Sturmkrähe

Booklover, Critter, Timebomb , Tea & Coffee lover.

[malaviksa]

my first animatic!

[avyc02]

“Here I am! Your big fat hero!”

[catchymemes]

[hearts-for-me-core]

timebomb art rant because as much as i hate the writing of arcane and the whole of season two timebombs scenes still mean so much to me

i love finding gifs on pinterest and tumblr where the lighting makes ekko purple like yes hes purple my beautiful purple boy ekko

to add onto that i love gifs/photos of jinx/powder that make her look green and yellow yes my sweet green and yellow girl powder

that actually makes sense since on the colour wheel purple and yellow are opposites, they tend to work well together in contrasting art pieces and in parallels especially when showing an obvious moral difference between characters as theyre opposites, food for thought

purple

yellow

a more blue/green scene with blue being the focus and green being the background

and a matching green/blue scene with green being the focus and blue being the background!

an overwhelmingly blue scene

and an overwhelmingly purple scene!

with how often purple, blue, yellow, and green are used in their scenes up to this point the fact that this scene is purple with all of those colours being used a lot in the background makes me so happy

[my-dailydreams]

[goth-queen]

Goddess of Depression by Victor Nazarenko

[goth-queen]

[arcane-incorrect-quotes]

[mtg-cards-hourly]

Grasp of Fate

“And I suppose, if it’s one last chance to say it, Rose Tyler…”

Artist: Randy Gallegos TCG Player Link Scryfall Link EDHREC Link

[welli-moon]

I am the Bad Wolf. I create myself.

[tinkerbitch69]

[redrum-alice]

It's all in Powder's imagination :3

She probably says "Hey everypony"

[lazylittledragon]

she's glowing

[pt 1][pt 2][pt 3][pt 4][pt 5][pt 6][pt 7][pt 8][pt 9][pt 10][pt 11][pt 12][pt 13][pt 14][pt 14.5][pt 15][pt 16][pt 17][pt 18]

[buldragon]

Just the two of us. The rest is chaos.

[franz-bauch-foto]

Early morning

[toastbutteregg]

[random-jot]

Standing directly in the doorway to achieve peak mental health.

[meowtalhead]

[prymith]

Classic Literary Villainesses

"No matter the species, the deadliest gender is always the female. Men will fight until they die. Women will take it to the grave and then find a way back." ― Sherrilyn Kenyon

[victusinveritas]

The beetle wings dress

ELLEN TERRY AS LADY MCBETH AND THE BEETLE WINGS DRESS, 1889

"On 29 December 1888 a packed auditorium at London’s Lyceum Theatre sat in anticipation of the opening of Henry Irving’s revival of Macbeth. In taking the male lead and casting Ellen Terry (1847-1928) as Lady Macbeth, Irving was reuniting one of British theatre’s most cherished acting partnerships. Moreover, audience curiosity was piqued by Terry’s departure from her usual role of Shakespearean heroine to play a plotting villainess. As the curtain rose, her appearance on stage immediately drew gasps. For she emerged wearing a costume of bewitching splendour, a dress of shimmering green embellished with iridescent beetle-wing cases, finished with a velvet heather-coloured cloak over which her dark red hair, plaited in gold, cascaded.

Created by the esteemed costume designer Alice Laura Comyns-Carr and her dressmaker Ada Cort Nettleship, it was the first of three costumes intended to illustrate Lady Macbeth’s changing psychological state through the play. Inspired by a medieval effigy of Clotilde, queen of the Franks originally from Notre-Dame de Paris, Comyns-Carr combined the form of her open sleeved long gown and long braided hair surmounted by a crown with contemporary influences of artists in her circle, such as the Pre-Raphaelite painter Edward Burne-Jones. The dress’s green embodied the ruthless ambition and plot to murder of the play’s opening acts, while the crochet construction overlaid with beetle-wing cases combined the look of ‘soft chain armour’, with the ‘appearance of the scales of a serpent’.

Although critics and theatregoers were divided over Terry’s characterisation, they were united on the visual impact of her performance. Her costume created an ethereal vision that ‘might have stood in the court of Camelot’. Oscar Wilde, noting the contrast between her dress and the austere garb of the male cast, quipped ‘Lady Macbeth seems an economical housekeeper, and evidently patronises local industries for her husband’s clothes and the servants’ liveries; but she takes care to do her own shopping in Byzantium’. The dress was further immortalised in John Singer Sargent’s commanding full-length portrait of Terry as Lady Macbeth in 1889 which pictured the dramatic moment Lady Macbeth claims her crown as witnessed by him on opening night."

Nationaltrustcollections.co.uk