#how it started
my favourites
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Mike Driver
he wasn't even looking at me and he found me

tannertan36
almost home
Not today Justin

bliss lane
No title available
The Bowery Presents
Cosmic Funnies

Product Placement
noise dept.

ellievsbear
h
NASA
let's talk about Bridgerton tea, my ask is open
No title available
Xuebing Du
★

roma★
seen from Iceland

seen from Germany

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seen from Germany

seen from Sweden

seen from United States
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@pinkbeastie
#how it started
my favourites
Another Haladriel piece! <3 Can’t get enough of them.
oh i love this take me back to the forest 🥺
Sauron (2026) || Sauron by J.R.R Tolkien (1954)
Things that have me fucking feral currently: the fact that TROP has given Sauron at least one Kind To Animals moment every single season. And in the books. And in the movies.
S1: He trips Adar's fleeing horse, rather than killing it, even though he very much does have a javelin in his hand at the time. The horse goes down hard, but we're deliberately shown a shot of it getting up and walking away, uninjured. And this isn't because they're reluctant to show animal injury, because Elrond's horse takes a horrible one that made me cry in S2.
S2: The Warg Incident. And like, while the movies were a bit more ambiguous about the Orc-Warg power dynamic (Azog, for example, is clearly shown being affectionate towards his white warg, while Saruman's warg-riders in TT are neither particularly kind nor particularly cruel to their mounts), TROP seems to take the stance that the wargs are unpredictable and aggressive even around their Orc handlers - when a warg is set loose on Arondir during his escape attempt, the Orcs seem to withdraw until it is dealt with, and the wargs are shown to be caged and chained even in the Orc encampments (contrasting the movies, where they are able to free-roam). The warg shut in with Sauron is visibly calmed by him talking to it, and it takes the bone from him as gently as a pet dog. And although we only see the one interaction between them, it isn't the only one they have: Sauron gets close enough to remove the warg's collar and chain before he leaves Adar's camp (which means he was within biting distance, and the warg chose not to), and plotted with it to kill off Waldreg. That wasn't a Wrong Place, Wrong Time death: that thing was laying in wait for him.
And now S3: He's giving a The Creature from Iron Lung scritches. It nudges his hand with its nose when he stops like a dog who isn't done being petted yet. It makes no attempt to move away from him and shows no fear behaviours. He probably yeets unruly Orcs off the balcony for that thing to catch in the world's most fucked up game of fetch.
And then there's LOTR. There are two throwaway quotes about Sauron and animals from that - one from the books, one from the movies. We know that:
Books: Sauron canonically refers to Shelob, the colossal half-demon spider, as "his cat". He sends her prisoners to eat, and doesn't mind her chowing down on the odd Orc. This could be excused as him just recognising that having her guarding Cirith Ungol is a valuable defence against intruders, except for the fact that he specifically has it reported back to him whether she enjoyed playing with the food he sent her. It's giving "Hey, while you're petsitting, can you send me a photo of my cat playing? I miss her."
Movies: Gandalf tells the Hobbits that "the enemy has many spies in his service. Birds...beasts..." while they're still in the Shire. Which is a pretty colossal sphere of influence for a guy who a) lives on the other side of the continent and b) hasn't left home in person in centuries. While it could be argued that Sauron could coerce or threaten animals into doing as he tells them, we also know that he tends to opt for diplomacy first and war second, and it would be very difficult for him to threaten some random fox living outside Hobbiton. Animals have a different mindset to people; they live in the moment, have simple desires, and don't really conceptualise abstract "something bad might happen someday sometime in the future" fear and anxiety the way people do. Shire-dwelling wildlife, who live in a time and place of relative safety and abundance, have everything they need and would likely be hard to threaten or intimidate into service in that way. So it's more likely, based on how Sauron generally operates, that they're spying for him because he's done something to win them over - made himself seem a friend.
Anyway just absolutely losing my shit over them going full "Sauron likes and is good with animals" like lmao Aulë who, that is Yavanna's kid
i know we probably won't get much, if any elrond and durin iv (and family) friendship moments in s3 but i want it so bad. they're so dear to me.
MASSIVE SPOILER ALERT FOR TROP SEASON 3
Guess who's back to haunt a certain someone 👀
brimby you always did clock him 😭
was looking through the new rop stills… and I saw a post that said this character was galadriel, but if you squint really close on the empire post, i think the girl’s ears are rounded…
maybe im losing my mind but i don’t think that’s miv? maybe a version of her? cuz face shape and hair is different, and galadriel wears nenya on her left hand, as we see here:
this character wears a ring on her right:
and we’ve already seen images of galadriel- almost all are of her fighting, eg:
thoughts, thoughts..
The hearty laughter of an elf must be the most beautiful sound in the world.
Too often elves are portrayed as being quite stoic all the time. And maybe in times of war and trouble, they are. But it can't be always.
And I think what a glorious sound it must be when an elf really laughs.
The hearty, joyful laugh of Glorfindel. The golden laugh of Gildor. The dazzling laugh of Finrod. The generous laugh of Fingon. The rare and precious laugh of Elrond, more beautiful than the music of all the minstrels. The contagious laugh of Celebrían, when something's uncommonly delightful. The warm, unmarred laugh of Maedhros, before he was corrupted. The wholesome laugh of Celebrimbor that feels like home and beautiful treasures.
The ringing laughter of Elladan and Elrohir in true, unblemished merriment. The delightful laugh of Legolas, sometimes more than a little undignified. The unexpected, unguarded laugh of Thranduil, that bounces off the walls of his grand palace so that those at the edge of hearing range think, "Something amuses the king!" and have to smile, too. And the comforting laugh of Celeborn, and the shining laugh of Galadriel, and the full and glowing laugh of Arwen when her one true love shows his silly side.
Elf. Laughter. Do you see the vision?
elves 🫶🏽
rop gang anyone else wondering where our solo galadriel promo is?? i want to see her in all her radiance 😭
When Celeborn appears will you ship him and Gal too?
(this ask has been in my inbox for a verrrryyy long time but now. it is time.)
hELL NAW
hard no. books? hell yes! show? get away from my babies haladriel ❤️🩹
Morfydd Clark & Charlie Vickers in The Rings of Power Exclusive Balrog Preview
my two favs back promoting together again i could cry 🥹
if you didn't love me at my you don't deserve me at my
hard reblog
oh. ok. we knew this why am I suddenly falling to my knees and crumbling to dust
so… remember this?
It needn't be said, but this scene in S1e5 is one of my favorites because the direction and multiple layers of visual storytelling are so neat. As we can recall this is one of the most charged scenes between Halbrand and Galadriel. Where here they are accusing each other of manipulating the other. The clear metaphor is chess and using each other like "pawns".
But I think the full view of this scene must be fully appreciated. Let's rewind to how it started:
Halbrand is summoned to meet with the queen and comes upon this— and it appears a chessboard is already set by the time he arrives. The 2 players here are Ar-Pharazon and Galdriel. Between them is Tar Miriel. The quickest and most obvious play for power would be to “take on" the Queen. That is chess. The Queen Regent, and by extension, the King are very vulnerable. The people of Numenor are discontent and there is political unrest. Certainly, that is Pharazon's scheme and Galadriel is not immune to that temptation either. She is also using it as leverage. And it is represented in this scene; the table between them as the game is underway. But Halbrand ignores it and barely pays heed to the Queen:
Would that not be the most decisive and really effortless (for him) play? Two quick moves. Checkmate. Game over. He could take the kingdom, the army and power, SO easily. But he's not looking at Miriel. He's looking at Galadriel.
He doesn't want the easy win. He doesn't want to remove the queen. He wants to crown this one.
Again, Galadriel is quick to point out that Halbrand was using her to appoint himself king. Unknowing that he could have easily done so (as Sauron), were power all that he wanted. But what he does next contradicts that.
It is the anti-chess move -- he takes himself off the board saying "Find another head to crown." It is the opposite of what everyone else at that table would have done. But it is not an empty gesture. It is an emerging pattern. He wants her. This untameable, unpredictable, headstrong woman. An uncrowned queen with no lands of her own, no army and no allies behind her.
I just love watching season 1 all over again for this reason. Because the breadcrumbs are delicious. At first, human!Halbrand's motives appear murky and cunning. And after the reveal, when the audience gains clarity, perhaps the truth is closer to Sauron being a deeply lost and misguided spirit fumbling towards the closest thing to love and light he had ever been chanced to cling to. I get emotional.
with every step he’s moving her (a pawn) to the end of the board to make her his queen
"Let it lie." 1x02, 1x04, 2x08
(X, X)
(X)
His truest, deepest feelings and yearnings screaming at him from his subconscious via his own gaslight illusion, craaaaazy business 😵💫