Mia Bergeron (US-American, 1979) - Pursuit (2026)
Mia Bergeron (American, 1979), Pursuit, 2026. Oil on aluminum, 29 1/2 × 41 1/2 in.
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Mia Bergeron (US-American, 1979) - Pursuit (2026)
Mia Bergeron (American, 1979), Pursuit, 2026. Oil on aluminum, 29 1/2 × 41 1/2 in.
Illustration of ‘The Prince of Darkness: Dagol’ devouring human limbs. Taken from a general work on the magical arts.
Compendium rarissimum totius Artis Magicae sistematisatae per celeberrimos Artis hujus Magistros. c. 1775
Wellcome Library, London
Japanese B5 film poster for Man Bites Dog (1992) dir. Rémy Belvaux, André Bonzel & Benoît Poelvoorde, released 1992.
Un jardin d'hiver, Marcel Broodthaers. (at MoMA The Museum of Modern Art)
Philip-Lorca diCorcia Lacy, 2008
C.M. Thomas
Rosemarie Trockel, Ohne Titel, 2005, installation view. Courtesy: © Rosemarie Trockel and VG Bild-Kunst, Bonn 2022; photograph: Frank Sperling
Levitación, 2013
ጥቁር አንበሳ (Tikur Anbessa meaning black lion)
this colossal stone carving depicts the Lion of Judah in Addis Ababa, Ethiopia
standing 10 metres high, it was constructed on the occasion of the Silver Jubilee of the reign of Emperor Haile Selassie I in 1955
James Dean on the set of Giant, 1955, photographed by Sanford Roth
Crash (1996)
Picture by Arctic Wolf
RINKO KAWAUCHI
Purple Magazine no 14
more
Gordon Parks captured the Jim Crow South with a quiet, devastating clarity—using his camera as both witness and weapon. Through intimate portraits and everyday scenes, he exposed the cruelty of segregation not with sensationalism but with humanity, dignity, and truth. Parks showed Black life in the South as it was lived: tender, resilient, disciplined, and determined, even under oppressive laws. His photographs didn’t just document injustice—they challenged America to see what it preferred to ignore.
Photos via: @gordonparksfoundation