new years
KIROKAZE

pixel skylines

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"I'm Dorothy Gale from Kansas"

tannertan36

Product Placement

Origami Around
The Stonewall Inn
Sweet Seals For You, Always
taylor price
Aqua Utopia|海の底で記憶を紡ぐ
hello vonnie

gracie abrams
Keni
No title available

roma★
occasionally subtle
🩵 avery cochrane 🩵
Fai_Ryy

bliss lane
seen from Lebanon
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seen from United Kingdom

seen from United Kingdom
seen from Egypt

seen from Portugal

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@para-cosmic
new years
*Boogie Street* Shakes - Disco Elysium comic
break out of your role 🌻🌟
The future looks bright.
Messing with my inks.
i trust you two more than anything
It was important to me that she puts emphasis on the TOK
White people do reblog without going "I'm white but—" "As a white person—". If you have a story about another Black or brown person's experience, then share it without drawing attention to your whiteness, or share what made you laugh in the tags and move on.
She said WHAT???
close your eyes and imagine freshly roasted root vegetables perfectly seasoned and crispy as far as the eye can see
Sam trying to get Frodo to take one more step
Sam psychologically tormenting Gollum
The reactionary backlash to media analysis is a natural part of the wider "fascists hate anything intellectual" phenomenon, btw.
Wanting you to ignore the politics of Star Wars comes from the same exact place that wants you to substitute the germ theory of disease with the 'sickness comes from failure to be a good christian and most people who claim to be sick are just faking anyway' myth.
To take a quote from Dan Olson:
They don't want these complexities to exist, and by talking about them, you make them exist. It's a form of magical thought. Talking about police brutality wills police brutality into existence. A disruption of the status quo is seen as a disruption of the natural order. The problem they see is that no-one has made those people shut up. That is what they want: someone to come in and make those people shut up and go away, to put things back "where they belong." [...] Their will is a hammer that they are using to beat reality itself into a shape of their choosing, a simple world where reality is exactly what it looks like through their eyes, devoid of complexity, devoid of change, where they are right and their enemies are silent. They are trying to build a flat earth.
im shaped like a W because im a winner!
I need their help
this is going somewhat viral on twitter so i’m posting it here too
ch5 talk sprite redraws :-) a selection of faves
⚠️ DLC SPOILERS AHEAD!
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
*a breathtakingly powerful statement even today, three quarters of a century later
Let's take a moment to appreciate just how amazing the title cards were for Batman the Animated Series.
Oh! I actually know what made these look so iconic!
The backgrounds for the entire series were done on black paper, a first for any animated show. It's Batman, which means everything is at night and incredibly dark. So, the majority of the backgrounds were going to be black anyways and using black paper would cut down on the time it took to create all of the backgrounds. Adding color over the black paper instead of the traditional method gave it a much more stylized look that helped make it iconic.
It also forced some other creative choices, such as using an airbrush to do all of the background art. During the early testing, they found that using an airbrush was easier to apply paint with than a paintbrush and that it looked better. Airbrushing let them be more experimental with painting techniques, such as the spattery fades you can see in the "Bane" and "Deep Freeze" title cards above or the soft, deeply shadowed face on "the Last Laugh." The overall effect of airbrushing on a black background is a much darker, moodier vibe than could be achieved with a traditional approach.
They cared very deeply about the art of the show and how they were going to create it. It wasn't just about the story or the character. In the words of co-creator Eric Radomski: "As opposed to making shows just to sell toys, we've made quality films."