sometimes life is falling again in old habits (having little to do so I can fall into being musical obsessed again)

roma★
Not today Justin
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@theartofmadeline
let's talk about Bridgerton tea, my ask is open
he wasn't even looking at me and he found me
NASA
cherry valley forever
Today's Document

Origami Around
trying on a metaphor
PUT YOUR BEARD IN MY MOUTH
dirt enthusiast
Lint Roller? I Barely Know Her

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#extradirty
Mike Driver
KIROKAZE

祝日 / Permanent Vacation

seen from United States
seen from South Korea
seen from United States

seen from United States

seen from Malaysia
seen from United States
seen from United States
seen from Malaysia
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seen from South Africa
seen from United States
seen from Belgium
seen from T1
seen from Australia

seen from Azerbaijan
seen from United States

seen from Brazil

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seen from India
@oh-boleyn
sometimes life is falling again in old habits (having little to do so I can fall into being musical obsessed again)
“Why We Build the Wall” is one of the few songs in my life that I wrote very quickly, almost before I understood what it meant. It was 2006 and I was living in Vermont. The song went into the first staging of Hadestown and then quickly became, at my songwriter shows, the one everyone wanted to hear. There’s much I could say about it—and how its meaning continues to change as the world changes—but I’d rather leave that conversation to the audience. It is, after all, a series of questions, and my guess is that the conversation it provokes is worth more than any statement I could make. Instead, here’s a little anecdote about the song’s language and where it may have come from. In college, I studied abroad in Cairo, Egypt. My Arabic Lit professor was an older woman with dark eyeliner who took it upon herself to introduce leftist, bohemian values to a generation of distracted young Egyptians. She barely concealed her disdain for then-president Hosni Mubarak, and expressed nostalgia for the 1960s and the populist president Gamal Abdel Nasser in particular. “What did Nasser call the citizens?” she asked the students, who remained silent, some gazing into mobile phones. “‘Brothers and sisters’!” she said. “And what does Mubarak call us? ‘My children’…“
–from Working On A Song: The Music and Lyrics of Hadestown by Anais Mitchell
greetings everyone i'm back from the dead just to analyse the adaptation of come from away from english to spanish because there's just SO MUCH there
COME FROM AWAY (2021)
debate: do you guys take someone unfollowing you as personal
If you say you support latinos then you’ll support us when we say latinx ain’t a word lmao
six: a summary
I am not Latino but can I get a cute spanish nickname too?
gringo
i was fully aware that stephen sondheim was 91 and yet it didn’t even occur to me that he could die
man. what a gift to have been on this earth at the same time as stephen sondheim.
lucy just confirmed that seymour’s ‘tudor von trapps’ is about henry and their potential family together and ive never wanted the sweet relief of death more
MAKE ME CHOOSE musicals or movies ↪ asked by @spookys
“that character is problematic” i am sick and twisted. next
heres a bad quality watt meme
courtney and emmanuel at the first preview of beauty and the beast!
📸 notoriouslyjay on twitter
the dress!!!
(all credits to @/emlouisedonovan and @/llucyprince respectively on twitter!)
the dress!!!
(all credits to @/emlouisedonovan on twitter!)