Fai_Ryy
The Stonewall Inn
art blog(derogatory)
No title available
PUT YOUR BEARD IN MY MOUTH
Product Placement
roma★
Keni
Discoholic 🪩
No title available
RMH
h
No title available
almost home
izzy's playlists!
bliss lane
official daine visual archive
shark vs the universe
Not today Justin
oozey mess
seen from Russia
seen from Croatia
seen from Singapore
seen from Venezuela
seen from United States
seen from Venezuela
seen from United States
seen from Bulgaria
seen from Italy
seen from Philippines
seen from Bangladesh
seen from Australia
seen from United States
seen from Romania
seen from Türkiye
seen from United States
seen from Madagascar
seen from Canada
seen from Vietnam
seen from Argentina
@ruleof3bobby
THIRTEEN LIVES (2022) Grade: B-
An entertaining throwback action-adventure that feels like it could’ve come straight out of an older era of filmmaking. It’s a straightforward, crowd-pleasing story that focuses on keeping the tension high.
Being based on a true story adds another layer, and the intensity never really lets up. The suspense stays strong for most of the runtime, making the 2.5-hour length fly by A well-paced adventure.
YOUNGBLOOD (1986) Grade: C-
I actually thought it was going to be even worse. It's an okay sports movie with a decent story, even if it leans into some pretty cheesy moments, especially the love story.
Rob Lowe is solid, but Patrick Swayze steals nearly every scene he's in. He brings the charisma and energy the movie needs.
Not a great hockey movie, but an entertaining enough '80s sports film if you know what you're getting into.
DON'T LOOK NOW (1973) Grade: B-
A genuinely creepy film that relies on atmosphere rather than jump scares. It's a slow burn, but the constant sense of dread keeps the tension high from beginning to end. Eerie Sub characters.
But it still feels familiar. Even for its era, the themes and tone reminded me a lot of Rosemary's Baby, which came out just five years earlier. Similar unsettling mood and psychological approach to horror.
If you're expecting a fast-paced scare fest, this isn't it.
STRANGE DAYS (1995) Grade: D+
I just couldn't fully wrap my head around it. The cast is incredible and surprisingly eclectic which makes the film interesting to watch from scene to scene.
That said, I've never been much of a fan of cyberpunk as a genre, and that probably worked against it. The writing is smart and ambitious, but I never became emotionally invested in the story or its characters.
NOTHING IN COMMON (1986) Grade: F
I liked just about nothing about it. The story is all over the place, making it hard to stay invested from one scene to the next. The leads never develop believable chemistry, and the characters themselves are difficult to like or care about. Instead of growing on you, they become more frustrating as the film goes on.
It also hasn't aged particularly well, with several elements feeling dated for all the wrong reasons.
HEARTS OF DARKNESS: A FILMMAKERS APOCALYPSE (1991) Grade: B+
An excellent documentary and one of the best ever made about filmmaking and Hollywood. Whether you're fascinated by the creative process or the business behind the movies, there's something here to appreciate.
Packed with great stories, fascinating behind-the-scenes insights, and memorable anecdotes, it never loses your attention. The Marlon Brando sequences are amazing ha.
A must-watch for film lovers and documentary fans alike. It’s the kind of documentary that deepens your appreciation for how movies get made.
A PERFECT GETAWAY (2009) Grade: B-
I'm surprised I'd never heard of this movie before. It's genuinely entertaining, with a clever script that keeps things moving and trusts the audience. This feels like the kind of film Netflix wishes it made more often, smart, character-driven, and built around a strong concept instead of just an friendly premise.
The cast is excellent, and the movie has aged remarkably well. It's one of those hidden gems that's easy to recommend.
THE LAST MOVIE STAR (2017) Grade: C-
Average across the board. It has a cute premise, but it never fully pulls you into the story or gives you much reason to stay emotionally invested.
The supporting characters are underdeveloped and don't leave much of an impression. Where the film succeeds is in its sincerity and nostalgia. It clearly has affection for Burt, and it works best as a heartfelt tribute to an Hollywood icon.
Charming in spirit, but ultimately too lightweight to leave a lasting impression.
SLIDING DOORS (1998) Grade: D
I thought it was pretty corny. The production felt off from the start, something about the audio mix and the flat, lifeless color palette kept pulling me out of the movie.
The premise is actually interesting, but the execution never comes together. It feels like a good idea that wasn't fully realized.
Even Gwyneth Paltrow doesn't do much to elevate the material. An intriguing concept weighed down by clunky filmmaking and underwhelming execution.
THE HOT ROCK (1972) Grade: B-
A clever heist caper that feels surprisingly modern. I’m honestly surprised it hasn’t been remade, especially since you can see its fingerprints on so many crime films from the past couple of decades.
George Segal steals nearly every scene he’s in, bringing effortless charm and charisma to the ensemble.
If I had one nitpick, it’s the ending. It’s perfectly serviceable, but after such a clever setup, it doesn’t quite deliver the knockout payoff you hope for.
A smart, influential crime film that still holds up remarkably well.
RIDE THE HIGH COUNTRY (1962) Grade: B
A really enjoyable Western with a strong, engaging plot and top-notch performances from the leads. After watching, I read it was the final film of Randolph Scott. He retired from acting once he saw the finished film, saying he wanted to quit while he was ahead and that he would never be able to better his work here.
The dialogue is a standout, giving the characters plenty of memorable exchanges, and the climax delivers a satisfying payoff that feels earned. True western ending.
If you're a fan of Westerns, this is an easy recommendation.
LOST RIVER (2014) Grade: D
I'm not really sure who I'd recommend this to. Maybe someone who appreciates great cinematography more than storytelling. The DP work is easily the film's biggest strength. It looks fantastic, with beautifully composed shots and a strong visual style.
Unfortunately, the script is a mess. The story feels hollow, the characters never fully connect, and there's very little emotional payoff.
If there's one takeaway, it's this: hire the cinematographer.
DINNER IN AMERICA (2020) Grade: B
I really enjoyed this. It’s a refreshingly original indie with memorable characters and a story that has far more heart than you might expect.
Kyle Gallner commands your attention from the moment he appears, bringing the perfect mix of intensity and charisma. But Hannah Marks nearly steals the movie. She can get a laugh with nothing more than a facial expression, and her performance gives the film its emotional core.
Funny, offbeat, and surprisingly heartfelt, a genuinely original film that's easy to root for.
SHE CAME TO ME (2023) Grade: C-
This probably would've worked better as a stage play than a feature film. As a movie, it's surprisingly dull and never finds much momentum.
The cast is excellent, but the script tries to cram too many storylines into too little time. Instead of giving any one relationship or conflict room to breathe, it jumps between ideas without fully developing them.
The ending is a little too silly and doesn't feel earned, undercutting what little emotional investment the film had built.
LOVE AND MONSTERS (2020) Grade: D+
Great cast, and I continue to think Dylan O'Brien has all the makings of a future star. The visual effects are solid as well, giving the film a polished look.
Unfortunately, the script and dialogue just didn’t work for me. It leans too heavily into silliness, making it difficult to take the story seriously when it needs to.
If you're looking for a more grounded take on this type of film, I'd recommend Monsters instead. It delivers a stronger script, more believable characters, and leaves a much bigger impression.
I LIKE MOVIES (2022) Grade: C-
For a movie that feels like it should be a love letter to cinema, it ends up being more of an awkward coming-of-age story. That’s not necessarily a bad thing, but it never fully delivers on either front.
The main character is difficult to connect with for most of the runtime, making it hard to invest in his journey. And one of the supporting character’s biggest reveals comes far too late to have the emotional impact it’s clearly aiming for.
There are moments of insight and sincerity, but overall it feels like a missed opportunity. A film about loving movies that never quite captures the magic of why we love them in the first place.
MICKEY 17 (2025) Grade: C
Couldn’t get into it. There aren’t many likable characters, and a few are outright annoying, which makes it hard to stay invested.
The pacing drags for long stretches, and the story just kind of muddles around without direction. It never really finds its rhythm.
The one standout is the production design, visually, it’s strong. Unfortunately, that’s about it.