So just so we're all clear ICE agent Jonathan Ross straight up murdered Renee Nicole Good in broad daylight and the government is calling HER the terrorist
I finished Umineko for the first time recently and have no one to brain dump about it to, so here are some thoughts in draft about some of the names and their meanings. These are just the western names since it was the most information I could find so far!
WARNING: spoilers under the cut for Umineko! Even if you have read Umineko, there will be spoilers for many of the big reveals, so if you are still trying to figure things out on your own, you may want to skip this.
Krauss: German origin, typically spelled “Kraus” and is a common German surname, not a given name. Translates to “curly.” This one might seem odd, but I think it gives some great characterization of Kinzo. Kinzo is often memed as a westaboo due to his preference for Western architecture and interiors and obsession with Western occultism, so the idea that he literally named his oldest son “Krauss,” which is a last name and has no deeper meaning beyond “curly” is so fitting for him as a young man obsessed with the West. He probably knew less about Western languages and cultures at that stage of life and picked the name because he literally thought it sounded cool.
Eva: I know a lot about this one already, since it’s my name lmao. Hebrew origin, meaning “life” and another form of “Eve,” the first woman. Holy crap, the symbolism already. Eva is obviously the first daughter of Kinzo and ultimately gives birth to his first grandchild. Like the biblical Eve, she was made after the first man/first son and is expected to obey and defer to his authority. She disobeys, however, in Eva’s case by wanting to attend college and trying to groom George into the successor over Krauss and Jessica. Her ambition and desire to move outside of the expectations placed on her is seen as a betrayal by Kinzo and he laments that she isn’t more traditionally feminine, as God banished Eve from the garden of Eden for disobeying and eating the forbidden fruit, gaining knowledge.
Eva shares her name with Eva Peron, the former Argentinian First Lady. Peron is often portrayed as similarly ambitious and willing to get her hands dirty for the sake of improving her station and gaining power.
Rudolf: originates from ancient Germanic and comprised of two parts, meaning “fame” and “wolf.” I think Rudolf is the child we get the least information and narrative insight on, but he comes off as flashier than his siblings and is certainly famous among women. You could interpret his name as how he sees himself, as an alpha wolf with notoriety and fortune. If you think about the Single Truth of Rokkenjima and the wolves and sheep puzzles, you could say Rudolf has been one of the wolves all along.
Rudolf shares his name with Rudolf I, the first Habsburg king of Germany. The Habsburgs would go on to rule many European countries over hundreds of years, but also became synonymous with royal inbreeding that caused lasting genetic issues among its descendants.
Rosa: Latin origin, referring to the rose flower. Roses hold a variety of meanings depending on the culture, their color, etc, which to me evokes how Rosa is one of the most multi-faceted characters in Umineko. She’s described as beautiful and delicate, being the youngest sibling, but she commits some of the most heinous cruelties in the story, mirroring the phrase “every rose has its thorns.” Rosa’s outward appearance of kindness and beauty masks her capacity for cruelty and anger. It also masks her intelligence, as she’s able to solve the epitaph just after Eva, despite Eva underestimating her. As the youngest daughter of the family, born much later than her siblings, Rosa is only expected to make the family look better, more beautiful. Like the rose garden, she’s expected to be something for others to admire.
Jessica: As a name, Jessica appears to have originated from Shakespeare. The Merchant of Venice features the minor character Jessica, the daughter of the antagonist Shylock. There’s a lot of antisemitism wrapped up in Merchant of Venice, but the thematic parallel depicts a young woman choosing to leave behind the life she was born into, defying her family’s expectations and ultimately abandoning them. Umineko’s Jessica obviously never has the chance to truly leave the family, but she admits on several occasions that she isn’t interested in the family headship and would rather live her life on her own terms.
George: Good GOD, the symbolism here. George is Greek in origin, coming from the word for “farmer.” The etymology of the name is humble, reflecting George’s outward appearance as a down-to-earth young man. Despite the humble origins, the name has long been associated with British royalty, as there have been six Kings George, with a very likely seventh in the current line of succession. Perhaps most famous is Saint George, martyred by the Romans for refusing to denounce Christianity when he was made a member of the Praetorian Guard.
He’s also commonly depicted in the story “St. George and the Dragon,” wherein he rescues a princess from a dragon. This is the prototypical fairytale of a chivalrous knight saving a damsel in distress from an evil beast, and describes how Umineko’s George views his relationship with Shannon. Interestingly, the story also describes St. George riding on a white horse. When young Battler promises to come back for Sayo, he tells her that he’ll come on a white horse. But where Battler was absent for 6 years, George came to fill that role for Sayo/Shannon instead.
Battler: Battler obviously has the most unique name of the entire family (that’s not even really a name), so I wanted to compare it to one of Umineko’s strongest inspirations, The Divine Comedy. Dante is both the author and protagonist of the story, so Battler is the Dante of Umineko. Dante is Italian in origin and means “steadfast” or “enduring,” which certainly brings to mind the image of a warrior or “battler.” I’m honestly interested in whether Ryukishi ever considered naming Battler “Dante,” but maybe he thought that’d be too on-the-nose, what with Beatrice and Virgilia already being named after their Divine Comedy counterparts.
I know I’m missing Maria and Ange, but I might do another post about the characters portrayed as witches! Which might have some more insight on Eva, too!
"sex scenes have no narrative purpose" is such a funny take on so many levels. people will really believe that the whole human experience is valuable to portray artistically except sex, which of course has never held emotional weight or significance for anybody
yeah ok but i dont wanna watch straight sex scene number 1231234837582 in the middle of some movie thats clearly not fucking high art or anything, like please, tell me how the sex scene made jason X a deeper movie ill wait
you genuinely think that "the sex scene in Jason X, the movie about jason from Friday the 13th killing people in space, is bad" is a rebuttal to this point? like genuinely? genuinely? like you think that's the kind of sex scene I was talking about in the original post? you think when I'm talking about the artistic merit of sex scenes in movies you think I'm talking about the bit with the dominatrix in Jason X (2001) dir. James Isaac, the movie where Jason from Friday the 13th gets put in cryosleep and wakes up in the future on a spaceship where he starts killing people in outer space? you genuinely think this is the kind of movie and scene I'm referring to when I'm arguing for the potential artistic value of a type of scene? Jason X? Jason X? the one with Jason on a spaceship? you think that "well Jason X, the movie about Jason on a spaceship killing people in space, is bad" is a rebuttal to my point? Jason X? Jason X? J
so long as we're back to social justice 101 on this stupid website, u need to be aware of the feedback loop that emerges from disproportionate scrutiny: any social group that is placed under extra scrutiny, regardless of the actual prevalence of any particular behaviour, will appear to engage in that behaviour more often.
you see this most blatantly with racialised groups (more cops in black neighbourhoods = more arrests in black neighbourhoods = "omg look at all the crime in these neighbourhoods!" = more cops in black neighbourhoods etc). even if the rate of crime is the same (putting to one side the criminalisation of poverty which is also an important related factor), one group gets away with it way more often and a new generation of racists is indoctrinated with the crime statistics which "prove" that some groups are simply more criminal in nature. we see a similar phenomenon online with particular groups (trans women being a huge example) being subjected to mass stalking, their every move documented by weirdos and broadcast as representative of the group as a whole.
tl;dr - overscrutinising groups based on existing bigotries creates a recurring feedback loop, reproducing those bigotries across generations and nominally justifying them. this is bad, and you need to remember that you are not immune to it.
Just so Timothy chalamey knows. I don't believe in him, I don't trust him, and I don't want to see him. If there are 100 people in a room and 99 of them believe in him, I am the one doubter.
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