Hajime Kimura: man and dog
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Hajime Kimura: man and dog
(wanting to make a post about something but it reveals too much about your personal life) i have had a negative experience
Drinking horn with gilded copper mounts, Europe, 15th century
from The Hunt Museum, Limerick
i was compelled
I was also compelled
Those wasp photos were taken on a 10 year old APS-C DSLR currently worth about $400 on the used market. It has a smaller sensor. It doesn't have enough megapixels. It struggles at high ISO. The autofocus cannot detect eyeballs.
I used an 80 dollar manual flash with a 20 dollar diffuser from Amazon.
I didn't even have a macro lens. I just stuck a plastic spacer behind my normal lens to increase its magnification.
And I also cannot stand upright for more than 10 minutes at a time.
That is basically the "in a cave with a box of scraps" version of photography.
I say this not to brag, but to let people understand how much you can do with modest tools under challenging circumstances when you prioritize knowledge and experience.
Education is the superpower that transcends fancy gear.
This I say to brag...
This is only a fraction of my photographic power.
When I get healthy and have a modern camera system, I'm gonna make some cool shit.
107. Coconut Oil
In case anyone is having a bad night:
Here is the fudgiest brownie in a mug recipe Iâve found
Here are some fun sites
Here is a master post of Adventure Time episodes and comics
Here is a master post of movies including Disney and Studio Ghibli
Here is a master post of other master posts to TV shows and movies
*tucks you in with fuzzy blanket* *pats your head*
Youâll be okay, friend <3
i will reblog this everytime it shows up because any of my followers could have a bad night right now
Zimbabwe Akashinga Rangers, all-women anti-poaching unit
I'm not threatened by llms as a writer because it's not actually artificial intelligence, it's not sapient, like, it has never experienced anything, which is why its writing is always dogshit.
like, how do I explain this.
I recently wrote a scene that takes place in a barn. I took the descriptive sentences and carefully chose the words that, when pronounced, sound the most like crunching or rustling hay. When I wrote a description of rain I used words that had rounder letters. My most recent edit was replacing the word "exasperated" with "frayed" because it made me feel more frustrated. Chatgpt doesn't think like that.
It doesn't get creative with form or structure or symbolism, it doesn't play, it just mimics. If it uses a weird word choice, you can't discuss what the intention was behind it, because there was no intention, it doesn't think that deep. There's nothing it wants to say and nothing it wants to evoke. That's why its prose is always vapid as fuck
SCHIAPARELLI Couture Fall/Winter 2027 pls help me get out of debt donating to: ko-fi.com/fashionrunways or dinahlance-shop.fourthwall.com
I need a weighted blanket even Atlas couldnât lift
"Sewing is a gateway drug to thinking through complex problems. It seems really simple; culturally, we make it women's work. Let me tell you: real sewing at any kind of level of proficiency is a bloody magic trick. Sewing, like mold making, involves mental frames that require one to think inside out and backwards. It requires one to work on an order of operations that is often taking into account the reverse. It's a really, really important skill, and if you learn how to sew, you're mostly on your way to carpentry and welding and sheet metal work. I'm not kidding: these are planar forms meeting under rules and conditions. And if you can make a sleeve work, I swear to God, you could build a house."
--Adam Savage
Also, don't be afraid to "Be bad at sewing" check like ONE video on the basics for a good seam, go into any clothing store, check THEIR seam quality and quickly realize that you can do way better even as a complete noob. Sewing isn't wizardry, it's logic and patience and fun and practicality for all levels.
For people who are scared about "being bad at sewing" here are a couple concrete ways you can be "bad" at it (and what the consequences of that is). I still sometimes make these mistakes and i've been sewing since i was seven. ***Forgetting to add seam allowance. *** For some projects this is not a big deal and it'll just turn out a bit smaller than you intended. For other things, you will be crying and kicking yourself about expensive wasted fabric. Beginner Advice: Just don't start out making things that use expensive fabric. Make some cheap shit first to practice, like a muslin pillowcase. Beginner Reassurance: Even if you fuck this up, and you cry and kick yourself a bit, it might not the end of the world. You can always add an extra panel of fabric to make up the difference -- the real trick is figuring out how to do that in a way that looks like Intentional Design so no one else ever notices you were covering up a mistake. (This is something that even really experienced sewists do all the time -- you might have a piece of fabric in your stash that you bought years ago without a project in mind, and now you've figured out what you want to use it for, you discover that you don't have QUITE enough. So you adapt. Easy.)
***Not sewing in a smooth, intentional line*** For some projects this is not a big deal. For projects where it is a big deal, with most fabrics you can always remove the stitches with a seam ripper and try again as many times as it takes until you're happy. (The fabrics that don't tolerate this are ones with a coating, like pleather or leather, where if you poke a hole then it stays forever. Some really delicate fabrics like satins and fine silks (and sometimes knit fabrics as well) also don't like to be sewn multiple times, but you can usually rub the surface gently or dip it in water and flatten it to dry to get the holes to ALMOST close up. Beginner Reassurance: Woven cotton loves you and forgives you and wants you to succeed. Cotton is friend. Friend cotton. Smooch it. Beginner advice: Trust me, you don't want to sew on that tricky shit anyway. Satin is for masochists who don't take their own advice. Love yourself, stick to woven cottons until you feel confident. Also! Pins will help you sew in a straight line because they'll hold the fabric neatly together. Also, you can use a washable fabric marker to draw the seam lines on with a ruler. If you're VERY VERY VERY new to sewing, I would suggest getting a piece of trash fabric (if you can find a ratty old bedsheet at a thrift store, that's a GREAT thing to practice on), cutting a piece about a foot square, drawing a loooong wobbly meandering line on it with marker or pencil, lots of curves and sharp corners. Then sew along that line with your machine, aiming to get the needle perfectly through the line. This will help you practice manipulating the fabric around curves and corners. Further Advice: Keep your hands flat on top of your fabric on the "table" part of the sewing machine, rather than picking up your fabric with your fingers and moving it around. Just shift it gently with your palms. ***Fabric shifted while sewing and left a gap where the needle didn't go through both layers of fabric*** Hey! What did I tell you about using satin! Put it down and walk away! It is too treacherous for you, traveller! Friend cotton generally doesn't do this to you. Beginner advice: Use pins or fabric clips and this won't happen Beginner reassurance: You can always seam-rip the fucked up bit and try again. <3
***Thread keeps fucking up and getting tangled and snarled on the back of the piece (machine-sewing edition)*** Don't panic, this is not a you problem. You haven't done anything wrong. This happens because every sewing machine has the devil in it. Super normal and happens to everyone. Beginner advice: Remove the thread from your machine and re-thread it, both the top thread and the bobbin. Test it on a bit of scrap fabric to see if that fixed it. If it didn't fix it, try re-threading again and pay close attention to make sure you're doing it right (don't put the bobbin into the bobbin holder backwards, for example). Test again. If that didn't fix it, twiddle the tension knob a bit. If that didn't fix it, open up the part of the machine where the bobbin goes and try blowing the dust and lint out. If THAT still didn't fix it, turn the machine off and go have a cup of tea or a nap. If that STIIIIIIIIILL didn't fix it, replace your needle, it is old and blunt. Beginner Reassurance: I'm holding your hands while I tell you that this is the exact process of troubleshooting you will be using for the rest of your sewing hobby no matter how good you get. Professionals also do this. ***Thread keeps fucking up and getting tangled and snarled (handsewing)*** Also not a you problem. The thread just has too much twist in it. Beginner advice: Just hold up your project and drop your needle so it hangs free on the thread. Run your fingers down the length of it to loosen the twist, the same thing you'd do with the cord of your hair dryer or the vacuum cleaner when it gets twisty. Some people use a little beeswax to coat the thread to help it behave. I've never used that, because just letting it hang and untwist in the air works fine for me. Beginner reassurance: This is normal, just one of those things. You're not bad at sewing.
***Sewed things together with wrong-sides together instead of right-sides together*** Happens to the best of us, especially if you are sewing while tired and bleary. Just undo the seam with a seam ripper and try again. Beginner advice: If you immediately make exactly the same mistake a second time, this is not your fault. This is just a sign from the gods that it's time for a break (all sewists know about this sign, it's a very normal omen). Go to bed, or go eat something. Further advice: If you're making this mistake while well-rested and well fed, maybe your pattern or your fabric is just weird. Try sewing it with a very wide basting stitch, check your work, then sew again with a proper seam. It will at least save you time on ripping it out if it didn't work right again. Beginner reassurance: You're working with friend cotton, right? Then you're fine, you have basically as many chances as you want. :)
***Seam looks bad when I'm looking at the piece inside-out*** Does it look okay from the outside when you turn it right-side-out? Then you have succeeded. Beginner advice: You don't even have to fix this unless you want to. If it's a functional seam, who cares what it looks like inside out? (If you really care, your next step will be to watch some youtube videos about SEAM FINISHING, which is one additional step to make the seams look nice and tidy even inside-out.) ALSO, ironing helps. Iron your seams flat with the right sides of the piece still together just the same way you sewed it, and then fold the two sides apart and iron the seam open, gently pulling the fabric apart as you go so it gets REALLY nice and flat. On curves this is going to take some practice. Just don't do things with curves for your first couple of projects. Make a pillowcase.) Beginner reassurance: It's ok to have an ugly seam, especially as a beginner. No one's going to check the inside unless they're a sewing nerd, whereupon you should bashfully tell them, "This is the first thing I ever made," and they will explode in adoration and praise. Sewing people are like this because we are all a little bit crazy. Every sewist i've ever met remembers VIVIDLY the mistakes they've made while they were learning and the radical self-forgiveness it took to continue learning. A very good sewist is one of the nicest people you will ever meet, because they have made Ten Thousand Mistakes, processed their upset, and kept persevering. They WILL praise your ugliest nastiest most fucked up cotton pillowcase, and they will tell you that you should be really proud of yourself. They will tell you some of the mistakes they've made. They will probably say, "No this is so good, this is way better than the first thing I made when I started!"
***I made a thing but it doesn't fit right.*** Too big? pinch it closed and sew another line. Too small? Rip the seam and add a panel. Beginner advice: Measure twice, cut once. Further advice: Oh, and before you do any cutting or sewing, be sure to pre-wash your fabric on HOT (if you're using cotton; you're using cotton, right? Other fabrics might need something else) so that it can do all the shrinking it's going to do. Beginner reassurance: There's ways to fix every problem, you're not bad at sewing because it doesn't fit right. If you only knew the number of times I made a thing and it didn't fit right.... Ho hum, try again! There are of course other ways to fuck up, but you have to be AMBITIOUS to hit those, and really those are more like... subcategories or more specific flavors of these general ones?
Anyway yeah. Go play with some cotton, fuck around, make a pillowcase. Pay attention to what you're doing and check your work vigilantly at every step. You will be fine. <3
Also - recently I went to the V&A museum and I looked at historical dresses.
And there was scarring on the fabric. Scarring is left when you are sewing and make a mistake and you need to change it - seam ripping, mostly.
The stitches were visible (teeny tiny, but I could SEE em)
The gathers were very obviously done on 'vibes' and not measured out.
And I thought... I made those mistakes. I MAKE those mistakes. I've got scarring on my fave shirt. My jeans don't have the most even topstitching.
And these mistakes were there - on this dress.
in a MUSEUM.
sew!
Dio lackeys are always saying shit like âLord Dio will be so pleased when he hears tell of my deed! He shall reward me!â I donât know how to tell you but Dio does not give a fuck
Dio is standing in front of his mirror testing selfie angles right now and to be honest heâs kind of hoping you die
i read somewhere that a breakup is like a funeral for a relationship and that really transformed my thinking. a relationship is a living breathing thing and there is something to be said for intentional, thoughtful and caring transitions or ends. you can learn a lot about the quality of a relationship by looking at how it closed out
thinking about when my grandfather died and before i went into his room to see him my mum told me this was a really special time. a breakup can also be a really special time if you honour the life of the relationship right.
cleaning along desire paths
Fantastic advice!! And something Iâve realized Iâve been doing for myself these last 6-7 years, even though I never had a name for it.
Seriously, this is such a great way to go about organizing your home.
I really canât express how much easier your life can be when you accept that thereâs no objectively right way to do this kind of stuff, especially when you let go of the idea that itâs a moral failure when you canât do something the âcorrect wayâ nor is it evidence of you being lazy.
Working with (leaning into) your natural limits and instincts can do wonders for you in your day-to-day life.
âWhyâs she so rude?â (Sheâs Not)- Stereotypes, pt2
So I'm sure that you all thought I was going to give a blow-by-blow list of "visual stereotypes to avoid". I'm going to be honest here, I thought about it, and figured it would be redundant. My page already includes sensitivity on depicting Black people. So instead, I'm going to focus on stereotypical "character" concepts, so that you can 1) not write it in your stories and/or 2) recognize it in media (fiction and reality!) and in life!
Two major resources: the Jim Crow Museum website is an EXCELLENT resource to understand the imagery of antiblack racism in U.S. history and society. The other, White Tears, Brown Scars by Ruby Hamad. The book focuses on the many racist stereotypes projected onto women of color and how that purposeful, systemic negative perception of us bleeds into every aspect of our lives- specifically by white women/white feminists who believe that they are not contributing to said oppression.
I'll start with Black women, just because Iâm passionate about it (obviously) and there are so many things I wish I had and hadnât seen growing up. We deserve better by the year of our lord 2024.
TRIGGER WARNINGS: mention of sexual assault, assault
Misogynoir
What I want everyone to understand, before I get into this, is the concept of intersectionality, and more specifically, misogynoir. Misogynoir is the specific type of contempt and prejudice that Black women face at the intersection of race and gender. I say this because you might read these things and go âoh, as a woman, I experience these things!â I get it, but I want you to PAUSE, and remember, that right now, we are talking about Black womenâs experiences. And those will often be different, due to that intersection of identities. And that understanding will have an effect on how you understand (and thus, write) those experiences.
The Jezebel
The link goes into much deeper detail, but the Jezebel is the idea that a Black woman or girl who is sexual is somehow âfastâ, âsalaciousâ, âa hoeâ, âdriven by desire/doesnât understand purityâ, and at its worst, unable to be r*ped/a victim because she is less valuable yet somehow inherently seductive to men.
This gets thrown around CONSTANTLY in media and life for Black women (my first experience of treated like I was âfastâ was when I was like⊠twelve?) One major, visible example is Megan Thee Stallion. Meg has a college degree, she likes anime, sheâs a brilliant rapper, and has an entire personality and struggles sheâs shared⊠But she also likes to dress scantily clad and have sex. By doing those things, she âlessened in valueâ. And because of this, when she was shot at and assaulted, even Black people questioned her character, rather than understanding that she could have been anyone, and she still wouldnât have deserved to be assaulted. She's not allowed to be multi-faceted; she "brought it on herself".
Black girls and women who happen to take charge of their own sexuality, to the discomfort of society, are treated as Jezebels- as whores. Think about it- if one of Taylor Swift's recent boyfriends shot at her, would the media question her value or her word? Question her equivalently high âbody countâ?
Question how you write your Black woman- she can enjoy sex! She can be sexy! We love to see it! But if you're punishing her specifically, or judging her within the narrative, versus your other characters who are allowed to safely explore and act upon their sexuality⊠Check your judgment! Why do you feel the way you do about this character? Why do you think that your Black character is the one that should be judged for her actions. Would you feel this way if it were a nonblack character?
The Sapphire/Angry Black Woman
Ohohoho, I have infinite amounts of feelings about this one.
This is the "sassy Black friend", the "aggressive Black boss", âstep on me angry mommyâ, the one who does the z formation and makes everyone "uncomfortable". Sheâs not allowed to be confident, assertive, or self-assured- sheâs arrogant, rude, and aggressive.
I discussed it in part one, but I'll reemphasize it: your Black woman doesn't have to be an âAngry Black Womanâ in order to be angry! Just like any other human being on the planet, we are allowed to be mad. (In my honest opinion, we have a lot to be mad about, but I digress đ )
If the only character that ever gets angry is your Black character, I want you to consider why. What is she angry at? Was this something you wanted the reader to understand or empathize with? Are we supposed to disagree? How does everyone around her treat her anger? Is her anger righteous? Is she always shut down or dismissed for it? Is it only meant to defend her friends, but never herself? Does the narrative suggest that itâs only good in use of others and not herself? Would this be the same reaction if one of the nonblack characters was angry? Is this something you did on purpose?
Very often, we're called 'angry Black women/girls' to invalidate our emotions. My therapist once said anger is a protective emotion. We might be hurt, overstimulated, sad, depressed, frightened, anxious⊠But we are often not allowed the grace of others digging deeper to see that. Even if the other characters do not understand her anger, even if her motives are not meant to be understood at the moment⊠you as the writer should be aware. But if every time itâs time to show anger or upset, itâs your Black character⊠consider why this is the one you thought would best convey that message, and how your Black readers might feel seeing that this character (who may not even be the âbad guyâ) is the one that is âonlyâ angry. No other development, no other emotions, just⊠there to be mad.
I take this one to heart, as someone who feels very passionately about things⊠this is one of those things where I wish, in life and in media, people would have more grace for Black women. We're human, too. We have feelings, too.
The Mammy
This one isnât as visually blatant anymore in media as it was in the past (like every Mammy doesnt look like Aunt Jemima), but you may have seen this one as "the mommy figure". The "lesbian that parents the silly gay boys". The one thatâs always encouraging the ship of the white boys, but never the one allowed to be in the ship (especially when her ship is canon!)
A good example of this was how people expected Jessica Drew from ATSV to be "more loving" to Gwen, rather than the mentor and boss she was (plus, as a Black woman with a Black mother⊠trust and believe, she was quite direct and gentle). And in comparison to her counterpart, white man Peter B. Parker, was decried far worse for similar detrimental actions.
The Mammy often serves in opposition to the Jezebel and Sapphire/Angry Black Woman. What makes the Mammy particularly annoying is that it implies that the only good Black woman character is a âniceâ, demure, unthreatening, homely, motherly figure whose job it is to make sure to center the (usually) white ones. The Mammy is expected to coddle everyone, to her own detriment. She's a âgood Blackâ because she causes no issue, raises no fuss, never shows a negative feeling, knows that she has to âbe strongâ but to always defer because the white characters know best. Sheâs ânot a threatâ, and thatâs why sheâs âallowedâ to be around. We shouldnât have to be those things in order for our stories to be heard and understood, in order to be empathized with or treated like someone of value.
The Strong Black Woman
If I never hear this phrase again in my life, if we eradicate it from future generations for Black girls and women, I'll cry of joy lmao. I hate it, and it's not for the reasons most nonblack people would expect. Lord, this one. Anyway. The âstrong Black womanâ is meant to protect everyone, no help needed! Whenever something is wrong and we all need a pickup, here she comes to âlet me do itâ and everything is going to be okay! She did all the necessary suffering so that your characters don't have to! She can sweep in and save the day!
Now here's the dissonance kicks in. This one on its surface probably sounds like a good thing. She's a hero! Sheâs resilient! She's great! Who wouldn't want to be superwoman? Who wouldn't want to reject being a love interest, all women are always love interests! Let us be the badass that kicks ass and shows the men what for! Who wouldnât want that, 24/7?!
The answer: US. đđŸđ€Ł
This is a long, separate conversation on its own, but we have to understand that Black women (women of color, really) and White women do not always share the same end goals and understanding of "strong woman character" or even feminism. We certainly aren't always the love interest. Very usually not, in fact. We are always pushed to the side. We are already the hero in our lives, we're already the "strong woman".
Not everyone yearns to be the Singular Hero who will Fix It All as many of us are already expected to do. It's exhausting having to swallow your own needs for everyone else all the time, especially when it's suggested that you have no value otherwise if you don't. Heroism is Exhausting, and it's something worth looking into when youâre characterizing your Black girls and women. Iâm not saying that we canât be strong! We are, and itâs impressive! But I also want us to add some nuance to that strength, the way we would for any other character. What it means to have community, rather than to do it all alone. How even if she wants to be the hero (and thatâs okay! Thatâs fine!) how it would still wear on her. Surrounding your Black girl character with unconditional support, to have a lover that actually wants to pull some weight- that's something many of us actually would like to see, because we're usually shafted to the side as 'someone who can do it all herself' (in order to hide that no one thinks we need or are deserving of the help).
It's okay to let your Black woman and girls show weakness, to rest, to be taken care of! It's not "less feminist" to accept that we're humans that need help and can't carry it all, too. That itâs okay to want to feel valued and protected. Because god knows, I wish I didnât grow up strong and resilient, I wish I grew up knowing that the world cared that I was safe.
Standards of Beauty
These standards are not the same! I've mentioned it before in my lesson on skin tones, but very often when we think of "beauty", itâs easy to fall into the idea of whiteness. Pale skin, thin hair textures, etc. If those are our existing standards of beauty, then it doesnât matter what any of us look like- weâre ugly! When I was in high school, I remember a classmate saying that Swedish people were the most beautiful people because of "white hair and pale skin". Without even meaning to, that guy basically said everyone darker than a stack of loose leaf printer paper was ugly by proxy of not being Nordic White (no matter how pretty they actually might be!!) đ€Ł
Itâs also of note that whiteness/paleness tends to be connected with innocence and cleanliness in western culture, while blackness/darkness tends to be considered dirty, sinful, fearful. Now, while the origin of this idea may not be racist itself, when you spend hundreds of years implying that Blackness is bad- to the point that, in the U.S. they came up with an entire slur one step past ânegroâ (meaning âBlackâ) to deem you less than- itâs hard to say that the societal connotation didnât apply.
Now we've already discussed working on describing our Black characters better! I continually remind you all that you should be describing them as wonderfully made as you do your white characters. Keep in mind that we live in a world where from day one when we enter the world, Blackness and Black features are not seen as beautiful nor emphasized. Whiteness is the standard of beauty that we, for a long time and still, are expected to adhere to. If you'd like to do better by your characters, remember that you don't have to give them "white features" or use "white" as an adjective to do that!
Black Women as Women
âThere was literally nothing, not a thing, that a white woman could ever have that was worth more than her sexual virtue, and this obligated mandatory chasteness and sexual vulnerability⊠If the most important thing a woman has is virtue, and only white women can have virtue, then by definition, only white women can be women.â Ruby Hamad, âOnly White Women Can Be Damselsâ, White Tears, Brown Scars
Often, Black women by definition are not included under the societal banner of âwomenâ, from our features, to our personalities, to our 'role' in life. "True Womanhood" is denied us, cis and trans, because of our Blackness. The things that make women âwomenâ, we are not included under, because systemically, the only âwomenâ that were meant to mean anything were white.
I bring up Megan Thee Stallion again. Meg is probably one of the most beautiful, feminine women I've ever seen in my life. Men still call her a man, due to her height, due to her confidence, and due to their insecurities. Same with Serena Williams; Serena is damn near built like a god in my eyes. She was told she was manly from the beginning of her career, no matter how beyond skilled she was in women's tennis. Even when she damn near died giving birth- the most basic of 'tasks' women are seen as having in this society, it didn't matter. Black women are 'less womanly', 'less valuable', 'less in need' of that protection and identity that society swears Womenâą need (and not in the honest way that we do need protection).
Consider that you're making sure that your Black women have the options of range of gender expression and emotions (and if they aren't allowed to, is that on purpose). If you're only ever creating us and we're in service of some dainty white woman and never the other way around... consider how that may reflect what you think our role is in your story, and in your mind.
Adultification
âAwkward moment when Rue is some black girl and not the innocent blond girl you imagine.â twitter: sw4q
It has been shown that Black girls the same age as their white girl counterparts are deemed older and less in need of protection, and supposed to 'be more mature'. Imagine that. Deemed inherently less innocent, due to your skin color. Having to parent our siblings, get jobs to contribute, do all the cleaning, and more. Yet, when we act with the maturity that we've been forced to grow into, we're "fast". A little 12-year-old girl, now to society, the Jezebel. All because she wanted to try pink lip gloss or wear a skirt; things that little tween girls might try to understand the big world around them and push boundaries. Now she's a woman, now she can never be a victim. Now she can be beat on and hurt and it's her fault.
I explain this for two reasons: One, for you to think about how your write your Black girls, and Two, for you to hold more grace for Black girls- real and fake. Do you hold her to a higher standard than your white characters of similar age? Does she inherently seem less innocent to you for reasons outside the plot? Is she as human to you as your other characters? Is she allowed to be a child? To act like one? To make mistakes? Are you as empathetic or understanding about that childishness as you are towards nonblack characters? Do you make these decisions on purpose?
It's not like Black girls can never be YA protags or anything- ofc we can. But keep in mind that she's not somehow automatically "stronger" by proxy of her Blackness, that she'd "be tougher". She's a kid. Let her be one.
Conclusion
Thereâs a LOT you have to consider when writing Black girls and women. Iâm not going to sit here and say itâs easy, because being Black, and being a Black woman, is not easy. If youâre stressed reading it, imagine being stressed living it lmao. Itâs a constant chain of quick-time events every day of your life to prevent nonblack nuclear meltdown in response to your every single action. Iâm not going to apologize for it, either.
That being said, I donât expect you to understand everything, especially not all at once. I just want you all to keep these things in mind, to question yourself when youâre writing your character- are you treating her differently on purpose? Or are you treating her differently because of a bias you might not even notice you have? It might help to go back, to read how you treat all of your characters. Or, if youâve never written before, to maybe outline the traits of your characters and figure out where things balance out. As always, all you can do is practice at it. Because it's the thought that counts, but the action that delivers.
Whew, I'm actually emotionally strained after this one. My chest is beating fast. Let me go get some groceries now.
Black feminism, as well, as womanism, cannot stand without accurate citations. I'm not being argumentative, a lot of it has to do with the sources you used. But as Patricia Hill Collins wrote: "
"I also know that, lacking a collective voice, individual voices like mine will become fainter until, one day, many may forget that we ever spoke at all."
from Fighting Words by Patricia Hill Collins
Misogynoir was created by a queer scholar Moya Bailey circa 2012, who developed its scope and use alongside Trudy. Misogynoir was coined as term that was to merge and read antiblackness and misogyny, but that was also a way to read the experiences of Black women in digital spaces. Below is Moya Bailey's first book.
Mammy derives from the real life figure of the in house servant, oftentimes living with the white family that has become over the years imaged as this generously Black object of abundant flesh, the signifier of her endless nurturing and her willful servitude. Here are quotes that discuss the Mammy:
As domestics in white households, black women were the bodies at the core of the private sphere, both invisible and essential to ideas of proper white womanhood. Assigned to perform the functions of the female body (disavowed by the angels of the home) meant that they carried the sweat and labor of constructing the domestic stage.
from Babylon Girls by Jayna Brown
The usually nameless black mammy figure, in these-black and-white-pairings, served a very specific function: since"small children would not sit still for the long exposures required by early photography", she held the child steady, and therefore, guaranteed the success of the portrait.
from Embodied Avatars by Uri McMilan
Jezebel and the mammy have been theorized, alongside the welfare mother, by Patricia Hill Collins, from her seminal book Black feminist thought, as controlling images, that is as the tropes that crush Black women out of their humanity and work to establish their inferiority. Patricia Hill Collins cites Jezebel as originating during slavery: "The fourth controlling image-the Jezebel, whore, or sexually agressive is central in this nexus of elite white male images of Black womanhood because efforts to control Black women's sexuality lie at the heart of Black women's oppression.
Zen and the art of not abandoning myself