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blake kathryn
Claire Keane
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Game Changer & Make Some Noise
$LAYYYTER
Cosmic Funnies
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Doug Jones
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PUT YOUR BEARD IN MY MOUTH
Sade Olutola
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I'd rather be in outer space 🛸

titsay
Mike Driver
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@noitssunshine
The male pufferfish tries to impress potential mates with his masterpiece. Source: BBC Earth
*whispers* holy shit
sometimes while reading fanfiction it becomes obvious that the author has forgotten that 2012 is almost ten years ago and that technology was actually very different then. then I have a crisis about 2012 being long enough ago that some fanfic authors need to do research to have historical accuracy.
….this makes me uncomfortable
A meme compilation, theme: emails and how they found you
Part 2
Part 3
Kidding (2018)
This is called
Shaynas Sequence
a lot of people are tagging this with “film” and “movies” or talking about the magic of moviemaking but i really want to point out that Kidding is a TV show.
i feel it’s important to make this distinction because there’s a common (sometimes subconscious) thought that TV is a lesser form of digital art compared to film, but television, especially recently, has been phenomenal and it deserves proper credit as a storytelling medium, as well as a craft just as capable of amazing work like this
This is fucking INCREDIBLE.
Masterful.
May 2020 Illustrations ヽ(• ‿ •)ノ
So apparently last year the National Park Service in the US dropped an over 1200 page study of LGBTQ American History as part of their Who We Are program which includes studies on African-American history, Latino history, and Indigenous history.
Like. This is awesome. But also it feels very surreal that maybe one of the most comprehensive examinations of LGBTQ history in America (it covers sports! art! race! historical sites! health! cities!) was just casually done by the parks service.
This is really great??
Chapter 1: Prologue: Why LGBTQ Historic Sites Matter by Mark Meinke
Chapter 2: Introduction to the LGBTQ Heritage Initiative Theme Study by Megan E. Springate
Chapter 3: Introduction to Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) History in the United States by Leisa Meyer and Helis Sikk
Chapter 4: The History of Queer History: One Hundred Years of the Search for Shared Heritage by Gerard Koskovich
Chapter 5: The Preservation of LGBTQ Heritage by Gail Dubrow
Chapter 6: LGBTQ Archeological Context by Megan E. Springate
Chapter 7: A Note about Intersectionality by Megan E. Springate
Chapter 8: Making Bisexuals Visible by Loraine Hutchins
Chapter 9: Sexual and Gender Diversity in Native America and the Pacific Islands by Will Roscoe
Chapter 10: Transgender History in the US and the Places that Matter by Susan Stryker
Chapter 11: Breathing Fire: Remembering Asian Pacific American Activism in Queer History by Amy Sueyoshi
Chapter 12: Latina/o Gender and Sexuality by Deena J. González and Ellie D. Hernandez
Chapter 13: “Where We Could Be Ourselves”: African American LGBTQ Historic Places and Why They Matter by Jeffrey A. Harris
Chapter 14: LGBTQ Spaces and Places by Jen Jack Gieseking
Chapter 15: Making Community: The Places and Spaces of LGBTQ Collective Identity Formation by Christina B. Hanhardt
Chapter 16: LGBTQ Business and Commerce by David K. Johnson
Chapter 17: Sex, Love, and Relationships by Tracy Baim
Chapter 18: LGBTQ Civil Rights in America by Megan E. Springate
Chapter 19: Historical Landmarks and Landscapes of LGBTQ Law by Marc Stein
Chapter 20: LGBTQ Military Service by Steve Estes
Chapter 21: Struggles in Body and Spirit: Religion and LGBTQ People in US History by Drew Bourn
Chapter 22: LGBTQ and Health by Katie Batza
Chapter 23: LGBTQ Art and Artists by Tara Burk
Chapter 24: LGBTQ Sport and Leisure by Katherine Schweighofer
Chapter 25: San Francisco: Placing LGBTQ Histories in the City by the Bay by Donna J. Graves and Shayne E. Watson
Chapter 26: Preservation of LGBTQ Historic & Cultural Sites – A New York City Perspective by Jay Shockley
Chapter 27: Locating Miami’s Queer History by Julio Capó, Jr.
Chapter 28: Queerest Little City in the World: LGBTQ Reno by John Jeffrey Auer IV
Chapter 29: Chicago: Queer Histories at the Crossroads of America by Jessica Herczeg-Konecny
Chapter 30: Nominating LGBTQ Places to the National Register of Historic Places and as National Historic Landmarks: An Introduction by Megan E. Springate and Caridad de la Vega
Chapter 31: Interpreting LGBTQ Historic Sites by Susan Ferentinos
Chapter 32: Teaching LGBTQ History and Heritage by Leila J. Rupp
We used it in my LGBT history class and it’s SO WONDERFUL I LOVE it PLEASE READ at least some chapters. It has photos and sources and goes into detail in footnotes when it doesn’t have time for a tangent.
I was helping a friend out earlier but then realized I could also share a few small tips on how to shop for groceries on a budget with u guys too!
Ai Weiwei, “Dropping a Han Dynasty Urn,” 1995
An astonishingly irreverent piece of work. This triptych features the artist dropping a Han Dynasty (206 BC - 220 AD) in three photographs.
When questioned about the work, he suggested that the piece was about industry: “[The urn] was industry then and is industry now.” His statement, therefore, was that the urn was just a cheap pot two thousand years ago, and the reverence we feel toward it is artificial. One critic wrote: “In other words, for all the aura of preciousness acquired by the accretion of time (and skillful marketing), this vessel is the Iron Age equivalent of a flower pot from K-Mart and if one were to smash the latter a few millennia from now, would it be an occasion for tears?”
However, the not-so-subtle political undertone is clear. This piece was about destroying the notion that everything that is old is good…including the traditions and cultures of China. For Ai Weiwei, this triptych represents a moment in which culture suddenly shifts (sometimes violently), shattering the old and outdated to make room for the new.
ive thought about this piece daily since first seeing it
Honestly, in my work as a therapist, I’m seeing this A Lot, and tbh I still don’t have a satisfactory approach to it. A heavy dose of Existentialist “create your own Purpose” tempered with “when the plane’s going down, put your own oxygen mask on first”, but… yeah, there is no ethical way to work on individual emotional distress without acknowledging the systemic socioeconomic, geopolitical fuckery going on at the moment, and the sheer grief that comes with it.
I’m a guidance counselor/psychologist for teenagers and it’s getting really hard to motivate young people to work for a future they don’t believe in.
They look at ther future and see global warming, wwIII, unemployement, political unstability, poison in everything they eat, the earth and animals dying all around them.
I saw this video where someone was asking french teens in the 50s how they imagine the future would be. The war hadn’t been over for long and yet it was all positive with like peace and flying cars and such. Then they went and ask the same questions to nowadays teens and hell that was depressing. Some still had hope, but it was just that “well I hope I’ll have a nice house and maybe some kid” but there was such a hesitancy to it, like they didn’t dare to hope too much.
People mock Greta Thunberg but what they don’t get is that when she said “you stole my dreams”, it was the truth.
Young people don’t get to dream like they used to. They don’t dream anymore, they grief all that won’t be anymore and that’s just so fucking sad.
You don’t even have to go back that far. I grew up in the 90s and we all had big dreams and ideas about how AMAZING the future was going to be. 9/11 (and really, more the Endless Fucking War after that) and the 2008 financial crisis broke the bubble, and from there we’ve nosedived into this place where our big dreams are things like “maybe one day I’ll own a house?” And then they wonder why Millennials are all depressed and cynical. Gee, I wonder. 🙄
omg #22
early meme culture is thinking "but I'm le tired" at least once a day
Ao3:
Me at 3am:
A simple yet wondrous robot design!
(Source)
Bring it back now y’all