Minimum Safe Distance @q-for-short - Tumblr Blog

toskarinfr

must feel good as fuck to curse a prince for being rude to you while you were larping as an old woman for no reason

butch-womb

It's actually imperative that you are open and proud of your attraction to fat people and bodies

johnturturro

living in the us right now is just a constant stream of

bogleech

Does tumblr know about that Papa Johns sauce bottle pissing everyone off on all the other social media?

Its for a good reason but it's kind of also undeniably funny. It really looks like that.

kaijuno

wakingfromthewater

Still thinking about this mobile game ad I got. You will f**k increasingly large creatures.

dark-magician-girl-meets-world

deathandmysticism

Wehman Bros, new book of one hundred and fifty parlor tricks and games, 1905

creature-crow-deactivated202512

brb trying this

hyenangel-deactivated20241224

blue-the-flyingpyrochef

chromegnomes

jp-nichts

Had a funny thought while struggling through a mechwarrior mission, loosing components here and there

jp-nichts

While I was trying to make a version in my usual color pallet I realized I had to make some more gay looking ones for pride month

jp-nichts

It was requested I do an ENBY one on Bluesky 💛🤍💜🖤

b33tlejules

Good news. we can finally Be Bees. this isn't your world, but we can Be Bees. this is Good news. you can Be a Bee. you'll live like a Bee. A Pet. A pet? A Pet. Mark, this is Good news. You'll live. for 30 years. THIS IS INSANE

no-sharks-on-the-sun

they killed him for this

salithemage

the way ozempic has finally made the fact that eating healthy and exercising doesn't necessarily make you thin well known and society's reaction to this is not "oh i guess being thin or fat doesn't actually show if you're healthy" but "oh i guess everyone should be on this drug"

put-me-down-please

I hate that this is infact how ozempic is viewed now because I watched, in real time, how my mothers diabetes got significantly better on ozempic, she didn't start it for weight loss, infact she started it before it even got big for weight loss, but all people can talk about is the weight loss on ozempic and not how good it is as a diabetes medication. Watching my mom find energy and happiness because for once a drug wasn't making her lethargic and miserable was wonderful, she was able to feel better, but then it was spouted as this miracle weight loss drug, and suddenly she just couldn't access it anymore at a good price. Not only has the ozempidemic made fatphobia normal in an already fatphobic society but it's making it harder to access for people who genuinely need it because it's seen as a luxury cosmetic drug.

derrickwildsun-deactivated20250

That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.

sci-fantasy

J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)

transhuman-priestess

Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

This is true of all censorship.