have you seen me?

🤎 em | she/her | ao3

[sadistrobinavitch]

his dick hurts cause he wants to fuck his coworker

[tackycardiaa]

when you’re reading a kingdon fic and you get to the line “becca’s staying at the center tonight”

[dream-with-a-fever]

you know what’s about to go down…..🤪

[nenedotjpg]

thinking of you

[beardedmrbean]

[theman]

I GOT A FUCKING RAISE THE POTATO WORKED WTF

[tattooedzombigirl]

This potato works. Every. Fucking. Time.

[imanutcase-10]

Then bring me luck

[thirddeadlysin]

the day after I posted this last time I was notified that I was selected for a really cool mentorship gig and got an unrelated glowing review at work

[icantbearsedtothinkofone]

Hey Potato, cure my -ing cold so I can have a good time while away.

[dduane]

Here's the potato. Make what use of it you will. :)

[thememedaddy]

[gaysie]

i love fiction so much can we never be real again

[nenedotjpg]

guess who's everyone's favorite person

[ivorysansa]

#prettyprincess

[audreyvoilax]

Quick sketch before locking in on some work

[snowkissedmonsters]

"Don't be anti-AI because if you don't keep up with technology you'll be left behind" okay boohoo you tell me. What skill is required to use an AI. What training or personal advancement am I being left behind on. Is it likely that using an AI chatbot will ever require a degree of skill that the average 7 year old cannot perform. And on the flip side, what skills are you LOSING by using AI. What are you gonna do when the subscription prices skyrocket and you have to re-learn how to write an email or do 10 minutes of independent research or even think of your own social media caption. Which of us is actually likely to be "left behind" because of AI.

[ijustwannawritepls]

How to Write When You Don't Feel Like Yourself

There are going to be days (or weeks, or months) where you sit down to write and feel... disconnected. From your voice, from your characters, from your ideas. Like the person who used to write your stories just packed up and left.

They didn't. They're just tired. Here's how to keep writing anyway:

Lower the bar (Until it's on the floor) You are not here to write something brilliant. You are here to write something. A paragraph. A sentence. A single line of dialogue. Movement matters way more than quality.

Write around the story Don't force it. If you can't write the scene, try: ⋆ A character ramble / journal entry ⋆ A conversation that won't be included in the final draft ⋆ A list of things the character would never admit out loud ⋆ A messy summary of what should happen Engage with the story from a different angle.

Borrow a voice until yours comes back No, not with AI. Read something that feels close to what you want to write, or watch a scene that captures the tone, then write immediately after. Not to copy, to reignite your instincts.

Write the emotion, not the plot. What is your character feeling in this moment? What are they afraid of? What do they want but won't say? What's being kept from them? The emotion leads, the plot catches up later.

Stop trying to "feel like a writer" first. You don't write when you feel like a writer. You feel like a writer because you write.

You are still a writer, even on the days it feels distant. Especially then.

[audreyvoilax]

Pre-shift ritual

[weltenwellen]

Taking Care  Callista Buchen

[catchymemes]

MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE

[animentality]

[kellyvela]

Kit Harington and Peter Dinklage - Actors On Actors

Kit Harington: I worked with Sophie again, I don't know if you know.  Peter Dinklage: Yeah, I heard. How was that?  Kit Harington: It was weird. Peter Dinklage: I've heard you, like, a love scene with Sophie. Kit Harington: Yeah, she sent me the script and was like, do you want to do this? And I read it. And I was like, Sophie, there's a lot of, like, us getting it on. And she, like, hadn't seen that. She just said, yeah, Kit would be good for this part.  Peter Dinklage: She hadn't read the script. Typical actress, she hadn't read the script. Kit Harington: But for me, obviously, I've known her since being a child. So I'm like, she feels like my younger sister. Peter Dinklage: She is. Kit Harington: I'm like, this is weird.  Peter Dinklage: Oh, no. Oh, my God.  Kit Harington: We did it and it was it was gross, but it was fine. Peter Dinklage: It was gross, but it was fine.  Kit Harington: It was gross. Yeah, that's how I summed that up. It was gross, but it was fine. She's an amazing actor. Peter Dinklage: She is. Kit Harington: I know we all know that. But, like, she was a child when she came out. Peter Dinklage: I know. Kit Harington: She is phenomenal. Peter Dinklage: Maybe I just say this because we had so much stuff together, the Tyrion Sansa stuff. I sort of would look around the room going, this is like the greatest actress. Kit Harington: Yeah. Peter Dinklage: I think on this fucking show. Kit Harington: Yeah. Peter Dinklage: Because what she was giving me was so still. And she was always so prepared. She knew everything. Like, she was she was so fun to play across. She was so there. Kit Harington: Yeah. Peter Dinklage: But I use that word still because the camera's on you. You don't have to do anything for the camera's attention. Camera's on you. You don't have to move. You know, it's just and she just had that sort of and that's a difficult part. Kit Harington: Yeah. Peter Dinklage: It's a hard part. Kit Harington: Yeah.

[thykingdoncome]

feeling very normal about this