Ryn Ecosystem
Main Blog: @rynwanders
#ryn rambles for sporadic (un)original shitposts
Creative Blog: @ryncreates
Fic Rec Blog: @rynsficrecs
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@rynwanders
Ryn Ecosystem
Main Blog: @rynwanders
#ryn rambles for sporadic (un)original shitposts
Creative Blog: @ryncreates
Fic Rec Blog: @rynsficrecs
it do be like that
Edvard Munch, The Sun
Can’t believe Tangled (2010) had the emotional intelligence and insight to ask the question what do you do when your dream IS fulfilled and it’s everything you wanted it to be but then it’s over.
BUT it's not the ONLY movie to do so. The Princess Bride also wrestled with this problem, and came up with a totally different answer:
Dread Pirate Rapunzel has a nice ring to it
Jelly cycle, gamblin ink on kitakata paper, hand pressed
Jane Austen Action Figure! Now with Karate Chop Action!!
accoutrements does it again
generally you shouldn't write run-on sentences because they get confusing and it doesn't give the reader a break. that doesn't apply to me though my run-on sentences are fun and understandable and they have a rhythm to it that makes you want to keep reading
TikTok live is such a waste of time there are no good….
this is how we should generate power for cities
contextual storytelling from that sign in the back
muttering "the hamsters control the wheels" as i wander around like a blind medieval soothsayer
you should be able to cure a tension headache by screaming with enough volume/intensity
acrylic, canvas 90 * 70 cm «silence» 2019
If you are interested in disability and theater or creative accomodations in general, I urge you to watch the Hadestown proshot
Not only is it perhaps the best proshot ever made, constructed with the visual language of a concert film in a way that perfectly suits the material, it was filmed while Patrick Page was recovering from an injury that necessitated putting him in a walking boot.
What they've done with it is so perfect for the character that, if you hadn't been told that it was a medical device, it would look like the costume had always had this sick-ass mech boot. I'm not familiar with the exact kind of boot, because it's not shaped like the ones that I've had to use before (having seriously injured the same leg three separate times). Whatever it is forces his heel not to contact the floor, and they've compensated somewhat with a very high heeled dress boot on the other leg.
As you can imagine, because knees exist, it forces him forward, making him move in almost a goat-like way, and it is sheer perfection. The boot is done up with a bunch of sparkly tubes and bullshit that absolutely nail the aesthetic, and it gives him a weird spindly kind of movement that is so incredibly on point for the character. It only underlines his alienation from everyone else, and were it not for the documented history of actors injuring themselves by portraying a disability, looking at you Dear Evan Hansen and basically every production of Richard III, I would say that we should put every Hades in a sick-ass mech boot
This is not the first time that Hadestown West End had injured or disabled cast members, and the way they handled it here it was masterful and really underlines that you can make accommodations and enhance the work
And also goddamn Patrick Page is a hoss, do you know how heavy those motherfuckers are, because I fucking do
I would like for us to consider the way Shane probably crashes hard after each season.
I was that student in school who went overboard every semester. I’m talking color-coded notes, binders on binders of prep for exams, overly prepared for every contingency on the final. I earned my A’s, damnit. So when that last exam was done, the grades were in, and I could relax? Baby, I was down and out for at least a few days. Don’t call me or beep me if you wanna reach me. My phone is off. My leg’s half off the bed. My bonnet done came off—it’s halfway across the room. My mom has to wake me up to drink some water. I barely speak English. Huh? What? No sé. Je ne sais pas. I can’t do the words right now.
Whether the Cup is won or not, the end of the season is Shane’s equivalent of that last final exam. The months-long adrenaline rush is over. Pencils down, hit “submit,” you’re out of time. Shane’s always aiming for the A+ but time’s up, regardless of the grade. He can rest. He needs to rest.
Every year, Shane powers through an hour of his team’s post-season celebration before his eyelids start to droop. The physical, mental, social, and emotional pressures of the year have evaporated in an instant and fuck, how long has he been this exhausted? He goes back to his hotel room, gets a quick nap in, then makes his way to his parents’ place.
That’s when his strings get cut and he just drops.
The moment he’s through the door, he hugs his dad, kisses his mom on the cheek, then heads straight for his childhood bedroom and faceplants into familiar navy blue sheets. He’s out like a light before he hits the pillow. Yuna waits 5 minutes before she comes in to gently take his shoes off, plug his phone in on the dresser, and pull the blankets up to his chin. She tousles his hair and smiles at the way he nuzzles into her hand before she pulls away.
Shane’s dead to the world until dinner. He stumbles out of his room with one sock on, one arm out of his shirt, and eyes half unfocused. Nobody says anything; it’s pointless. Shane’s lost all ability to speak coherently. Any attempts at conversation will be met with gibberish. He’s physically exhausted and mentally fried. Cannot people right now. Try again later, please and thank you.
He allows David to guide him to the table and plops into his seat, blinking owlishly as Yuna sets a plate in front of him. He has to eat with his chin propped up on one hand, to avoid faceplanting into hot food. He can and has fallen asleep in his dinner before without so much as flinching.
David unapologetically takes advantage of the situation every year by making a carb-heavy dish. It’s usually pasta. He knows Yuna will back him up and give Shane seconds. And instead of arguing or making a face, Shane will eat every bite. He’s on autopilot and simply fulfilling basic bodily functions to address hungry-tired-thirsty-sleepy-feed me-take care of me as efficiently as possible.
After he clears his plate (at least twice), Shane smacks his lips and cringes. Good God, his mouth tastes like lasagna and death. Has he brushed his teeth today? He wordlessly makes his way to the bathroom and finds everything set up for a quick routine. Brush, pee, shower, brush again because he forgot he already did. If he has a quick cry, muffled by the shower, nobody says anything. Nothing’s wrong, but the emotional release is very much needed. Retainer in, stare at reflection in mirror for a bit, and right back to bed.
David comes in around midnight to leave a glass of water on the nightstand. He takes his turn to ruffle Shane’s hair and laughs softly at the muffled nonsense he gets in return. Realistically, Shane’s training unicorns to ballroom dance in his dreams and murmuring about their godawful adherence to accepted waltz standards with half the blanket in his mouth. David chooses to take that as “love you, Dad, thank you for tolerating me in my zombie state.”
When Shane wakes up the next afternoon, he accepts a cup of coffee, then looks blearily up at Yuna and utters the first words he’s consciously strung together since arriving the morning before. Usually, Yuna and David take bets on whether it’ll actually make sense. Last year it was: “Why is…cookies and cheese?” The year before was “I have no idea where dogs lie in keyboards for boats.” He always looks at them in confusion when they don’t answer, then chugs the rest of his coffee before putting his head down and napping a bit more.
This year, with Ilya still asleep in the navy blue sheets down the hall, dead to the world and snoring like a freight train, Shane comes up with something different.
“We have…tea for Ilya?”
David blinks. That’s…surprisingly coherent. Also, tea?
“Um,” Yuna responds. “We have green tea.”
“Mmm…no,” Shane yawns, jaw clicking as his mouth opens as wide as possible. “No caffeine in off-season. He gets…mm. No.”
None of them have noticed that the snoring’s stopped. As if on cue, Ilya stumbles into the kitchen—curls flat on one side of his head, eyes barely open, and creases from the sheets imprinted on his face and chest. His sweatpants are on backwards, but it’s highly unlikely he notices.
Yuna and David have a silent conversation as Ilya plops himself into Shane’s lap, grabs his coffee, takes a sip, and makes a face like someone just insulted his mother. He whines pitifully and flops back into Shane, who buries his face in Ilya’s neck and promptly falls asleep again.
“This is too cute,” David says with his eyes. “They’re like drunk toddlers.”
Yuna nods jerkily toward the table at their cell phones. “Take a picture, take a picture!”
Your 20s are not about getting your life together they're about learning to escape the self imposed torture labyrinth you've built inside your own head