my flowers headcanons
some close ups

@theartofmadeline
Noah Kahan
No title available

Product Placement
cherry valley forever
Keni
hello vonnie

Origami Around

#extradirty
𓃗
TVSTRANGERTHINGS
Mike Driver
$LAYYYTER
d e v o n

titsay
let's talk about Bridgerton tea, my ask is open
Today's Document
YOU ARE THE REASON

Kiana Khansmith

Discoholic 🪩
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@phirrational
my flowers headcanons
some close ups
Danse Macabre
One thing I love about the show is that they play with the constructs that we know and challenge them:
The biggest guy on the team (Raph) is also the kindest and gentlest of them all.
The 'leader,' Leo, is actually extremely self-conscious and insecure.
Going off of the assumption that he's autistic, Donnie isn't treated like a monster or a robot- he's just DONNIE.
Mikey, the baby, is much less of a baby than you'd ever think and acts as the voice of reason a LOT of the time.
Even the villains are diverse. I thought so vehemently that Todd would be a twist villain just for him to turn out to be a chill guy, and Warren the 'innocent' looking one ended up being the bad guy.
We THNK that Splinter is this lazy old man but he's actually a mutant former kung-fu superhero who's done more for his boys than they'll ever know.
Rise really makes you challenge what you think initially and teaches you how to be more open-minded; I think it's a hidden asset of the show I haven't really heard anyone mention.
Can we talk about how there were meant to be three seperate occasions in which Donnie's shell was meant to be hurt but got cut
The og Shredder scene from the finale in which I think his battle shell broke and he got bashed so hard we didn't see him on screen for the rest of the storyboard
The nightmare sequence in the movie in which his nightmare was about his shell being hurt
I also heard something about how apparently his shell was accidentally hurt when he was a tot and they were going to show that but I can't remember or find where that was stated but if it's true...
ROTTMNT got cancelled to save Rise Donnie from shell problems istg
this is why im mad it got cancelled because i like when they beat him up lowkey. i think there are at least two or three instances in the show where it needs characters to get along or the plot to progress so they just rough up donnie a little. i think they should do that more
i think they need to put donnie on like. homicide watch. it's like suicide watch except the problem is that the guy youre watching over keeps being subjected to murder and/or cannibalism attempts and not that hes trying to hurt himself. and it just keeps happening
donnie, who grew up more reserved than his brothers. he'd always been close with them, and always cared so much, but he didn't speak for years, because he didn't want to. in his mind, he never really understood it. speaking would mean participating, understanding, and he didn't really want to. they'd offer to play with him. he'd refuse, because he was the type of kid who always wanted to stay close to his dad. he wanted to sit and watch.
donnie, who grew a little older, and with his voice came a tidal wave of emotion. he'd cry when they hit him too hard, scramble after them when they tried to play. he'd always come in last place. he'd sit at the table and refuse to eat, he'd always be told to not let his emotions get the best of him. he'd hide behind raph when he could, fumble his way through sports and the lair games and sparring. he didn't understand why his brothers thought he was somehow above them for not wanting to play along half of the time, even when he tried and tried. so he forced himself, even as it made him feel weaker than ever before.
donnie, who wanted to be lou jitsu more than anything, because that was who he knew he should be. but in the days where he curled up watching movies with his dad, he'd sometimes watch movies about knights and dragons and princesses and think, a princess could be delicate and be celebrated for it. she could be above it and never be shamed. she could be sensitive and be saved without feeling ashamed. it wasn't the helplessness he desired, it was the respect and understanding, for being that kind of person. and he'd think, why can't that be what i was supposed to be, instead of this?
donnie, who hurt his shell, and watched his brothers' mockery turn to worry, and then to pity, and then to resentment. he knew how they whispered behind his back, about how sensitive he was -- he has such a soft shell, it's so easy to hurt his feelings, he never lets anything go, he doesn't care about anything they do, how are they supposed to get him? and their words aren't even meant to be mean. frustrated, maybe, but they also came from a place of despair, in their inability to understand. and all it managed to do was make him clench his fists, and force himself to assimilate. to hide himself behind armor, to make his shell bigger. and with it came his desperation to hide away his soft, delicate core. he'd never be respected for his sensitivity, because that's not what he was made for. and when he watches mikey try to dig deeper into him, he can tell that mikey only does it sometimes to feel like a better person, to use him as a stepping stone to assert his own independence, and it frustrates him. because it only proves his differences. pity isn't respect. no amount of brilliance or intelligence will make up for that inherent difference, no matter how much he flaunts it. nobody is coming to save him from the tower he's been locked in.
donnie, who wakes up every day with no weight on his shoulders, and makes the choice every time he rises out of bed, to put that pressure back on his spine, to let the metal chafe his skin. he wears it under his hoodies built for people with bigger shells, and he wears it when he's laughing with them, when he's playing with them, when he's one of them. and his shell will always be different, look different. they'll always look at it and immediately know it's metal, and they'll know what's under it, but that's not the part that truly matters to him. it's that he can wear it on his back and feel just a little closer to them. he can be free and forget, even if it strains him, even when they sigh in frustration because they don't understand what he's so upset about, half the time, or why it's such a big deal.
and all he's doing is trying to hide the truth; that his shell is soft, where theirs are hard. that he is sensitive, where they are strong. that he has to fight an uphill battle, for the things that come effortlessly to them.
that they are boys, undeniably, and she --
isn't.
and maybe she never has been. but it's what he has to be.
Today on stream:
C Team Jumpscare
YOU’VE BEEN C-TEAMED
being a woman in comics space is hell on earth. you can't exist without being talked down to and told you don't belong here. women creatives are abused by male creatives and nothing happens. female characters are constantly raped and killed for a man's growth and torture porn.
women, fans and creatives and characters, are not allowed to be annoying or mediocre or make mistakes or even exist without being harassed and treated as if they're the scum of the earth. the comics industry and fan spaces run off misogyny.
My dear children who are doomed in every universe
Someone to be brave for.
excerpt is from chapter 29 of the novel.
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I can't stop thinking about Gwen in ATSV. She mentioned about how she, in every other universe, died when she was loved by spiderman/Peter Parker. Peter B., Noir, Ham, and Peni didn't talk about it, but I can't help but think about how Gwen is in this organization where literally thousands of people were in love with her and she died. When she walked through Neuva York, every Spiderman was tripping over themselves to call out to her specifically and receive a "hey :)" back. Not Spider Jess or Hobie.
And then there's Pavitr and, love him of course, but I wonder how it felt to see him talk about Gayatri. I know it's a joke but how does it feel to see yourself put on this pedestal. You can't help but compare yourself and wonder "did my Peter see me that way? How would I have acted if he did?" To see her dad in Officer Singh. To see herself trapped in a bus, desperately pounding on the window as she dangled above certain death again.
In the original Spiderman India comic, they skipped over Gwen/Gayatri entirely, and instead had Meera Jain. Which I get why they did from a meta perspective, but in universe, how does it feel to know your replacement is out there. Every Spiderman is happy with their MJ, and they think of Gwen fondly, but like.... Gwen is replaceable. She is the first love, but she doesn't get a future. It's a canon event.
The horror of being a fridged woman.
grace, who has been alone for five minutes: oh my god. an alien! im not alone anymore! i hope he wants to be friends :)
rocky, coming up on 50 years of solitude, imprinting on grace in ways baby ducklings can only dream of: if you leave me to sleep where i can't watch your heart beat i am blowing up this tunnel with us both in it
free fic idea up for grabs. godspeed
To be quite honest with you all I do think that aro/ace-spectrum fans in fandoms where people are desperately inventing crossover ships and humanizing non-human characters in order to have a conventionally attractive guy to ship the main character with, instead of possibly having to enjoy a story with no romance in it, have the right to refer to everyone else as cowards.
I truly enjoy how much Animorphs is like “here are our young heroes, each with a distinctive trope to fill in the group!” And then it makes you watch how the pressure of each person’s role grinds them to dust. And also they have homework.
#IM SORRY THEY DO HOME FUCKING WORK IN ANIMORPHS??????
Yeah they're students. If they don't keep their grades up or if they miss too many classes (or miss classes at suspicious times) then they risk drawing the attention of the faculty and/or their parents, some of whom are the enemy and some of whom can just make future espionage a whole lot harder. There are multiple missions where they're like "okay, this is incredibly time sensitive but it'll take a full day or longer so it has to wait for the weekend and we'll have to all lie to our parents about sleeping over at each others' houses. It's gonna have to be done at the last minute because we've gotta go to class. Also, remember to get that English paper finished, we can NOT afford to have you grounded right now."
They also get disembowelled and/or eaten a lot
#animorphs#its actually devastating i bever got into these#they wouldve been a million times more up my alley wtf was i reading harry potter for
It's not too late. You can still read them.
These have been out of print for an age, and the authors have given their blessings to share the PDFs. Here's everything, including companion/side books and the non-canon Alternamorphs books, in reading order:
All of the Animorphs books by K. A. Applegate, as well as the other books set in that universe. I got them here. I am not the one who collec
Undertale but Blue and Yellow fell together
They’re seeing if this is a good game to play with Asgore
If there’s one very important throughline of Lore in this Chapter is blurring the seemingly clear-cut binary line separating Lightners and Darkners.
Well, on some level that started already in Chapter 4, with the Hammer of Justice introducing the idea of Lightners being reborn in Dark Works as Darkners under very specific circumstances.
But the Flowers really put that point front and center. They are living things that receive some sort of Wish-Fulfillment in the Dark World, much like how our Lightner characters receive cool outfits and powers… but the main Wish being fulfilled for them is having a higher form of consciousness and a more anthropomorphic form, like how Darkners come to life in the Dark World. Flowery’s portrait is Black-and-White, much like the Lightner characters, because he is a kind of Lightner as far as the metaphysical mechanics of Light and Dark function… except he also has colorful Darkner-like Golden eyes.
And so much of the conflict of this Chapter is based on their unique liminality. They’re Lightner enough that being reduced back to their Light World ‘inanimate’ form feels much more like a death to them then it feels to a regular Darkner (who can find contentment as inanimate objects, as they are ‘alive’ from the Dreams the Lightners associate with them)… but also Lightner enough that they can’t actually survive for long in the Dark World, their physical bodies still have their regular physical needs, but unlike Susie, they also can’t exactly pull out of the Dark World, grab a snack for nourishment and then pull back in.
And then the Secret Boss is another kind of Liminal being, a more traditional Darkner (in the sense of a truly inanimate object come to life) that’s also being brought to life due to being possessed by a Lightner ghost. Another sort of unique being who is not quite as Ontologically Doomed as the Flowers, but struggles with figuring out what her identity is in her own way. She feels more at home with other Liminal Beings like the Flowers, despite being technically a different kind of being.
All of this feels like build up to exploring the nature of Ralsei, the so-called ‘impossibility’, who already has some of their own ‘Liminal’ elements - they look much more ‘like a Monster’ than any other non-Gerson Darkner, they can appear and survive in every Dark World, and from a meta-narrative perspective, their role as a Darkner Playable Party Member seems to clash with the game’s meta-commentary making Darkners to be like a whole species defined as Video Game NPCs on some level.
They don’t quite seem to match any of the ‘Rules’ of the Liminal Beings we know of so far. Resurrected Lightners like Gerson are specifically mentioned to only appear in very specific Dark Worlds, so this is like the opposite of Ralsei’s situation, and even with their white fur, their portrait seems considerably less monochromatic to me than Flowery’s. But I think this is still a thematic build-up being done to explore different kinds of liminality between Light and Dark and how they affect the relevant characters, before we get into the particular kind of liminality that Ralsei represents.
It’s also likely to be relevant to the Roaring Knight. We still don’t quite know what’s up with them, but it is a pretty decent guess considering their behavior, that they are also their own kind of Liminal Being - they are Lightner enough to open Dark Fountains and operate in the Light World sometimes, but clearly prefer to only ‘show their face’ in the Dark Worlds. So this could also be thematic build-up to establishing what the hell is up with the Knight as well...
More for the AU…