dirt enthusiast
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ellievsbear
YOU ARE THE REASON

Janaina Medeiros

Andulka

shark vs the universe
let's talk about Bridgerton tea, my ask is open
đȘŒ

Love Begins

#extradirty
PUT YOUR BEARD IN MY MOUTH

JBB: An Artblog!
he wasn't even looking at me and he found me
styofa doing anything
taylor price

Origami Around
Cosimo Galluzzi
Three Goblin Art
Alisa U Zemlji Chuda

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@probablyhavewritersblock
@staff censor THIS.
Gravityâs silhouette remains but the star and all the planets, disappeared, they have.
Writing begins with forgiveness. Let go of the shame about how long itâs been since you last wrote, the clenching fear that youâre not a good enough writer, the doubts over whether or not you can get it done
Daniel José Older (via whatsinsideawritersmind)
You told me you loved me and it would have been enough if it hadnât sounded so much like, âIâm sorry.â
(via happyangry)
Iâm really happy that you connected with something in my words, but if you could not take away the credit, that would be great.
Because maybe love isnât falling! Maybe itâs more subtle than that. Maybe itâs tripping over the sweater you left at my place last night after the party and smiling when I catch a whiff of your scent in the fabric. Maybe itâs stumbling over my words when Iâm making some important political point but then I realize your eyes have been holding mine for too long and I forget what was so important just a second ago. Maybe itâs catching my breath after every time you take it away. Maybe itâs learning how to not feel the whole of it all the time; have it be just a quiet background noise usually, and only give it small, isolated moments to be felt in full. Maybe itâs working out how to be okay with what is almost enough. Maybe itâs understanding the way this goes, and smiling when I see you with her. Maybe itâs all of it. I donât know. But I think Iâm finally close to figuring it out.
(via i-want-to-be-a-humming-bird)
Please do not remove the credit from my work. I work very hard on what I write, and to see the credit for my words taken away is very hurtful. -- probablyhavewritersblock
You told me you loved me and it would have been enough if it hadnât sounded so much like, âIâm sorry.â
(via captivatedddd)
Iâm glad something in my words spoke to you, but if you could not remove the title & credit from my piece, that would be great.
writing hos
ok so weâve talked about art hos and music hos rightÂ
but what about writing hos
saying that your pencil wonât run out of lead lmao itâll be fine - UNTIL IT DOES AND YOU JUST THOUGHT OF THIS IDEA FOR A POEM GOD DAMN IT
having a stack of filled-up notebooks just sitting by your bed and every two to four weeks filling one up and throwing it into the pile
your desktop/google drive is FULL of fucking files that youâve written down ideas for stories on but. you can never finish
EXPOSITION!!!! âŠ.RISING ActioN????,,, C L I M A X !!!!!!!!!!! âŠfalli ng, ac tio n????????? whats a faller action
WHAT THIS CHARACTER ISNâT A PLOT DEVICE AHAHAHANO NOT AT ALL âf uck
i swear iâm writing a novel but i have toOO MANY iDEA
seventy half-baked ideas for novels but not a single coherent plot for one
wanting to write a huge epic series with 15 books and a plot to rival the lord of the rings butâŠ. sits down. âshe had a dream and went a place and - fuckâ
reading over paragraphs youâve written and noticing that itâs a single sentence with 3 semicolons
FREE WRITE â-what do iwrite aboutâŠâŠ.
WRITERS BLOCK WHEN YOU SIT DOWN TO WRITE AND ENOUGH IDEAS TO FILL THE EMPIRE STATE BUILDING WHEN YOU DONâT HAVE TIME
the complete collection of edgar allen poe
shitty handwriting that only you can read
WRITING OUT HOW YOUâD DESCRIBE SOMEONE IN UR MIND
narrating your life inside your head
I think the most tragic phrase I know is, âCould have.â We could have been amazing. I could have been what she needed. She could have loved me. I could have loved her, too.
(via mybrokenviolin)
Hey, Iâm glad you connected with something in my words, but if you could not remove the title & credit I put in the caption, thatâd be great. (For any interested, the original title is What If Is The Worst Virtue To Learn)
Have a goal. Waking up earlier. Smiling. Starting to run. Making this recipe. Buying this blanket. Traveling. Cuddling a horse. Saying i love you to someone. Laughing. Discovering the universe. Singing. Sewing. Having your own shop. Sleeping well. Going to this specific place. Being in peace with yourself. Taking a picture on the top of the Everest. No matter the kind of goal, have one. And fight for it. Wake up everyday with motivation, and fall asleep with a smile. Live your life to the fullest, every second. Do exactly what you want, and accomplish it. You are the master of your life. You decide. You create. So go. Never doubt of your capacities, and go.
(via juliettebox)
Everyone is someoneâs devil.
Matthew Dicks, Memoirs of an Imaginary Friend (via liloury)
Writers
Laying in bed:Â *constructs perfect plot*
Standing in shower:Â *constructs perfect characters*
While driving:Â *constructs perfect setting*
Staring at blank page:Â âwut r werds.â
How to write a kiss
Rebloggable version, as requested by davrosbro. :)
Oooh! Yes! I love kisses. Kisses are where it all starts ;).
Okay, first, remember that kiss is much, much more than just lips. It is lips, but also tongues, teeth, eyes, faces, hands, noses, bodies, heartbeats, breath, voice- and most importantly, a kiss is emotions. A kiss without emotion is just wet mushy lips stuck together. Ew. Gross. The most important part of a kiss isnât the how, but the who- because of the emotions between the two people.
Okay so:
lips- Lips can slide, glide over each other smoothly, or they can be chapped and rough and dry and get stuck on each other. They can match, top-to-top and bottom-to-bottom, or they can overlap, with one personâs top or bottom lip captured between the other personâs lips (yummy). If there is lipstick or chapstick there is lipstick or chapstick flavor, otherwise, lips donât have a taste (can you taste yours?). Lips also can smack- the sound of two of them coming together or pulling apart, because theyâre wet and warm and soft.Â
tongue- Tongues are always wet, and always warm. Theyâre very versatile. They can trace over lips, teeth, or another tongue. They can be smooth and graceful or teasing and flicking. When tongues are involved, there is drool. Itâs only sexy when you like the person youâre kissing, or else itâs kinda gross. :P
teeth- teeth can clack together awkwardly, or teeth can bite down sensually. A person biting their own lip is cute, a person biting anotherâs lips is sexy. A person biting gently is sensual, a person biting roughly is sexual.Â
eyes- Eyes can be wide open with surprise, half-lidded with desire, fully closed with pleasure. Eyes can gaze lovingly, lustfully, wistfully, hungrily, seductively- it all depends upon the emotions of your characters. Have them do whatever you like, but donât leave them out- give them at least a mention!
faces- Faces are what the lips are attached to. Noses bump, cheeks flush, ears turn red, foreheads either wrinkle or relax. Kisses can leave lips, quite easily, and become kisses on chins, cheeks, noses, foreheads, ears, necks, throats. Kisses on noses or foreheads are cute and adorable, kisses on cheeks are sweet, kisses on chins, ears, and throats are very sexual. And a kiss on the lips can be all of those! <3
hands- Hands are super-important. In order to describe a kiss, usually you want to also describe the hands. Where are they? Does one character have on on the back of the otherâs head or back, holding them close? Are they on someoneâs shoulders pulling them near, or pushing them away? Fingers brushing someoneâs cheek or palms grabbing someoneâs ass convey two very different kinds of situations, even if the kiss itself is exactly the same.
noses- Noses are annoying. They easily get in the way, especially for first kisses! People have to tilt their head to one side or the other, and if they donât, noses bump. Iâd only mention noses if a kiss is supposed to be awkward or uncertain or nervous.
bodies- bodies are either close together, or far away. Someone can be surrounded comfortingly by someoneâs arms, or terrifyingly trapped by them. Bodies are warm or hot, they are calm or nervous, relaxed or tense. Body language says a lot. Is your character pulling away, or moving closer?
heartbeat- Hearts can beat fast or slow, and thatâs about all they can do- but there are lots of reasons why they do! A heart can beat fast with fear or excitement or nervousness; a heart can pound with lust or race with terror or sing with joy. Hearts can glow, cower, or shatter. When you really want to drive the emotions of a character home, mention the heart.
breath- To me, the most consuming part of a kiss is the breath. The air that someone else has just breathed going deep into your lungs is very intimate. Lips and tongues donât have a taste, but breath does. Each personâs breath tastes different, smells different, and surrounds a person differently than anyone elseâs breath. Breath can be warm and sweet, breath can be hot and sexy, breath can be hot and frightening. It is something that is very present and should not be left out. A lot of writers leave breath out. And itâs so important; itâs the most intimate part of a kiss. Someone else is breathing into your lungs, and itâs either heaven or itâs hell.
voice- Voice conveys much, even without words. A voice can groan, whimper, gasp, moan, catch, whine, scream, sigh. Voice can convey emotion powerfully, and while some kisses are silent, usually theyâre not.Â
emotion- Emotion is the most important- and the thing you try not to say. You want to describe it, through all of the things above, so that itâs perfectly clear what your characters are feeling, without you ever using the âfeelings wordsâ. If theyâre in love, their bodies will lean close, their eyes will smile, their voices will giggle softly. If theyâre nervous, their palms will sweat, their noses will bump, their voices will shudder. If theyâre afraid, their muscles will be tense, their faces will grimace, their lips will not open. Emotion is the color that you keep inside your mind as you write; itâs the base line that drives the description behind everything else you say.
Wow, that was a lot! Gosh I hope it wasnât too much! Keep in mind not every kiss has all these things- this is just a list of things to consider when writing a kiss, and based on how long of a kiss you want to make. Keep in mind that typing âthey kissed for a long timeââŠthatâs six words, it takes half a second to read, so thatâs a short kiss! If you want a long kiss, you need long sentences that make the reader linger.Â
So maybe to start off, pick three things on the list to describe in your first kiss. Donât try to do it all- that would be too much for even the most epic kiss. Just pick whatâs most important to this particular scene, to these particular characters, and describe those parts along with the lips, and youâve got yourself an awesome, emotional kiss. <3
I think the most tragic phrase I know is, 'Could have.' We could have been amazing. I could have been what she needed. She could have loved me. I could have loved her, too.
What If Is The Worst Virtue to Learn, probablyhavewritersblock
I. oh, Clytie, sweet nymph. you shouldâve been a mother, seeing that youâre so good at waiting for the people you love. you are so good at carrying the heavy things. he would be lucky to know your body. II. there are more lies on top of our graves than there is dirt. thatâs why we deteriorate, isnât it? the weight of our untruths takes the humanity right out of us. out of the gods. how are you still so beautiful? III. corpses rise more than we like to fool ourselves into believing. they still have enough endurance to push and push and push. he let her memory overpower your existence. I am sorry. I am so sorry. IV. sunflower, sunflower. frozen, extending to the warmth that colors your cheeks, that rejects your bones. you bleed on your leaves just to pretend that you and him were born with the same kind of tenderness. you werenât. V. oh, Clytie, sweet nymph. I know he glows so bright, but he isnât fiery for your benefit. in the end, the only burning we do is for ourselves.
the longing period, cgc (via dearyesterdays)
I love someone who doesnât love me. I love someone who doesnât know the sound of my heart thump thump thumping against his chest, doesnât know it is gutted like a peach without the seed, swinging back and forth like a pendulum and I am blocking out every source of distraction, thinking solely of his name. He doesnât know how my lungs expand and trap air while I hold my breath until I am drowning in oxygen. He doesnât know that at night, I move my head as close as I can get to his chest, trying desperately to hear his voice like a lullaby, fastening my fickle skull to the edge of my pillow. I donât believe in love at first sight, but I believe in the science of gravitational pull, like I am the Earth and he is the sun and one day, I will orbit too close and shatter into space. And like the sun, he will remain big and bright and beautiful for years to come and he will never belong to the Earth; the Earth will always owe the sun. I love someone who doesnât love me, someone who never learned not to bite the hands that feed. And thatâs what I do: I feed him my love, break my own heart as it bursts through the seams, fall in love with sound of his fingers moving across the piano, not realizing that it is my organs he is pounding on. Now I broadcast my love with words outlined in a teleprompter: professional, closed off. I am not afraid to love him. But now, when he touches my palms, I am no longer afraid to clasp my hands.
I love someone who doesnât love me, but I wonât let it shrink my heart or own my life / scarredconversations (via scarredconversations)
writers be like
reader: omg I'm so curious what happens next chapter!!
writer: me too haha!!