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sheepfilms

No title available

@theartofmadeline

Game Changer & Make Some Noise

romaâ
Lint Roller? I Barely Know Her
Xuebing Du
Monterey Bay Aquarium

tannertan36
Mike Driver
art blog(derogatory)

if i look back, i am lost
No title available
Cosimo Galluzzi
untitled
Sade Olutola

titsay

Jar Jar Binks Fan Club
đ©” avery cochrane đ©”
Game of Thrones Daily

seen from T1

seen from United States
seen from United States

seen from United States
seen from United States

seen from Peru
seen from Nepal
seen from United States
seen from United States
seen from United States
seen from Nepal
seen from India

seen from United States

seen from Mexico
seen from United States
seen from United States
seen from Germany

seen from Brazil
seen from United States
seen from Malaysia
@pathofthewind
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Neerja
Neerja Bhanot (1963-1986) was a Pan Am flight attendant who sacrificed her life in order to prevent a greater tragedy. When Pan Am Flight 73, going from Mumbai to New York, was hijacked by four terrorists on September 5 1986, she alerted the rest of the crew, allowing them to flee, and took control of the cabin.
When the terrorists asked for the passengerâs passports so they could identify the Americans, she disposed of the documents and helped a number of passengers escape through an emergency door. She was killed while sheltering three children from a rain of bullets.
She was posthumously given the Ashkok Chakra Award, the highest peacetime bravery award in India.
In 1986, India, Pakistan & USA gave their bravery award to an Indian girl. She was only 23. She saved 359 lives. This is her story.Â
Sums up the Niffler Newt relationship rather well I believe haha đ because I havenât drawn FBAWTFT in a while! Iâm having a valentines sale on my etsy by the way because Iâm a lonely potato đ use code TREATYOSELF for 20% off prints and stickers!! Link is in my profile description thingy
O cinema Ă© uma das maiores formas de arte do mundo, capaz de alcançar lugares inimaginĂĄveis. Infelizmente, tambĂ©m tem servido o propĂłsito de impor um padrĂŁo que nĂŁo representa a grande maioria da população mundial. Os filmes produzidos em lugares como a AmĂ©rica do Norte (menos o MĂ©xico) e a Europa tĂȘm sido a norma por muitos anos, e, geralmente, sĂŁo aqueles que podem alcançar uma audiĂȘncia maior. Por causa disso, histĂłrias (norte) americanas e europeias foram contadas e ouvidas repetidas vezes, enquanto as histĂłrias de outras pessoas foram relegadas para Ă s margens. Quero mudar isso, pelo menos para mim. Quero ouvir essas histĂłrias, qualquer que seja a lĂngua em que elas estejam, qualquer que seja o lugar de onde vĂȘm. Algumas dessas histĂłrias estĂŁo perto de casa, algumas sĂŁo tĂŁo distantes que eu nĂŁo posso imaginar o que esperar. Mas todas elas valem a pena ouvir. Eu tambĂ©m quero te encorajar a fazer o mesmo. Se vocĂȘ gostaria de se juntar a mim, aqui estĂŁo as diretrizes. VocĂȘ pode segui-las, ou vocĂȘ pode fazer esse desafio da maneira que vocĂȘ preferir. O importante Ă© ouvir essas histĂłrias.
Cinema is one of the greatest forms of art in the World, capable of reaching inimaginable places. Sadly, it also has served the purpose of enforcing a pattern that doesnât represent the great majority of the World population. The films produced in places such as North America (minus Mexico) and Europe have been the norm for many years, and, usually, are those who can reach a greater audience. Because of that, American and European stories have been told and listened again and again, while the stories of other people can be relegated to the margins. I want to change that, at least for myself. I want to listen to those stories, whatever language they may be in, whatever place they may be from. Some of those stories are close to home, some are so distant I canât possibly imagine what to expect. But all of them are worth listening to. I also want to encourage you to do the same. If you would like to join me, here are the guidelines. You can follow them, or you can do it the way you find it to be better. The important thing is to listen to these stories.
At Five in the Afternoon dir. Samira Makhmalbaf (2003)
At Five in the Afternoon dir. Samira Makhmalbaf (2003)
Ralph Lauren Fall-Winter 2013
Marchesa Pre-F/W17 RTW
What are you doing?! Somebody has to save our skins.
Droid: Sir, there's a ship approaching
Grievous: Scan it
Droid: We're detecting unusually high levels of sass, sir
Grievous: *slams fist* KENOBI