Nowhere, Mijoo Kim and Minjin Kang
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Alisa U Zemlji Chuda

#extradirty
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Three Goblin Art
h
KIROKAZE
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Mike Driver

★

pixel skylines
Lint Roller? I Barely Know Her

Origami Around
Stranger Things

titsay
Game of Thrones Daily

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Discoholic 🪩
PUT YOUR BEARD IN MY MOUTH
🪼
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@peppis
Nowhere, Mijoo Kim and Minjin Kang
“Love is a decision, it is a judgment, it is a promise. If love were only a feeling, there would be no basis for the promise to love each other forever. A feeling comes and it may go. How can I judge that it will stay forever, when my act does not involve judgment and decision.”
— Erich Fromm, The Art of Loving
HOLY SHIT, IT WAS THE ORIGINAL ONE
MAKE A WISH
the first post ever on tumblr
I WAS EXPECTING IT TO BE A REMAKE OF SOME SORT HOLY FUCK
WHO THE FUCK KEEPS BRINGING THIS BACK
reblog this because it shows up every blue moon
I FOUND IT ✊
I WAS SO SCARED IT WOULDNT BE THE ORIGINAL
Who first posted this?
I THOUGHT THIS WAS GOING TO END WITH A MEME OR SOME SHIT NO IT’S THE REAL ONE OH MY GOD
Wishing I’ll do well on my finals ✨
Source
“Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become.
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy.
“It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities,” Rossetti told Mic via email. “It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be.”
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet.
“I see those situations I portray every day,” she wrote. “I lived some of them myself.”
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!“ or ”Mujeres en español!“ which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
“I can’t change the world by myself,” Rossetti said. “But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another.””
From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
Oooh. I reblogged a partial version of this recently but I didn’t know how many more there were! I LOVE these!
OK SO THERE ARE TONS MORE OF THESE OF THE ARTISTS FB PAGE. GUYS THESE ARE AWESOME.
LOOK
AT
THESE
LETS APPLAUD CAROL ROSSETTI EVERYONE
LOOK
Um, these are like the best thing ever.
At age nine, Annemarie Schwarzenbach cut her hair, began wearing boys’ clothes, and insisted on being called, alternately, Fritz and Paul Otto. Amazingly, her ultra-conservative parents did nothing to discourage this behavior: in fact, her mother— who carried on a decades-spanning relationship with the opera singer Emmy Krüger— loved dressing Annemarie in various male disguises, and was amused by her early infatuations (reads one photo caption: “Annemarie with the love of her life— Ms. Fischer.”) Such preferential treatment was advantageous for Annemarie, who had been taken out of school under the pretext of poor health, and left almost entirely isolated with her mother, who, in the words of a servant, “disciplined her children with horrible severity, using both physical and psychological punishment.”
When Annemarie turned eleven, her parents began forcing her back into dresses; however, it wasn’t until 1925— the year when they discovered her relationship with a young actress— that the situation became truly unbearable. In response to her mentor’s advice that she leave “for both [her] psychological and physical health,” Annemarie wrote, “All of their ideology— selfish, too adult, almost pathological— says that I must dismantle myself. And for the first time, I’ve understood that, for now, there isn’t any other solution.” Three years later, in another letter, she returned to her theme with a slight variation:
“Moreover, what you called, in one of your letters, the ‘world of lesbians’, is so badly thought of! I read somewhere that for some people, it implies scandal, clandestine vice, filth and dishonor. ‘Unnatural.’ Because I know that you don’t think this way, I can tell you […] that I can only love women with any true passion. Towards boys and men, I know friendship and trust, and it’s only with them that I want to work, but as soon as I feel that they’re approaching me as a ‘woman’, they repel me to the point of disgust. Maybe this is bad and against nature: it is, regardless, my self and my nature. And if I were what the others call natural, I would be contradicting myself, and I find that simply abominable."
---d'una manera genèrica---🤔--- Cavalls salvatges. Jordi Cussà.
Chill on Instagram
“I love her beauty, but I fear her mind.”
Stendhal (via juiceboxes)
The end of the beginning
Laban Dance School / Frankfurt (1929) by Ilse Bing
: monsieurcocosse.blogspot.com
No diving, Mária Švarbová
The loneliest moment in someone’s life is when they are watching their whole world fall apart…
F. Scott Fitzgerald, The Great Gatsby (via wordsnquotes)
Lost horizon, Tom Kondrat
Rear window, Jordi Huisman
My dream come true #Björk #ViolentyHappy #nofilters (at Poble Espanyol de Barcelona)
People who believe they’ll be happy if they go and live somewhere else, learn it doesn’t work that way. Wherever you go, you take yourself with you.
Neil Gaiman, The Graveyard Book (via wordsnquotes)