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ellievsbear
let's talk about Bridgerton tea, my ask is open
Keni
Sweet Seals For You, Always

Discoholic 🪩

tannertan36
occasionally subtle

blake kathryn
Claire Keane

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Andulka

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Cosimo Galluzzi

titsay
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Product Placement
ojovivo
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I'd rather be in outer space 🛸
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@not-a-panacea
if you’re reading this it means you have an excellent taste for blogs
anatomically correct heart necklace
Another DM artwork. I kinda hate how this turned out but decided I decided to post it anyways.
The new Odyssey adaptation has inevitably gotten people talking about a Muppet version of it, and they’re frequently suggesting Kermit as Odysseus, Miss Piggy as Penelope.
I’m sorry but that’s thinking way too small, hear me out:
We need to have Miss Piggy as Odysseus, and Kermit as Penelope.
Think about it… who’s the more fickle, prideful, warlike one in that relationship? Who is absolutely ready to go ham, at a moment’s notice?
It ain’t Kermit
"Who stabbed you in the eye, Polyphemus?" "Moi! Moi stabbed me!" "He stabbed himself. Sad."
Wandering the Old Town with my camera to look for fantastical & whimsical architecture details 🌞🏰
Gdańsk, 22 VII 2026
champion
Julius von Klever - "Dragonflies and water lilies by the forest pond" (1893)
If THE modern translator of the OG Odyssey text wrote this about my film adaptation I’d kill myself
Emily Wilson you’re goated
Fascinating how what's considered feminine and what's considered masculine can change over time. The rebranding of being a horse girl into being a stereotypical feminine girly trait needs to be studied.
Look at classic children's novels. As recently as the 50s and early 60s, being obsessed with horses as a girl was depicted as strange and tomboyish, and the very concept of being obsessed with horses from early childhood and loving toy horses and desperately wanting your own horse being a "little girl thing" and not a "little boy thing" would send someone from the 1800s and earlier into a coma.
There's maybe a point to be made here somewhere about how when keeping and riding horses stopped being necessary to the functioning of society and became a more "frivolous" thing, it was rapidly rebranded as silly and girly and for women, but what do I know.
i wrote a paper in my masculinity studies class in college about this exact phenomenon, specifically about how high heeled shoes started as a practical way for Persian cavalry to keep their feet on their stirrups, then likely due to that association, became a popular fashion item and status symbol among the upper classes of Europe, before the Great Male Renunciation of the 18th-19th centuries, when men started shunning opulence in favor of utility, leaving them as a fashion item for women instead.
I've joked that the two genders are Aesthetic and Utility before but thats just kinda the case
Albarran Cabrera —– Instagram
The Mouth of Krishna
2018, #929 Toned cyanotype on glass and gold leaf.
By Momoire
so cool how advanced the algorithm has become, it literally only takes like a decade or more of spying on all my internet activity and then it can expertly curate a selection of 15-20 youtube videos that i don't really want to watch, and then keep showing me those videos over and over again for a week so i can scroll past them again. the future is now
maybe i am normal just in a new and marvelous sort of way
That's why we built Republic City. To show the world that if we listen to each other, we can all live together. In peace. AVATAR AANG: THE LAST AIRBENDER (2026)
Something I genuinely wish was explored more in the ATLA universe/fandom is how Katara is the last waterbender of the Southern Tribe. Like, I understand why it's not spoken about as much as Aang being the last airbender, because he is simply the only airbender left. But Katara is the last link in her entire tribes history of bending.
Sure, the Northern Tribe might have benders, but they have such a different culture/identity around bending compared to the South. We see in Hama's flashbacks that the Southern Tribe had male and female benders at the helm, fighting equally, learning the same things, sharing the same tactics. They weren't left behind as strictly healers or defenseless women given a man's gift, they were strong.
And the thing that separates Katara and Aang's stories being the last benders of their nations is that Aang remembers what it means to be an Air Nomad. There are obviously blind spots because of how young he was, but Aang knows the customs and the culture and spiritual practices. He was able to pass those down to Tenzin and his grandchildren, he was able to start the process of rebuilding what was lost.
But Katara? She was even younger than Aang was when the Southern waterbenders were eradicated. There are Southern practices that are most definetly just... a fractured part of history because she never got to experience them. There are ways of hunting, of building, of navigating the waters, ways of healing, probably even spiritbending, that are simply lost to time.
And maybe her grandmother can clue her into it, memories from a nonbender living aside benders, but it's not the same. She didn't get to hear it from the waterbenders, she didn't get to learn from a Southern waterbender, she doesn't even know what to rebuild because it was never something she was versed in.
That's why The Puppet Master is such a heartbreaking episode. Because Hama could have been the Southern teacher Katara clearly wanted, she could have shown her more, but ended up passing on her legacy of Bloodbending. And on the inverse, I can't even fully call Hama a villain for wanting Katara to know how to bloodbend, because the ache of thinking you were the only one left for so long, the rage against a Nation known for destroying nations, would've driven anyone insane.
We know that Tenzin felt an intense pressure to keep rebuilding Air Nomad culture, but I'm so convinced that Kya probably felt something similar with Southern waterbending.
“My darling girl, when are you going to realize that being normal is not necessarily a virtue? It rather denotes a lack of courage.”
— Aunt Frances, Practical Magic
♯ 31 DAYS OF HALLOWEEN ⌁ (2000's ᴇᴅɪᴛɪᴏɴ) 07/31 ↳ the ring (2002)