To the end of the line.
Captain America: the Winter Soldier, the Movie Poster We Should Have Gotten (Redbubble)
Inspiration and non-titled version below cut:

titsay

PR's Tumblrdome
RMH
Three Goblin Art

★

Kiana Khansmith

oozey mess

No title available
Jules of Nature

Janaina Medeiros
🪼
DEAR READER
NASA
Sweet Seals For You, Always
No title available

tannertan36
2025 on Tumblr: Trends That Defined the Year
ojovivo
dirt enthusiast
h
seen from United States
seen from Türkiye
seen from United States
seen from United States

seen from Canada
seen from Brazil

seen from Finland
seen from United States

seen from Germany
seen from United States

seen from United States
seen from Mexico
seen from Türkiye

seen from Italy
seen from Italy

seen from Italy
seen from Germany
seen from Argentina
seen from United States
seen from France
@pooslie
To the end of the line.
Captain America: the Winter Soldier, the Movie Poster We Should Have Gotten (Redbubble)
Inspiration and non-titled version below cut:
Happy Pride
Still thinking about this mobile game ad I got. You will f**k increasingly large creatures.
It is truly mind boggling that they can have an entire ad about extreme monsterfucking but cannot actually type out the word fuck
hate when I type :) and this 🙂 fucker appears. Go away you evil soul
that trailer though
(click through for my paintberri)
Can the killer in me tame the fire in you? I know there’s something waiting for us…
I’m sorry I thought this was America
YESSSSSSSSSSSSSSSSSSSSSSSSS
for context:
“Beep Beep Bitch, You’re Gay!”
Updated the lesbian flag and added nonbinary, pan, ace, and aro for all your tacky LBGTQ+ barcode needs.
Hope yall like my abomination
That last one is fucking moving istg
at last. the gaydar
The only pride flag I care about anymore
oh fuck... the adderall has hit my system... the change, it's happening... grRRRGH...!! get away from me, before it's too late...!!
(flails on the ground, then stands up and does the dishes)
pick one
your ship goes canon
your favorite ao3 writer drops 100k of your ship + your favorite trope
The assholes openly admit it. The whole point of college is to enforce the hierarchy. When those who were supposed to be low on the hierarchy started going to college, the assholes get angry and want to make them suffer for challenging the hierarchy.
Yet another reason this is insanely revisionist is that it pretends the whole reason millennials felt so much pressure to go to college wasn't that conservative politicians had spent the eighties and nineties wrecking the shit out of labor unions to the point that by the time millennials turned eighteen, it was suddenly a lot harder to count on being able to work at a working-class job all your life and still have a good living.
College, all of a sudden, went from "something I'd like to do if I can get in" to "a lifeline in an economy where blue collar jobs are going to shit."
The wheel's turned long enough that now college students are being treated the way union workers and union-adjacent workers were treated in the eighties and nineties, so now college grads are the ones that it's fashionable to shit on, and the new fix-all solution is supposed to be "go into the trades!" Which means that by the 2050s at the latest, we'll be coming up with some new lie to blame people in the trades for the fact that now they're in trouble. And we'll have some new job that everyone should have been doing instead.
My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.
This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.
Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.
Being gay and out was career suicide in the 90s.
Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).
Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).
I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.
It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.
reblog if you love ao3 exactly how it is and you don’t want it to “update” or change in any way♡
I've rewatched just the Scott/Kip episode like 3 times now and I still can't get over it. Scott putting on a second pair of socks at the end being a parallel of him having to hide/cover up who he is, just breaks me everytime 💔(song choice was amazing btw)
Also Kip's dad??? 10/10 protect that man at all costs.
Can you guess what chapter of The Long Game I'm on lol
Had to stop in the middle of reading and draw this. This was such a cute moment I actually teared up. And now I'm scared to continue cuz I'm worried about Ilya's mental health
I want to formally thank the Pike children for organizing this beautiful wedding. The reception was amazing. 10/10 no notes would hire them as my wedding planners