This is stuff I do. They/Them I foster animals and used to work in animal sheltering. If you spam like/reblog I love you. I really just reblog stuff I like and occasionally post my animals. I'm well over 18, for those of you with strict following procedures.
when we started talking about getting a small-breed dog I was like, "I will NEVER turn into one of those people who treats their little dog like a doll or an accessory by forcing them to dress up in ridiculous outfits. Dogs HATE that. They should get to be DOGS, and that means not having to wear anything but a HARNESS and being FREE to ROLL in the MUD." and then I adopted a dog who throws a fit if you try to take him for a walk without letting him pick out a bow tie first. a dog who loves wearing pajamas so much that I'm about to spend a disgusting amount of money on several sets of linen ones for summer. a dog who watches me wave at him to follow me through a mud puddle and just stands there blinking up at me like, "are you fucking serious? and get my paws wet?"
me: I will raise him no differently than the two 80-lb labs I had growing up. absolutely no hoity-toity frou frou little yapyap dog stuff. he's gonna be a good ol' fashioned, rough-and-tumble, capital D-O-G—
to celebrate the popularity of this post, I ordered him another set of the linen jammies in yellow. now he looks like paddington bear
the etsy seller threw in a little miniature hermes silk scarf as a freebie and I dare you to tell me he doesn't know how handsome he looks in it. whenever we take it off of him he broods like he's a wealthy victorian orphan child in desperate need of a seaside holiday to restore his delicate aristocratic constitution
Hello; I made the webcomic RICE BOY 20 years ago; I am premiering a big video essay about that on Twitch, Sunday June 14 at 9pm EST if you would like to come by. Starting a preliminary curated music pre-show thing at 8pm EST
Not only is this legit, it’s unbelievably neat and tidy! I’ve done some of the grafting techniques, but I tend to (because *gestures to self*) end up cutting my hands more than the plant material.
Grafting is really common. Most edible fruit trees, cultivated roses, some tomato plants etc are grafted onto a different rootstock as standard- you can control size that way, or make a useful but weak plant much stronger. As long as your two plants are related closely enough and you have cambium to cambium connection (cambium is the thin layer of green under the bark), you can do all sorts of weird shit - like a single tree that gives you plums, cherries, apricots, peaches and almonds.
And layering is fun! Free plants! The plant will sometimes do this itself when a branch touches the ground and starts sprouting roots.
Okokok cool. Chessboard is cute haha. Whys there 3 pawns and no other pieces. Ha ha. Like none even scattered around? Those are just random pieces to fill out the board right? Right?
the passage of time feels unreal. i have many feelings on this film and a lot of things i wish i did differently. but after a long, long time i came to accept it as it is. its gone to so many festivals, including annecy which greatly surprised me, and i cant help but me a little bit proud of myself, even if i think the final product has flaws that i wish i could correct. its alright. i havent animated since i finished this, minus some puppet animation ive done on a show for a job i had. i hope i can return to this medium once more, with another film. i hope i can finish saturn one day, too. thanks
Drawings of a vivid dream I had several years ago about wish-granting dolls.
I am in a small village by a marsh. It's colonial looking, an old fort where one might go to see historical reenactments, but it's sitting empty and used at the moment as a large space for a few artists to live temporarily and explore. It's a bright summer day. Two beautiful women are about to begin my lesson, in what they describe as a very old and important tradition. They are both people I know from real life, one in her fifties who reminds me a lot of an art history professor I had, who would cry sometimes because she was so passionate about her lectures. we'll call her D. and one in her late 20s who we'll call E. They speak in hushed, intense voices. We all wear white linen dresses, something between communion and pilgrim.
I was taking a sunny afternoon walk as a break from my residency work, on what seemed to have become a habitual route there, taking me by a glistening pond encircled by reeds.
I noticed that on this day, E and D were bustling and murmuring by the water. I walked up behind them, trying to see what the activity was. They hushed me and bade me closer to watch.
They were watching buzzing black bugs go inside a flower, and then shutting the flower tight around them with their fingers. The blooms were trumpet shaped, and the hot orange color of marigolds. Their vines tangled just at the water's edge and the trumpets, squash flower size, poked straight up out of the shallows. They explained to me that you held the flower closed until the fly died inside, and then you got two wishes.
It was a very old tradition, dating back to the days the historical village had been built to reenact. I loved this, but was worried that the creature was rare, which they then googled and confirmed. They felt bad, and I felt bad for spoiling the fun. But it was still neat, and apparently they’d gotten their wishes, which was exhilarating. In the dream I thought about how the fly was a perfect little sacrifice. Vulnerable and rare. So, perhaps a little sadly, I did not get my wish.
Later though, we were bored and digging around in the attic of an old lodge-like building. In a chest we found several old dolls--they were very cute and strange. Made of worn linen, very old looking, all yellowed white, much like the stuffed rabbits my mawmaw used to make. But taller, stretched out, with a face like a tapir. (They have charming downturned snouts)
The one I held had a mopey but sweet face and a frilly bonnet tied on its head with a bow. It had glass eyes, which gave it a surprising liveliness. Its body was sort of curved, hunched forward in a way that made it very easy and comfortable to hold against my chest. It was about a foot tall, maybe a little more.
E, D and I each took one. D explained that these dolls were made by the villagers long ago, who filled them with straw and fibers that the black flies from earlier liked, so that they could grow wishes. The flies would lay eggs inside them and the whole doll would be sacrificed when they hatched--they referred to the whole doll as if it was the fly/sacrificial animal. I think maybe they called them gilly flies or gilly dolls.
The other ladies found dolls with old inert eggs in them, but mine had one that was hatching into a fly. I could see it moving through the threadbare fabric on the bottom of the doll, which was so worn it had become gauze like. The eggs were tiny fuzzy little round ovals that the fly wriggled out of like a silkworm pod. They were easy to see against the light brown straw. Mine had just one, left of center.
I asked "Do I get to keep the doll?" and D said "Yes." I giddily held it to my chest and felt an extreme love for it. Like it was a valuable, and my baby, and a favorite stuffed animal. I knew within myself, as certainly as if I had been there hundreds of years before, that freeing this freshly born gilly fly would not only right an old wrong but get me 2 extra strong wishes.
On E's recommendation, I proclaimed “by this time next year, I wish to have 3 more powerful connections than I do now," (I meant emotional connections) and “By this time next year, I want to make 3 TIMES as much art as I do now.” This was always the format of the wish: “By this time next year…” That was the tradition.
I took a sewing needle from E and used it to make a little tear in the fabric on the doll's bottom. They helped me hold the doll. We were excited. The fly spiraled happily away into the air (we were outside in the sun now) and I felt an extreme assurance that these things would come true.
I woke up feeling that the wishes were real in my waking life. And that in some other place, the doll and all was real too.
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