[emmanuelleriva]

Cats in La Pointe Courte (1955) dir. Agnès Varda

[geopsych]

Phalaenopsis Red Jujube blooming on a windowsill. The strength and determination of living things is more moving to me lately. I could give in to despair but they never will

[despazito]

I like when construction workers spray paint their strange sigils on the pavement

[emmaharwoods]

INDUSTRY 4.07 — Points of Emphasis

[eelizabit]

atonement makes me so mad. No man w such a strong desire to eat pussy should have to go through all that

[fandiagnosis]

Jud Duplenticy in WAKE UP DEAD MAN (2025)

[muzantropic]

Beirut, Lebanon

[eraserheadvhs]

Pink Flamingos (1972) - dir. John Waters

[partingglances1986]

If you enjoyed this book you should read every other book in the world for extra textual context. All things are intricately related to one another.

[utopians]

it's literally all about having a primary public gender and a secondary personal gender

[protectoursharks]

The shape of a fish's caudal tail can tell you a lot about how fast the fish moves! A rounded tail is the slowest and a lunate tail is the fastest! The lunate tail has the most optimal ratio of high thrust and low draw, making it the fastest.

Ichthyology Notes 2/?

[trainstationgoodbye]

Let's not get caught. Let's keep going. Thelma & Louise (1991) dir. Ridley Scott

[trueloveistreacherous]

Sue me, but make sure your courtroom artist can do black hair. Wickie, if you're doing this 'cause you think I'm going next, I'm not. I just don't want you to be on the hook for this. This is my mess. And I made a promise to that little baby that I would protect her. Sara Bareilles and Renée Elise Goldsberry as Dawn Solano and Wickie Roy in season 3 of Girls5eva (2021-present) created by Meredith Scardino

[nenan]

SAMAN BAKAYOKO photographed by Juliet Lloyd for Lloyd Magazine

[ecranimaginaire]

MY FAVOURITE FEMALE FRIENDSHIPS IN FILM › 24 / ∞

AGNES & LYDIE   🧡 SORRY, BABY (2025, dir. Eva Victor)

[xenadd]

Frankenstein at Selfridges, 2025

Reader, I saw it again. So here is a tiny selection of just a few of my favourite details from the the exhibition at Selfridges.

[winniethewife]

I'm Obsessed with the malachite patterned dress and if anyone can tell me where to get that fabric I would be eternally grateful.

[xenadd]

The fabric was custom woven for the production by a long-standing mill that now largely focuses on furnishing fabrics. A lot of period productions end up using furnishing fabrics, particularly Victorian productions. The weight is often better, and many of the few remaining legacy mills are largely dedicated to furnishing fabrics now. (This mill is one of the last mills still producing genuine embossed moire rather than the woven moire more widely found.) (as much as moire is widely found.)

After the introduction to Mary Shelley and Romantics, the first thing you see in the exhibition is the green dress with several samples, bolts and exploratory fabric R&D. There is also a reference piece of malachite on a drafting table with a concept of Victor’s dressing gown.

The same fabric quality was produced and used in multiple colours for the butterfly gown and the refusal gown.

[xenadd]

On a related note, there was also a lot of digital printing of fabric - the samples at the back are printing samples.

The clearest example at the exhibition was Elizabeth’s introduction grown worn with the archival Tiffany’s scarab jewellery.

Layers and layers of organza printed with what appears to be ice/glacier or water imagery. An omen of both Victor’s past and Victor’s future.

[lovelikeafuneral]

ayo edebiri at vogue world hollywood