it occurred to me today that zelda can see every stupid thing you do in botw
Misplaced Lens Cap
we're not kids anymore.
Monterey Bay Aquarium
PUT YOUR BEARD IN MY MOUTH

titsay
i don't do bad sauce passes

@theartofmadeline
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shark vs the universe
Alisa U Zemlji Chuda
hello vonnie
Cosmic Funnies
wallacepolsom
let's talk about Bridgerton tea, my ask is open
Keni
noise dept.

JBB: An Artblog!

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trying on a metaphor

Kaledo Art

seen from Malaysia
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seen from United States

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@rumoursmadness
it occurred to me today that zelda can see every stupid thing you do in botw
Jim Pickens in university be like
i don’t know who needs to read this but remember that fandom is a hobby. it’s supposed to be fun, not an obligation.
you don’t have to post on a schedule, or update wips that don’t inspire you.
you don’t have to fill all the prompts you get.
you don’t have to write long things because you feel like this fic is too short.
remember that we’re all here to have a good time. when you find yourself getting stressed by fandom stuff, just stop, breathe and think. what’s the rush? is the world gonna end if you don’t work on this fic / art / edit / blog today?
and if anyone tries to make you feel bad about taking it easy, they can kiss my appletaters. we are doing this for free, because we love it.
just come here, let’s sit and chill for a bit.
A Dunmer who can’t cast ancestor’s wrath and everyone thinks that they are terrible at magic but actually they just had really chill ancestors.
cullen: why do mages have to use a fucking stick or a staff to do magic. what’s so special about a goddamn tree bone
solas: there’s a huge explanation for that but long story short; if you miscast, do you want a stick to explode or your hand?
hawke: also good for hitting people
dorian: twirly
vivienne: dramatic flair
inquisitor: tastes good
This is the Shok of Protection. He looks after you and keeps you safe from bull shit. You don’t have to do anything, just know he’s out there looking out for you.
💖💖💖
me, with a vague plot idea, 1 (one) character name, and an outline that consists of mostly question marks:
Costume. Chitons.
Marjorie & C. H. B.Quennell, Everyday Things in Archaic Greece (London: B. T. Batsford, 1931).
Wait, wait…. Is that seriously it? How their clothes go?
that genuinely is it
yeah hey whats up bout to put some fucking giant sheets on my body
When you’re carding, spinning and weaving everything from scratch, using the big squares exactly as they come off the loom must seem like a fucking brilliant idea. 90% (or more) of pre-14th century clothing is made purely on squares (and sometimes triangles cut from squares).
How did they get the fabric so fine it draped like that? Was that something medieval europe forgot? Or do I just have a completely misguided image of historical clothing?
Medieval Europe also had incredibly fine weaves, though the ancient world tended to have them beat. Linen was found in Egypt woven with a fineness that we’re still trying to replicate, and there was a kind of cotton woven in India called ‘woven wind’ that was supposedly still translucent at eight layers, and wool shawls so fine that the entire thing could be drawn through a wedding ring.
The way they could get away with pinking and slashing doublets in the 16th century was partially because the fabrics were so tightly woven that you could simply cut a line on the bias and nothing would fray.
Modern fabric machining sucks ass in terms of giving us any kind of quality like the kind human beings produced prior to the Industrial Revolution.
*yells about textile history*
Reblogging because it’s fascinating.
The Celts made very fine clothing as well. They invented plaid after all, and the same weaves that have been found at the La Tene/Halstatt salt mines in Austria were also found as far away as western China in the tombs of the Tarim mummies.
Can we talk about 18th century and regency era muslin as well because that shit is gorgeous. It’s so fine it’s more transparent than silk chiffon and oh the tiny hems you can make with it!! I have an 18th century neckerchief and the hem is about 2mm wide. Not kidding, 2mm!!! Because it didn’t fray like our stuff does now. All we can produce nowadays is a rough, scratchy, bullshit excuse for muslin and it’s horrid.
I love this because we’ve gotten so blind to what makes ‘good’ fabric now - machine lace? horrible scratchy shit mostly made from poly. Actual lace is handmade, lasts for fucking EVER and looks stunning.
Regency gowns fucking rocked in terms of fabric quality - we use muslin as a ‘throw away’ before sewing the real fabric, back then it WAS a real fabric and it was so finely made you wouldn’t even think it was the same stuff.
Hand hemming is still the best way to finish off anything, but harder than hell because of the shitty weave of modern fabrics.
Satin? Silks?!
Pah. Yes, fabric is cheaper, more affordable and varied than before, but it is an area where QUALITY was sacrificed for QUANTITY.
(I don’t want to seem like I’m shitting on how great we have it now for clothes and martials or anything, because YAY!! but also, I’d love to get my mits on a bolt of real Muslin)
archaeologists recently found some Bronze Age fabric woven on site and preserved in marsh in England. it’s fine to die for. they were exporting it and trading into Asia.
I’m not into fashion, but I love reading about the history and evolution of it.
So, since I started watching The Dragon Prince today, I feel legally obligated to draw Claudia because she prebby.
note to self: just because someone did the thing you were thinking about doing, and did it way better than you could ever hope to do, doesn’t mean it would be stupid or pointless to go ahead and try to still do the thing anyway.
Also, when it comes to creative things? There really is no “better”.
Sure, someone might be more technically accomplished than you - you might not be able to colour as nicely or craft a sentence that rings as poetically - but art is only really secondarily about that. It’s firstmost about what you, uniquely, have to express, and how the precise way you express it might be what others need to relate to it - even if it’s less flashy, less “beautiful”, and gets fewer notes.
I promise you this: there are obscure fanfics with only a handful of notes that are the read-and-re-read favourites of someone too anxious to comment. There are drawings done by 14-year-olds in poorly-blended markers that are someone’s favourite because they spoke to something that nothing else did. There are covers of songs where your voice cracks and you cringe every time you hear it but someone thinks the way it cracked just at that moment added beauty to the song. There are angsty three-line poems you wrote at 4am that someone once called “pretentious emo trash” that are loved by someone else going through the same thing as you.
And I guarantee you, there is something unique about your art. Even if you’re “saying something someone else has said”. Even if you’re the thousandth person to take on the subject. Even if you feel like you’re not at all unique. You’re bound to express something, however subtle, that didn’t exist until then.
Art is about connection. And the more you create, the more chance you have of finding other people who experience the world the way you do.
“But the one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can.“ via @neil-gaiman
The “two cakes” theory of content production.
It was only yesterday that I was lamenting thing I no longer felt allowed to do because someone had done similar. I ought to read this post daily. Maybe twice daily.
Art is about connection. And the more you create, the more chance you have of finding other people who experience the world the way you do.
idk what it is about sitting in chairs and having both feet on the floor but it’s so uncomfortable and awful and i’ll never willingly do it if there’s literally any other option
it seems like everyone i follow on tumblr is posting copious amounts of dragon age, and i feel it is pertinent to say that i’ve seen a lot of things: an ostensibly traitorous egg person, a horrific bull human hybrid, romantic british redcoat dances, pirates, magic, violence, soft porn of every orientation combination, sad white haired anime elves…yes, i’ve seen it all. what have i not seen? even one single dragon.
Hey a shoutout to
Autistic writers who have trouble writing conversations due to difficulty with social skills
ADHD writers who want to sit down and write but can’t get themself to do it
Writers with social anxiety that are scared to share their work or talk about it with others
Writers with memory problems that know they already had an idea for a plot point but can’t recall what it was
Depressed writers that are trying their best but their mind says it isn’t enough
Dyslexic writers that have red lines under so many of their words or that have to take extra time to try and communicate their ideas
Writers with DID/OSSD that don’t feel like they get enough time to work on their project or that it gets left on the shelf for long period of time
Spoonie writers that run out of spoons for a day before they get to work on their project
Writers with tourettes who’s tics get in the way of their writing
Mentally Ill writers in general
Disabled writers in general
Writing is already hard as heck and having to deal with mental/body stuff on top of it can make it harder. We/Y’all are so strong and badass for keeping on doing this even when dealing with all of our own stuff!
can i add please
- traumatized writers who have trouble writing again bc their trauma was somehow touching their writing and now they have trouble picking it up again
adrian tepes moodboard