and this is why we don't have online sharing LMFAAAOOOOOO

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let's talk about Bridgerton tea, my ask is open
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Janaina Medeiros
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Stranger Things
Misplaced Lens Cap
Claire Keane

Origami Around
taylor price
art blog(derogatory)
Not today Justin

oozey mess

#extradirty

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JBB: An Artblog!

Andulka
Acquired Stardust
DEAR READER
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@princessloaf
and this is why we don't have online sharing LMFAAAOOOOOO
The autobots are cooked if that's how their strategy meetings look like.😭
there's no fucking way
@factual-fantasy
i'd like to add that the shadow color isnt necessarily dictated entirely by the primary light source, but the bounce light! so for the example of a sunny environment, the reason the shadows are blue are because of the light from the blue sky reflects across the environment; but, if the character were to be under tree cover, the bounce light would be coming from the leaves and thus the shadow would look greener.
Yee yee!!! You got it right on the nose!
Bounce light is something I didn't cover but I adore it!
Gotta work on my bounce light 💪
My good friends this is called using a
Gamut Mask
(image via )
James Gurney is an absolute master and gives really good clarity on colour techniques. Yes, it is traditional paint focused, but the principles are the same. Yes it is informed by the environmental colour but as a painting technique it is achieved this way!
I would also suggest that in digital processing, rather than apply a regular colour layer at a mid opacity, try out the different types of layers, Eg. Screen or Multiply. This can give you at least a starting point to help direct your colour palette.
Layer Blend Modes are so so so important to working in digital art. There's a ton of math that goes into figuring out how the layers should blend together, which is why some of the modes you can pick are literally called Multiply, Add, Divide, and Difference (that's subtraction). The graphics software takes the color values of your base and blend layers and runs a calculation to get your resulting layer appearance. The ones that don't have specifically mathematical sounding names are still doing calculations, but they're more complicated (think linear Algebra and higher). Some of them, like dodge and burn, are named for actual photo editing techniques.
While it's not super important to know about the mathematical side of blend modes, I think it's worth knowing at least enough about how each of the categories of blend modes works and why they do what they do; if for no other reason than having a starting point when you start experimenting with them in your work.
An overview of the basic blend modes and how they work from Genevieve's Design Studio: Accessible with minimal color knowledge; practical and illustration focused. https://youtu.be/kMc87hQrJd0?si=TWCB365pKSfWS8p0. (16 minutes) This creator also has a ton of free resources you can download, including a Blend Modes cheatsheet, but fair warning: you have to create an account to get them!
Want to learn even more about the math-y stuff? It has great film visuals! A video from FilmmakerIQ: You need some basic knowledge of RGB color models, understanding of values/luma, and at least a tenuous understanding of Algebraic formulas. (26 minutes) https://youtu.be/F7_kaTP7_W4?si=x0urqXZ8f51nQVKl
Part 3 of the fakemon backlog
We're all nothing more than caged birds
The show must go on
Day 2 of posting my fakemon backlog
I like her, so she gets #outfits.
With Gen 10’s announcement I thought I’d post some of my fakemon
fujoshi gaze
compilation
Little nugget of wisdom from me today
Some Huntrix fluff 💙🩷💜
Peach being diabolically down bad for Mario makes the world so much better
Bonus:
I’m stepping out of inactivity to repost this
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Why is it that every person I watch on YouTube turn out to be a trans woman OR friends with said trans women