Me abt Maul: No guys u dont understand he just wanted a friend :((((((( pls he's so misunderstood :((((((((((((
Also me: Yeah he killed those ppl and what

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Origami Around

titsay

tannertan36
Peter Solarz
Game of Thrones Daily
i don't do bad sauce passes
AnasAbdin

Love Begins
cherry valley forever

❣ Chile in a Photography ❣
NASA
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todays bird
Not today Justin
we're not kids anymore.
noise dept.
DEAR READER

Andulka
Mike Driver

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@redlandscapes
Me abt Maul: No guys u dont understand he just wanted a friend :((((((( pls he's so misunderstood :((((((((((((
Also me: Yeah he killed those ppl and what
doodle
Lie down
Try not to cry
"In a way, Spybot is almost everything that Maul can't be or can't bring himself to be. Which is joy, pure happiness, glee in his wickedness."
Cry a lot
SAM REID CALLING OMEGAVERSE "VERY URSULA LE GUIN"
Thinking yet again about the 🥺 raw hope on Maul’s face when he thinks he hears his presumed-dead enemy’s voice: he’s never treated Obi Wan like an enemy soldier who defeated him in battle, but a comrade who betrayed and abandoned him, he spends TCW acting like Obi Wan left him at the altar. In this scene his yellow Sith eyes are desaturated down to khakhi and he is actually, truly, for real crying a single perfect tear, because that’s the ANH tagline: help me, Obi-Wan Kenobi, you’re my only hope. Whatever attraction was going on during their duel in TPM got magnified into Kenobi becoming one of the main emotional anchors of Maul’s life when he was in total isolation for a decade and this one perfect duel with his perfect match was the last human contact he ever had, because Obi-Wan was the last person to see him alive. It kills me that Maul spent more or less his entire adult life having this intense one-sided Gideon and Harrowhark relationship with someone who didn’t even remember him the next time they met. In this scene, like in the final Mandalore arc where he wanted them to team up and save the galaxy together, he’s completely over the delusion of wanting revenge, he loves this man, and he’s letting himself believe for the briefest moment that he survived the purge and finally came back for him
#reblogging bc the LOOK ON HIS FACE WHEN HE SAYS KENOBI#OOOOOH IT GOT ME GOOD#obimaul#yalllllll#also the shots of him on lotho when Savage finds him???#and in his memory he was saying ‘help me’#but I’m 99% sure in TCW he was just muttering ‘kenobi’#KENOBI = HELP ME R U SERIOUS DAVE FILONI?????#I keep telling you guys that Dave Filoni was a beta on Mos Nowhere maybe you’ll believe me now 😤
I think Maul had many, many, many vivid and psychosis-boosted dreams/fantasies/visions about Obi Wan Kenobi on Lotho Minor, but the most painful ones were the dreams where Obi Wan would come find him there like Luke first meeting Leia in ANH, and say, you fought with honor, you didn't deserve this, you should have been my brother in arms, I have a ship, come with me. The last time he made eye contact with another person after the duel was screaming and reaching up to Kenobi while he was falling down the shaft, and through all the years of obsessive revenge and hatred, some part of him was always waiting for Kenobi to reach down and take his hand, until the night on Tattooine when Obi Wan finally catches him
Thinking yet again about the 🥺 raw hope on Maul’s face when he thinks he hears his presumed-dead enemy’s voice: he’s never treated Obi Wan like an enemy soldier who defeated him in battle, but a comrade who betrayed and abandoned him, he spends TCW acting like Obi Wan left him at the altar. In this scene his yellow Sith eyes are desaturated down to khakhi and he is actually, truly, for real crying a single perfect tear, because that’s the ANH tagline: help me, Obi-Wan Kenobi, you’re my only hope. Whatever attraction was going on during their duel in TPM got magnified into Kenobi becoming one of the main emotional anchors of Maul’s life when he was in total isolation for a decade and this one perfect duel with his perfect match was the last human contact he ever had, because Obi-Wan was the last person to see him alive. It kills me that Maul spent more or less his entire adult life having this intense one-sided Gideon and Harrowhark relationship with someone who didn’t even remember him the next time they met. In this scene, like in the final Mandalore arc where he wanted them to team up and save the galaxy together, he’s completely over the delusion of wanting revenge, he loves this man, and he’s letting himself believe for the briefest moment that he survived the purge and finally came back for him
Was flipping through this scene frame by frame from episode 4 for reference angles for Maul and look at this fucker having such a shit eating grin while trying to kill Daki!
Guys, you’ll never guess,
SOMEONE WROTE A FIC BASED OFF OF THIS DREAM!
The amazing, wonderful, lovely @/wasabi._.sabine on instagram contacted me because they loved this premise, and actually WROTE IT and it’s amazing!
https://archiveofourown.org/works/86213586?fbclid=PAVERFWASQq5pleHRuA2FlbQIxMABzcnRjBmFwcF9pZA8xMjQwMjQ1NzQyODc0MTQAAae4CHm-ms1mzl_9FEvN6DfjAS4y1cK_oLawCKiaMhuan__5m7PHO6LyDPvLXQ_aem_QKVCvi6dVo0V-7XYCfNgZg
I am beyond excited that I could help out by beta reading this masterpiece, but I also made some art for it🤭💖
To have the context for The art you’ll have to read it hehehe! And I truly hope you give it a read because Sabi really did an amazing job, I truly teared up a couple of times while reading (and rereading) it
MORE ART TO COME IN THE FUTURE BECAUSE I AM OBSESSED WITH THIS (and with our little ocs we created for this story🤭)
Her name was Judy-Lynn del Rey. And she became the most powerful editor in science fiction history.
Born in 1943 with achondroplastic dwarfism, Judy-Lynn grew up devouring science fiction in New York City's public libraries. At a time when the genre was dismissed as pulp fiction for teenage boys, she saw something else entirely: the future of storytelling.
She started at the bottom—an office assistant at Galaxy, the most prestigious science fiction magazine of the 1960s. Within four years, she was managing editor.
Then Ballantine Books came calling.
When she arrived at Ballantine in 1973, science fiction and fantasy were afterthoughts in publishing. Fantasy in particular was considered unsellable—unless you were Tolkien. Judy-Lynn thought that was nonsense.
Her first major move was audacious: she cut ties with one of Ballantine's bestselling authors, John Norman, whose "Gor" novels were popular but notoriously misogynistic. It was a risk. She didn't care.
Then came the gamble that changed everything.
In 1976, someone brought her an opportunity: the novelization rights to an upcoming space movie by a young director named George Lucas. Hollywood thought the film would bomb. Studio executives were skeptical. Most publishers passed.
Judy-Lynn said yes.
The Star Wars novelization sold 4.5 million copies before the movie even premiered.
She would later call herself the "Mama of Star Wars."
In 1977, she launched Del Rey Books—her own imprint, with her husband Lester editing fantasy while she oversaw everything else. Their first original novel was Terry Brooks's The Sword of Shannara. It became a phenomenon.
She didn't stop there.
Remember The Princess Bride? The original 1973 novel had flopped. It was headed for obscurity. Judy-Lynn rescued it, reissuing it in 1977 with a striking gate-fold cover and an aggressive marketing campaign. Without her intervention, there might never have been a movie.
She published the Star Trek Log series. She championed Stephen R. Donaldson's Thomas Covenant trilogy—convincing Ballantine to release all three books on the same day from a completely unknown author. Unprecedented.
She published Anne McCaffrey's The White Dragon—the first science fiction novel ever to hit #1 on the New York Times bestseller list.
And she did all of this while competitors called her imprint "Death-Rey Books"—because she was utterly dominant.
Between 1977 and 1990, Del Rey Books had 65 titles reach bestseller lists. That was more than every other science fiction and fantasy publisher combined.
Arthur C. Clarke called her "the most brilliant editor I ever encountered."
Philip K. Dick went further: "The greatest editor since Maxwell Perkins"—the legendary editor of Hemingway and Fitzgerald.
But here's what burns: the science fiction community never nominated her for a Hugo Award while she was alive. Not once. The men who ran the industry praised her in private and overlooked her in public.
In October 1985, Judy-Lynn suffered a brain hemorrhage. She died four months later, at 42.
Only then did the Hugo committee vote to give her the Best Professional Editor award.
Her husband Lester refused to accept it.
He said Judy-Lynn would have objected—that it was given only because she had just died. That it came too late.
He was right.
Judy-Lynn del Rey transformed science fiction from a niche hobby into a cultural force. She made fantasy into a mainstream publishing category. She bet on Star Wars when no one else would. She saved The Princess Bride from oblivion. She published the first #1 New York Times science fiction bestseller.
She did all of this standing 4'1" tall in an industry run by men who underestimated her at every turn.
The next time you pick up a fantasy novel, or watch a Star Wars movie, or quote The Princess Bride—
Now you know who made it possible.
First that I've heard of her! And now I know about her!
not quite mass effect but I do have some new stuff.
idk, fell back into the star wars hole...
"You do not think I would simply let you walk out of here?"
I just realized, Maul is technically left handed. He did all of this with his non-dominant hand 😳
I know something you don't . . . I'm not left right handed
I was in stitches watching this scene from episode 6 where Maul looks visibly annoyed at Marrok's spinning lightsaber, so I had to doodle it along with his internal monologue :,D
Maul was 22 in TPM and he’s in his late 30s during Shadow Lord, and he really is the ultimate millennial burnout hero (?) we all need in this year 2026. Slogging through a world that’s been sent down a path of fascism and destruction by evil boomers who won’t retire and never trained real heirs because they never intended to be replaced, watching all the institutions that always seemed so immutable crumble around him, finally deradicalizes from Evangelism/the military/whatever toxic institutional culture and gets immediately busted for anti-state activities because he didn’t grow up in a surveillance state and wasn’t paying attention to facial recognition software being everywhere, now being challenged by fascist Gen Z streamers who have no respect for traditional skillsets and can’t read cursive or an analog clock.
I was in stitches watching this scene from episode 6 where Maul looks visibly annoyed at Marrok's spinning lightsaber, so I had to doodle it along with his internal monologue :,D
It's all right, it's all right