gojo was born in december of 1989 and geto was born in february of 1990. i need content of geto making fun of gojo for being born in the 80s please someone draw them in 80s and 90s clothing respectively

Love Begins
trying on a metaphor
Mike Driver

if i look back, i am lost

Discoholic đȘ©

Andulka
hello vonnie
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ç„æ„ / Permanent Vacation

shark vs the universe
taylor price
Alisa U Zemlji Chuda

JVL
todays bird

Janaina Medeiros
h
Monterey Bay Aquarium

JBB: An Artblog!
sheepfilms
he wasn't even looking at me and he found me
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@pierc1ngblo0d
gojo was born in december of 1989 and geto was born in february of 1990. i need content of geto making fun of gojo for being born in the 80s please someone draw them in 80s and 90s clothing respectively
Love chainsaw man analysis
I love how CSM in between the gory fight scenes and mental terrorism just gets really political in a really good way out of nowhere sometimes
I'm gonna take your heart now, okay?
man itâs genuinely diabolical that fujimoto was like how can i fuck up aki hayakawas life the absolute maximum amount possible and then on top of everything else he went and made him bisexual
!!! CHAINSAW MAN MANGA SPOILERS !!!
even with his body and mind taken over, aki still hesitated when he saw denji cry. god he loved denji and power so much. all he wanted was for them to be safe and he fell right into the control devilâs hand trying to make that happen. the snowball fight scene is so fucking sad on so many different levels and i feel a genuine ache in my heart reading it.
"even if somethin' inside of me breaks"
Too pretty
somehow, this doesnât feel gross at all
Something about the light being the divider between the two worlds.... Yoshiki made his choice and crossed to Hikaru's side.
Hikaru means light.
In the text, Yoshiki refers to original Hikaru by his kanji, ć , meaning light. He refers to revenant Hikaru by katakana, ăă«ă«.
In the above the light comes between them.
The Summer Hikaru Died || E03 & E12
OH GOD
âyour friend is dead, and their corpse is inhabited by something only you can see for what it truly is" is already good horror. but "you begin to love the thing that wears their face"? the blasphemy of it. terror turning into desire. grief turning into longing. being enticed by what should repel you. it twists the knife deeper, because the horror is not based on deception anymore. the fear comes from recognizing the monster in its raw form and finding beauty there. you're not clinging to scraps of your friend, you're surrendering to something other, something wrong, and loving it. you're not holding onto a ghost of the past, itâs the monster itself that you choose