEUS (1984) | dir. Miloš Forman
so perfectly shaped
irritating as fuck when people get mad at Black people existing in premodern historical fiction/fantasy media. like first of all, you're racist. and second of all, you are acting as though Black people didn't exist in premodern Europe which is simply false. especially when we're talking about the Mediterranean, like what the fuck do you people think is along the southern half of the Mediterranean Ocean?? everyone's on boats, there are GOING to be interactions with Black people in Northern Africa, and there are GOING to be Black people in Mediterranean Europe. stop being stupid. your imagined homogeneous white European past is not historical reality, get over it you massive losers
my favorite type of song, no matter the genre is a song about a woman. the criteria for a Woman Song are; 1. must be about a woman.
kenny rogers' The Gambler could be a Woman Song if the titular gambler were a woman.
2. if the singer is a woman, she must not be singing about herself. madonna's Material Girl is not a Woman Song.
classic examples include Jolene by dolly parton, Billie Jean by michael jackson, and Ruby Tuesday by the rolling stones
“The child teaches the adult something else about love: that genuine love should involve a constant attempt to interpret with maximal generosity what might be going on, at any time, beneath the surface of difficult and unappealing behavior. The parent has to second-guess what the cry, the kick, the grief, or the anger is really about. And what marks out this project of interpretation—and makes it so different from what occurs in the average adult relationship—is its charity. Parents are apt to proceed from the assumption that their children, though they may be troubled or in pain, are fundamentally good. As soon as the particular pin that is jabbing them is correctly identified, they will be restored to native innocence. When children cry, we don’t accuse them of being mean or self-pitying; we wonder what has upset them. When they bite, we know they must be frightened or momentarily vexed. We are alive to the insidious effects that hunger, a tricky digestive tract, or a lack of sleep may have on mood. How kind we would be if we managed to import even a little of this instinct into adult relationships—if here, too, we could look past the grumpiness and viciousness and recognize the fear, confusion, and exhaustion which almost invariably underlie them. This is what it would mean to gaze upon the human race with love.”
— Alain de Botton, The Course of Love
my coworker was an extra in a movie about forty years ago, so my other coworker screen grabbed the one scene with her in it and made her a movie poster. coworker 2 surprised her today by bringing several copies for her to sign :)
didn't expect brigham young to show up as a villain in the original sherlock holmes books, but i am with it