the gun-powered mousetrap is precisely the sort of invention you get when you have WAY too many guns and WAY too many mice

oozey mess

#extradirty
Jules of Nature
occasionally subtle
wallacepolsom
Alisa U Zemlji Chuda
Cosmic Funnies
hello vonnie

pixel skylines
"I'm Dorothy Gale from Kansas"

Kaledo Art
RMH
Sade Olutola
$LAYYYTER
cherry valley forever

祝日 / Permanent Vacation
Today's Document
KIROKAZE
Aqua Utopia|海の底で記憶を紡ぐ
Not today Justin
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@oiyum
the gun-powered mousetrap is precisely the sort of invention you get when you have WAY too many guns and WAY too many mice
t-rex’s fifth sentence in panel three is my affirmation in the mirror every single morning
crush totally wasn't impressed by my miraculous flying machine fml
oh my god i just saw her get onto an airship with a woman whose tophat has at least twice as many sprockets as mine. i will be killing myself with an elaborate pneumatic pistol tonight
every day it just concerns me how little compassion people have. no compassion for those living in the global south. no compassion for immigrants. no compassion for disabled ppl. no compassion for addicts. no compassion for prisoners. no compassion for children. like holy shit ...
i made a separate post about this but actually there are plenty of people cough white people who care about animals more than they ever do human people . not what i'm talking about make your own post
artist and former bodybuilder Julie Bell
miscellaneous interesting images from spore: the evolution, shown during the will wright interview with no captions
I should be doing more to appreciate the lack of marvel movies in today's popular culture. I once yearned for marvel movies to have this level of irrelevance. They used to feel almost ozymandian, like an empire that had no beginning and no end. and now tony stark iron man is naught but two vast and trunkless legs of stone.
HBD!!
Oberon and Titania
jade harley logs [from @workdailylog]
getting on the treadmill at the gym and listening to bloodcurdling screams and scary noises and running as fast as i can screaming and crying and freaking out and looking behind me like someone's chasing me for like 30 minutes and then i immediately stop and leave like nothing happened
Thumbs Up ‘Slapstick’ Super Famicom
aka Robotrek (Quintet/Ancient/Enix - 1994)
King Arthur had prophetic dreams about everything BUT the affair. OR! He was having dreams about Guinevere fucking Lancelot’s brains out the whole time but he kept assuming they were just wet dreams and not prophetic in the slightest.
King Arthur waking up from a vivid dream where Guinevere pegged Lancelot within an inch of his life: I need to get right with God.
Remember, your answers to the physics census are confidential; we will not be issuing Pauli exclusion principle citations.
Particle Census [Explained]
Transcript Under the Cut
Of course, museums do not produce art; neither do they distribute art. They sacralize it. It’s important to underline the connection between property and the sacred. To sacralize is to exclude; it’s to set something apart from the world, whether because it is sacred to an individual (“private property”) or sacred to something more abstract (“art” “God,” “humanity,” “the nation”). Any revolutionary regime changes existing forms of property, and the organization or reorganization of museums plays a crucial role in this process, since the forms of property that exist within museums represent the summit of the pyramid. They are the ultimate wealth that police protect, and that the industrious poor can only see on weekends.
Virtually all museums today operate in a way that produces and maintains hierarchy. By archiving, cataloging, and reorganizing the museum’s space, they draw a line between “museum” quality and “non-museum” quality objects. But there is no ultimate contradiction between commoditized art and art considered inalienable and not to be sold, because they are simply two variations of the sacred as radical exclusion. The fact that these objects are surrounded by armed security and high-tech surveillance simply serves to underline to any visitor how much their own creative acts (songs, jokes, hobbies, diary entries, care for loved ones, and precious mementos) are of no particular significance, and therefore, that visitor will need to return to their non-museum life and continue to carry on their “non-inessential” job producing and maintaining the structure of relations that makes museums possible. Much like the cathedrals they were meant to replace, museums are there to teach one one’s place.
In the same way, the art world—as the apparatus for the production of objects, performances, or ideas that might someday merit being sacralized— is based on the artificial creation of scarcity. In the way that police guarantee material poverty, the existence of the art world—in its current form—could be said to guarantee spiritual poverty. What, then, would an abolitionist project directed at the art world actually look like?
David Graeber and Nika Dubrovsky, "Another Art World, Part 3: Policing and Symbolic Order" (2020)
mama